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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #834CC0 it is the complementary color #7CB33F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #834CC0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #834CC0 shade: #884CBB, #995ECE, #AA70E1, #BB82F4 and #CC94FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #834CC0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #834CC0 shade: #834CC0, #723AAD, #61289A, #501687 and #3F0474

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #834CC0 shade: #844DC0, #A34DC0, #C04DBF, #C04DA0 and #C04D81

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #834CC0 shade: #844DC0, #654DC0 and #4D4DC0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #834CC0 shade matches the following richer shades: #844DC0, #833AD4, #8226E7 and #8113FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #834CC0 shade: #844DC0, #8561AD, #867499, #878786 and #889B73

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #834CC0 shade: #4D55C0, #644DC0, #834DC0, #A14DC0 and #C04DC0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #834CC0 shade: #5B308A, #6F3BA9, #844DC0, #996CCB and #AE8AD6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #834CC0 shade: #834CC0, #C04D73 and #4DC055

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #834CC0 shade: #834CC0, #C0834D and #4DC083

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #834CC0 shade: #834CC0, #C04D73, #8AC04D and #4DC09A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #834CC0 shade: #834CC0, #C04D51, #8AC04D and #4DC0BC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 60 / 0 / 25

HEX #834CC0

RGB 131 76 192

HSL 268.45, 0.48%, 0.53%

LAB 43.94, 46.08, -52.38

 

Complementary color

CMYK 31 / 0 / 65 / 30

HEX #7CB33F

RGB 124 179 63

HSL 88.45, 0.48%, 0.47%

LAB 67.19, -36.82, 51.75

 

CMYK 27 / 59 / 0 / 27

HEX #884CBB

RGB 136 76 187

HSL 272.43, 0.45%, 0.52%

LAB 44.22, 46.06, -48.99

 

CMYK 26 / 54 / 0 / 19

HEX #995ECE

RGB 153 94 206

HSL 271.61, 0.53%, 0.59%

LAB 50.96, 45.18, -49.08

 

CMYK 24 / 50 / 0 / 12

HEX #AA70E1

RGB 170 112 225

HSL 270.8, 0.65%, 0.66%

LAB 57.63, 44.28, -49.11

 

CMYK 23 / 47 / 0 / 4

HEX #BB82F4

RGB 187 130 244

HSL 270, 0.84%, 0.73%

LAB 64.21, 43.4, -49.13

 

CMYK 20 / 42 / 0 / 0

HEX #CC94FF

RGB 204 148 255

HSL 271.4, 1%, 0.79%

LAB 70.34, 40.78, -45.38

 

CMYK 32 / 60 / 0 / 25

HEX #834CC0

RGB 131 76 192

HSL 268.45, 0.48%, 0.53%

LAB 43.94, 46.08, -52.38

 

CMYK 34 / 66 / 0 / 32

HEX #723AAD

RGB 114 58 173

HSL 269.22, 0.5%, 0.45%

LAB 37.15, 46.94, -52.25

 

CMYK 37 / 74 / 0 / 40

HEX #61289A

RGB 97 40 154

HSL 270, 0.59%, 0.38%

LAB 30.38, 47.53, -51.89

 

CMYK 41 / 84 / 0 / 47

HEX #501687

RGB 80 22 135

HSL 270.8, 0.72%, 0.31%

LAB 23.77, 47.43, -51.03

 

CMYK 46 / 97 / 0 / 55

HEX #3F0474

RGB 63 4 116

HSL 271.61, 0.93%, 0.24%

LAB 17.48, 46.05, -49.35

 

CMYK 31 / 60 / 0 / 25

HEX #844DC0

RGB 132 77 192

HSL 268.7, 0.48%, 0.53%

LAB 44.26, 45.78, -51.86

 

CMYK 15 / 60 / 0 / 25

HEX #A34DC0

RGB 163 77 192

HSL 284.87, 0.48%, 0.53%

LAB 48.13, 53.35, -45.45

 

