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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8344CA it is the complementary color #7CBB35. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8344CA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8344CA shade: #8844C5, #9956D8, #AA68EB, #BB7AFE and #CC8CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8344CA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8344CA shade: #8344CA, #7232B7, #6120A4, #500E91 and #3F007E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8344CA shade: #8344CA, #A744CA, #CA44C8, #CA44A4 and #CA4480

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8344CA shade: #8344CA, #5E44CA and #4444CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8344CA shade matches the following richer shades: #8344CA, #8130DD and #801DF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8344CA shade: #8344CA, #8457B6, #856AA3, #867E90 and #87917C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8344CA shade: #444CCA, #5E44CA, #8244CA, #A644CA and #CA44CA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8344CA shade: #5A2992, #6E32B2, #8344CA, #9864D3 and #AD84DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8344CA shade: #8344CA, #CA4470 and #44CA4C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8344CA shade: #8344CA, #CA8244 and #44CA82

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8344CA shade: #8344CA, #CA4470, #8BCA44 and #44CA9D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8344CA shade: #8344CA, #CA4448, #8BCA44 and #44CAC5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 66 / 0 / 21

HEX #8344CA

RGB 131 68 202

HSL 268.21, 0.56%, 0.53%

LAB 43.1, 52.67, -59.54

 

Complementary color

CMYK 34 / 0 / 72 / 27

HEX #7CBB35

RGB 124 187 53

HSL 88.21, 0.56%, 0.47%

LAB 69.53, -41.09, 58.15

 

CMYK 31 / 65 / 0 / 23

HEX #8844C5

RGB 136 68 197

HSL 271.63, 0.53%, 0.52%

LAB 43.36, 52.52, -56.19

 

CMYK 29 / 60 / 0 / 15

HEX #9956D8

RGB 153 86 216

HSL 270.92, 0.63%, 0.59%

LAB 49.96, 51.75, -56.38

 

CMYK 28 / 56 / 0 / 8

HEX #AA68EB

RGB 170 104 235

HSL 270.23, 0.77%, 0.66%

LAB 56.53, 50.88, -56.46

 

CMYK 26 / 52 / 0 / 0

HEX #BB7AFE

RGB 187 122 254

HSL 269.55, 0.99%, 0.74%

LAB 63.04, 49.98, -56.48

 

CMYK 20 / 45 / 0 / 0

HEX #CC8CFF

RGB 204 140 255

HSL 273.39, 1%, 0.77%

LAB 68.62, 45.08, -48.09

 

CMYK 35 / 66 / 0 / 21

HEX #8344CA

RGB 131 68 202

HSL 268.21, 0.56%, 0.53%

LAB 43.1, 52.67, -59.54

 

CMYK 38 / 73 / 0 / 28

HEX #7232B7

RGB 114 50 183

HSL 268.87, 0.57%, 0.46%

LAB 36.51, 53.29, -59.22

 

CMYK 41 / 80 / 0 / 36

HEX #6120A4

RGB 97 32 164

HSL 269.55, 0.67%, 0.38%

LAB 30.05, 53.38, -58.51

 

CMYK 45 / 90 / 0 / 43

HEX #500E91

RGB 80 14 145

HSL 270.23, 0.82%, 0.31%

LAB 23.88, 52.36, -57.08

 

CMYK 50 / 100 / 0 / 51

HEX #3F007E

RGB 63 0 126

HSL 270, 1%, 0.25%

LAB 18.2, 49.61, -54.58

 

CMYK 35 / 66 / 0 / 21

HEX #8344CA

RGB 131 68 202

HSL 268.21, 0.56%, 0.53%

LAB 43.1, 52.67, -59.54

 

CMYK 17 / 66 / 0 / 21

HEX #A744CA

RGB 167 68 202

HSL 284.33, 0.56%, 0.53%

LAB 47.77, 60.43, -51.78

 

CMYK 0 / 66 / 1 / 21

HEX #CA44C8

RGB 202 68 200

HSL 300.9, 0.56%, 0.53%

LAB 52.8, 68.05, -42.32

 

CMYK 0 / 66 / 19 / 21

HEX #CA44A4

RGB 202 68 164

HSL 317.01, 0.56%, 0.53%

LAB 51.12, 62.56, -23.99

 

CMYK 0 / 66 / 37 / 21

HEX #CA4480

RGB 202 68 128

HSL 333.13, 0.56%, 0.53%

LAB 49.8, 58.03, -4.53

 

CMYK 35 / 66 / 0 / 21

HEX #8344CA

RGB 131 68 202

HSL 268.21, 0.56%, 0.53%

LAB 43.1, 52.67, -59.54

 

CMYK 53 / 66 / 0 / 21

HEX #5E44CA

RGB 94 68 202

HSL 251.64, 0.56%, 0.53%

LAB 39.2, 45.65, -66.05

 

CMYK 66 / 66 / 0 / 21

HEX #4444CA

RGB 68 68 202

HSL 240, 0.56%, 0.53%

LAB 37.17, 41.71, -69.47

 

CMYK 35 / 66 / 0 / 21

HEX #8344CA

RGB 131 68 202

HSL 268.21, 0.56%, 0.53%

LAB 43.1, 52.67, -59.54

 

CMYK 42 / 78 / 0 / 13

HEX #8130DD

RGB 129 48 221

HSL 268.09, 0.72%, 0.53%

LAB 41.22, 65.67, -73.55

 

CMYK 47 / 88 / 0 / 5

HEX #801DF1

RGB 128 29 241

HSL 268.02, 0.88%, 0.53%

LAB 40.93, 75.92, -85.4

 

CMYK 35 / 66 / 0 / 21

HEX #8344CA

RGB 131 68 202

HSL 268.21, 0.56%, 0.53%

LAB 43.1, 52.67, -59.54

 

