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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #87DBAD it is the complementary color #782452. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #87DBAD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #87DBAD shade: #8CDBA8, #9DEDBB, #AEFFCE, #BFFFE1 and #D0FFF4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #87DBAD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #87DBAD shade: #87DBAD, #76C99A, #65B787, #54A574 and #439361

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #87DBAD shade: #85DAAB, #85DA94, #8CDA85, #A3DA85 and #BADA85

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #87DBAD shade: #85DAAB, #85DAC2, #85DAD9, #85C4DA and #85ADDA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #87DBAD shade matches the following richer shades: #85DAAB, #78E7AA and #6BF4A9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #87DBAD shade: #85DAAB, #92CDAD, #9EC1AE, #ABB4AF and #B8A7B0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #87DBAD shade: #8CDA85, #85DA94, #85DAAB, #85DAC2 and #85DAD9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #87DBAD shade: #45C780, #65D196, #85DAAB, #A5E4C1 and #C4EDD7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #87DBAD shade: #87DBAD, #85A3DA and #DA8985

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #87DBAD shade: #87DBAD, #AB85DA and #DAAB85

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #87DBAD shade: #87DBAD, #85A3DA, #DA85B4 and #DABC85

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #87DBAD shade: #87DBAD, #8589DA, #DA85B4 and #DAD685

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 21 / 14

HEX #87DBAD

RGB 135 219 173

HSL 147.14, 0.54%, 0.69%

LAB 81.2, -35.52, 14.7

 

Complementary color

CMYK 0 / 70 / 32 / 53

HEX #782452

RGB 120 36 82

HSL 327.14, 0.54%, 0.31%

LAB 29.07, 41, -8.09

 

CMYK 36 / 0 / 23 / 14

HEX #8CDBA8

RGB 140 219 168

HSL 141.27, 0.52%, 0.7%

LAB 81.33, -35.04, 17.55

 

CMYK 34 / 0 / 21 / 7

HEX #9DEDBB

RGB 157 237 187

HSL 142.5, 0.69%, 0.77%

LAB 87.64, -34.78, 16.59

 

CMYK 32 / 0 / 19 / 0

HEX #AEFFCE

RGB 174 255 206

HSL 143.7, 1%, 0.84%

LAB 93.87, -34.53, 15.68

 

CMYK 25 / 0 / 12 / 0

HEX #BFFFE1

RGB 191 255 225

HSL 151.88, 1%, 0.87%

LAB 95.17, -25.88, 7.89

 

CMYK 18 / 0 / 4 / 0

HEX #D0FFF4

RGB 208 255 244

HSL 165.96, 1%, 0.91%

LAB 96.6, -17.02, 0.3

 

CMYK 38 / 0 / 21 / 14

HEX #87DBAD

RGB 135 219 173

HSL 147.14, 0.54%, 0.69%

LAB 81.2, -35.52, 14.7

 

CMYK 41 / 0 / 23 / 21

HEX #76C99A

RGB 118 201 154

HSL 146.02, 0.43%, 0.63%

LAB 74.8, -35.77, 15.7

 

CMYK 45 / 0 / 26 / 28

HEX #65B787

RGB 101 183 135

HSL 144.88, 0.36%, 0.56%

LAB 68.3, -36.02, 16.78

 

CMYK 49 / 0 / 30 / 35

HEX #54A574

RGB 84 165 116

HSL 143.7, 0.33%, 0.49%

LAB 61.7, -36.23, 17.95

 

CMYK 54 / 0 / 34 / 42

HEX #439361

RGB 67 147 97

HSL 142.5, 0.37%, 0.42%

LAB 54.99, -36.37, 19.23

 

CMYK 39 / 0 / 22 / 15

HEX #85DAAB

RGB 133 218 171

HSL 146.82, 0.53%, 0.69%

LAB 80.78, -36.02, 15.15

 

CMYK 39 / 0 / 32 / 15

HEX #85DA94

RGB 133 218 148

HSL 130.59, 0.53%, 0.69%

LAB 80.33, -40.24, 26.57

 

