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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #835B10 it is the complementary color #7CA4EF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #835B10. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #835B10 shade: #885B0B, #996D1E, #AA7F31, #BB9144 and #CCA357

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #835B10. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #835B10 shade: #835B10, #724900, #613700, #502500 and #3F1300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #835B10 shade: #835B10, #833C10, #831D10 and #831010

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #835B10 shade: #835B10, #837A10, #6D8310, #4E8310 and #2F8310

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #835B10 shade matches the following richer shades: #835B10 and #8F5F04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #835B10 shade: #835B10, #77571C, #6B5428, #5F5034 and #534C40

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #835B10 shade: #831D10, #833C10, #835B10, #837A10 and #6E8310

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #835B10 shade: #3A2807, #5E410B, #835B10, #A87514 and #CD8E19

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #835B10 shade: #835B10, #218310 and #2D1083

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #835B10 shade: #835B10, #10835B and #5B1083

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #835B10 shade: #835B10, #218310, #103883 and #721083

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #835B10 shade: #835B10, #108321, #103883 and #831072

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 88 / 49

HEX #835B10

RGB 131 91 16

HSL 39.13, 0.78%, 0.29%

LAB 41.76, 9.93, 45.3

 

Complementary color

CMYK 48 / 31 / 0 / 6

HEX #7CA4EF

RGB 124 164 239

HSL 219.13, 0.78%, 0.71%

LAB 67.33, 6.46, -41.82

 

CMYK 0 / 33 / 92 / 47

HEX #885B0B

RGB 136 91 11

HSL 38.4, 0.85%, 0.29%

LAB 42.37, 12.18, 47.52

 

CMYK 0 / 29 / 80 / 40

HEX #996D1E

RGB 153 109 30

HSL 38.54, 0.67%, 0.36%

LAB 49.26, 10.25, 47.9

 

CMYK 0 / 25 / 71 / 33

HEX #AA7F31

RGB 170 127 49

HSL 38.68, 0.55%, 0.43%

LAB 56.03, 8.67, 47.15

 

CMYK 0 / 22 / 64 / 27

HEX #BB9144

RGB 187 145 68

HSL 38.82, 0.47%, 0.5%

LAB 62.7, 7.37, 45.98

 

CMYK 0 / 20 / 57 / 20

HEX #CCA357

RGB 204 163 87

HSL 38.97, 0.53%, 0.57%

LAB 69.27, 6.27, 44.67

 

CMYK 0 / 31 / 88 / 49

HEX #835B10

RGB 131 91 16

HSL 39.13, 0.78%, 0.29%

LAB 41.76, 9.93, 45.3

 

CMYK 0 / 36 / 100 / 55

HEX #724900

RGB 114 73 0

HSL 38.42, 1%, 0.22%

LAB 34.69, 12.11, 43.91

 

CMYK 0 / 43 / 100 / 62

HEX #613700

RGB 97 55 0

HSL 34.02, 1%, 0.19%

LAB 27.5, 14.8, 37.6

 

CMYK 0 / 54 / 100 / 69

HEX #502500

RGB 80 37 0

HSL 27.75, 1%, 0.16%

LAB 20.16, 17.63, 29.39

 

CMYK 0 / 70 / 100 / 75

HEX #3F1300

RGB 63 19 0

HSL 18.1, 1%, 0.12%

LAB 12.75, 20.34, 19.5

 

CMYK 0 / 31 / 88 / 49

HEX #835B10

RGB 131 91 16

HSL 39.13, 0.78%, 0.29%

LAB 41.76, 9.93, 45.3

 

CMYK 0 / 54 / 88 / 49

HEX #833C10

RGB 131 60 16

HSL 22.96, 0.78%, 0.29%

LAB 34.18, 27.89, 38.9

 

CMYK 0 / 78 / 88 / 49

HEX #831D10

RGB 131 29 16

HSL 6.78, 0.78%, 0.29%

LAB 28.75, 42.31, 34.22

 

CMYK 0 / 88 / 88 / 49

HEX #831010

RGB 131 16 16

HSL 0, 0.78%, 0.29%

LAB 27.39, 46.14, 33.03

 

CMYK 0 / 31 / 88 / 49

HEX #835B10

RGB 131 91 16

HSL 39.13, 0.78%, 0.29%

LAB 41.76, 9.93, 45.3

 

CMYK 0 / 7 / 88 / 49

HEX #837A10

RGB 131 122 16

HSL 55.3, 0.78%, 0.29%

LAB 50.43, -7.91, 52.49

 

CMYK 17 / 0 / 88 / 49

HEX #6D8310

RGB 109 131 16

HSL 71.48, 0.78%, 0.29%

LAB 51.29, -22.78, 52.47

 

CMYK 40 / 0 / 88 / 49

HEX #4E8310

RGB 78 131 16

HSL 87.65, 0.78%, 0.29%

LAB 49.36, -35.5, 50.05

 

CMYK 64 / 0 / 88 / 49

HEX #2F8310

RGB 47 131 16

HSL 103.83, 0.78%, 0.29%

LAB 48.1, -45.22, 48.46

 

CMYK 0 / 31 / 88 / 49

HEX #835B10

RGB 131 91 16

HSL 39.13, 0.78%, 0.29%

LAB 41.76, 9.93, 45.3

 

CMYK 0 / 34 / 97 / 44

HEX #8F5F04

RGB 143 95 4

HSL 39.28, 0.95%, 0.29%

LAB 44.28, 13, 51.08

 

CMYK 0 / 31 / 88 / 49

HEX #835B10

RGB 131 91 16

HSL 39.13, 0.78%, 0.29%

LAB 41.76, 9.93, 45.3

 