CMYK 0 / 60 / 1 / 25

HEX #C04DBF

RGB 192 77 191

HSL 300.52, 0.48%, 0.53%

LAB 52.15, 60.49, -38.25

 

CMYK 0 / 60 / 17 / 25

HEX #C04DA0

RGB 192 77 160

HSL 316.7, 0.48%, 0.53%

LAB 50.75, 55.49, -22.33

 

CMYK 0 / 60 / 33 / 25

HEX #C04D81

RGB 192 77 129

HSL 332.87, 0.48%, 0.53%

LAB 49.62, 51.26, -5.58

 

CMYK 31 / 60 / 0 / 25

HEX #844DC0

RGB 132 77 192

HSL 268.7, 0.48%, 0.53%

LAB 44.26, 45.78, -51.86

 

CMYK 47 / 60 / 0 / 25

HEX #654DC0

RGB 101 77 192

HSL 252.52, 0.48%, 0.53%

LAB 41.03, 38.84, -57.24

 

CMYK 60 / 60 / 0 / 25

HEX #4D4DC0

RGB 77 77 192

HSL 240, 0.48%, 0.53%

LAB 39.06, 34.26, -60.53

 

CMYK 31 / 60 / 0 / 25

HEX #844DC0

RGB 132 77 192

HSL 268.7, 0.48%, 0.53%

LAB 44.26, 45.78, -51.86

 

CMYK 38 / 73 / 0 / 17

HEX #833AD4

RGB 131 58 212

HSL 268.44, 0.64%, 0.53%

LAB 42.16, 59.78, -66.84

 

CMYK 44 / 84 / 0 / 9

HEX #8226E7

RGB 130 38 231

HSL 268.6, 0.8%, 0.53%

LAB 41.06, 71.5, -79.51

 

CMYK 48 / 92 / 0 / 2

HEX #8113FA

RGB 129 19 250

HSL 268.57, 0.96%, 0.53%

LAB 41.27, 79.95, -89.9

 

CMYK 31 / 60 / 0 / 25

HEX #844DC0

RGB 132 77 192

HSL 268.7, 0.48%, 0.53%

LAB 44.26, 45.78, -51.86

 

CMYK 23 / 44 / 0 / 32

HEX #8561AD

RGB 133 97 173

HSL 268.42, 0.32%, 0.53%

LAB 47.69, 30.07, -35.31

 

CMYK 12 / 24 / 0 / 40

HEX #867499

RGB 134 116 153

HSL 269.19, 0.15%, 0.53%

LAB 51.68, 14.47, -17.41

 

CMYK 0 / 0 / 1 / 47

HEX #878786

RGB 135 135 134

HSL 60, 0%, 0.53%

LAB 56.29, -0.19, 0.53

 

CMYK 12 / 0 / 26 / 39

HEX #889B73

RGB 136 155 115

HSL 88.5, 0.17%, 0.53%

LAB 61.58, -14.17, 18.8

 

CMYK 60 / 56 / 0 / 25

HEX #4D55C0

RGB 77 85 192

HSL 235.83, 0.48%, 0.53%

LAB 41.03, 29.26, -57.33

 

CMYK 48 / 60 / 0 / 25

HEX #644DC0

RGB 100 77 192

HSL 252, 0.48%, 0.53%

LAB 40.93, 38.63, -57.4

 

CMYK 32 / 60 / 0 / 25

HEX #834DC0

RGB 131 77 192

HSL 268.17, 0.48%, 0.53%

LAB 44.15, 45.54, -52.05

 

CMYK 16 / 60 / 0 / 25

HEX #A14DC0

RGB 161 77 192

HSL 283.83, 0.48%, 0.53%

LAB 47.87, 52.85, -45.89

 

CMYK 0 / 60 / 0 / 25

HEX #C04DC0

RGB 192 77 192

HSL 300, 0.48%, 0.53%

LAB 52.2, 60.66, -38.75

 

