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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #83185E it is the complementary color #7CE7A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #83185E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #83185E shade: #881859, #992A6C, #AA3C7F, #BB4E92 and #CC60A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #83185E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #83185E shade: #83185E, #72064B, #610038, #500025 and #3F0012

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #83185E shade: #81175C, #811740, #811723 and #811717

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #83185E shade: #81175C, #811779, #6C1781, #501781 and #331781

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #83185E shade matches the following richer shades: #81175C and #8D0B60

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #83185E shade: #81175C, #742458, #683055, #5C3C51 and #4F494D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #83185E shade: #6C1781, #81177A, #81175E, #811741 and #811725

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #83185E shade: #3B0A2A, #5E1143, #81175C, #A41E75 and #C7248E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #83185E shade: #83185E, #815017 and #17817A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #83185E shade: #83185E, #5E8117 and #175E81

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #83185E shade: #83185E, #815017, #17813A and #174881

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #83185E shade: #83185E, #816F17, #17813A and #172981

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 28 / 49

HEX #83185E

RGB 131 24 94

HSL 320.75, 0.69%, 0.3%

LAB 30.12, 49.96, -14.15

 

Complementary color

CMYK 46 / 0 / 30 / 9

HEX #7CE7A1

RGB 124 231 161

HSL 140.75, 0.69%, 0.7%

LAB 83.97, -46.12, 24.74

 

CMYK 0 / 82 / 35 / 47

HEX #881859

RGB 136 24 89

HSL 325.18, 0.7%, 0.31%

LAB 30.9, 50.64, -9.61

 

CMYK 0 / 73 / 29 / 40

HEX #992A6C

RGB 153 42 108

HSL 324.32, 0.57%, 0.38%

LAB 36.95, 51.65, -12.33

 

CMYK 0 / 65 / 25 / 33

HEX #AA3C7F

RGB 170 60 127

HSL 323.45, 0.48%, 0.45%

LAB 43.23, 51.82, -14.32

 

CMYK 0 / 58 / 22 / 27

HEX #BB4E92

RGB 187 78 146

HSL 322.57, 0.44%, 0.52%

LAB 49.6, 51.52, -15.85

 

CMYK 0 / 53 / 19 / 20

HEX #CC60A5

RGB 204 96 165

HSL 321.67, 0.51%, 0.59%

LAB 56.01, 50.97, -17.06

 

CMYK 0 / 82 / 28 / 49

HEX #83185E

RGB 131 24 94

HSL 320.75, 0.69%, 0.3%

LAB 30.12, 49.96, -14.15

 

CMYK 0 / 95 / 34 / 55

HEX #72064B

RGB 114 6 75

HSL 321.67, 0.9%, 0.24%

LAB 24.37, 47.58, -10.64

 

CMYK 0 / 100 / 42 / 62

HEX #610038

RGB 97 0 56

HSL 325.36, 1%, 0.19%

LAB 19.34, 42.75, -5.5

 

CMYK 0 / 100 / 54 / 69

HEX #500025

RGB 80 0 37

HSL 332.25, 1%, 0.16%

LAB 14.62, 36.59, 0.8

 

CMYK 0 / 100 / 71 / 75

HEX #3F0012

RGB 63 0 18

HSL 342.86, 1%, 0.12%

LAB 9.8, 30.39, 7.3

 

CMYK 0 / 82 / 29 / 49

HEX #81175C

RGB 129 23 92

HSL 320.94, 0.7%, 0.3%

LAB 29.54, 49.48, -13.76

 

CMYK 0 / 82 / 50 / 49

HEX #811740

RGB 129 23 64

HSL 336.79, 0.7%, 0.3%

LAB 28.51, 46.4, 3.27

 

CMYK 0 / 82 / 73 / 49

HEX #811723

RGB 129 23 35

HSL 353.21, 0.7%, 0.3%

LAB 27.85, 44.36, 21.77

 

CMYK 0 / 82 / 82 / 49

HEX #811717

RGB 129 23 23

HSL 0, 0.7%, 0.3%

LAB 27.69, 43.85, 29.14

 

CMYK 0 / 82 / 29 / 49

HEX #81175C

RGB 129 23 92

HSL 320.94, 0.7%, 0.3%

LAB 29.54, 49.48, -13.76

 

CMYK 0 / 82 / 6 / 49

HEX #811779

RGB 129 23 121

HSL 304.53, 0.7%, 0.3%

LAB 31.02, 53.68, -30.1

 

CMYK 16 / 82 / 0 / 49

HEX #6C1781

RGB 108 23 129

HSL 288.11, 0.7%, 0.3%

LAB 27.81, 50.73, -40.49

 

CMYK 38 / 82 / 0 / 49

HEX #501781

RGB 80 23 129

HSL 272.26, 0.7%, 0.3%

LAB 23.35, 45.58, -47.94

 

CMYK 60 / 82 / 0 / 49

HEX #331781

RGB 51 23 129

HSL 255.85, 0.7%, 0.3%

LAB 19.65, 41.31, -54.15

 

CMYK 0 / 82 / 29 / 49

HEX #81175C

RGB 129 23 92

HSL 320.94, 0.7%, 0.3%

LAB 29.54, 49.48, -13.76

 

CMYK 0 / 92 / 32 / 45

HEX #8D0B60

RGB 141 11 96

HSL 320.77, 0.86%, 0.3%

LAB 31.22, 55.48, -13.59

 

CMYK 0 / 82 / 29 / 49

HEX #81175C

RGB 129 23 92

HSL 320.94, 0.7%, 0.3%

LAB 29.54, 49.48, -13.76

 

