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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #87A0C9 it is the complementary color #785F36. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #87A0C9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #87A0C9 shade: #8CA0C4, #9DB2D7, #AEC4EA, #BFD6FD and #D0E8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #87A0C9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #87A0C9 shade: #87A0C9, #768EB6, #657CA3, #546A90 and #43587D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #87A0C9 shade: #87A0C9, #878EC9, #9187C9, #A387C9 and #B587C9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #87A0C9 shade: #87A0C9, #878EC9 and #8787C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #87A0C9 shade matches the following richer shades: #87A0C9, #799CD7, #6B99E5 and #5D96F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #87A0C9 shade: #87A0C9, #95A3BB, #A3A7AD, #B1AA9F and #BFAD91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #87A0C9 shade: #87C3C9, #87B2C9, #87A0C9, #878FC9 and #9187C9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #87A0C9 shade: #4E73AF, #6A89BC, #87A0C9, #A3B6D6 and #C0CDE2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #87A0C9 shade: #87A0C9, #BD87C9 and #BAC987

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #87A0C9 shade: #87A0C9, #C987A0 and #A0C987

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #87A0C9 shade: #87A0C9, #BD87C9, #C9AF87 and #93C987

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #87A0C9 shade: #87A0C9, #C987C1, #C9AF87 and #87C98F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 20 / 0 / 21

HEX #87A0C9

RGB 135 160 201

HSL 217.27, 0.38%, 0.66%

LAB 65.37, 1.08, -23.84

 

Complementary color

CMYK 0 / 21 / 55 / 53

HEX #785F36

RGB 120 95 54

HSL 37.27, 0.38%, 0.34%

LAB 41.91, 4.67, 27.13

 

CMYK 29 / 18 / 0 / 23

HEX #8CA0C4

RGB 140 160 196

HSL 218.57, 0.32%, 0.66%

LAB 65.52, 1.3, -20.8

 

CMYK 27 / 17 / 0 / 16

HEX #9DB2D7

RGB 157 178 215

HSL 218.28, 0.42%, 0.73%

LAB 72.17, 1.06, -21.04

 

CMYK 26 / 16 / 0 / 8

HEX #AEC4EA

RGB 174 196 234

HSL 218, 0.59%, 0.8%

LAB 78.71, 0.85, -21.3

 

CMYK 25 / 15 / 0 / 1

HEX #BFD6FD

RGB 191 214 253

HSL 217.74, 0.94%, 0.87%

LAB 85.13, 0.65, -21.58

 

CMYK 18 / 9 / 0 / 0

HEX #D0E8FF

RGB 208 232 255

HSL 209.36, 1%, 0.91%

LAB 90.94, -3.21, -13.78

 

CMYK 33 / 20 / 0 / 21

HEX #87A0C9

RGB 135 160 201

HSL 217.27, 0.38%, 0.66%

LAB 65.37, 1.08, -23.84

 

CMYK 35 / 22 / 0 / 29

HEX #768EB6

RGB 118 142 182

HSL 217.5, 0.3%, 0.59%

LAB 58.58, 1.39, -23.67

 

CMYK 38 / 24 / 0 / 36

HEX #657CA3

RGB 101 124 163

HSL 217.74, 0.25%, 0.52%

LAB 51.64, 1.75, -23.53

 

CMYK 42 / 26 / 0 / 44

HEX #546A90

RGB 84 106 144

HSL 218, 0.26%, 0.45%

LAB 44.53, 2.18, -23.42

 

CMYK 46 / 30 / 0 / 51

HEX #43587D

RGB 67 88 125

HSL 218.28, 0.3%, 0.38%

LAB 37.21, 2.72, -23.37

 

CMYK 33 / 20 / 0 / 21

HEX #87A0C9

RGB 135 160 201

HSL 217.27, 0.38%, 0.66%

LAB 65.37, 1.08, -23.84

 

CMYK 33 / 29 / 0 / 21

HEX #878EC9

RGB 135 142 201

HSL 233.64, 0.38%, 0.66%

LAB 60.53, 11.35, -31.3

 

