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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #839CC2 it is the complementary color #7C633D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #839CC2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #839CC2 shade: #889CBD, #99AED0, #AAC0E3, #BBD2F6 and #CCE4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #839CC2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #839CC2 shade: #839CC2, #728AAF, #61789C, #506689 and #3F5476

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #839CC2 shade: #839CC2, #838BC2, #8C83C2, #9D83C2 and #AE83C2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #839CC2 shade: #839CC2, #838BC2 and #8383C2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #839CC2 shade matches the following richer shades: #839CC2, #7599D1, #6696E0, #5793EE and #4890FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #839CC2 shade: #839CC2, #929FB3, #A1A2A4, #B0A595 and #BFA986

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #839CC2 shade: #83BEC2, #83ADC2, #839CC2, #838CC2 and #8C83C2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #839CC2 shade: #5071A3, #6886B4, #839CC2, #9FB2D0 and #BBC8DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #839CC2 shade: #839CC2, #B583C2 and #B5C283

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #839CC2 shade: #839CC2, #C2839C and #9CC283

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #839CC2 shade: #839CC2, #B583C2, #C2A983 and #90C283

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #839CC2 shade: #839CC2, #C283BC, #C2A983 and #83C28A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 20 / 0 / 24

HEX #839CC2

RGB 131 156 194

HSL 216.19, 0.34%, 0.64%

LAB 63.75, 0.36, -22.43

 

Complementary color

CMYK 0 / 20 / 51 / 51

HEX #7C633D

RGB 124 99 61

HSL 36.19, 0.34%, 0.36%

LAB 43.57, 4.84, 25.31

 

CMYK 28 / 17 / 0 / 26

HEX #889CBD

RGB 136 156 189

HSL 217.36, 0.29%, 0.64%

LAB 63.91, 0.59, -19.37

 

CMYK 26 / 16 / 0 / 18

HEX #99AED0

RGB 153 174 208

HSL 217.09, 0.37%, 0.71%

LAB 70.59, 0.38, -19.63

 

CMYK 25 / 15 / 0 / 11

HEX #AAC0E3

RGB 170 192 227

HSL 216.84, 0.5%, 0.78%

LAB 77.16, 0.18, -19.91

 

CMYK 24 / 15 / 0 / 4

HEX #BBD2F6

RGB 187 210 246

HSL 216.61, 0.77%, 0.85%

LAB 83.61, -0, -20.2

 

CMYK 20 / 11 / 0 / 0

HEX #CCE4FF

RGB 204 228 255

HSL 211.76, 1%, 0.9%

LAB 89.65, -2.35, -15.73

 

CMYK 32 / 20 / 0 / 24

HEX #839CC2

RGB 131 156 194

HSL 216.19, 0.34%, 0.64%

LAB 63.75, 0.36, -22.43

 

CMYK 35 / 21 / 0 / 31

HEX #728AAF

RGB 114 138 175

HSL 216.39, 0.28%, 0.57%

LAB 56.93, 0.65, -22.24

 

CMYK 38 / 23 / 0 / 39

HEX #61789C

RGB 97 120 156

HSL 216.61, 0.23%, 0.5%

LAB 49.95, 0.99, -22.08

 

CMYK 42 / 26 / 0 / 46

HEX #506689

RGB 80 102 137

HSL 216.84, 0.26%, 0.43%

LAB 42.78, 1.39, -21.95

 

CMYK 47 / 29 / 0 / 54

HEX #3F5476

RGB 63 84 118

HSL 217.09, 0.3%, 0.35%

LAB 35.41, 1.91, -21.88

 

CMYK 32 / 20 / 0 / 24

HEX #839CC2

RGB 131 156 194

HSL 216.19, 0.34%, 0.64%

LAB 63.75, 0.36, -22.43

 

CMYK 32 / 28 / 0 / 24

HEX #838BC2

RGB 131 139 194

HSL 232.38, 0.34%, 0.64%

LAB 59.15, 10.09, -29.52

 

