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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #87A021 it is the complementary color #785FDE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #87A021. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #87A021 shade: #8CA01C, #9DB22F, #AEC442, #BFD655 and #D0E868

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #87A021. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #87A021 shade: #87A021, #768E0E, #657C00, #546A00 and #435800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #87A021 shade: #87A020, #A09720, #A07520, #A05220 and #A03020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #87A021 shade: #87A020, #65A020, #42A020, #20A021 and #20A044

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #87A021 shade matches the following richer shades: #87A020, #91B011 and #9AC001

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #87A021 shade: #87A020, #7E9130, #748140, #6B714F and #61625F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #87A021 shade: #A07420, #A09620, #89A020, #67A020 and #45A020

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #87A021 shade: #4D5C12, #6A7E19, #87A020, #A4C327 and #B8D73D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #87A021 shade: #87A021, #20A051 and #8520A0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #87A021 shade: #87A021, #2089A0 and #A02089

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #87A021 shade: #87A021, #20A051, #3820A0 and #A0206F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #87A021 shade: #87A021, #20A078, #3820A0 and #A02049

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 79 / 37

HEX #87A021

RGB 135 160 33

HSL 71.81, 0.66%, 0.38%

LAB 62, -25.37, 57.94

 

Complementary color

CMYK 46 / 57 / 0 / 13

HEX #785FDE

RGB 120 95 222

HSL 251.81, 0.66%, 0.62%

LAB 48.82, 41.04, -61.79

 

CMYK 13 / 0 / 83 / 37

HEX #8CA01C

RGB 140 160 28

HSL 69.09, 0.7%, 0.37%

LAB 62.34, -23.42, 59.81

 

CMYK 12 / 0 / 74 / 30

HEX #9DB22F

RGB 157 178 47

HSL 69.62, 0.58%, 0.44%

LAB 68.91, -24.27, 60.38

 

CMYK 11 / 0 / 66 / 23

HEX #AEC442

RGB 174 196 66

HSL 70.15, 0.52%, 0.51%

LAB 75.37, -24.92, 60.14

 

CMYK 11 / 0 / 60 / 16

HEX #BFD655

RGB 191 214 85

HSL 70.7, 0.61%, 0.59%

LAB 81.74, -25.44, 59.46

 

CMYK 10 / 0 / 55 / 9

HEX #D0E868

RGB 208 232 104

HSL 71.25, 0.74%, 0.66%

LAB 88.03, -25.84, 58.55

 

CMYK 16 / 0 / 79 / 37

HEX #87A021

RGB 135 160 33

HSL 71.81, 0.66%, 0.38%

LAB 62, -25.37, 57.94

 

CMYK 17 / 0 / 90 / 44

HEX #768E0E

RGB 118 142 14

HSL 71.25, 0.82%, 0.31%

LAB 55.31, -24.42, 56.51

 

CMYK 19 / 0 / 100 / 51

HEX #657C00

RGB 101 124 0

HSL 71.13, 1%, 0.24%

LAB 48.49, -23.19, 53.2

 

CMYK 21 / 0 / 100 / 58

HEX #546A00

RGB 84 106 0

HSL 72.45, 1%, 0.21%

LAB 41.52, -21.65, 47.4

 

CMYK 24 / 0 / 100 / 65

HEX #435800

RGB 67 88 0

HSL 74.32, 1%, 0.17%

LAB 34.34, -20.08, 41.42

 

CMYK 16 / 0 / 80 / 37

HEX #87A020

RGB 135 160 32

HSL 71.72, 0.67%, 0.38%

LAB 62, -25.41, 58.24

 

CMYK 0 / 6 / 80 / 37

HEX #A09720

RGB 160 151 32

HSL 55.78, 0.67%, 0.38%

LAB 61.4, -9.8, 58.46

 

CMYK 0 / 27 / 80 / 37

HEX #A07520

RGB 160 117 32

HSL 39.84, 0.67%, 0.38%

LAB 52.18, 8.98, 50.12

 

