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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #87D37A it is the complementary color #782C85. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #87D37A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #87D37A shade: #8CD375, #9DE588, #AEF79B, #BFFFAE and #D0FFC1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #87D37A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #87D37A shade: #87D37A, #76C167, #65AF54, #549D41 and #438B2E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #87D37A shade: #86D279, #9ED279, #B6D279, #CED279 and #D2BE79

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #87D37A shade: #86D279, #79D284, #79D29C, #79D2B4 and #79D2CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #87D37A shade matches the following richer shades: #86D279, #7BE06A, #71EF5C and #67FD4D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #87D37A shade: #86D279, #90C387, #9AB596, #A4A7A4 and #AF98B2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #87D37A shade: #B6D279, #9ED279, #86D279, #79D283 and #79D29B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #87D37A shade: #50BA3E, #6AC85A, #86D279, #A2DC98 and #BEE7B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #87D37A shade: #87D37A, #79CDD2 and #D279AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #87D37A shade: #87D37A, #7986D2 and #D27986

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #87D37A shade: #87D37A, #79CDD2, #C479D2 and #D27D79

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #87D37A shade: #87D37A, #79B3D2, #C479D2 and #D29879

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 42 / 17

HEX #87D37A

RGB 135 211 122

HSL 111.24, 0.5%, 0.65%

LAB 77.96, -40.58, 36.77

 

Complementary color

CMYK 10 / 67 / 0 / 48

HEX #782C85

RGB 120 44 133

HSL 291.24, 0.5%, 0.35%

LAB 32.89, 46.08, -34.74

 

CMYK 34 / 0 / 45 / 17

HEX #8CD375

RGB 140 211 117

HSL 105.32, 0.52%, 0.64%

LAB 78.14, -39.64, 39.55

 

CMYK 31 / 0 / 41 / 10

HEX #9DE588

RGB 157 229 136

HSL 106.45, 0.64%, 0.72%

LAB 84.48, -39.48, 38.36

 

CMYK 30 / 0 / 37 / 3

HEX #AEF79B

RGB 174 247 155

HSL 107.61, 0.85%, 0.79%

LAB 90.73, -39.3, 37.21

 

CMYK 25 / 0 / 32 / 0

HEX #BFFFAE

RGB 191 255 174

HSL 107.41, 1%, 0.84%

LAB 94.16, -34.58, 32.46

 

CMYK 18 / 0 / 24 / 0

HEX #D0FFC1

RGB 208 255 193

HSL 105.48, 1%, 0.88%

LAB 95.49, -26.03, 24.84

 

CMYK 36 / 0 / 42 / 17

HEX #87D37A

RGB 135 211 122

HSL 111.24, 0.5%, 0.65%

LAB 77.96, -40.58, 36.77

 

CMYK 39 / 0 / 47 / 24

HEX #76C167

RGB 118 193 103

HSL 110, 0.42%, 0.58%

LAB 71.54, -40.74, 38

 

CMYK 42 / 0 / 52 / 31

HEX #65AF54

RGB 101 175 84

HSL 108.79, 0.36%, 0.51%

LAB 65.02, -40.83, 39.25

 

CMYK 46 / 0 / 59 / 38

HEX #549D41

RGB 84 157 65

HSL 107.61, 0.41%, 0.44%

LAB 58.4, -40.81, 40.46

 

CMYK 52 / 0 / 67 / 45

HEX #438B2E

RGB 67 139 46

HSL 106.45, 0.5%, 0.36%

LAB 51.67, -40.58, 41.5

 

CMYK 36 / 0 / 42 / 18

HEX #86D279

RGB 134 210 121

HSL 111.24, 0.5%, 0.65%

LAB 77.6, -40.6, 36.81

 

CMYK 25 / 0 / 42 / 18

HEX #9ED279

RGB 158 210 121

HSL 95.06, 0.5%, 0.65%

LAB 78.89, -32.47, 38.71

 

CMYK 13 / 0 / 42 / 18

HEX #B6D279

RGB 182 210 121

HSL 78.88, 0.5%, 0.65%

LAB 80.41, -23.62, 40.96

 

