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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #87DE4B it is the complementary color #7821B4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #87DE4B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #87DE4B shade: #8CDE46, #9DF059, #AEFF6C, #BFFF7F and #D0FF92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #87DE4B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #87DE4B shade: #87DE4B, #76CC38, #65BA25, #54A812 and #439600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #87DE4B shade: #86DD4A, #AEDD4A, #D6DD4A, #DDBD4A and #DD954A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #87DE4B shade: #86DD4A, #5EDD4A, #4ADD5D, #4ADD85 and #4ADDAD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #87DE4B shade matches the following richer shades: #86DD4A and #83EF38

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #87DE4B shade: #86DD4A, #89CC5B, #8CBB6C, #8FA97D and #93988F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #87DE4B shade: #D6DD4A, #AEDD4A, #87DD4A, #60DD4A and #4ADD5B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #87DE4B shade: #5DB421, #6FD727, #86DD4A, #9DE46C and #B4EA8F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #87DE4B shade: #87DE4B, #4ADDBD and #DD4AC2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #87DE4B shade: #87DE4B, #4A87DD and #DD4A87

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #87DE4B shade: #87DE4B, #4ADDBD, #A04ADD and #DD4A6A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #87DE4B shade: #87DE4B, #4AD1DD, #A04ADD and #DD564A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 66 / 13

HEX #87DE4B

RGB 135 222 75

HSL 95.51, 0.69%, 0.58%

LAB 80.68, -50.4, 61.46

 

Complementary color

CMYK 33 / 82 / 0 / 29

HEX #7821B4

RGB 120 33 180

HSL 275.51, 0.69%, 0.42%

LAB 34.75, 60.31, -60.27

 

CMYK 37 / 0 / 68 / 13

HEX #8CDE46

RGB 140 222 70

HSL 92.37, 0.7%, 0.57%

LAB 80.88, -49.12, 63.67

 

CMYK 35 / 0 / 63 / 6

HEX #9DF059

RGB 157 240 89

HSL 92.98, 0.83%, 0.65%

LAB 87.1, -49.38, 63.07

 

CMYK 32 / 0 / 58 / 0

HEX #AEFF6C

RGB 174 255 108

HSL 93.06, 1%, 0.71%

LAB 92.4, -48.26, 61.26

 

CMYK 25 / 0 / 50 / 0

HEX #BFFF7F

RGB 191 255 127

HSL 90, 1%, 0.75%

LAB 93.51, -40.54, 54.33

 

CMYK 18 / 0 / 43 / 0

HEX #D0FF92

RGB 208 255 146

HSL 85.87, 1%, 0.79%

LAB 94.74, -32.43, 47.15

 

CMYK 39 / 0 / 66 / 13

HEX #87DE4B

RGB 135 222 75

HSL 95.51, 0.69%, 0.58%

LAB 80.68, -50.4, 61.46

 

CMYK 42 / 0 / 73 / 20

HEX #76CC38

RGB 118 204 56

HSL 94.86, 0.59%, 0.51%

LAB 74.4, -50.05, 61.85

 

CMYK 46 / 0 / 80 / 27

HEX #65BA25

RGB 101 186 37

HSL 94.23, 0.67%, 0.44%

LAB 68.03, -49.47, 61.6

 

CMYK 50 / 0 / 89 / 34

HEX #54A812

RGB 84 168 18

HSL 93.6, 0.81%, 0.36%

LAB 61.6, -48.58, 60.25

 

CMYK 55 / 0 / 100 / 41

HEX #439600

RGB 67 150 0

HSL 93.2, 1%, 0.29%

LAB 55.08, -47.31, 57.51

 

CMYK 39 / 0 / 67 / 13

HEX #86DD4A

RGB 134 221 74

HSL 95.51, 0.68%, 0.58%

LAB 80.33, -50.4, 61.47

 

CMYK 21 / 0 / 67 / 13

HEX #AEDD4A

RGB 174 221 74

HSL 79.18, 0.68%, 0.58%

LAB 82.49, -36.13, 64.39

 

