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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #836A05 it is the complementary color #7C95FA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #836A05. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #836A05 shade: #886A00, #997C13, #AA8E26, #BBA039 and #CCB24C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #836A05. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #836A05 shade: #836A05, #725800, #614600, #503400 and #3F2200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #836A05 shade: #846B04, #844804, #842604 and #840404

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #836A05 shade: #846B04, #7B8404, #598404, #368404 and #148404

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #836A05 shade matches the following richer shades: #846B04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #836A05 shade: #846B04, #79640F, #6E5E1B, #635726 and #585031

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #836A05 shade: #842604, #844904, #846B04, #7C8404 and #5A8404

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #836A05 shade: #352B01, #5D4B03, #846B04, #AC8B06 and #D4AB07

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #836A05 shade: #836A05, #048404 and #380484

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #836A05 shade: #836A05, #04846B and #6B0484

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #836A05 shade: #836A05, #048404, #041E84 and #840484

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #836A05 shade: #836A05, #04842B, #041E84 and #84045E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 96 / 49

HEX #836A05

RGB 131 106 5

HSL 48.1, 0.93%, 0.27%

LAB 45.83, 0.91, 51.32

 

Complementary color

CMYK 50 / 40 / 0 / 2

HEX #7C95FA

RGB 124 149 250

HSL 228.1, 0.93%, 0.73%

LAB 63.9, 18.41, -53.24

 

CMYK 0 / 22 / 100 / 47

HEX #886A00

RGB 136 106 0

HSL 46.76, 1%, 0.27%

LAB 46.37, 3.21, 53.11

 

CMYK 0 / 19 / 88 / 40

HEX #997C13

RGB 153 124 19

HSL 47.01, 0.78%, 0.34%

LAB 53.21, 1.37, 54.91

 

CMYK 0 / 16 / 78 / 33

HEX #AA8E26

RGB 170 142 38

HSL 47.27, 0.63%, 0.41%

LAB 59.92, -0.18, 55.46

 

CMYK 0 / 14 / 70 / 27

HEX #BBA039

RGB 187 160 57

HSL 47.54, 0.53%, 0.48%

LAB 66.52, -1.45, 55.03

 

CMYK 0 / 13 / 63 / 20

HEX #CCB24C

RGB 204 178 76

HSL 47.81, 0.56%, 0.55%

LAB 73.02, -2.5, 54.15

 

CMYK 0 / 19 / 96 / 49

HEX #836A05

RGB 131 106 5

HSL 48.1, 0.93%, 0.27%

LAB 45.83, 0.91, 51.32

 

CMYK 0 / 23 / 100 / 55

HEX #725800

RGB 114 88 0

HSL 46.32, 1%, 0.22%

LAB 38.82, 3.06, 46.71

 

CMYK 0 / 28 / 100 / 62

HEX #614600

RGB 97 70 0

HSL 43.3, 1%, 0.19%

LAB 31.63, 5.48, 40.79

 

CMYK 0 / 35 / 100 / 69

HEX #503400

RGB 80 52 0

HSL 39, 1%, 0.16%

LAB 24.2, 8.1, 33.65

 

CMYK 0 / 46 / 100 / 75

HEX #3F2200

RGB 63 34 0

HSL 32.38, 1%, 0.12%

LAB 16.51, 10.96, 24.36

 

CMYK 0 / 19 / 97 / 48

HEX #846B04

RGB 132 107 4

HSL 48.28, 0.94%, 0.27%

LAB 46.22, 0.79, 51.88

 

CMYK 0 / 45 / 97 / 48

HEX #844804

RGB 132 72 4

HSL 31.88, 0.94%, 0.27%

LAB 37.02, 21.28, 45.32

 

CMYK 0 / 71 / 97 / 48

HEX #842604

RGB 132 38 4

HSL 15.94, 0.94%, 0.27%

LAB 30.16, 38.89, 40.67

 

CMYK 0 / 97 / 97 / 48

HEX #840404

RGB 132 4 4

HSL 0, 0.94%, 0.27%

LAB 26.74, 48.48, 37.87

 

CMYK 0 / 19 / 97 / 48

HEX #846B04

RGB 132 107 4

HSL 48.28, 0.94%, 0.27%

LAB 46.22, 0.79, 51.88

 

CMYK 7 / 0 / 97 / 48

HEX #7B8404

RGB 123 132 4

HSL 64.22, 0.94%, 0.27%

LAB 52.64, -17.29, 56.32

 

CMYK 33 / 0 / 97 / 48

HEX #598404

RGB 89 132 4

HSL 80.16, 0.94%, 0.27%

LAB 50.26, -32.05, 53.44

 

CMYK 59 / 0 / 97 / 48

HEX #368404

RGB 54 132 4

HSL 96.56, 0.94%, 0.27%

LAB 48.63, -44.16, 51.45

 

CMYK 85 / 0 / 97 / 48

HEX #148404

RGB 20 132 4

HSL 112.5, 0.94%, 0.27%

LAB 47.83, -50.99, 50.46

 

CMYK 0 / 19 / 97 / 48

HEX #846B04

RGB 132 107 4

HSL 48.28, 0.94%, 0.27%

LAB 46.22, 0.79, 51.88

 

CMYK 0 / 19 / 97 / 48

HEX #846B04

RGB 132 107 4

HSL 48.28, 0.94%, 0.27%

LAB 46.22, 0.79, 51.88

 