CMYK 2 / 0 / 42 / 18

HEX #CED279

RGB 206 210 121

HSL 62.7, 0.5%, 0.65%

LAB 82.16, -14.3, 43.52

 

CMYK 0 / 10 / 42 / 18

HEX #D2BE79

RGB 210 190 121

HSL 46.52, 0.5%, 0.65%

LAB 77.23, -2.44, 37.37

 

CMYK 36 / 0 / 42 / 18

HEX #86D279

RGB 134 210 121

HSL 111.24, 0.5%, 0.65%

LAB 77.6, -40.6, 36.81

 

CMYK 42 / 0 / 37 / 18

HEX #79D284

RGB 121 210 132

HSL 127.42, 0.5%, 0.65%

LAB 77.18, -42.91, 30.53

 

CMYK 42 / 0 / 26 / 18

HEX #79D29C

RGB 121 210 156

HSL 143.6, 0.5%, 0.65%

LAB 77.61, -38.65, 18.58

 

CMYK 42 / 0 / 14 / 18

HEX #79D2B4

RGB 121 210 180

HSL 159.78, 0.5%, 0.65%

LAB 78.14, -33.7, 6.55

 

CMYK 42 / 0 / 3 / 18

HEX #79D2CC

RGB 121 210 204

HSL 175.96, 0.5%, 0.65%

LAB 78.76, -28.13, -5.4

 

CMYK 36 / 0 / 42 / 18

HEX #86D279

RGB 134 210 121

HSL 111.24, 0.5%, 0.65%

LAB 77.6, -40.6, 36.81

 

CMYK 45 / 0 / 53 / 12

HEX #7BE06A

RGB 123 224 106

HSL 111.36, 0.66%, 0.65%

LAB 81.05, -51.85, 48.27

 

CMYK 53 / 0 / 62 / 6

HEX #71EF5C

RGB 113 239 92

HSL 111.43, 0.82%, 0.65%

LAB 85, -61.9, 59

 

CMYK 59 / 0 / 70 / 1

HEX #67FD4D

RGB 103 253 77

HSL 111.14, 0.98%, 0.65%

LAB 88.77, -70.56, 68.82

 

CMYK 36 / 0 / 42 / 18

HEX #86D279

RGB 134 210 121

HSL 111.24, 0.5%, 0.65%

LAB 77.6, -40.6, 36.81

 

CMYK 26 / 0 / 31 / 24

HEX #90C387

RGB 144 195 135

HSL 111, 0.33%, 0.65%

LAB 74, -28.24, 24.93

 

CMYK 15 / 0 / 17 / 29

HEX #9AB596

RGB 154 181 150

HSL 112.26, 0.17%, 0.65%

LAB 70.95, -15.21, 12.76

 

CMYK 2 / 0 / 2 / 35

HEX #A4A7A4

RGB 164 167 164

HSL 120, 0.02%, 0.65%

LAB 68.18, -1.63, 1.17

 

CMYK 2 / 15 / 0 / 30

HEX #AF98B2

RGB 175 152 178

HSL 293.08, 0.14%, 0.65%

LAB 65.58, 13.25, -10.37

 

CMYK 13 / 0 / 42 / 18

HEX #B6D279

RGB 182 210 121

HSL 78.88, 0.5%, 0.65%

LAB 80.41, -23.62, 40.96

 

CMYK 25 / 0 / 42 / 18

HEX #9ED279

RGB 158 210 121

HSL 95.06, 0.5%, 0.65%

LAB 78.89, -32.47, 38.71

 

CMYK 36 / 0 / 42 / 18

HEX #86D279

RGB 134 210 121

HSL 111.24, 0.5%, 0.65%

LAB 77.6, -40.6, 36.81

 

CMYK 42 / 0 / 38 / 18

HEX #79D283

RGB 121 210 131

HSL 126.74, 0.5%, 0.65%

LAB 77.16, -43.07, 31.02

 