CMYK 34 / 65 / 0 / 46

HEX #5B308A

RGB 91 48 138

HSL 268.67, 0.48%, 0.36%

LAB 29.84, 38.11, -42.95

 

CMYK 34 / 65 / 0 / 34

HEX #6F3BA9

RGB 111 59 169

HSL 268.36, 0.48%, 0.45%

LAB 36.69, 44.76, -50.63

 

CMYK 31 / 60 / 0 / 25

HEX #844DC0

RGB 132 77 192

HSL 268.7, 0.48%, 0.53%

LAB 44.26, 45.78, -51.86

 

CMYK 25 / 47 / 0 / 20

HEX #996CCB

RGB 153 108 203

HSL 268.42, 0.48%, 0.61%

LAB 53.82, 36.72, -42.82

 

CMYK 19 / 36 / 0 / 16

HEX #AE8AD6

RGB 174 138 214

HSL 268.42, 0.48%, 0.69%

LAB 63.37, 28.43, -33.91

 

CMYK 32 / 60 / 0 / 25

HEX #834CC0

RGB 131 76 192

HSL 268.45, 0.48%, 0.53%

LAB 43.94, 46.08, -52.38

 

CMYK 0 / 60 / 40 / 25

HEX #C04D73

RGB 192 77 115

HSL 340.17, 0.48%, 0.53%

LAB 49.19, 49.64, 2.24

 

CMYK 60 / 0 / 56 / 25

HEX #4DC055

RGB 77 192 85

HSL 124.17, 0.48%, 0.53%

LAB 69.42, -54.16, 43.85

 

CMYK 32 / 60 / 0 / 25

HEX #834CC0

RGB 131 76 192

HSL 268.45, 0.48%, 0.53%

LAB 43.94, 46.08, -52.38

 

CMYK 0 / 32 / 60 / 25

HEX #C0834D

RGB 192 131 77

HSL 28.17, 0.48%, 0.53%

LAB 59.87, 17.88, 38.29

 

CMYK 60 / 0 / 32 / 25

HEX #4DC083

RGB 77 192 131

HSL 148.17, 0.48%, 0.53%

LAB 70.12, -46.59, 21.29

 

CMYK 32 / 60 / 0 / 25

HEX #834CC0

RGB 131 76 192

HSL 268.45, 0.48%, 0.53%

LAB 43.94, 46.08, -52.38

 

CMYK 0 / 60 / 40 / 25

HEX #C04D73

RGB 192 77 115

HSL 340.17, 0.48%, 0.53%

LAB 49.19, 49.64, 2.24

 

CMYK 28 / 0 / 60 / 25

HEX #8AC04D

RGB 138 192 77

HSL 88.17, 0.48%, 0.53%

LAB 71.99, -36.3, 51.17

 

CMYK 60 / 0 / 20 / 25

HEX #4DC09A

RGB 77 192 154

HSL 160.17, 0.48%, 0.53%

LAB 70.6, -41.61, 9.57

 

CMYK 32 / 60 / 0 / 25

HEX #834CC0

RGB 131 76 192

HSL 268.45, 0.48%, 0.53%

LAB 43.94, 46.08, -52.38

 

CMYK 0 / 60 / 58 / 25

HEX #C04D51

RGB 192 77 81

HSL 357.91, 0.48%, 0.53%

LAB 48.4, 46.49, 21.63

 

CMYK 28 / 0 / 60 / 25

HEX #8AC04D

RGB 138 192 77

HSL 88.17, 0.48%, 0.53%

LAB 71.99, -36.3, 51.17

 

CMYK 60 / 0 / 2 / 25

HEX #4DC0BC

RGB 77 192 188

HSL 177.91, 0.48%, 0.53%

LAB 71.49, -33, -7.68

 

Description

Color code: HEX #834CC0 | qconv.com Color code: HEX #834CC0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 76 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 76 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 60 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 60% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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