CMYK 28 / 33 / 0 / 21

HEX #9187C9

RGB 145 135 201

HSL 249.09, 0.38%, 0.66%

LAB 59.49, 18.34, -32.85

 

CMYK 19 / 33 / 0 / 21

HEX #A387C9

RGB 163 135 201

HSL 265.45, 0.38%, 0.66%

LAB 61.07, 23.8, -30.27

 

CMYK 10 / 33 / 0 / 21

HEX #B587C9

RGB 181 135 201

HSL 281.82, 0.38%, 0.66%

LAB 62.82, 29.46, -27.43

 

CMYK 33 / 20 / 0 / 21

HEX #87A0C9

RGB 135 160 201

HSL 217.27, 0.38%, 0.66%

LAB 65.37, 1.08, -23.84

 

CMYK 33 / 29 / 0 / 21

HEX #878EC9

RGB 135 142 201

HSL 233.64, 0.38%, 0.66%

LAB 60.53, 11.35, -31.3

 

CMYK 33 / 33 / 0 / 21

HEX #8787C9

RGB 135 135 201

HSL 240, 0.38%, 0.66%

LAB 58.69, 15.43, -34.16

 

CMYK 33 / 20 / 0 / 21

HEX #87A0C9

RGB 135 160 201

HSL 217.27, 0.38%, 0.66%

LAB 65.37, 1.08, -23.84

 

CMYK 44 / 27 / 0 / 16

HEX #799CD7

RGB 121 156 215

HSL 217.66, 0.54%, 0.66%

LAB 63.96, 3.34, -33.87

 

CMYK 53 / 33 / 0 / 10

HEX #6B99E5

RGB 107 153 229

HSL 217.38, 0.7%, 0.66%

LAB 62.98, 5.93, -43.2

 

CMYK 62 / 38 / 0 / 5

HEX #5D96F3

RGB 93 150 243

HSL 217.2, 0.86%, 0.66%

LAB 62.18, 9.4, -52.24

 

CMYK 33 / 20 / 0 / 21

HEX #87A0C9

RGB 135 160 201

HSL 217.27, 0.38%, 0.66%

LAB 65.37, 1.08, -23.84

 

CMYK 20 / 13 / 0 / 27

HEX #95A3BB

RGB 149 163 187

HSL 217.89, 0.22%, 0.66%

LAB 66.65, 0.28, -14.01

 

CMYK 6 / 3 / 0 / 32

HEX #A3A7AD

RGB 163 167 173

HSL 216, 0.06%, 0.66%

LAB 68.34, -0.24, -3.59

 

CMYK 0 / 4 / 10 / 31

HEX #B1AA9F

RGB 177 170 159

HSL 36.67, 0.1%, 0.66%

LAB 69.89, 0.56, 6.55

 

CMYK 0 / 9 / 24 / 25

HEX #BFAD91

RGB 191 173 145

HSL 36.52, 0.26%, 0.66%

LAB 71.56, 2.03, 16.76

 

CMYK 33 / 3 / 0 / 21

HEX #87C3C9

RGB 135 195 201

HSL 185.45, 0.38%, 0.66%

LAB 75.08, -17.72, -9.18

 

CMYK 33 / 11 / 0 / 21

HEX #87B2C9

RGB 135 178 201

HSL 200.91, 0.38%, 0.66%

LAB 70.32, -8.8, -16.31

 

CMYK 33 / 20 / 0 / 21

HEX #87A0C9

RGB 135 160 201

HSL 217.27, 0.38%, 0.66%

LAB 65.37, 1.08, -23.84

 

CMYK 33 / 29 / 0 / 21

HEX #878FC9

RGB 135 143 201

HSL 232.73, 0.38%, 0.66%

LAB 60.79, 10.77, -30.89

 

CMYK 28 / 33 / 0 / 21

HEX #9187C9

RGB 145 135 201

HSL 249.09, 0.38%, 0.66%

LAB 59.49, 18.34, -32.85

 