CMYK 42 / 0 / 26 / 18

HEX #79D29B

RGB 121 210 155

HSL 142.92, 0.5%, 0.65%

LAB 77.59, -38.84, 19.08

 

CMYK 57 / 0 / 67 / 27

HEX #50BA3E

RGB 80 186 62

HSL 111.29, 0.5%, 0.49%

LAB 67.41, -53.74, 51.84

 

CMYK 47 / 0 / 55 / 22

HEX #6AC85A

RGB 106 200 90

HSL 111.27, 0.5%, 0.57%

LAB 72.96, -49.03, 45.95

 

CMYK 36 / 0 / 42 / 18

HEX #86D279

RGB 134 210 121

HSL 111.24, 0.5%, 0.65%

LAB 77.6, -40.6, 36.81

 

CMYK 26 / 0 / 31 / 14

HEX #A2DC98

RGB 162 220 152

HSL 111.18, 0.49%, 0.73%

LAB 82.45, -31.34, 27.62

 

CMYK 18 / 0 / 21 / 9

HEX #BEE7B7

RGB 190 231 183

HSL 111.25, 0.5%, 0.81%

LAB 87.74, -22.17, 19.07

 

CMYK 36 / 0 / 42 / 17

HEX #87D37A

RGB 135 211 122

HSL 111.24, 0.5%, 0.65%

LAB 77.96, -40.58, 36.77

 

CMYK 42 / 2 / 0 / 18

HEX #79CDD2

RGB 121 205 210

HSL 183.37, 0.5%, 0.65%

LAB 77.51, -24.19, -10.49

 

CMYK 0 / 42 / 19 / 18

HEX #D279AA

RGB 210 121 170

HSL 326.97, 0.5%, 0.65%

LAB 61.89, 41.03, -10.98

 

CMYK 36 / 0 / 42 / 17

HEX #87D37A

RGB 135 211 122

HSL 111.24, 0.5%, 0.65%

LAB 77.96, -40.58, 36.77

 

CMYK 42 / 36 / 0 / 18

HEX #7986D2

RGB 121 134 210

HSL 231.24, 0.5%, 0.65%

LAB 57.82, 14.69, -40.67

 

CMYK 0 / 42 / 36 / 18

HEX #D27986

RGB 210 121 134

HSL 351.24, 0.5%, 0.65%

LAB 60.87, 36.11, 8.16

 

CMYK 36 / 0 / 42 / 17

HEX #87D37A

RGB 135 211 122

HSL 111.24, 0.5%, 0.65%

LAB 77.96, -40.58, 36.77

 

CMYK 42 / 2 / 0 / 18

HEX #79CDD2

RGB 121 205 210

HSL 183.37, 0.5%, 0.65%

LAB 77.51, -24.19, -10.49

 

CMYK 7 / 42 / 0 / 18

HEX #C479D2

RGB 196 121 210

HSL 290.56, 0.5%, 0.65%

LAB 61.71, 43.56, -34.08

 

CMYK 0 / 40 / 42 / 18

HEX #D27D79

RGB 210 125 121

HSL 2.7, 0.5%, 0.65%

LAB 61.44, 32.49, 16.4

 

CMYK 36 / 0 / 42 / 17

HEX #87D37A

RGB 135 211 122

HSL 111.24, 0.5%, 0.65%

LAB 77.96, -40.58, 36.77

 

CMYK 42 / 15 / 0 / 18

HEX #79B3D2

RGB 121 179 210

HSL 200.9, 0.5%, 0.65%

LAB 70.15, -10.77, -21.58

 

CMYK 7 / 42 / 0 / 18

HEX #C479D2

RGB 196 121 210

HSL 290.56, 0.5%, 0.65%

LAB 61.71, 43.56, -34.08

 

CMYK 0 / 28 / 42 / 18

HEX #D29879

RGB 210 152 121

HSL 20.9, 0.5%, 0.65%

LAB 67.68, 17.9, 24.89

 

Description

Color code: HEX #87D37A | qconv.com Color code: HEX #87D37A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 211 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 211 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 42 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 42% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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