CMYK 0 / 69 / 24 / 55

HEX #742458

RGB 116 36 88

HSL 321, 0.53%, 0.3%

LAB 28.59, 40.62, -12.82

 

CMYK 0 / 54 / 18 / 59

HEX #683055

RGB 104 48 85

HSL 320.36, 0.37%, 0.3%

LAB 28.68, 30.2, -10.91

 

CMYK 0 / 35 / 12 / 64

HEX #5C3C51

RGB 92 60 81

HSL 320.63, 0.21%, 0.3%

LAB 29.67, 17.76, -6.96

 

CMYK 0 / 8 / 3 / 69

HEX #4F494D

RGB 79 73 77

HSL 320, 0.04%, 0.3%

LAB 31.72, 3.35, -1.48

 

CMYK 16 / 82 / 0 / 49

HEX #6C1781

RGB 108 23 129

HSL 288.11, 0.7%, 0.3%

LAB 27.81, 50.73, -40.49

 

CMYK 0 / 82 / 5 / 49

HEX #81177A

RGB 129 23 122

HSL 303.96, 0.7%, 0.3%

LAB 31.08, 53.84, -30.64

 

CMYK 0 / 82 / 27 / 49

HEX #81175E

RGB 129 23 94

HSL 319.81, 0.7%, 0.3%

LAB 29.63, 49.74, -14.93

 

CMYK 0 / 82 / 50 / 49

HEX #811741

RGB 129 23 65

HSL 336.23, 0.7%, 0.3%

LAB 28.54, 46.49, 2.64

 

CMYK 0 / 82 / 71 / 49

HEX #811725

RGB 129 23 37

HSL 352.08, 0.7%, 0.3%

LAB 27.88, 44.46, 20.5

 

CMYK 0 / 83 / 29 / 77

HEX #3B0A2A

RGB 59 10 42

HSL 320.82, 0.71%, 0.14%

LAB 11.37, 27.26, -8.26

 

CMYK 0 / 82 / 29 / 63

HEX #5E1143

RGB 94 17 67

HSL 321.04, 0.69%, 0.22%

LAB 20.77, 38.68, -11.05

 

CMYK 0 / 82 / 29 / 49

HEX #81175C

RGB 129 23 92

HSL 320.94, 0.7%, 0.3%

LAB 29.54, 49.48, -13.76

 

CMYK 0 / 82 / 29 / 36

HEX #A41E75

RGB 164 30 117

HSL 321.04, 0.69%, 0.38%

LAB 38.03, 59.38, -16.16

 

CMYK 0 / 82 / 29 / 22

HEX #C7248E

RGB 199 36 142

HSL 320.98, 0.69%, 0.46%

LAB 46.12, 69.11, -18.58

 

CMYK 0 / 82 / 28 / 49

HEX #83185E

RGB 131 24 94

HSL 320.75, 0.69%, 0.3%

LAB 30.12, 49.96, -14.15

 

CMYK 0 / 38 / 82 / 49

HEX #815017

RGB 129 80 23

HSL 32.26, 0.7%, 0.3%

LAB 38.67, 15.73, 39.83

 

CMYK 82 / 0 / 5 / 49

HEX #17817A

RGB 23 129 122

HSL 176.04, 0.7%, 0.3%

LAB 48.62, -29.7, -4.38

 

CMYK 0 / 82 / 28 / 49

HEX #83185E

RGB 131 24 94

HSL 320.75, 0.69%, 0.3%

LAB 30.12, 49.96, -14.15

 

CMYK 27 / 0 / 82 / 49

HEX #5E8117

RGB 94 129 23

HSL 79.81, 0.7%, 0.3%

LAB 49.67, -27.96, 48.75

 

CMYK 82 / 27 / 0 / 49

HEX #175E81

RGB 23 94 129

HSL 199.81, 0.7%, 0.3%

LAB 37.43, -8.31, -25.62

 

CMYK 0 / 82 / 28 / 49

HEX #83185E

RGB 131 24 94

HSL 320.75, 0.69%, 0.3%

LAB 30.12, 49.96, -14.15

 

CMYK 0 / 38 / 82 / 49

HEX #815017

RGB 129 80 23

HSL 32.26, 0.7%, 0.3%

LAB 38.67, 15.73, 39.83

 

CMYK 82 / 0 / 55 / 49

HEX #17813A

RGB 23 129 58

HSL 139.81, 0.7%, 0.3%

LAB 47.22, -44.88, 30.22

 

CMYK 82 / 44 / 0 / 49

HEX #174881

RGB 23 72 129

HSL 212.26, 0.7%, 0.3%

LAB 30.4, 5.84, -36.73

 

CMYK 0 / 82 / 28 / 49

HEX #83185E

RGB 131 24 94

HSL 320.75, 0.69%, 0.3%

LAB 30.12, 49.96, -14.15

 

CMYK 0 / 14 / 82 / 49

HEX #816F17

RGB 129 111 23

HSL 49.81, 0.7%, 0.3%

LAB 47.1, -2.44, 47.51

 

CMYK 82 / 0 / 55 / 49

HEX #17813A

RGB 23 129 58

HSL 139.81, 0.7%, 0.3%

LAB 47.22, -44.88, 30.22

 

CMYK 82 / 68 / 0 / 49

HEX #172981

RGB 23 41 129

HSL 229.81, 0.7%, 0.3%

LAB 21.41, 27.46, -51.33

 

Description

Color code: HEX #83185E | qconv.com Color code: HEX #83185E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 24 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 24 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 28 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 28% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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