CMYK 28 / 32 / 0 / 24

HEX #8C83C2

RGB 140 131 194

HSL 248.57, 0.34%, 0.64%

LAB 57.75, 17.42, -31.62

 

CMYK 19 / 32 / 0 / 24

HEX #9D83C2

RGB 157 131 194

HSL 264.76, 0.34%, 0.64%

LAB 59.25, 22.62, -29.19

 

CMYK 10 / 32 / 0 / 24

HEX #AE83C2

RGB 174 131 194

HSL 280.95, 0.34%, 0.64%

LAB 60.89, 28, -26.51

 

CMYK 32 / 20 / 0 / 24

HEX #839CC2

RGB 131 156 194

HSL 216.19, 0.34%, 0.64%

LAB 63.75, 0.36, -22.43

 

CMYK 32 / 28 / 0 / 24

HEX #838BC2

RGB 131 139 194

HSL 232.38, 0.34%, 0.64%

LAB 59.15, 10.09, -29.52

 

CMYK 32 / 32 / 0 / 24

HEX #8383C2

RGB 131 131 194

HSL 240, 0.34%, 0.64%

LAB 57.03, 14.77, -32.81

 

CMYK 32 / 20 / 0 / 24

HEX #839CC2

RGB 131 156 194

HSL 216.19, 0.34%, 0.64%

LAB 63.75, 0.36, -22.43

 

CMYK 44 / 27 / 0 / 18

HEX #7599D1

RGB 117 153 209

HSL 216.52, 0.5%, 0.64%

LAB 62.65, 2.32, -32.58

 

CMYK 54 / 33 / 0 / 12

HEX #6696E0

RGB 102 150 224

HSL 216.39, 0.66%, 0.64%

LAB 61.67, 5.04, -42.51

 

CMYK 63 / 38 / 0 / 7

HEX #5793EE

RGB 87 147 238

HSL 216.16, 0.82%, 0.64%

LAB 60.84, 8.45, -51.62

 

CMYK 72 / 43 / 0 / 1

HEX #4890FD

RGB 72 144 253

HSL 216.13, 0.98%, 0.64%

LAB 60.26, 13.13, -60.83

 

CMYK 32 / 20 / 0 / 24

HEX #839CC2

RGB 131 156 194

HSL 216.19, 0.34%, 0.64%

LAB 63.75, 0.36, -22.43

 

CMYK 18 / 11 / 0 / 30

HEX #929FB3

RGB 146 159 179

HSL 216.36, 0.18%, 0.64%

LAB 65.09, -0.29, -11.91

 

CMYK 2 / 1 / 0 / 36

HEX #A1A2A4

RGB 161 162 164

HSL 220, 0.02%, 0.64%

LAB 66.59, 0.03, -1.17

 

CMYK 0 / 6 / 15 / 31

HEX #B0A595

RGB 176 165 149

HSL 35.56, 0.15%, 0.64%

LAB 68.25, 1.23, 9.72

 

CMYK 0 / 12 / 30 / 25

HEX #BFA986

RGB 191 169 134

HSL 36.84, 0.31%, 0.64%

LAB 70.3, 2.65, 21.01

 

CMYK 32 / 2 / 0 / 24

HEX #83BEC2

RGB 131 190 194

HSL 183.81, 0.34%, 0.64%

LAB 73.25, -17.95, -8.11

 

CMYK 32 / 11 / 0 / 24

HEX #83ADC2

RGB 131 173 194

HSL 200, 0.34%, 0.64%

LAB 68.47, -9, -15.27

 

CMYK 32 / 20 / 0 / 24

HEX #839CC2

RGB 131 156 194

HSL 216.19, 0.34%, 0.64%

LAB 63.75, 0.36, -22.43

 

CMYK 32 / 28 / 0 / 24

HEX #838CC2

RGB 131 140 194

HSL 231.43, 0.34%, 0.64%

LAB 59.41, 9.51, -29.11

 

