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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8388B3 it is the complementary color #7C774C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8388B3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8388B3 shade: #8888AE, #999AC1, #AAACD4, #BBBEE7 and #CCD0FA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8388B3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8388B3 shade: #8388B3, #7276A0, #61648D, #50527A and #3F4067

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8388B3 shade: #8388B3, #8B83B3, #9883B3, #A583B3 and #B283B3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8388B3 shade: #8388B3 and #8383B3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8388B3 shade matches the following richer shades: #8388B3, #737BC3, #636FD3, #5362E3 and #4355F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8388B3 shade: #8388B3, #9395A3, #A3A293, #B3AE83 and #C4BB73

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8388B3 shade: #83A2B3, #8395B3, #8389B3, #8A83B3 and #9783B3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8388B3 shade: #565C8D, #6A70A3, #8388B3, #9DA1C3 and #B6B9D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8388B3 shade: #8388B3, #B383AF and #9CB383

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8388B3 shade: #8388B3, #B38389 and #89B383

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8388B3 shade: #8388B3, #B383AF, #B3AD83 and #83B387

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8388B3 shade: #8388B3, #B383A1, #B3AD83 and #83B395

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 24 / 0 / 30

HEX #8388B3

RGB 131 136 179

HSL 233.75, 0.24%, 0.61%

LAB 57.74, 7.98, -23.17

 

Complementary color

CMYK 0 / 4 / 39 / 51

HEX #7C774C

RGB 124 119 76

HSL 53.75, 0.24%, 0.39%

LAB 49.5, -5.01, 24.35

 

CMYK 22 / 22 / 0 / 32

HEX #8888AE

RGB 136 136 174

HSL 240, 0.19%, 0.61%

LAB 57.94, 8.33, -19.98

 

CMYK 21 / 20 / 0 / 24

HEX #999AC1

RGB 153 154 193

HSL 238.5, 0.24%, 0.68%

LAB 64.75, 7.98, -20.2

 

CMYK 20 / 19 / 0 / 17

HEX #AAACD4

RGB 170 172 212

HSL 237.14, 0.33%, 0.75%

LAB 71.42, 7.65, -20.45

 

CMYK 19 / 18 / 0 / 9

HEX #BBBEE7

RGB 187 190 231

HSL 235.91, 0.48%, 0.82%

LAB 77.97, 7.35, -20.72

 

CMYK 18 / 17 / 0 / 2

HEX #CCD0FA

RGB 204 208 250

HSL 234.78, 0.82%, 0.89%

LAB 84.41, 7.08, -21

 

CMYK 27 / 24 / 0 / 30

HEX #8388B3

RGB 131 136 179

HSL 233.75, 0.24%, 0.61%

LAB 57.74, 7.98, -23.17

 

CMYK 29 / 26 / 0 / 37

HEX #7276A0

RGB 114 118 160

HSL 234.78, 0.19%, 0.54%

LAB 50.77, 8.41, -23.04

 

CMYK 31 / 29 / 0 / 45

HEX #61648D

RGB 97 100 141

HSL 235.91, 0.18%, 0.47%

LAB 43.62, 8.9, -22.96

 

CMYK 34 / 33 / 0 / 52

HEX #50527A

RGB 80 82 122

HSL 237.14, 0.21%, 0.4%

LAB 36.26, 9.5, -22.93

 

CMYK 39 / 38 / 0 / 60

HEX #3F4067

RGB 63 64 103

HSL 238.5, 0.24%, 0.33%

LAB 28.65, 10.23, -22.99

 

CMYK 27 / 24 / 0 / 30

HEX #8388B3

RGB 131 136 179

HSL 233.75, 0.24%, 0.61%

LAB 57.74, 7.98, -23.17

 

CMYK 22 / 27 / 0 / 30

HEX #8B83B3

RGB 139 131 179

HSL 250, 0.24%, 0.61%

LAB 57.05, 13.4, -24.17

 

