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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8370BC it is the complementary color #7C8F43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8370BC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8370BC shade: #8870B7, #9982CA, #AA94DD, #BBA6F0 and #CCB8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8370BC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8370BC shade: #8370BC, #725EA9, #614C96, #503A83 and #3F2870

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8370BC shade: #8370BC, #9770BC, #AC70BC, #BC70B7 and #BC70A3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8370BC shade: #8370BC and #7070BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8370BC shade matches the following richer shades: #8370BC, #7B5FCD, #724EDD and #6A3EEE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8370BC shade: #8370BC, #8C81AB, #94929A, #9DA389 and #A5B478

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8370BC shade: #7086BC, #7072BC, #8370BC, #9770BC and #AB70BC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8370BC shade: #594594, #6B54AE, #8370BC, #9B8CC9 and #B4A8D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8370BC shade: #8370BC, #BC709A and #7CBC70

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8370BC shade: #8370BC, #BC8370 and #70BC83

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8370BC shade: #8370BC, #BC709A, #A9BC70 and #70BC92

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8370BC shade: #8370BC, #BC7083, #A9BC70 and #70BCA9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 40 / 0 / 26

HEX #8370BC

RGB 131 112 188

HSL 255, 0.36%, 0.59%

LAB 51.89, 24.42, -37.43

 

Complementary color

CMYK 13 / 0 / 53 / 44

HEX #7C8F43

RGB 124 143 67

HSL 75, 0.36%, 0.41%

LAB 56.42, -19.05, 37.75

 

CMYK 26 / 39 / 0 / 28

HEX #8870B7

RGB 136 112 183

HSL 260.28, 0.33%, 0.58%

LAB 52.11, 24.61, -34.17

 

CMYK 24 / 36 / 0 / 21

HEX #9982CA

RGB 153 130 202

HSL 259.17, 0.4%, 0.65%

LAB 58.98, 23.86, -34.16

 

CMYK 23 / 33 / 0 / 13

HEX #AA94DD

RGB 170 148 221

HSL 258.08, 0.52%, 0.72%

LAB 65.71, 23.19, -34.2

 

CMYK 22 / 31 / 0 / 6

HEX #BBA6F0

RGB 187 166 240

HSL 257.03, 0.71%, 0.8%

LAB 72.31, 22.58, -34.26

 

CMYK 20 / 28 / 0 / 0

HEX #CCB8FF

RGB 204 184 255

HSL 256.9, 1%, 0.86%

LAB 78.66, 21.13, -32.44

 

CMYK 30 / 40 / 0 / 26

HEX #8370BC

RGB 131 112 188

HSL 255, 0.36%, 0.59%

LAB 51.89, 24.42, -37.43

 

CMYK 33 / 44 / 0 / 34

HEX #725EA9

RGB 114 94 169

HSL 256, 0.3%, 0.52%

LAB 44.87, 25.32, -37.54

 

CMYK 35 / 49 / 0 / 41

HEX #614C96

RGB 97 76 150

HSL 257.03, 0.33%, 0.44%

LAB 37.68, 26.34, -37.7

 

CMYK 39 / 56 / 0 / 49

HEX #503A83

RGB 80 58 131

HSL 258.08, 0.39%, 0.37%

LAB 30.33, 27.51, -37.89

 

CMYK 44 / 64 / 0 / 56

HEX #3F2870

RGB 63 40 112

HSL 259.17, 0.47%, 0.3%

LAB 22.81, 28.82, -38.08

 

CMYK 30 / 40 / 0 / 26

HEX #8370BC

RGB 131 112 188

HSL 255, 0.36%, 0.59%

LAB 51.89, 24.42, -37.43

 

CMYK 20 / 40 / 0 / 26

HEX #9770BC

RGB 151 112 188

HSL 270.79, 0.36%, 0.59%

LAB 53.81, 30.32, -34.27

 

CMYK 9 / 40 / 0 / 26

HEX #AC70BC

RGB 172 112 188

HSL 287.37, 0.36%, 0.59%

LAB 56.08, 36.74, -30.57

 

CMYK 0 / 40 / 3 / 26

HEX #BC70B7

RGB 188 112 183

HSL 303.95, 0.36%, 0.59%

LAB 57.75, 40.77, -24.97

 

CMYK 0 / 40 / 13 / 26

HEX #BC70A3

RGB 188 112 163

HSL 319.74, 0.36%, 0.59%

LAB 57, 37.27, -14.59

 

CMYK 30 / 40 / 0 / 26

HEX #8370BC

RGB 131 112 188

HSL 255, 0.36%, 0.59%

LAB 51.89, 24.42, -37.43

 

CMYK 40 / 40 / 0 / 26

HEX #7070BC

RGB 112 112 188

HSL 240, 0.36%, 0.59%

LAB 50.29, 19.16, -40.05

 

CMYK 30 / 40 / 0 / 26

HEX #8370BC

RGB 131 112 188

HSL 255, 0.36%, 0.59%

LAB 51.89, 24.42, -37.43

 

CMYK 40 / 54 / 0 / 20

HEX #7B5FCD

RGB 123 95 205

HSL 255.27, 0.52%, 0.59%

LAB 48.01, 36.93, -53.4

 

CMYK 48 / 65 / 0 / 13

HEX #724EDD

RGB 114 78 221

HSL 255.1, 0.68%, 0.59%

LAB 44.58, 49.14, -68.12

 

CMYK 55 / 74 / 0 / 7

HEX #6A3EEE

RGB 106 62 238

HSL 255, 0.84%, 0.59%

LAB 42.28, 60.81, -81.57

 

