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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #839B34 it is the complementary color #7C64CB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #839B34. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #839B34 shade: #889B2F, #99AD42, #AABF55, #BBD168 and #CCE37B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #839B34. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #839B34 shade: #839B34, #728921, #61770E, #506500 and #3F5300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #839B34 shade: #849C34, #9C9834, #9C7C34, #9C6034 and #9C4434

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #839B34 shade: #849C34, #689C34, #4C9C34, #349C38 and #349C54

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #839B34 shade matches the following richer shades: #849C34, #8DAD23, #96BE12 and #9FCF01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #839B34 shade: #849C34, #7B8B45, #727A56, #696A67 and #605977

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #839B34 shade: #9C7B34, #9C9734, #869C34, #6A9C34 and #4E9C34

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #839B34 shade: #505E1F, #6A7D29, #849C34, #9EBB3E and #AEC85B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #839B34 shade: #839B34, #349C5F and #89349C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #839B34 shade: #839B34, #34869C and #9C3486

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #839B34 shade: #839B34, #349C5F, #4A349C and #9C3471

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #839B34 shade: #839B34, #349C7F, #4A349C and #9C3451

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 66 / 39

HEX #839B34

RGB 131 155 52

HSL 73.98, 0.5%, 0.41%

LAB 60.35, -23.5, 49.26

 

Complementary color

CMYK 39 / 51 / 0 / 20

HEX #7C64CB

RGB 124 100 203

HSL 253.98, 0.5%, 0.59%

LAB 49.14, 33.69, -50.43

 

CMYK 12 / 0 / 70 / 39

HEX #889B2F

RGB 136 155 47

HSL 70.56, 0.53%, 0.4%

LAB 60.68, -21.72, 51.76

 

CMYK 12 / 0 / 62 / 32

HEX #99AD42

RGB 153 173 66

HSL 71.21, 0.45%, 0.47%

LAB 67.32, -22.27, 51.14

 

CMYK 11 / 0 / 55 / 25

HEX #AABF55

RGB 170 191 85

HSL 71.89, 0.45%, 0.54%

LAB 73.85, -22.68, 50.21

 

CMYK 11 / 0 / 50 / 18

HEX #BBD168

RGB 187 209 104

HSL 72.57, 0.53%, 0.61%

LAB 80.27, -22.99, 49.13

 

CMYK 10 / 0 / 46 / 11

HEX #CCE37B

RGB 204 227 123

HSL 73.27, 0.65%, 0.69%

LAB 86.61, -23.23, 48.01

 

CMYK 15 / 0 / 66 / 39

HEX #839B34

RGB 131 155 52

HSL 73.98, 0.5%, 0.41%

LAB 60.35, -23.5, 49.26

 

CMYK 17 / 0 / 76 / 46

HEX #728921

RGB 114 137 33

HSL 73.27, 0.61%, 0.33%

LAB 53.58, -22.91, 49.54

 

CMYK 18 / 0 / 88 / 53

HEX #61770E

RGB 97 119 14

HSL 72.57, 0.79%, 0.26%

LAB 46.67, -22.06, 48.68

 

CMYK 21 / 0 / 100 / 60

HEX #506500

RGB 80 101 0

HSL 72.48, 1%, 0.2%

LAB 39.6, -20.89, 45.82

 

CMYK 24 / 0 / 100 / 67

HEX #3F5300

RGB 63 83 0

HSL 74.46, 1%, 0.16%

LAB 32.35, -19.31, 39.78

 

CMYK 15 / 0 / 67 / 39

HEX #849C34

RGB 132 156 52

HSL 73.85, 0.5%, 0.41%

LAB 60.72, -23.58, 49.67

 

CMYK 0 / 3 / 67 / 39

HEX #9C9834

RGB 156 152 52

HSL 57.69, 0.5%, 0.41%

LAB 61.46, -11.14, 51.03

 

CMYK 0 / 21 / 67 / 39

HEX #9C7C34

RGB 156 124 52

HSL 41.54, 0.5%, 0.41%

LAB 53.74, 4.22, 42.85

 