CMYK 28 / 32 / 0 / 24

HEX #8C83C2

RGB 140 131 194

HSL 248.57, 0.34%, 0.64%

LAB 57.75, 17.42, -31.62

 

CMYK 51 / 31 / 0 / 36

HEX #5071A3

RGB 80 113 163

HSL 216.14, 0.34%, 0.48%

LAB 47.18, 2.72, -30.55

 

CMYK 42 / 26 / 0 / 29

HEX #6886B4

RGB 104 134 180

HSL 216.32, 0.34%, 0.56%

LAB 55.37, 1.55, -27.55

 

CMYK 32 / 20 / 0 / 24

HEX #839CC2

RGB 131 156 194

HSL 216.19, 0.34%, 0.64%

LAB 63.75, 0.36, -22.43

 

CMYK 24 / 14 / 0 / 18

HEX #9FB2D0

RGB 159 178 208

HSL 216.73, 0.34%, 0.72%

LAB 72.07, 0.02, -17.35

 

CMYK 15 / 10 / 0 / 13

HEX #BBC8DD

RGB 187 200 221

HSL 217.06, 0.33%, 0.8%

LAB 80.23, -0.17, -11.94

 

CMYK 32 / 20 / 0 / 24

HEX #839CC2

RGB 131 156 194

HSL 216.19, 0.34%, 0.64%

LAB 63.75, 0.36, -22.43

 

CMYK 7 / 32 / 0 / 24

HEX #B583C2

RGB 181 131 194

HSL 287.62, 0.34%, 0.64%

LAB 61.61, 30.25, -25.35

 

CMYK 7 / 0 / 32 / 24

HEX #B5C283

RGB 181 194 131

HSL 72.38, 0.34%, 0.64%

LAB 76.1, -14.79, 30.26

 

CMYK 32 / 20 / 0 / 24

HEX #839CC2

RGB 131 156 194

HSL 216.19, 0.34%, 0.64%

LAB 63.75, 0.36, -22.43

 

CMYK 0 / 32 / 20 / 24

HEX #C2839C

RGB 194 131 156

HSL 336.19, 0.34%, 0.64%

LAB 61.74, 27.89, -3.42

 

CMYK 20 / 0 / 32 / 24

HEX #9CC283

RGB 156 194 131

HSL 96.19, 0.34%, 0.64%

LAB 74.38, -24.14, 27.67

 

CMYK 32 / 20 / 0 / 24

HEX #839CC2

RGB 131 156 194

HSL 216.19, 0.34%, 0.64%

LAB 63.75, 0.36, -22.43

 

CMYK 7 / 32 / 0 / 24

HEX #B583C2

RGB 181 131 194

HSL 287.62, 0.34%, 0.64%

LAB 61.61, 30.25, -25.35

 

CMYK 0 / 13 / 32 / 24

HEX #C2A983

RGB 194 169 131

HSL 36.19, 0.34%, 0.64%

LAB 70.51, 3.45, 22.98

 

CMYK 26 / 0 / 32 / 24

HEX #90C283

RGB 144 194 131

HSL 107.62, 0.34%, 0.64%

LAB 73.64, -28.39, 26.56

 

CMYK 32 / 20 / 0 / 24

HEX #839CC2

RGB 131 156 194

HSL 216.19, 0.34%, 0.64%

LAB 63.75, 0.36, -22.43

 

CMYK 0 / 32 / 3 / 24

HEX #C283BC

RGB 194 131 188

HSL 305.71, 0.34%, 0.64%

LAB 62.79, 33.34, -20.03

 

CMYK 0 / 13 / 32 / 24

HEX #C2A983

RGB 194 169 131

HSL 36.19, 0.34%, 0.64%

LAB 70.51, 3.45, 22.98

 

CMYK 32 / 0 / 29 / 24

HEX #83C28A

RGB 131 194 138

HSL 126.67, 0.34%, 0.64%

LAB 73.05, -31.58, 21.93

 

Description

Color code: HEX #839CC2 | qconv.com Color code: HEX #839CC2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 156 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 156 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 20 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 20% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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