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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #834F38 it is the complementary color #7CB0C7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #834F38. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #834F38 shade: #884F33, #996146, #AA7359, #BB856C and #CC977F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #834F38. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #834F38 shade: #834F38, #723D25, #612B12, #501900 and #3F0700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #834F38 shade: #844F38, #843B38 and #843838

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #834F38 shade: #844F38, #846438, #847838, #7B8438 and #678438

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #834F38 shade matches the following richer shades: #844F38, #934929, #A2431A and #B13E0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #834F38 shade: #844F38, #745547, #655B57, #566166 and #476775

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #834F38 shade: #84384A, #843B38, #844F38, #846338 and #847738

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #834F38 shade: #4A2C1F, #673E2C, #844F38, #A06144 and #B77557

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #834F38 shade: #834F38, #5E8438 and #384084

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #834F38 shade: #834F38, #38844F and #4F3884

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #834F38 shade: #834F38, #5E8438, #386D84 and #5E3884

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #834F38 shade: #834F38, #478438, #386D84 and #743884

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 57 / 49

HEX #834F38

RGB 131 79 56

HSL 18.4, 0.4%, 0.37%

LAB 39.08, 19.36, 22.73

 

Complementary color

CMYK 38 / 12 / 0 / 22

HEX #7CB0C7

RGB 124 176 199

HSL 198.4, 0.4%, 0.63%

LAB 69.08, -11.29, -17.14

 

CMYK 0 / 42 / 63 / 47

HEX #884F33

RGB 136 79 51

HSL 19.76, 0.45%, 0.37%

LAB 39.69, 21.13, 26.59

 

CMYK 0 / 37 / 54 / 40

HEX #996146

RGB 153 97 70

HSL 19.52, 0.37%, 0.44%

LAB 46.66, 19.76, 24.76

 

CMYK 0 / 32 / 48 / 33

HEX #AA7359

RGB 170 115 89

HSL 19.26, 0.32%, 0.51%

LAB 53.52, 18.59, 23.15

 

CMYK 0 / 29 / 42 / 27

HEX #BB856C

RGB 187 133 108

HSL 18.99, 0.37%, 0.58%

LAB 60.27, 17.59, 21.71

 

CMYK 0 / 26 / 38 / 20

HEX #CC977F

RGB 204 151 127

HSL 18.7, 0.43%, 0.65%

LAB 66.9, 16.73, 20.42

 

CMYK 0 / 40 / 57 / 49

HEX #834F38

RGB 131 79 56

HSL 18.4, 0.4%, 0.37%

LAB 39.08, 19.36, 22.73

 

CMYK 0 / 46 / 68 / 55

HEX #723D25

RGB 114 61 37

HSL 18.7, 0.51%, 0.3%

LAB 31.92, 20.87, 24.73

 

CMYK 0 / 56 / 81 / 62

HEX #612B12

RGB 97 43 18

HSL 18.99, 0.69%, 0.23%

LAB 24.68, 22.66, 26.99

 

CMYK 0 / 69 / 100 / 69

HEX #501900

RGB 80 25 0

HSL 18.75, 1%, 0.16%

LAB 17.46, 24.54, 26.24

 

CMYK 0 / 89 / 100 / 75

HEX #3F0700

RGB 63 7 0

HSL 6.67, 1%, 0.12%

LAB 10.62, 26.13, 16.58

 

CMYK 0 / 40 / 58 / 48

HEX #844F38

RGB 132 79 56

HSL 18.16, 0.4%, 0.37%

LAB 39.21, 19.8, 22.93

 

CMYK 0 / 55 / 58 / 48

HEX #843B38

RGB 132 59 56

HSL 2.37, 0.4%, 0.37%

LAB 34.64, 31.12, 17.02

 

CMYK 0 / 58 / 58 / 48

HEX #843838

RGB 132 56 56

HSL 0, 0.4%, 0.37%

LAB 34.02, 32.71, 16.21

 

CMYK 0 / 40 / 58 / 48

HEX #844F38

RGB 132 79 56

HSL 18.16, 0.4%, 0.37%

LAB 39.21, 19.8, 22.93

 

CMYK 0 / 24 / 58 / 48

HEX #846438

RGB 132 100 56

HSL 34.74, 0.4%, 0.37%

LAB 44.67, 7.42, 29.68

 

CMYK 0 / 9 / 58 / 48

HEX #847838

RGB 132 120 56

HSL 50.53, 0.4%, 0.37%

LAB 50.24, -4.12, 36.28

 

CMYK 7 / 0 / 58 / 48

HEX #7B8438

RGB 123 132 56

HSL 67.11, 0.4%, 0.37%

LAB 52.95, -14.74, 39.17

 

CMYK 22 / 0 / 58 / 48

HEX #678438

RGB 103 132 56

HSL 82.89, 0.4%, 0.37%

LAB 51.46, -23.27, 37.08

 

CMYK 0 / 40 / 58 / 48

HEX #844F38

RGB 132 79 56

HSL 18.16, 0.4%, 0.37%

LAB 39.21, 19.8, 22.93

 

CMYK 0 / 50 / 72 / 42

HEX #934929

RGB 147 73 41

HSL 18.11, 0.56%, 0.37%

LAB 39.8, 28.59, 32.82

 

CMYK 0 / 59 / 84 / 36

HEX #A2431A

RGB 162 67 26

HSL 18.09, 0.72%, 0.37%

LAB 40.85, 37.19, 42.34

 

CMYK 0 / 65 / 94 / 31

HEX #B13E0A

RGB 177 62 10

HSL 18.68, 0.89%, 0.37%

LAB 42.48, 44.86, 50.73

 

