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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #87ACCE it is the complementary color #785331. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #87ACCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #87ACCE shade: #8CACC9, #9DBEDC, #AED0EF, #BFE2FF and #D0F4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #87ACCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #87ACCE shade: #87ACCE, #769ABB, #6588A8, #547695 and #436482

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #87ACCE shade: #87ACCE, #8799CE, #8887CE, #9B87CE and #AE87CE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #87ACCE shade: #87ACCE, #8799CE and #8787CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #87ACCE shade matches the following richer shades: #87ACCE, #79ACDB, #6CADE9 and #5EAEF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #87ACCE shade: #87ACCE, #95ABC0, #A2ABB2, #B0AAA5 and #BDAA97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #87ACCE shade: #87CEC9, #87C0CE, #87ADCE, #879ACE and #8787CE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #87ACCE shade: #4C83B6, #6A98C2, #87ACCE, #A4C0DA and #C2D4E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #87ACCE shade: #87ACCE, #B687CE and #C9CE87

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #87ACCE shade: #87ACCE, #CE87AD and #ADCE87

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #87ACCE shade: #87ACCE, #B687CE, #CEA887 and #9FCE87

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #87ACCE shade: #87ACCE, #CB87CE, #CEA887 and #89CE87

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 17 / 0 / 19

HEX #87ACCE

RGB 135 172 206

HSL 208.73, 0.42%, 0.67%

LAB 68.83, -4.28, -21.32

 

Complementary color

CMYK 0 / 31 / 59 / 53

HEX #785331

RGB 120 83 49

HSL 28.73, 0.42%, 0.33%

LAB 38.55, 11.39, 25.88

 

CMYK 30 / 14 / 0 / 21

HEX #8CACC9

RGB 140 172 201

HSL 208.52, 0.36%, 0.67%

LAB 68.97, -4.1, -18.33

 

CMYK 29 / 14 / 0 / 14

HEX #9DBEDC

RGB 157 190 220

HSL 208.57, 0.47%, 0.74%

LAB 75.55, -4.24, -18.64

 

CMYK 27 / 13 / 0 / 6

HEX #AED0EF

RGB 174 208 239

HSL 208.62, 0.67%, 0.81%

LAB 82.02, -4.37, -18.95

 

CMYK 25 / 11 / 0 / 0

HEX #BFE2FF

RGB 191 226 255

HSL 207.19, 1%, 0.87%

LAB 88.3, -5.17, -17.84

 

CMYK 18 / 4 / 0 / 0

HEX #D0F4FF

RGB 208 244 255

HSL 194.04, 1%, 0.91%

LAB 94.03, -9.33, -9.17

 

CMYK 34 / 17 / 0 / 19

HEX #87ACCE

RGB 135 172 206

HSL 208.73, 0.42%, 0.67%

LAB 68.83, -4.28, -21.32

 

CMYK 37 / 18 / 0 / 27

HEX #769ABB

RGB 118 154 187

HSL 208.7, 0.34%, 0.6%

LAB 62.13, -4.07, -21.06

 

CMYK 40 / 19 / 0 / 34

HEX #6588A8

RGB 101 136 168

HSL 208.66, 0.28%, 0.53%

LAB 55.28, -3.83, -20.82

 

CMYK 44 / 21 / 0 / 42

HEX #547695

RGB 84 118 149

HSL 208.62, 0.28%, 0.46%

LAB 48.27, -3.53, -20.61

 

CMYK 48 / 23 / 0 / 49

HEX #436482

RGB 67 100 130

HSL 208.57, 0.32%, 0.39%

LAB 41.09, -3.14, -20.42

 

CMYK 34 / 17 / 0 / 19

HEX #87ACCE

RGB 135 172 206

HSL 208.73, 0.42%, 0.67%

LAB 68.83, -4.28, -21.32

 

CMYK 34 / 26 / 0 / 19

HEX #8799CE

RGB 135 153 206

HSL 224.79, 0.42%, 0.67%

LAB 63.66, 6.34, -29.24

 