CMYK 0 / 38 / 67 / 39

HEX #9C6034

RGB 156 96 52

HSL 25.38, 0.5%, 0.41%

LAB 46.55, 20.21, 34.83

 

CMYK 0 / 56 / 67 / 39

HEX #9C4434

RGB 156 68 52

HSL 9.23, 0.5%, 0.41%

LAB 40.33, 35.55, 27.49

 

CMYK 15 / 0 / 67 / 39

HEX #849C34

RGB 132 156 52

HSL 73.85, 0.5%, 0.41%

LAB 60.72, -23.58, 49.67

 

CMYK 33 / 0 / 67 / 39

HEX #689C34

RGB 104 156 52

HSL 90, 0.5%, 0.41%

LAB 58.94, -34.75, 47.25

 

CMYK 51 / 0 / 67 / 39

HEX #4C9C34

RGB 76 156 52

HSL 106.15, 0.5%, 0.41%

LAB 57.62, -44.22, 45.43

 

CMYK 67 / 0 / 64 / 39

HEX #349C38

RGB 52 156 56

HSL 122.31, 0.5%, 0.41%

LAB 56.87, -49.93, 42.62

 

CMYK 67 / 0 / 46 / 39

HEX #349C54

RGB 52 156 84

HSL 138.46, 0.5%, 0.41%

LAB 57.22, -45.97, 29.15

 

CMYK 15 / 0 / 67 / 39

HEX #849C34

RGB 132 156 52

HSL 73.85, 0.5%, 0.41%

LAB 60.72, -23.58, 49.67

 

CMYK 18 / 0 / 80 / 32

HEX #8DAD23

RGB 141 173 35

HSL 73.91, 0.66%, 0.41%

LAB 66.27, -29.07, 61.37

 

CMYK 21 / 0 / 91 / 25

HEX #96BE12

RGB 150 190 18

HSL 73.95, 0.83%, 0.41%

LAB 71.79, -33.88, 70.12

 

CMYK 23 / 0 / 100 / 19

HEX #9FCF01

RGB 159 207 1

HSL 73.98, 0.99%, 0.41%

LAB 77.28, -38.25, 76.59

 

CMYK 15 / 0 / 67 / 39

HEX #849C34

RGB 132 156 52

HSL 73.85, 0.5%, 0.41%

LAB 60.72, -23.58, 49.67

 

CMYK 12 / 0 / 50 / 45

HEX #7B8B45

RGB 123 139 69

HSL 73.71, 0.34%, 0.41%

LAB 55.18, -17.18, 35.23

 

CMYK 7 / 0 / 30 / 52

HEX #727A56

RGB 114 122 86

HSL 73.33, 0.17%, 0.41%

LAB 49.7, -9.56, 18.76

 

CMYK 1 / 0 / 3 / 58

HEX #696A67

RGB 105 106 103

HSL 80, 0.01%, 0.41%

LAB 44.65, -1, 1.54

 

CMYK 19 / 25 / 0 / 53

HEX #605977

RGB 96 89 119

HSL 254, 0.14%, 0.41%

LAB 39.52, 9.6, -15.94

 

CMYK 0 / 21 / 67 / 39

HEX #9C7B34

RGB 156 123 52

HSL 40.96, 0.5%, 0.41%

LAB 53.47, 4.79, 42.56

 

CMYK 0 / 3 / 67 / 39

HEX #9C9734

RGB 156 151 52

HSL 57.12, 0.5%, 0.41%

LAB 61.18, -10.61, 50.73

 

CMYK 14 / 0 / 67 / 39

HEX #869C34

RGB 134 156 52

HSL 72.69, 0.5%, 0.41%

LAB 60.86, -22.74, 49.86

 

CMYK 32 / 0 / 67 / 39

HEX #6A9C34

RGB 106 156 52

HSL 88.85, 0.5%, 0.41%

LAB 59.06, -34, 47.41

 