CMYK 15 / 27 / 0 / 30

HEX #9883B3

RGB 152 131 179

HSL 266.25, 0.24%, 0.61%

LAB 58.19, 17.6, -22.33

 

CMYK 8 / 27 / 0 / 30

HEX #A583B3

RGB 165 131 179

HSL 282.5, 0.24%, 0.61%

LAB 59.42, 21.91, -20.34

 

CMYK 1 / 27 / 0 / 30

HEX #B283B3

RGB 178 131 179

HSL 298.75, 0.24%, 0.61%

LAB 60.74, 26.28, -18.21

 

CMYK 27 / 24 / 0 / 30

HEX #8388B3

RGB 131 136 179

HSL 233.75, 0.24%, 0.61%

LAB 57.74, 7.98, -23.17

 

CMYK 27 / 27 / 0 / 30

HEX #8383B3

RGB 131 131 179

HSL 240, 0.24%, 0.61%

LAB 56.4, 10.89, -25.23

 

CMYK 27 / 24 / 0 / 30

HEX #8388B3

RGB 131 136 179

HSL 233.75, 0.24%, 0.61%

LAB 57.74, 7.98, -23.17

 

CMYK 41 / 37 / 0 / 24

HEX #737BC3

RGB 115 123 195

HSL 234, 0.4%, 0.61%

LAB 53.76, 15.35, -38.58

 

CMYK 53 / 47 / 0 / 17

HEX #636FD3

RGB 99 111 211

HSL 233.57, 0.56%, 0.61%

LAB 50.36, 23.66, -53.16

 

CMYK 63 / 57 / 0 / 11

HEX #5362E3

RGB 83 98 227

HSL 233.75, 0.72%, 0.61%

LAB 47.13, 33.94, -67.49

 

CMYK 72 / 65 / 0 / 5

HEX #4355F3

RGB 67 85 243

HSL 233.86, 0.88%, 0.61%

LAB 44.46, 45.17, -80.9

 

CMYK 27 / 24 / 0 / 30

HEX #8388B3

RGB 131 136 179

HSL 233.75, 0.24%, 0.61%

LAB 57.74, 7.98, -23.17

 

CMYK 10 / 9 / 0 / 36

HEX #9395A3

RGB 147 149 163

HSL 232.5, 0.08%, 0.61%

LAB 61.95, 2.13, -7.59

 

CMYK 0 / 1 / 10 / 36

HEX #A3A293

RGB 163 162 147

HSL 56.25, 0.08%, 0.61%

LAB 66.32, -2.36, 7.93

 

CMYK 0 / 3 / 27 / 30

HEX #B3AE83

RGB 179 174 131

HSL 53.75, 0.24%, 0.61%

LAB 70.52, -5.17, 22.77

 

CMYK 0 / 5 / 41 / 23

HEX #C4BB73

RGB 196 187 115

HSL 53.33, 0.41%, 0.61%

LAB 75.15, -7.18, 37.55

 

CMYK 27 / 9 / 0 / 30

HEX #83A2B3

RGB 131 162 179

HSL 201.25, 0.24%, 0.61%

LAB 64.9, -6.7, -12.3

 

CMYK 27 / 17 / 0 / 30

HEX #8395B3

RGB 131 149 179

HSL 217.5, 0.24%, 0.61%

LAB 61.29, 0.53, -17.76

 

CMYK 27 / 23 / 0 / 30

HEX #8389B3

RGB 131 137 179

HSL 232.5, 0.24%, 0.61%

LAB 58.01, 7.4, -22.76

 

CMYK 23 / 27 / 0 / 30

HEX #8A83B3

RGB 138 131 179

HSL 248.75, 0.24%, 0.61%

LAB 56.97, 13.08, -24.31

 

CMYK 16 / 27 / 0 / 30

HEX #9783B3

RGB 151 131 179

HSL 265, 0.24%, 0.61%

LAB 58.1, 17.27, -22.47

 