CMYK 34 / 34 / 0 / 19

HEX #8887CE

RGB 136 135 206

HSL 240.85, 0.42%, 0.67%

LAB 58.99, 17.03, -36.5

 

CMYK 25 / 34 / 0 / 19

HEX #9B87CE

RGB 155 135 206

HSL 256.9, 0.42%, 0.67%

LAB 60.56, 22.55, -33.93

 

CMYK 16 / 34 / 0 / 19

HEX #AE87CE

RGB 174 135 206

HSL 272.96, 0.42%, 0.67%

LAB 62.32, 28.33, -31.06

 

CMYK 34 / 17 / 0 / 19

HEX #87ACCE

RGB 135 172 206

HSL 208.73, 0.42%, 0.67%

LAB 68.83, -4.28, -21.32

 

CMYK 34 / 26 / 0 / 19

HEX #8799CE

RGB 135 153 206

HSL 224.79, 0.42%, 0.67%

LAB 63.66, 6.34, -29.24

 

CMYK 34 / 34 / 0 / 19

HEX #8787CE

RGB 135 135 206

HSL 240, 0.42%, 0.67%

LAB 58.91, 16.75, -36.63

 

CMYK 34 / 17 / 0 / 19

HEX #87ACCE

RGB 135 172 206

HSL 208.73, 0.42%, 0.67%

LAB 68.83, -4.28, -21.32

 

CMYK 45 / 21 / 0 / 14

HEX #79ACDB

RGB 121 172 219

HSL 208.78, 0.58%, 0.67%

LAB 68.52, -4.5, -29.01

 

CMYK 54 / 26 / 0 / 9

HEX #6CADE9

RGB 108 173 233

HSL 208.8, 0.74%, 0.67%

LAB 68.72, -3.96, -36.42

 

CMYK 62 / 30 / 0 / 3

HEX #5EAEF7

RGB 94 174 247

HSL 208.63, 0.91%, 0.67%

LAB 69.02, -2.88, -43.63

 

CMYK 34 / 17 / 0 / 19

HEX #87ACCE

RGB 135 172 206

HSL 208.73, 0.42%, 0.67%

LAB 68.83, -4.28, -21.32

 

CMYK 22 / 11 / 0 / 25

HEX #95ABC0

RGB 149 171 192

HSL 209.3, 0.25%, 0.67%

LAB 68.98, -2.97, -13.27

 

CMYK 9 / 4 / 0 / 30

HEX #A2ABB2

RGB 162 171 178

HSL 206.25, 0.09%, 0.67%

LAB 69.48, -1.75, -4.69

 

CMYK 0 / 3 / 6 / 31

HEX #B0AAA5

RGB 176 170 165

HSL 27.27, 0.07%, 0.67%

LAB 69.96, 1.24, 3.33

 

CMYK 0 / 10 / 20 / 26

HEX #BDAA97

RGB 189 170 151

HSL 30, 0.22%, 0.67%

LAB 70.73, 3.77, 12.29

 

CMYK 34 / 0 / 2 / 19

HEX #87CEC9

RGB 135 206 201

HSL 175.77, 0.42%, 0.67%

LAB 78.18, -23.27, -4.59

 

CMYK 34 / 7 / 0 / 19

HEX #87C0CE

RGB 135 192 206

HSL 191.83, 0.42%, 0.67%

LAB 74.39, -14.95, -12.92

 

CMYK 34 / 16 / 0 / 19

HEX #87ADCE

RGB 135 173 206

HSL 207.89, 0.42%, 0.67%

LAB 69.11, -4.83, -20.9

 

CMYK 34 / 25 / 0 / 19

HEX #879ACE

RGB 135 154 206

HSL 223.94, 0.42%, 0.67%

LAB 63.93, 5.77, -28.83

 

CMYK 34 / 34 / 0 / 19

HEX #8787CE

RGB 135 135 206

HSL 240, 0.42%, 0.67%

LAB 58.91, 16.75, -36.63

 

