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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #836DE2 it is the complementary color #7C921D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #836DE2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #836DE2 shade: #886DDD, #997FF0, #AA91FF, #BBA3FF and #CCB5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #836DE2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #836DE2 shade: #836DE2, #725BCF, #6149BC, #5037A9 and #3F2596

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #836DE2 shade: #846EE2, #A36EE2, #C26EE2, #E26EE2 and #E26EC3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #836DE2 shade: #846EE2 and #6E6EE2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #836DE2 shade matches the following richer shades: #846EE2, #7B60F0 and #7252FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #836DE2 shade: #846EE2, #8C7CD4, #958AC6, #9E98B8 and #A7A6AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #836DE2 shade: #6E96E2, #6E77E2, #836EE2, #A26EE2 and #C16EE2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #836DE2 shade: #4929D4, #664BDB, #846EE2, #A190E9 and #BEB3F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #836DE2 shade: #836DE2, #E26EB5 and #87E26E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #836DE2 shade: #836DE2, #E2836E and #6EE283

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #836DE2 shade: #836DE2, #E26EB5, #CDE26E and #6EE29A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #836DE2 shade: #836DE2, #E26E93, #CDE26E and #6EE2BD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 52 / 0 / 11

HEX #836DE2

RGB 131 109 226

HSL 251.28, 0.67%, 0.66%

LAB 53.23, 36.49, -56.92

 

Complementary color

CMYK 15 / 0 / 80 / 43

HEX #7C921D

RGB 124 146 29

HSL 71.28, 0.67%, 0.34%

LAB 57.01, -23.3, 54.34

 

CMYK 38 / 51 / 0 / 13

HEX #886DDD

RGB 136 109 221

HSL 254.46, 0.62%, 0.65%

LAB 53.38, 36.3, -53.84

 

CMYK 36 / 47 / 0 / 6

HEX #997FF0

RGB 153 127 240

HSL 253.81, 0.79%, 0.72%

LAB 60.11, 35.23, -53.63

 

CMYK 33 / 43 / 0 / 0

HEX #AA91FF

RGB 170 145 255

HSL 253.64, 1%, 0.78%

LAB 66.53, 33.24, -51.59

 

CMYK 27 / 36 / 0 / 0

HEX #BBA3FF

RGB 187 163 255

HSL 255.65, 1%, 0.82%

LAB 72.21, 27.76, -42.55

 

CMYK 20 / 29 / 0 / 0

HEX #CCB5FF

RGB 204 181 255

HSL 258.65, 1%, 0.85%

LAB 77.94, 22.76, -33.56

 

CMYK 42 / 52 / 0 / 11

HEX #836DE2

RGB 131 109 226

HSL 251.28, 0.67%, 0.66%

LAB 53.23, 36.49, -56.92

 

CMYK 45 / 56 / 0 / 19

HEX #725BCF

RGB 114 91 207

HSL 251.9, 0.55%, 0.58%

LAB 46.4, 37.77, -57.18

 

CMYK 48 / 61 / 0 / 26

HEX #6149BC

RGB 97 73 188

HSL 252.52, 0.46%, 0.51%

LAB 39.47, 39.18, -57.44

 

CMYK 53 / 67 / 0 / 34

HEX #5037A9

RGB 80 55 169

HSL 253.16, 0.51%, 0.44%

LAB 32.49, 40.69, -57.61

 

CMYK 58 / 75 / 0 / 41

HEX #3F2596

RGB 63 37 150

HSL 253.81, 0.6%, 0.37%

LAB 25.51, 42.16, -57.56

 

CMYK 42 / 51 / 0 / 11

HEX #846EE2

RGB 132 110 226

HSL 251.38, 0.67%, 0.66%

LAB 53.54, 36.14, -56.4

 

CMYK 28 / 51 / 0 / 11

HEX #A36EE2

RGB 163 110 226

HSL 267.41, 0.67%, 0.66%

LAB 56.52, 43.78, -51.49

 

CMYK 14 / 51 / 0 / 11

HEX #C26EE2

RGB 194 110 226

HSL 283.45, 0.67%, 0.66%

LAB 59.99, 51.93, -45.76

 

CMYK 0 / 51 / 0 / 11

HEX #E26EE2

RGB 226 110 226

HSL 300, 0.67%, 0.66%

LAB 64.01, 60.55, -39.17

 

CMYK 0 / 51 / 14 / 11

HEX #E26EC3

RGB 226 110 195

HSL 316.03, 0.67%, 0.66%

LAB 62.73, 55.46, -23.74

 

CMYK 42 / 51 / 0 / 11

HEX #846EE2

RGB 132 110 226

HSL 251.38, 0.67%, 0.66%

LAB 53.54, 36.14, -56.4

 

CMYK 51 / 51 / 0 / 11

HEX #6E6EE2

RGB 110 110 226

HSL 240, 0.67%, 0.66%

LAB 51.79, 31.27, -59.32

 

CMYK 42 / 51 / 0 / 11

HEX #846EE2

RGB 132 110 226

HSL 251.38, 0.67%, 0.66%

LAB 53.54, 36.14, -56.4

 

CMYK 49 / 60 / 0 / 6

HEX #7B60F0

RGB 123 96 240

HSL 251.25, 0.83%, 0.66%

LAB 50.53, 46.23, -69.15

 

CMYK 55 / 68 / 0 / 0

HEX #7252FE

RGB 114 82 254

HSL 251.16, 0.99%, 0.66%

LAB 47.97, 56.37, -81.18

 

CMYK 42 / 51 / 0 / 11

HEX #846EE2

RGB 132 110 226

HSL 251.38, 0.67%, 0.66%

LAB 53.54, 36.14, -56.4

 