CMYK 36 / 0 / 39 / 15

HEX #8CDA85

RGB 140 218 133

HSL 115.06, 0.53%, 0.69%

LAB 80.41, -40.49, 34.43

 

CMYK 25 / 0 / 39 / 15

HEX #A3DA85

RGB 163 218 133

HSL 98.82, 0.53%, 0.69%

LAB 81.63, -32.85, 36.26

 

CMYK 15 / 0 / 39 / 15

HEX #BADA85

RGB 186 218 133

HSL 82.59, 0.53%, 0.69%

LAB 83.06, -24.56, 38.38

 

CMYK 39 / 0 / 22 / 15

HEX #85DAAB

RGB 133 218 171

HSL 146.82, 0.53%, 0.69%

LAB 80.78, -36.02, 15.15

 

CMYK 39 / 0 / 11 / 15

HEX #85DAC2

RGB 133 218 194

HSL 163.06, 0.53%, 0.69%

LAB 81.31, -31.22, 3.72

 

CMYK 39 / 0 / 0 / 15

HEX #85DAD9

RGB 133 218 217

HSL 179.29, 0.53%, 0.69%

LAB 81.91, -25.9, -7.63

 

CMYK 39 / 10 / 0 / 15

HEX #85C4DA

RGB 133 196 218

HSL 195.53, 0.53%, 0.69%

LAB 75.78, -14.56, -17.34

 

CMYK 39 / 21 / 0 / 15

HEX #85ADDA

RGB 133 173 218

HSL 211.76, 0.53%, 0.69%

LAB 69.42, -2.23, -27.02

 

CMYK 39 / 0 / 22 / 15

HEX #85DAAB

RGB 133 218 171

HSL 146.82, 0.53%, 0.69%

LAB 80.78, -36.02, 15.15

 

CMYK 48 / 0 / 26 / 9

HEX #78E7AA

RGB 120 231 170

HSL 147.03, 0.7%, 0.69%

LAB 83.99, -45.45, 20.08

 

CMYK 56 / 0 / 31 / 4

HEX #6BF4A9

RGB 107 244 169

HSL 147.15, 0.86%, 0.69%

LAB 87.34, -54.06, 25.13

 

CMYK 39 / 0 / 22 / 15

HEX #85DAAB

RGB 133 218 171

HSL 146.82, 0.53%, 0.69%

LAB 80.78, -36.02, 15.15

 

CMYK 29 / 0 / 16 / 20

HEX #92CDAD

RGB 146 205 173

HSL 147.46, 0.37%, 0.69%

LAB 77.75, -25.61, 9.9

 

CMYK 18 / 0 / 10 / 24

HEX #9EC1AE

RGB 158 193 174

HSL 147.43, 0.22%, 0.69%

LAB 75.12, -15.54, 5.68

 

CMYK 5 / 0 / 3 / 29

HEX #ABB4AF

RGB 171 180 175

HSL 146.67, 0.06%, 0.69%

LAB 72.49, -4.09, 1.45

 

CMYK 0 / 9 / 4 / 28

HEX #B8A7B0

RGB 184 167 176

HSL 328.24, 0.11%, 0.69%

LAB 70.15, 7.75, -2.4

 

CMYK 36 / 0 / 39 / 15

HEX #8CDA85

RGB 140 218 133

HSL 115.06, 0.53%, 0.69%

LAB 80.41, -40.49, 34.43

 

CMYK 39 / 0 / 32 / 15

HEX #85DA94

RGB 133 218 148

HSL 130.59, 0.53%, 0.69%

LAB 80.33, -40.24, 26.57

 

CMYK 39 / 0 / 22 / 15

HEX #85DAAB

RGB 133 218 171

HSL 146.82, 0.53%, 0.69%

LAB 80.78, -36.02, 15.15

 

CMYK 39 / 0 / 11 / 15

HEX #85DAC2

RGB 133 218 194

HSL 163.06, 0.53%, 0.69%

LAB 81.31, -31.22, 3.72

 