CMYK 39 / 35 / 0 / 45

HEX #565C8D

RGB 86 92 141

HSL 233.45, 0.24%, 0.45%

LAB 40.5, 10.54, -27.88

 

CMYK 35 / 31 / 0 / 36

HEX #6A70A3

RGB 106 112 163

HSL 233.68, 0.24%, 0.53%

LAB 48.63, 10.39, -28.16

 

CMYK 27 / 24 / 0 / 30

HEX #8388B3

RGB 131 136 179

HSL 233.75, 0.24%, 0.61%

LAB 57.74, 7.98, -23.17

 

CMYK 19 / 17 / 0 / 24

HEX #9DA1C3

RGB 157 161 195

HSL 233.68, 0.24%, 0.69%

LAB 66.97, 5.78, -17.91

 

CMYK 13 / 12 / 0 / 18

HEX #B6B9D2

RGB 182 185 210

HSL 233.57, 0.24%, 0.77%

LAB 75.64, 3.95, -12.92

 

CMYK 27 / 24 / 0 / 30

HEX #8388B3

RGB 131 136 179

HSL 233.75, 0.24%, 0.61%

LAB 57.74, 7.98, -23.17

 

CMYK 0 / 27 / 2 / 30

HEX #B383AF

RGB 179 131 175

HSL 305, 0.24%, 0.61%

LAB 60.7, 25.86, -15.98

 

CMYK 13 / 0 / 27 / 30

HEX #9CB383

RGB 156 179 131

HSL 88.75, 0.24%, 0.61%

LAB 70.14, -16.6, 21.96

 

CMYK 27 / 24 / 0 / 30

HEX #8388B3

RGB 131 136 179

HSL 233.75, 0.24%, 0.61%

LAB 57.74, 7.98, -23.17

 

CMYK 0 / 27 / 23 / 30

HEX #B38389

RGB 179 131 137

HSL 352.5, 0.24%, 0.61%

LAB 59.55, 19.36, 4.06

 

CMYK 23 / 0 / 27 / 30

HEX #89B383

RGB 137 179 131

HSL 112.5, 0.24%, 0.61%

LAB 68.89, -23.48, 20.06

 

CMYK 27 / 24 / 0 / 30

HEX #8388B3

RGB 131 136 179

HSL 233.75, 0.24%, 0.61%

LAB 57.74, 7.98, -23.17

 

CMYK 0 / 27 / 2 / 30

HEX #B383AF

RGB 179 131 175

HSL 305, 0.24%, 0.61%

LAB 60.7, 25.86, -15.98

 

CMYK 0 / 3 / 27 / 30

HEX #B3AD83

RGB 179 173 131

HSL 52.5, 0.24%, 0.61%

LAB 70.25, -4.63, 22.41

 

CMYK 27 / 0 / 25 / 30

HEX #83B387

RGB 131 179 135

HSL 125, 0.24%, 0.61%

LAB 68.62, -24.85, 17.45

 

CMYK 27 / 24 / 0 / 30

HEX #8388B3

RGB 131 136 179

HSL 233.75, 0.24%, 0.61%

LAB 57.74, 7.98, -23.17

 

CMYK 0 / 27 / 10 / 30

HEX #B383A1

RGB 179 131 161

HSL 322.5, 0.24%, 0.61%

LAB 60.24, 23.3, -8.68

 

CMYK 0 / 3 / 27 / 30

HEX #B3AD83

RGB 179 173 131

HSL 52.5, 0.24%, 0.61%

LAB 70.25, -4.63, 22.41

 

CMYK 27 / 0 / 17 / 30

HEX #83B395

RGB 131 179 149

HSL 142.5, 0.24%, 0.61%

LAB 68.92, -22.22, 10.23

 

Description

Color code: HEX #8388B3 | qconv.com Color code: HEX #8388B3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 136 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 136 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 24 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 24% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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