CMYK 3 / 0 / 67 / 13

HEX #D6DD4A

RGB 214 221 74

HSL 62.86, 0.68%, 0.58%

LAB 85.25, -20.22, 68.11

 

CMYK 0 / 14 / 67 / 13

HEX #DDBD4A

RGB 221 189 74

HSL 46.94, 0.68%, 0.58%

LAB 77.44, -1.14, 60.22

 

CMYK 0 / 33 / 67 / 13

HEX #DD954A

RGB 221 149 74

HSL 30.61, 0.68%, 0.58%

LAB 67.55, 20.12, 49.54

 

CMYK 39 / 0 / 67 / 13

HEX #86DD4A

RGB 134 221 74

HSL 95.51, 0.68%, 0.58%

LAB 80.33, -50.4, 61.47

 

CMYK 57 / 0 / 67 / 13

HEX #5EDD4A

RGB 94 221 74

HSL 111.84, 0.68%, 0.58%

LAB 78.8, -61.86, 59.38

 

CMYK 67 / 0 / 58 / 13

HEX #4ADD5D

RGB 74 221 93

HSL 127.76, 0.68%, 0.58%

LAB 78.44, -64.16, 50.76

 

CMYK 67 / 0 / 40 / 13

HEX #4ADD85

RGB 74 221 133

HSL 144.08, 0.68%, 0.58%

LAB 78.96, -58.2, 32.09

 

CMYK 67 / 0 / 22 / 13

HEX #4ADDAD

RGB 74 221 173

HSL 160.41, 0.68%, 0.58%

LAB 79.72, -50.07, 12.32

 

CMYK 39 / 0 / 67 / 13

HEX #86DD4A

RGB 134 221 74

HSL 95.51, 0.68%, 0.58%

LAB 80.33, -50.4, 61.47

 

CMYK 45 / 0 / 77 / 6

HEX #83EF38

RGB 131 239 56

HSL 95.41, 0.85%, 0.58%

LAB 85.43, -59.57, 72.77

 

CMYK 39 / 0 / 67 / 13

HEX #86DD4A

RGB 134 221 74

HSL 95.51, 0.68%, 0.58%

LAB 80.33, -50.4, 61.47

 

CMYK 33 / 0 / 55 / 20

HEX #89CC5B

RGB 137 204 91

HSL 95.58, 0.53%, 0.58%

LAB 75.61, -40.65, 48.96

 

CMYK 25 / 0 / 42 / 27

HEX #8CBB6C

RGB 140 187 108

HSL 95.7, 0.37%, 0.58%

LAB 71.01, -29.78, 35.04

 

CMYK 15 / 0 / 26 / 34

HEX #8FA97D

RGB 143 169 125

HSL 95.45, 0.2%, 0.58%

LAB 66.29, -17.24, 19.81

 

CMYK 3 / 0 / 6 / 40

HEX #93988F

RGB 147 152 143

HSL 93.33, 0.04%, 0.58%

LAB 62.2, -3.53, 4.1

 

CMYK 3 / 0 / 67 / 13

HEX #D6DD4A

RGB 214 221 74

HSL 62.86, 0.68%, 0.58%

LAB 85.25, -20.22, 68.11

 

CMYK 21 / 0 / 67 / 13

HEX #AEDD4A

RGB 174 221 74

HSL 79.18, 0.68%, 0.58%

LAB 82.49, -36.13, 64.39

 

CMYK 39 / 0 / 67 / 13

HEX #87DD4A

RGB 135 221 74

HSL 95.1, 0.68%, 0.58%

LAB 80.38, -50.07, 61.53

 

CMYK 57 / 0 / 67 / 13

HEX #60DD4A

RGB 96 221 74

HSL 111.02, 0.68%, 0.58%

LAB 78.86, -61.37, 59.46

 

CMYK 67 / 0 / 59 / 13

HEX #4ADD5B

RGB 74 221 91

HSL 126.94, 0.68%, 0.58%

LAB 78.42, -64.4, 51.63

 