CMYK 30 / 40 / 0 / 26

HEX #8370BC

RGB 131 112 188

HSL 255, 0.36%, 0.59%

LAB 51.89, 24.42, -37.43

 

CMYK 18 / 25 / 0 / 33

HEX #8C81AB

RGB 140 129 171

HSL 255.71, 0.2%, 0.59%

LAB 56.3, 12.99, -20.73

 

CMYK 4 / 5 / 0 / 40

HEX #94929A

RGB 148 146 154

HSL 255, 0.04%, 0.59%

LAB 60.95, 2.31, -3.96

 

CMYK 4 / 0 / 16 / 36

HEX #9DA389

RGB 157 163 137

HSL 73.85, 0.12%, 0.59%

LAB 65.88, -6.85, 12.8

 

CMYK 8 / 0 / 33 / 29

HEX #A5B478

RGB 165 180 120

HSL 75, 0.29%, 0.59%

LAB 70.87, -15.28, 28.93

 

CMYK 40 / 29 / 0 / 26

HEX #7086BC

RGB 112 134 188

HSL 222.63, 0.36%, 0.59%

LAB 56.21, 6.01, -30.77

 

CMYK 40 / 39 / 0 / 26

HEX #7072BC

RGB 112 114 188

HSL 238.42, 0.36%, 0.59%

LAB 50.82, 17.95, -39.22

 

CMYK 30 / 40 / 0 / 26

HEX #8370BC

RGB 131 112 188

HSL 255, 0.36%, 0.59%

LAB 51.89, 24.42, -37.43

 

CMYK 20 / 40 / 0 / 26

HEX #9770BC

RGB 151 112 188

HSL 270.79, 0.36%, 0.59%

LAB 53.81, 30.32, -34.27

 

CMYK 9 / 40 / 0 / 26

HEX #AB70BC

RGB 171 112 188

HSL 286.58, 0.36%, 0.59%

LAB 55.96, 36.43, -30.75

 

CMYK 40 / 53 / 0 / 42

HEX #594594

RGB 89 69 148

HSL 255.19, 0.36%, 0.43%

LAB 35.04, 27.97, -40.75

 

CMYK 39 / 52 / 0 / 32

HEX #6B54AE

RGB 107 84 174

HSL 255.33, 0.36%, 0.51%

LAB 42.03, 30.86, -45.03

 

CMYK 30 / 40 / 0 / 26

HEX #8370BC

RGB 131 112 188

HSL 255, 0.36%, 0.59%

LAB 51.89, 24.42, -37.43

 

CMYK 23 / 30 / 0 / 21

HEX #9B8CC9

RGB 155 140 201

HSL 254.75, 0.36%, 0.67%

LAB 61.6, 18.47, -29.51

 

CMYK 16 / 21 / 0 / 16

HEX #B4A8D6

RGB 180 168 214

HSL 255.65, 0.36%, 0.75%

LAB 71.26, 13.48, -21.73

 

CMYK 30 / 40 / 0 / 26

HEX #8370BC

RGB 131 112 188

HSL 255, 0.36%, 0.59%

LAB 51.89, 24.42, -37.43

 

CMYK 0 / 40 / 18 / 26

HEX #BC709A

RGB 188 112 154

HSL 326.84, 0.36%, 0.59%

LAB 56.7, 35.81, -9.84

 

CMYK 34 / 0 / 40 / 26

HEX #7CBC70

RGB 124 188 112

HSL 110.53, 0.36%, 0.59%

LAB 70.47, -35.26, 32.11

 

CMYK 30 / 40 / 0 / 26

HEX #8370BC

RGB 131 112 188

HSL 255, 0.36%, 0.59%

LAB 51.89, 24.42, -37.43

 

CMYK 0 / 30 / 40 / 26

HEX #BC8370

RGB 188 131 112

HSL 15, 0.36%, 0.59%

LAB 59.97, 19.56, 19.08

 

CMYK 40 / 0 / 30 / 26

HEX #70BC83

RGB 112 188 131

HSL 135, 0.36%, 0.59%

LAB 70.21, -35.91, 21.64

 

CMYK 30 / 40 / 0 / 26

HEX #8370BC

RGB 131 112 188

HSL 255, 0.36%, 0.59%

LAB 51.89, 24.42, -37.43

 

CMYK 0 / 40 / 18 / 26

HEX #BC709A

RGB 188 112 154

HSL 326.84, 0.36%, 0.59%

LAB 56.7, 35.81, -9.84

 

CMYK 10 / 0 / 40 / 26

HEX #A9BC70

RGB 169 188 112

HSL 75, 0.36%, 0.59%

LAB 73.27, -18.8, 36.26

 

CMYK 40 / 0 / 22 / 26

HEX #70BC92

RGB 112 188 146

HSL 146.84, 0.36%, 0.59%

LAB 70.52, -33.03, 13.97

 

CMYK 30 / 40 / 0 / 26

HEX #8370BC

RGB 131 112 188

HSL 255, 0.36%, 0.59%

LAB 51.89, 24.42, -37.43

 

CMYK 0 / 40 / 30 / 26

HEX #BC7083

RGB 188 112 131

HSL 345, 0.36%, 0.59%

LAB 56.01, 32.43, 2.54

 

CMYK 10 / 0 / 40 / 26

HEX #A9BC70

RGB 169 188 112

HSL 75, 0.36%, 0.59%

LAB 73.27, -18.8, 36.26

 

CMYK 40 / 0 / 10 / 26

HEX #70BCA9

RGB 112 188 169

HSL 165, 0.36%, 0.59%

LAB 71.06, -28.05, 2.22

 

Description

Color code: HEX #8370BC | qconv.com Color code: HEX #8370BC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 112 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 112 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 40 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 40% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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