CMYK 0 / 49 / 80 / 37

HEX #A05220

RGB 160 82 32

HSL 23.44, 0.67%, 0.38%

LAB 43.67, 28.72, 42.1

 

CMYK 0 / 70 / 80 / 37

HEX #A03020

RGB 160 48 32

HSL 7.5, 0.67%, 0.38%

LAB 37.28, 45.34, 35.76

 

CMYK 16 / 0 / 80 / 37

HEX #87A020

RGB 135 160 32

HSL 71.72, 0.67%, 0.38%

LAB 62, -25.41, 58.24

 

CMYK 37 / 0 / 80 / 37

HEX #65A020

RGB 101 160 32

HSL 87.66, 0.67%, 0.38%

LAB 59.9, -38.97, 55.55

 

CMYK 59 / 0 / 80 / 37

HEX #42A020

RGB 66 160 32

HSL 104.06, 0.67%, 0.38%

LAB 58.42, -50.1, 53.63

 

CMYK 80 / 0 / 79 / 37

HEX #20A021

RGB 32 160 33

HSL 120.47, 0.67%, 0.38%

LAB 57.62, -56.81, 52.27

 

CMYK 80 / 0 / 58 / 37

HEX #20A044

RGB 32 160 68

HSL 136.88, 0.67%, 0.38%

LAB 57.91, -53.21, 38.07

 

CMYK 16 / 0 / 80 / 37

HEX #87A020

RGB 135 160 32

HSL 71.72, 0.67%, 0.38%

LAB 62, -25.41, 58.24

 

CMYK 18 / 0 / 90 / 31

HEX #91B011

RGB 145 176 17

HSL 71.7, 0.82%, 0.38%

LAB 67.36, -29.4, 66.56

 

CMYK 20 / 0 / 99 / 25

HEX #9AC001

RGB 154 192 1

HSL 71.94, 0.99%, 0.38%

LAB 72.61, -33.44, 72.9

 

CMYK 16 / 0 / 80 / 37

HEX #87A020

RGB 135 160 32

HSL 71.72, 0.67%, 0.38%

LAB 62, -25.41, 58.24

 

CMYK 13 / 0 / 67 / 43

HEX #7E9130

RGB 126 145 48

HSL 71.75, 0.5%, 0.38%

LAB 56.98, -20.86, 47.31

 

CMYK 10 / 0 / 50 / 49

HEX #748140

RGB 116 129 64

HSL 72, 0.34%, 0.38%

LAB 51.59, -15.39, 33.38

 

CMYK 5 / 0 / 30 / 56

HEX #6B714F

RGB 107 113 79

HSL 70.59, 0.18%, 0.38%

LAB 46.31, -8.49, 18.16

 

CMYK 1 / 0 / 3 / 62

HEX #61625F

RGB 97 98 95

HSL 80, 0.02%, 0.38%

LAB 41.38, -1.01, 1.56

 

CMYK 0 / 28 / 80 / 37

HEX #A07420

RGB 160 116 32

HSL 39.38, 0.67%, 0.38%

LAB 51.91, 9.55, 49.88

 

CMYK 0 / 6 / 80 / 37

HEX #A09620

RGB 160 150 32

HSL 55.31, 0.67%, 0.38%

LAB 61.12, -9.26, 58.21

 

CMYK 14 / 0 / 80 / 37

HEX #89A020

RGB 137 160 32

HSL 70.78, 0.67%, 0.38%

LAB 62.14, -24.56, 58.42

 

CMYK 36 / 0 / 80 / 37

HEX #67A020

RGB 103 160 32

HSL 86.72, 0.67%, 0.38%

LAB 60.01, -38.24, 55.68

 

CMYK 57 / 0 / 80 / 37

HEX #45A020

RGB 69 160 32

HSL 102.66, 0.67%, 0.38%

LAB 58.52, -49.3, 53.76

 