CMYK 27 / 52 / 0 / 29

HEX #8457B6

RGB 132 87 182

HSL 268.42, 0.39%, 0.53%

LAB 45.77, 37.77, -43.62

 

CMYK 18 / 35 / 0 / 36

HEX #856AA3

RGB 133 106 163

HSL 268.42, 0.24%, 0.53%

LAB 49.42, 22.37, -26.75

 

CMYK 7 / 13 / 0 / 44

HEX #867E90

RGB 134 126 144

HSL 266.67, 0.08%, 0.53%

LAB 54.03, 6.65, -8.61

 

CMYK 7 / 0 / 14 / 43

HEX #87917C

RGB 135 145 124

HSL 88.57, 0.09%, 0.53%

LAB 58.84, -7.64, 9.93

 

CMYK 66 / 62 / 0 / 21

HEX #444CCA

RGB 68 76 202

HSL 236.42, 0.56%, 0.53%

LAB 39.01, 36.83, -66.46

 

CMYK 53 / 66 / 0 / 21

HEX #5E44CA

RGB 94 68 202

HSL 251.64, 0.56%, 0.53%

LAB 39.2, 45.65, -66.05

 

CMYK 36 / 66 / 0 / 21

HEX #8244CA

RGB 130 68 202

HSL 267.76, 0.56%, 0.53%

LAB 42.98, 52.46, -59.74

 

CMYK 18 / 66 / 0 / 21

HEX #A644CA

RGB 166 68 202

HSL 283.88, 0.56%, 0.53%

LAB 47.63, 60.21, -52.01

 

CMYK 0 / 66 / 0 / 21

HEX #CA44CA

RGB 202 68 202

HSL 300, 0.56%, 0.53%

LAB 52.9, 68.38, -43.3

 

CMYK 38 / 72 / 0 / 43

HEX #5A2992

RGB 90 41 146

HSL 268, 0.56%, 0.37%

LAB 28.99, 43.66, -49.28

 

CMYK 38 / 72 / 0 / 30

HEX #6E32B2

RGB 110 50 178

HSL 268.13, 0.56%, 0.45%

LAB 35.62, 51.31, -57.74

 

CMYK 35 / 66 / 0 / 21

HEX #8344CA

RGB 131 68 202

HSL 268.21, 0.56%, 0.53%

LAB 43.1, 52.67, -59.54

 

CMYK 28 / 53 / 0 / 17

HEX #9864D3

RGB 152 100 211

HSL 268.11, 0.56%, 0.61%

LAB 52.39, 42.84, -49.66

 

CMYK 21 / 40 / 0 / 14

HEX #AD84DC

RGB 173 132 220

HSL 267.95, 0.56%, 0.69%

LAB 62.13, 32.88, -39.2

 

CMYK 35 / 66 / 0 / 21

HEX #8344CA

RGB 131 68 202

HSL 268.21, 0.56%, 0.53%

LAB 43.1, 52.67, -59.54

 

CMYK 0 / 66 / 45 / 21

HEX #CA4470

RGB 202 68 112

HSL 340.3, 0.56%, 0.53%

LAB 49.33, 56.37, 4.45

 

CMYK 66 / 0 / 62 / 21

HEX #44CA4C

RGB 68 202 76

HSL 123.58, 0.56%, 0.53%

LAB 72.22, -60.73, 51.11

 

CMYK 35 / 66 / 0 / 21

HEX #8344CA

RGB 131 68 202

HSL 268.21, 0.56%, 0.53%

LAB 43.1, 52.67, -59.54

 

CMYK 0 / 36 / 66 / 21

HEX #CA8244

RGB 202 130 68

HSL 27.76, 0.56%, 0.53%

LAB 60.73, 22.05, 44.23

 

CMYK 66 / 0 / 36 / 21

HEX #44CA82

RGB 68 202 130

HSL 147.76, 0.56%, 0.53%

LAB 72.95, -52.55, 25.61

 

CMYK 35 / 66 / 0 / 21

HEX #8344CA

RGB 131 68 202

HSL 268.21, 0.56%, 0.53%

LAB 43.1, 52.67, -59.54

 

CMYK 0 / 66 / 45 / 21

HEX #CA4470

RGB 202 68 112

HSL 340.3, 0.56%, 0.53%

LAB 49.33, 56.37, 4.45

 

CMYK 31 / 0 / 66 / 21

HEX #8BCA44

RGB 139 202 68

HSL 88.21, 0.56%, 0.53%

LAB 74.92, -41.14, 58.19

 

CMYK 66 / 0 / 22 / 21

HEX #44CA9D

RGB 68 202 157

HSL 159.85, 0.56%, 0.53%

LAB 73.48, -46.83, 12

 

CMYK 35 / 66 / 0 / 21

HEX #8344CA

RGB 131 68 202

HSL 268.21, 0.56%, 0.53%

LAB 43.1, 52.67, -59.54

 

CMYK 0 / 66 / 64 / 21

HEX #CA4448

RGB 202 68 72

HSL 358.21, 0.56%, 0.53%

LAB 48.46, 53.23, 27.41

 

CMYK 31 / 0 / 66 / 21

HEX #8BCA44

RGB 139 202 68

HSL 88.21, 0.56%, 0.53%

LAB 74.92, -41.14, 58.19

 

CMYK 66 / 0 / 2 / 21

HEX #44CAC5

RGB 68 202 197

HSL 177.76, 0.56%, 0.53%

LAB 74.51, -36.65, -8.12

 

Description

Color code: HEX #8344CA | qconv.com Color code: HEX #8344CA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 68 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 68 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 66 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 66% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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