CMYK 55 / 34 / 0 / 31

HEX #4E73AF

RGB 78 115 175

HSL 217.11, 0.38%, 0.5%

LAB 48.23, 4.92, -35.92

 

CMYK 44 / 27 / 0 / 26

HEX #6A89BC

RGB 106 137 188

HSL 217.32, 0.38%, 0.58%

LAB 56.67, 2.65, -30.09

 

CMYK 33 / 20 / 0 / 21

HEX #87A0C9

RGB 135 160 201

HSL 217.27, 0.38%, 0.66%

LAB 65.37, 1.08, -23.84

 

CMYK 24 / 15 / 0 / 16

HEX #A3B6D6

RGB 163 182 214

HSL 217.65, 0.38%, 0.74%

LAB 73.61, 0.46, -18.28

 

CMYK 15 / 9 / 0 / 11

HEX #C0CDE2

RGB 192 205 226

HSL 217.06, 0.37%, 0.82%

LAB 82.03, -0.18, -11.88

 

CMYK 33 / 20 / 0 / 21

HEX #87A0C9

RGB 135 160 201

HSL 217.27, 0.38%, 0.66%

LAB 65.37, 1.08, -23.84

 

CMYK 6 / 33 / 0 / 21

HEX #BD87C9

RGB 189 135 201

HSL 289.09, 0.38%, 0.66%

LAB 63.64, 32.01, -26.09

 

CMYK 7 / 0 / 33 / 21

HEX #BAC987

RGB 186 201 135

HSL 73.64, 0.38%, 0.66%

LAB 78.44, -15.9, 31.34

 

CMYK 33 / 20 / 0 / 21

HEX #87A0C9

RGB 135 160 201

HSL 217.27, 0.38%, 0.66%

LAB 65.37, 1.08, -23.84

 

CMYK 0 / 33 / 20 / 21

HEX #C987A0

RGB 201 135 160

HSL 337.27, 0.38%, 0.66%

LAB 63.58, 28.85, -2.9

 

CMYK 20 / 0 / 33 / 21

HEX #A0C987

RGB 160 201 135

HSL 97.27, 0.38%, 0.66%

LAB 76.68, -25.53, 28.68

 

CMYK 33 / 20 / 0 / 21

HEX #87A0C9

RGB 135 160 201

HSL 217.27, 0.38%, 0.66%

LAB 65.37, 1.08, -23.84

 

CMYK 6 / 33 / 0 / 21

HEX #BD87C9

RGB 189 135 201

HSL 289.09, 0.38%, 0.66%

LAB 63.64, 32.01, -26.09

 

CMYK 0 / 13 / 33 / 21

HEX #C9AF87

RGB 201 175 135

HSL 36.36, 0.38%, 0.66%

LAB 72.78, 3.51, 23.99

 

CMYK 27 / 0 / 33 / 21

HEX #93C987

RGB 147 201 135

HSL 109.09, 0.38%, 0.66%

LAB 75.9, -30.08, 27.51

 

CMYK 33 / 20 / 0 / 21

HEX #87A0C9

RGB 135 160 201

HSL 217.27, 0.38%, 0.66%

LAB 65.37, 1.08, -23.84

 

CMYK 0 / 33 / 4 / 21

HEX #C987C1

RGB 201 135 193

HSL 307.27, 0.38%, 0.66%

LAB 64.64, 34.39, -19.96

 

CMYK 0 / 13 / 33 / 21

HEX #C9AF87

RGB 201 175 135

HSL 36.36, 0.38%, 0.66%

LAB 72.78, 3.51, 23.99

 

CMYK 33 / 0 / 29 / 21

HEX #87C98F

RGB 135 201 143

HSL 127.27, 0.38%, 0.66%

LAB 75.39, -32.72, 22.51

 

Description

Color code: HEX #87A0C9 | qconv.com Color code: HEX #87A0C9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 160 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 160 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 20 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 20% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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