CMYK 39 / 0 / 0 / 15

HEX #85DAD9

RGB 133 218 217

HSL 179.29, 0.53%, 0.69%

LAB 81.91, -25.9, -7.63

 

CMYK 65 / 0 / 36 / 22

HEX #45C780

RGB 69 199 128

HSL 147.23, 0.54%, 0.53%

LAB 72.01, -51.58, 25.41

 

CMYK 52 / 0 / 28 / 18

HEX #65D196

RGB 101 209 150

HSL 147.22, 0.54%, 0.61%

LAB 76.42, -44.56, 19.98

 

CMYK 39 / 0 / 22 / 15

HEX #85DAAB

RGB 133 218 171

HSL 146.82, 0.53%, 0.69%

LAB 80.78, -36.02, 15.15

 

CMYK 28 / 0 / 15 / 11

HEX #A5E4C1

RGB 165 228 193

HSL 146.67, 0.54%, 0.77%

LAB 85.67, -27, 10.73

 

CMYK 17 / 0 / 9 / 7

HEX #C4EDD7

RGB 196 237 215

HSL 147.8, 0.53%, 0.85%

LAB 90.42, -17.47, 6.26

 

CMYK 38 / 0 / 21 / 14

HEX #87DBAD

RGB 135 219 173

HSL 147.14, 0.54%, 0.69%

LAB 81.2, -35.52, 14.7

 

CMYK 39 / 25 / 0 / 15

HEX #85A3DA

RGB 133 163 218

HSL 218.82, 0.53%, 0.69%

LAB 66.71, 3.34, -31.21

 

CMYK 0 / 37 / 39 / 15

HEX #DA8985

RGB 218 137 133

HSL 2.82, 0.53%, 0.69%

LAB 65.35, 30.47, 15.19

 

CMYK 38 / 0 / 21 / 14

HEX #87DBAD

RGB 135 219 173

HSL 147.14, 0.54%, 0.69%

LAB 81.2, -35.52, 14.7

 

CMYK 22 / 39 / 0 / 15

HEX #AB85DA

RGB 171 133 218

HSL 266.82, 0.53%, 0.69%

LAB 62.08, 31.27, -38.18

 

CMYK 0 / 22 / 39 / 15

HEX #DAAB85

RGB 218 171 133

HSL 26.82, 0.53%, 0.69%

LAB 73.37, 12.17, 26.14

 

CMYK 38 / 0 / 21 / 14

HEX #87DBAD

RGB 135 219 173

HSL 147.14, 0.54%, 0.69%

LAB 81.2, -35.52, 14.7

 

CMYK 39 / 25 / 0 / 15

HEX #85A3DA

RGB 133 163 218

HSL 218.82, 0.53%, 0.69%

LAB 66.71, 3.34, -31.21

 

CMYK 0 / 39 / 17 / 15

HEX #DA85B4

RGB 218 133 180

HSL 326.82, 0.53%, 0.69%

LAB 65.73, 38.96, -10.8

 

CMYK 0 / 14 / 39 / 15

HEX #DABC85

RGB 218 188 133

HSL 38.82, 0.53%, 0.69%

LAB 77.62, 3.12, 31.79

 

CMYK 38 / 0 / 21 / 14

HEX #87DBAD

RGB 135 219 173

HSL 147.14, 0.54%, 0.69%

LAB 81.2, -35.52, 14.7

 

CMYK 39 / 37 / 0 / 15

HEX #8589DA

RGB 133 137 218

HSL 237.18, 0.53%, 0.69%

LAB 59.83, 18.31, -41.93

 

CMYK 0 / 39 / 17 / 15

HEX #DA85B4

RGB 218 133 180

HSL 326.82, 0.53%, 0.69%

LAB 65.73, 38.96, -10.8

 

CMYK 0 / 2 / 39 / 15

HEX #DAD685

RGB 218 214 133

HSL 57.18, 0.53%, 0.69%

LAB 84.32, -10.31, 40.47

 

Description

Color code: HEX #87DBAD | qconv.com Color code: HEX #87DBAD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 219 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 219 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 21 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 21% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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