CMYK 58 / 28 / 0 / 29

HEX #4C83B6

RGB 76 131 182

HSL 208.87, 0.42%, 0.51%

LAB 53.11, -2.79, -32.33

 

CMYK 45 / 22 / 0 / 24

HEX #6A98C2

RGB 106 152 194

HSL 208.64, 0.42%, 0.59%

LAB 61.15, -4.21, -26.56

 

CMYK 34 / 17 / 0 / 19

HEX #87ACCE

RGB 135 172 206

HSL 208.73, 0.42%, 0.67%

LAB 68.83, -4.28, -21.32

 

CMYK 25 / 12 / 0 / 15

HEX #A4C0DA

RGB 164 192 218

HSL 208.89, 0.42%, 0.75%

LAB 76.47, -3.71, -16.13

 

CMYK 16 / 8 / 0 / 10

HEX #C2D4E6

RGB 194 212 230

HSL 210, 0.42%, 0.83%

LAB 84.11, -2.4, -10.91

 

CMYK 34 / 17 / 0 / 19

HEX #87ACCE

RGB 135 172 206

HSL 208.73, 0.42%, 0.67%

LAB 68.83, -4.28, -21.32

 

CMYK 12 / 34 / 0 / 19

HEX #B687CE

RGB 182 135 206

HSL 279.72, 0.42%, 0.67%

LAB 63.12, 30.82, -29.76

 

CMYK 2 / 0 / 34 / 19

HEX #C9CE87

RGB 201 206 135

HSL 64.23, 0.42%, 0.67%

LAB 80.91, -12.66, 34.79

 

CMYK 34 / 17 / 0 / 19

HEX #87ACCE

RGB 135 172 206

HSL 208.73, 0.42%, 0.67%

LAB 68.83, -4.28, -21.32

 

CMYK 0 / 34 / 16 / 19

HEX #CE87AD

RGB 206 135 173

HSL 327.89, 0.42%, 0.67%

LAB 64.54, 32.67, -8.78

 

CMYK 16 / 0 / 34 / 19

HEX #ADCE87

RGB 173 206 135

HSL 87.89, 0.42%, 0.67%

LAB 78.91, -23.26, 31.8

 

CMYK 34 / 17 / 0 / 19

HEX #87ACCE

RGB 135 172 206

HSL 208.73, 0.42%, 0.67%

LAB 68.83, -4.28, -21.32

 

CMYK 12 / 34 / 0 / 19

HEX #B687CE

RGB 182 135 206

HSL 279.72, 0.42%, 0.67%

LAB 63.12, 30.82, -29.76

 

CMYK 0 / 18 / 34 / 19

HEX #CEA887

RGB 206 168 135

HSL 27.89, 0.42%, 0.67%

LAB 71.47, 9.26, 22.3

 

CMYK 23 / 0 / 34 / 19

HEX #9FCE87

RGB 159 206 135

HSL 99.72, 0.42%, 0.67%

LAB 78.03, -28.3, 30.47

 

CMYK 34 / 17 / 0 / 19

HEX #87ACCE

RGB 135 172 206

HSL 208.73, 0.42%, 0.67%

LAB 68.83, -4.28, -21.32

 

CMYK 1 / 34 / 0 / 19

HEX #CB87CE

RGB 203 135 206

HSL 297.46, 0.42%, 0.67%

LAB 65.34, 37.44, -26.15

 

CMYK 0 / 18 / 34 / 19

HEX #CEA887

RGB 206 168 135

HSL 27.89, 0.42%, 0.67%

LAB 71.47, 9.26, 22.3

 

CMYK 33 / 0 / 34 / 19

HEX #89CE87

RGB 137 206 135

HSL 118.31, 0.42%, 0.67%

LAB 76.81, -35.73, 28.62

 

Description

Color code: HEX #87ACCE | qconv.com Color code: HEX #87ACCE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 172 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 172 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 17 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 17% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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