CMYK 48 / 0 / 82 / 29

HEX #5DB421

RGB 93 180 33

HSL 95.51, 0.69%, 0.42%

LAB 65.81, -49.83, 60.56

 

CMYK 48 / 0 / 82 / 16

HEX #6FD727

RGB 111 215 39

HSL 95.45, 0.69%, 0.5%

LAB 77.36, -57.41, 69.73

 

CMYK 39 / 0 / 67 / 13

HEX #86DD4A

RGB 134 221 74

HSL 95.51, 0.68%, 0.58%

LAB 80.33, -50.4, 61.47

 

CMYK 31 / 0 / 53 / 11

HEX #9DE46C

RGB 157 228 108

HSL 95.5, 0.69%, 0.66%

LAB 83.83, -42.47, 51.05

 

CMYK 23 / 0 / 39 / 8

HEX #B4EA8F

RGB 180 234 143

HSL 95.6, 0.68%, 0.74%

LAB 87.26, -33.01, 38.72

 

CMYK 39 / 0 / 66 / 13

HEX #87DE4B

RGB 135 222 75

HSL 95.51, 0.69%, 0.58%

LAB 80.68, -50.4, 61.46

 

CMYK 67 / 0 / 14 / 13

HEX #4ADDBD

RGB 74 221 189

HSL 166.94, 0.68%, 0.58%

LAB 80.09, -46.28, 4.37

 

CMYK 0 / 67 / 12 / 13

HEX #DD4AC2

RGB 221 74 194

HSL 311.02, 0.68%, 0.58%

LAB 56.25, 69.42, -33.24

 

CMYK 39 / 0 / 66 / 13

HEX #87DE4B

RGB 135 222 75

HSL 95.51, 0.69%, 0.58%

LAB 80.68, -50.4, 61.46

 

CMYK 67 / 39 / 0 / 13

HEX #4A87DD

RGB 74 135 221

HSL 215.1, 0.68%, 0.58%

LAB 56.09, 7.64, -49.74

 

CMYK 0 / 67 / 39 / 13

HEX #DD4A87

RGB 221 74 135

HSL 335.1, 0.68%, 0.58%

LAB 54.05, 61.97, -2.09

 

CMYK 39 / 0 / 66 / 13

HEX #87DE4B

RGB 135 222 75

HSL 95.51, 0.69%, 0.58%

LAB 80.68, -50.4, 61.46

 

CMYK 67 / 0 / 14 / 13

HEX #4ADDBD

RGB 74 221 189

HSL 166.94, 0.68%, 0.58%

LAB 80.09, -46.28, 4.37

 

CMYK 28 / 67 / 0 / 13

HEX #A04ADD

RGB 160 74 221

HSL 275.1, 0.68%, 0.58%

LAB 49, 60.26, -60.73

 

CMYK 0 / 67 / 52 / 13

HEX #DD4A6A

RGB 221 74 106

HSL 346.94, 0.68%, 0.58%

LAB 53.29, 59.28, 14.12

 

CMYK 39 / 0 / 66 / 13

HEX #87DE4B

RGB 135 222 75

HSL 95.51, 0.69%, 0.58%

LAB 80.68, -50.4, 61.46

 

CMYK 67 / 5 / 0 / 13

HEX #4AD1DD

RGB 74 209 221

HSL 184.9, 0.68%, 0.58%

LAB 77.45, -32.27, -16.65

 

CMYK 28 / 67 / 0 / 13

HEX #A04ADD

RGB 160 74 221

HSL 275.1, 0.68%, 0.58%

LAB 49, 60.26, -60.73

 

CMYK 0 / 61 / 67 / 13

HEX #DD564A

RGB 221 86 74

HSL 4.9, 0.68%, 0.58%

LAB 54.58, 52.05, 34.52

 

Description

Color code: HEX #87DE4B | qconv.com Color code: HEX #87DE4B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 222 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 222 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 66 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 66% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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