CMYK 0 / 40 / 58 / 48

HEX #844F38

RGB 132 79 56

HSL 18.16, 0.4%, 0.37%

LAB 39.21, 19.8, 22.93

 

CMYK 0 / 27 / 39 / 55

HEX #745547

RGB 116 85 71

HSL 18.67, 0.24%, 0.37%

LAB 39.01, 10.82, 13.19

 

CMYK 0 / 10 / 14 / 60

HEX #655B57

RGB 101 91 87

HSL 17.14, 0.07%, 0.37%

LAB 39.47, 3.27, 3.76

 

CMYK 16 / 5 / 0 / 60

HEX #566166

RGB 86 97 102

HSL 198.75, 0.09%, 0.37%

LAB 40.39, -3.06, -4.28

 

CMYK 39 / 12 / 0 / 54

HEX #476775

RGB 71 103 117

HSL 198.26, 0.24%, 0.37%

LAB 41.73, -7.7, -11.54

 

CMYK 0 / 58 / 44 / 48

HEX #84384A

RGB 132 56 74

HSL 345.79, 0.4%, 0.37%

LAB 34.45, 34.51, 5.28

 

CMYK 0 / 55 / 58 / 48

HEX #843B38

RGB 132 59 56

HSL 2.37, 0.4%, 0.37%

LAB 34.64, 31.12, 17.02

 

CMYK 0 / 40 / 58 / 48

HEX #844F38

RGB 132 79 56

HSL 18.16, 0.4%, 0.37%

LAB 39.21, 19.8, 22.93

 

CMYK 0 / 25 / 58 / 48

HEX #846338

RGB 132 99 56

HSL 33.95, 0.4%, 0.37%

LAB 44.4, 8, 29.35

 

CMYK 0 / 10 / 58 / 48

HEX #847738

RGB 132 119 56

HSL 49.74, 0.4%, 0.37%

LAB 49.96, -3.56, 35.95

 

CMYK 0 / 41 / 58 / 71

HEX #4A2C1F

RGB 74 44 31

HSL 18.14, 0.41%, 0.21%

LAB 21.42, 12.23, 14.19

 

CMYK 0 / 40 / 57 / 60

HEX #673E2C

RGB 103 62 44

HSL 18.31, 0.4%, 0.29%

LAB 30.67, 15.86, 18.55

 

CMYK 0 / 40 / 58 / 48

HEX #844F38

RGB 132 79 56

HSL 18.16, 0.4%, 0.37%

LAB 39.21, 19.8, 22.93

 

CMYK 0 / 39 / 58 / 37

HEX #A06144

RGB 160 97 68

HSL 18.91, 0.4%, 0.45%

LAB 47.55, 22.57, 27.22

 

CMYK 0 / 36 / 52 / 28

HEX #B77557

RGB 183 117 87

HSL 18.75, 0.4%, 0.53%

LAB 55.56, 22.69, 27.24

 

CMYK 0 / 40 / 57 / 49

HEX #834F38

RGB 131 79 56

HSL 18.4, 0.4%, 0.37%

LAB 39.08, 19.36, 22.73

 

CMYK 29 / 0 / 58 / 48

HEX #5E8438

RGB 94 132 56

HSL 90, 0.4%, 0.37%

LAB 50.88, -26.89, 36.26

 

CMYK 58 / 52 / 0 / 48

HEX #384084

RGB 56 64 132

HSL 233.68, 0.4%, 0.37%

LAB 29.85, 18.07, -39.41

 

CMYK 0 / 40 / 57 / 49

HEX #834F38

RGB 131 79 56

HSL 18.4, 0.4%, 0.37%

LAB 39.08, 19.36, 22.73

 

CMYK 58 / 0 / 40 / 48

HEX #38844F

RGB 56 132 79

HSL 138.16, 0.4%, 0.37%

LAB 49.38, -36.02, 21.73

 

CMYK 40 / 58 / 0 / 48

HEX #4F3884

RGB 79 56 132

HSL 258.16, 0.4%, 0.37%

LAB 29.8, 28.79, -39.36

 

CMYK 0 / 40 / 57 / 49

HEX #834F38

RGB 131 79 56

HSL 18.4, 0.4%, 0.37%

LAB 39.08, 19.36, 22.73

 

CMYK 29 / 0 / 58 / 48

HEX #5E8438

RGB 94 132 56

HSL 90, 0.4%, 0.37%

LAB 50.88, -26.89, 36.26

 

CMYK 58 / 17 / 0 / 48

HEX #386D84

RGB 56 109 132

HSL 198.16, 0.4%, 0.37%

LAB 43.42, -10.54, -18.07

 

CMYK 29 / 58 / 0 / 48

HEX #5E3884

RGB 94 56 132

HSL 270, 0.4%, 0.37%

LAB 31.52, 32.75, -36.52

 

CMYK 0 / 40 / 57 / 49

HEX #834F38

RGB 131 79 56

HSL 18.4, 0.4%, 0.37%

LAB 39.08, 19.36, 22.73

 

CMYK 46 / 0 / 58 / 48

HEX #478438

RGB 71 132 56

HSL 108.16, 0.4%, 0.37%

LAB 49.65, -35.22, 34.5

 

CMYK 58 / 17 / 0 / 48

HEX #386D84

RGB 56 109 132

HSL 198.16, 0.4%, 0.37%

LAB 43.42, -10.54, -18.07

 

CMYK 12 / 58 / 0 / 48

HEX #743884

RGB 116 56 132

HSL 287.37, 0.4%, 0.37%

LAB 34.41, 38.88, -31.75

 

Description

Color code: HEX #834F38 | qconv.com Color code: HEX #834F38 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 79 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 79 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 57 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 57% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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