CMYK 0 / 27 / 76 / 53

HEX #77571C

RGB 119 87 28

HSL 38.9, 0.62%, 0.29%

LAB 39.28, 7.04, 37.75

 

CMYK 0 / 21 / 63 / 58

HEX #6B5428

RGB 107 84 40

HSL 39.4, 0.46%, 0.29%

LAB 37.15, 3.89, 28.92

 

CMYK 0 / 16 / 45 / 63

HEX #5F5034

RGB 95 80 52

HSL 39.07, 0.29%, 0.29%

LAB 34.84, 1.87, 18.81

 

CMYK 0 / 8 / 23 / 67

HEX #534C40

RGB 83 76 64

HSL 37.89, 0.13%, 0.29%

LAB 32.65, 0.64, 8.19

 

CMYK 0 / 78 / 88 / 49

HEX #831D10

RGB 131 29 16

HSL 6.78, 0.78%, 0.29%

LAB 28.75, 42.31, 34.22

 

CMYK 0 / 54 / 88 / 49

HEX #833C10

RGB 131 60 16

HSL 22.96, 0.78%, 0.29%

LAB 34.18, 27.89, 38.9

 

CMYK 0 / 31 / 88 / 49

HEX #835B10

RGB 131 91 16

HSL 39.13, 0.78%, 0.29%

LAB 41.76, 9.93, 45.3

 

CMYK 0 / 7 / 88 / 49

HEX #837A10

RGB 131 122 16

HSL 55.3, 0.78%, 0.29%

LAB 50.43, -7.91, 52.49

 

CMYK 16 / 0 / 88 / 49

HEX #6E8310

RGB 110 131 16

HSL 70.96, 0.78%, 0.29%

LAB 51.36, -22.34, 52.56

 

CMYK 0 / 31 / 88 / 77

HEX #3A2807

RGB 58 40 7

HSL 38.82, 0.78%, 0.13%

LAB 17.61, 4.65, 22.69

 

CMYK 0 / 31 / 88 / 63

HEX #5E410B

RGB 94 65 11

HSL 39.04, 0.79%, 0.21%

LAB 29.87, 7.44, 35.03

 

CMYK 0 / 31 / 88 / 49

HEX #835B10

RGB 131 91 16

HSL 39.13, 0.78%, 0.29%

LAB 41.76, 9.93, 45.3

 

CMYK 0 / 30 / 88 / 34

HEX #A87514

RGB 168 117 20

HSL 39.32, 0.79%, 0.37%

LAB 53.06, 12.27, 55.22

 

CMYK 0 / 31 / 88 / 20

HEX #CD8E19

RGB 205 142 25

HSL 39, 0.78%, 0.45%

LAB 63.67, 15.07, 64.21

 

CMYK 0 / 31 / 88 / 49

HEX #835B10

RGB 131 91 16

HSL 39.13, 0.78%, 0.29%

LAB 41.76, 9.93, 45.3

 

CMYK 75 / 0 / 88 / 49

HEX #218310

RGB 33 131 16

HSL 111.13, 0.78%, 0.29%

LAB 47.74, -48.24, 48.01

 

CMYK 66 / 88 / 0 / 49

HEX #2D1083

RGB 45 16 131

HSL 255.13, 0.78%, 0.29%

LAB 18.22, 44.29, -57.8

 

CMYK 0 / 31 / 88 / 49

HEX #835B10

RGB 131 91 16

HSL 39.13, 0.78%, 0.29%

LAB 41.76, 9.93, 45.3

 

CMYK 88 / 0 / 31 / 49

HEX #10835B

RGB 16 131 91

HSL 159.13, 0.78%, 0.29%

LAB 48.38, -39.77, 13.39

 

CMYK 31 / 88 / 0 / 49

HEX #5B1083

RGB 91 16 131

HSL 279.13, 0.78%, 0.29%

LAB 24.43, 50.18, -47.36

 

CMYK 0 / 31 / 88 / 49

HEX #835B10

RGB 131 91 16

HSL 39.13, 0.78%, 0.29%

LAB 41.76, 9.93, 45.3

 

CMYK 75 / 0 / 88 / 49

HEX #218310

RGB 33 131 16

HSL 111.13, 0.78%, 0.29%

LAB 47.74, -48.24, 48.01

 

CMYK 88 / 57 / 0 / 49

HEX #103883

RGB 16 56 131

HSL 219.13, 0.78%, 0.29%

LAB 25.49, 17.14, -45.91

 

CMYK 13 / 88 / 0 / 49

HEX #721083

RGB 114 16 131

HSL 291.13, 0.78%, 0.29%

LAB 28.34, 54.15, -40.83

 

CMYK 0 / 31 / 88 / 49

HEX #835B10

RGB 131 91 16

HSL 39.13, 0.78%, 0.29%

LAB 41.76, 9.93, 45.3

 

CMYK 88 / 0 / 75 / 49

HEX #108321

RGB 16 131 33

HSL 128.87, 0.78%, 0.29%

LAB 47.56, -49.47, 42.22

 

CMYK 88 / 57 / 0 / 49

HEX #103883

RGB 16 56 131

HSL 219.13, 0.78%, 0.29%

LAB 25.49, 17.14, -45.91

 

CMYK 0 / 88 / 13 / 49

HEX #831072

RGB 131 16 114

HSL 308.87, 0.78%, 0.29%

LAB 30.43, 54.72, -26.57

 

Description

Color code: HEX #835B10 | qconv.com Color code: HEX #835B10 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 91 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 91 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 88 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 88% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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