CMYK 16 / 0 / 80 / 64

HEX #4D5C12

RGB 77 92 18

HSL 72.16, 0.67%, 0.22%

LAB 36.51, -16.78, 37.82

 

CMYK 16 / 0 / 80 / 51

HEX #6A7E19

RGB 106 126 25

HSL 71.88, 0.67%, 0.3%

LAB 49.56, -21.21, 48.32

 

CMYK 16 / 0 / 80 / 37

HEX #87A020

RGB 135 160 32

HSL 71.72, 0.67%, 0.38%

LAB 62, -25.41, 58.24

 

CMYK 16 / 0 / 80 / 24

HEX #A4C327

RGB 164 195 39

HSL 71.92, 0.67%, 0.46%

LAB 74.23, -29.91, 67.97

 

CMYK 14 / 0 / 72 / 16

HEX #B8D73D

RGB 184 215 61

HSL 72.08, 0.66%, 0.54%

LAB 81.36, -30.23, 68.23

 

CMYK 16 / 0 / 79 / 37

HEX #87A021

RGB 135 160 33

HSL 71.81, 0.66%, 0.38%

LAB 62, -25.37, 57.94

 

CMYK 80 / 0 / 49 / 37

HEX #20A051

RGB 32 160 81

HSL 142.97, 0.67%, 0.38%

LAB 58.08, -51.21, 31.73

 

CMYK 17 / 80 / 0 / 37

HEX #8520A0

RGB 133 32 160

HSL 287.34, 0.67%, 0.38%

LAB 35.12, 58.78, -47.6

 

CMYK 16 / 0 / 79 / 37

HEX #87A021

RGB 135 160 33

HSL 71.81, 0.66%, 0.38%

LAB 62, -25.37, 57.94

 

CMYK 80 / 14 / 0 / 37

HEX #2089A0

RGB 32 137 160

HSL 190.78, 0.67%, 0.38%

LAB 52.66, -20.52, -20.46

 

CMYK 0 / 80 / 14 / 37

HEX #A02089

RGB 160 32 137

HSL 310.78, 0.67%, 0.38%

LAB 38.4, 60.57, -28.07

 

CMYK 16 / 0 / 79 / 37

HEX #87A021

RGB 135 160 33

HSL 71.81, 0.66%, 0.38%

LAB 62, -25.37, 57.94

 

CMYK 80 / 0 / 49 / 37

HEX #20A051

RGB 32 160 81

HSL 142.97, 0.67%, 0.38%

LAB 58.08, -51.21, 31.73

 

CMYK 65 / 80 / 0 / 37

HEX #3820A0

RGB 56 32 160

HSL 251.25, 0.67%, 0.38%

LAB 24.99, 46.85, -64.56

 

CMYK 0 / 80 / 31 / 37

HEX #A0206F

RGB 160 32 111

HSL 322.97, 0.67%, 0.38%

LAB 37.21, 57.13, -13.7

 

CMYK 16 / 0 / 79 / 37

HEX #87A021

RGB 135 160 33

HSL 71.81, 0.66%, 0.38%

LAB 62, -25.37, 57.94

 

CMYK 80 / 0 / 25 / 37

HEX #20A078

RGB 32 160 120

HSL 161.25, 0.67%, 0.38%

LAB 58.79, -43.14, 11.47

 

CMYK 65 / 80 / 0 / 37

HEX #3820A0

RGB 56 32 160

HSL 251.25, 0.67%, 0.38%

LAB 24.99, 46.85, -64.56

 

CMYK 0 / 80 / 54 / 37

HEX #A02049

RGB 160 32 73

HSL 340.78, 0.67%, 0.38%

LAB 35.96, 53.35, 8.77

 

Description

Color code: HEX #87A021 | qconv.com Color code: HEX #87A021 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 160 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 160 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 79 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 79% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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