CMYK 50 / 0 / 67 / 39

HEX #4E9C34

RGB 78 156 52

HSL 105, 0.5%, 0.41%

LAB 57.7, -43.61, 45.54

 

CMYK 15 / 0 / 67 / 63

HEX #505E1F

RGB 80 94 31

HSL 73.33, 0.5%, 0.25%

LAB 37.5, -15.59, 33.27

 

CMYK 15 / 0 / 67 / 51

HEX #6A7D29

RGB 106 125 41

HSL 73.57, 0.51%, 0.33%

LAB 49.36, -19.73, 41.9

 

CMYK 15 / 0 / 67 / 39

HEX #849C34

RGB 132 156 52

HSL 73.85, 0.5%, 0.41%

LAB 60.72, -23.58, 49.67

 

CMYK 16 / 0 / 67 / 27

HEX #9EBB3E

RGB 158 187 62

HSL 73.92, 0.5%, 0.49%

LAB 71.66, -27.35, 57.54

 

CMYK 13 / 0 / 55 / 22

HEX #AEC85B

RGB 174 200 91

HSL 74.31, 0.5%, 0.57%

LAB 76.72, -24.95, 50.82

 

CMYK 15 / 0 / 66 / 39

HEX #839B34

RGB 131 155 52

HSL 73.98, 0.5%, 0.41%

LAB 60.35, -23.5, 49.26

 

CMYK 67 / 0 / 39 / 39

HEX #349C5F

RGB 52 156 95

HSL 144.81, 0.5%, 0.41%

LAB 57.4, -43.97, 23.47

 

CMYK 12 / 67 / 0 / 39

HEX #89349C

RGB 137 52 156

HSL 289.04, 0.5%, 0.41%

LAB 38.15, 51.27, -40.28

 

CMYK 15 / 0 / 66 / 39

HEX #839B34

RGB 131 155 52

HSL 73.98, 0.5%, 0.41%

LAB 60.35, -23.5, 49.26

 

CMYK 67 / 14 / 0 / 39

HEX #34869C

RGB 52 134 156

HSL 192.69, 0.5%, 0.41%

LAB 52.04, -17.54, -19.05

 

CMYK 0 / 67 / 14 / 39

HEX #9C3486

RGB 156 52 134

HSL 312.69, 0.5%, 0.41%

LAB 39.99, 52.25, -23.79

 

CMYK 15 / 0 / 66 / 39

HEX #839B34

RGB 131 155 52

HSL 73.98, 0.5%, 0.41%

LAB 60.35, -23.5, 49.26

 

CMYK 67 / 0 / 39 / 39

HEX #349C5F

RGB 52 156 95

HSL 144.81, 0.5%, 0.41%

LAB 57.4, -43.97, 23.47

 

CMYK 53 / 67 / 0 / 39

HEX #4A349C

RGB 74 52 156

HSL 252.69, 0.5%, 0.41%

LAB 30.19, 37.38, -53.53

 

CMYK 0 / 67 / 28 / 39

HEX #9C3471

RGB 156 52 113

HSL 324.81, 0.5%, 0.41%

LAB 39.1, 49.21, -12.16

 

CMYK 15 / 0 / 66 / 39

HEX #839B34

RGB 131 155 52

HSL 73.98, 0.5%, 0.41%

LAB 60.35, -23.5, 49.26

 

CMYK 67 / 0 / 19 / 39

HEX #349C7F

RGB 52 156 127

HSL 163.27, 0.5%, 0.41%

LAB 58.07, -36.83, 6.56

 

CMYK 53 / 67 / 0 / 39

HEX #4A349C

RGB 74 52 156

HSL 252.69, 0.5%, 0.41%

LAB 30.19, 37.38, -53.53

 

CMYK 0 / 67 / 48 / 39

HEX #9C3451

RGB 156 52 81

HSL 343.27, 0.5%, 0.41%

LAB 38.05, 45.5, 6.49

 

Description

Color code: HEX #839B34 | qconv.com Color code: HEX #839B34 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 155 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 155 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 66 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 66% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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