CMYK 0 / 17 / 88 / 53

HEX #79640F

RGB 121 100 15

HSL 48.11, 0.78%, 0.27%

LAB 43.08, -0.21, 46.25

 

CMYK 0 / 15 / 75 / 57

HEX #6E5E1B

RGB 110 94 27

HSL 48.43, 0.61%, 0.27%

LAB 40.25, -1.53, 38.82

 

CMYK 0 / 12 / 62 / 61

HEX #635726

RGB 99 87 38

HSL 48.2, 0.45%, 0.27%

LAB 37.13, -1.93, 29.76

 

CMYK 0 / 9 / 44 / 65

HEX #585031

RGB 88 80 49

HSL 47.69, 0.28%, 0.27%

LAB 34.05, -1.79, 19.46

 

CMYK 0 / 71 / 97 / 48

HEX #842604

RGB 132 38 4

HSL 15.94, 0.94%, 0.27%

LAB 30.16, 38.89, 40.67

 

CMYK 0 / 45 / 97 / 48

HEX #844904

RGB 132 73 4

HSL 32.34, 0.94%, 0.27%

LAB 37.26, 20.7, 45.48

 

CMYK 0 / 19 / 97 / 48

HEX #846B04

RGB 132 107 4

HSL 48.28, 0.94%, 0.27%

LAB 46.22, 0.79, 51.88

 

CMYK 6 / 0 / 97 / 48

HEX #7C8404

RGB 124 132 4

HSL 63.75, 0.94%, 0.27%

LAB 52.73, -16.83, 56.42

 

CMYK 32 / 0 / 97 / 48

HEX #5A8404

RGB 90 132 4

HSL 79.69, 0.94%, 0.27%

LAB 50.32, -31.65, 53.51

 

CMYK 0 / 19 / 98 / 79

HEX #352B01

RGB 53 43 1

HSL 48.46, 0.96%, 0.11%

LAB 17.86, -0.54, 25.28

 

CMYK 0 / 19 / 97 / 64

HEX #5D4B03

RGB 93 75 3

HSL 48, 0.94%, 0.19%

LAB 32.63, 0.45, 40.13

 

CMYK 0 / 19 / 97 / 48

HEX #846B04

RGB 132 107 4

HSL 48.28, 0.94%, 0.27%

LAB 46.22, 0.79, 51.88

 

CMYK 0 / 19 / 97 / 33

HEX #AC8B06

RGB 172 139 6

HSL 48.07, 0.93%, 0.35%

LAB 59.2, 1.57, 62.92

 

CMYK 0 / 19 / 97 / 17

HEX #D4AB07

RGB 212 171 7

HSL 48, 0.94%, 0.43%

LAB 71.65, 2.29, 73.65

 

CMYK 0 / 19 / 96 / 49

HEX #836A05

RGB 131 106 5

HSL 48.1, 0.93%, 0.27%

LAB 45.83, 0.91, 51.32

 

CMYK 97 / 0 / 97 / 48

HEX #048404

RGB 4 132 4

HSL 120, 0.94%, 0.27%

LAB 47.67, -52.41, 50.27

 

CMYK 58 / 97 / 0 / 48

HEX #380484

RGB 56 4 132

HSL 264.38, 0.94%, 0.27%

LAB 18.34, 49.29, -58.2

 

CMYK 0 / 19 / 96 / 49

HEX #836A05

RGB 131 106 5

HSL 48.1, 0.93%, 0.27%

LAB 45.83, 0.91, 51.32

 

CMYK 97 / 0 / 19 / 48

HEX #04846B

RGB 4 132 107

HSL 168.28, 0.94%, 0.27%

LAB 48.99, -36.82, 4.94

 

CMYK 19 / 97 / 0 / 48

HEX #6B0484

RGB 107 4 132

HSL 288.28, 0.94%, 0.27%

LAB 26.39, 55.46, -44.69

 

CMYK 0 / 19 / 96 / 49

HEX #836A05

RGB 131 106 5

HSL 48.1, 0.93%, 0.27%

LAB 45.83, 0.91, 51.32

 

CMYK 97 / 0 / 97 / 48

HEX #048404

RGB 4 132 4

HSL 120, 0.94%, 0.27%

LAB 47.67, -52.41, 50.27

 

CMYK 97 / 77 / 0 / 48

HEX #041E84

RGB 4 30 132

HSL 227.81, 0.94%, 0.27%

LAB 18.45, 34.74, -58.11

 

CMYK 0 / 97 / 0 / 48

HEX #840484

RGB 132 4 132

HSL 300, 0.94%, 0.27%

LAB 31.02, 59.66, -36.99

 

CMYK 0 / 19 / 96 / 49

HEX #836A05

RGB 131 106 5

HSL 48.1, 0.93%, 0.27%

LAB 45.83, 0.91, 51.32

 

CMYK 97 / 0 / 67 / 48

HEX #04842B

RGB 4 132 43

HSL 138.28, 0.94%, 0.27%

LAB 47.88, -49.7, 38.29

 

CMYK 97 / 77 / 0 / 48

HEX #041E84

RGB 4 30 132

HSL 227.81, 0.94%, 0.27%

LAB 18.45, 34.74, -58.11

 

CMYK 0 / 97 / 29 / 48

HEX #84045E

RGB 132 4 94

HSL 317.81, 0.94%, 0.27%

LAB 28.9, 54.32, -16.01

 

Description

Color code: HEX #836A05 | qconv.com Color code: HEX #836A05 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 106 green and 5 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 106 5 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 96 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 96% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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