CMYK 34 / 42 / 0 / 17

HEX #8C7CD4

RGB 140 124 212

HSL 250.91, 0.51%, 0.66%

LAB 56.83, 26.18, -43.26

 

CMYK 25 / 30 / 0 / 22

HEX #958AC6

RGB 149 138 198

HSL 251, 0.34%, 0.66%

LAB 60.47, 17.06, -29.62

 

CMYK 14 / 17 / 0 / 28

HEX #9E98B8

RGB 158 152 184

HSL 251.25, 0.18%, 0.66%

LAB 64.31, 8.7, -15.79

 

CMYK 2 / 2 / 0 / 33

HEX #A7A6AA

RGB 167 166 170

HSL 255, 0.02%, 0.66%

LAB 68.31, 1.12, -1.94

 

CMYK 51 / 34 / 0 / 11

HEX #6E96E2

RGB 110 150 226

HSL 219.31, 0.67%, 0.66%

LAB 62.18, 7.41, -42.78

 

CMYK 51 / 47 / 0 / 11

HEX #6E77E2

RGB 110 119 226

HSL 235.34, 0.67%, 0.66%

LAB 54.03, 25.85, -55.73

 

CMYK 42 / 51 / 0 / 11

HEX #836EE2

RGB 131 110 226

HSL 250.86, 0.67%, 0.66%

LAB 53.46, 35.91, -56.55

 

CMYK 28 / 51 / 0 / 11

HEX #A26EE2

RGB 162 110 226

HSL 266.9, 0.67%, 0.66%

LAB 56.41, 43.53, -51.66

 

CMYK 15 / 51 / 0 / 11

HEX #C16EE2

RGB 193 110 226

HSL 282.93, 0.67%, 0.66%

LAB 59.87, 51.67, -45.96

 

CMYK 66 / 81 / 0 / 17

HEX #4929D4

RGB 73 41 212

HSL 251.23, 0.68%, 0.5%

LAB 33.47, 59.5, -81.34

 

CMYK 53 / 66 / 0 / 14

HEX #664BDB

RGB 102 75 219

HSL 251.25, 0.67%, 0.58%

LAB 42.72, 48.12, -70.07

 

CMYK 42 / 51 / 0 / 11

HEX #846EE2

RGB 132 110 226

HSL 251.38, 0.67%, 0.66%

LAB 53.54, 36.14, -56.4

 

CMYK 31 / 38 / 0 / 9

HEX #A190E9

RGB 161 144 233

HSL 251.46, 0.67%, 0.74%

LAB 64.49, 25.81, -42.79

 

CMYK 21 / 25 / 0 / 6

HEX #BEB3F0

RGB 190 179 240

HSL 250.82, 0.67%, 0.82%

LAB 75.75, 16.29, -28.95

 

CMYK 42 / 52 / 0 / 11

HEX #836DE2

RGB 131 109 226

HSL 251.28, 0.67%, 0.66%

LAB 53.23, 36.49, -56.92

 

CMYK 0 / 51 / 20 / 11

HEX #E26EB5

RGB 226 110 181

HSL 323.28, 0.67%, 0.66%

LAB 62.22, 53.36, -16.56

 

CMYK 40 / 0 / 51 / 11

HEX #87E26E

RGB 135 226 110

HSL 107.07, 0.67%, 0.66%

LAB 82.2, -48.58, 47.91

 

CMYK 42 / 52 / 0 / 11

HEX #836DE2

RGB 131 109 226

HSL 251.28, 0.67%, 0.66%

LAB 53.23, 36.49, -56.92

 

CMYK 0 / 42 / 51 / 11

HEX #E2836E

RGB 226 131 110

HSL 10.86, 0.67%, 0.66%

LAB 64.59, 34.38, 27.19

 

CMYK 51 / 0 / 42 / 11

HEX #6EE283

RGB 110 226 131

HSL 130.86, 0.67%, 0.66%

LAB 81.48, -52.73, 36.59

 

CMYK 42 / 52 / 0 / 11

HEX #836DE2

RGB 131 109 226

HSL 251.28, 0.67%, 0.66%

LAB 53.23, 36.49, -56.92

 

CMYK 0 / 51 / 20 / 11

HEX #E26EB5

RGB 226 110 181

HSL 323.28, 0.67%, 0.66%

LAB 62.22, 53.36, -16.56

 

CMYK 9 / 0 / 51 / 11

HEX #CDE26E

RGB 205 226 110

HSL 70.86, 0.67%, 0.66%

LAB 86.25, -23.62, 53.73

 

CMYK 51 / 0 / 32 / 11

HEX #6EE29A

RGB 110 226 154

HSL 142.76, 0.67%, 0.66%

LAB 81.86, -48.81, 25.39

 

CMYK 42 / 52 / 0 / 11

HEX #836DE2

RGB 131 109 226

HSL 251.28, 0.67%, 0.66%

LAB 53.23, 36.49, -56.92

 

CMYK 0 / 51 / 35 / 11

HEX #E26E93

RGB 226 110 147

HSL 340.86, 0.67%, 0.66%

LAB 61.16, 48.89, 1.37

 

CMYK 9 / 0 / 51 / 11

HEX #CDE26E

RGB 205 226 110

HSL 70.86, 0.67%, 0.66%

LAB 86.25, -23.62, 53.73

 

CMYK 51 / 0 / 16 / 11

HEX #6EE2BD

RGB 110 226 189

HSL 160.86, 0.67%, 0.66%

LAB 82.58, -41.65, 8.09

 

Description

Color code: HEX #836DE2 | qconv.com Color code: HEX #836DE2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 109 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 109 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 52 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 52% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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