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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #82F2AC it is the complementary color #7D0D53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #82F2AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #82F2AC shade: #87F2A7, #98FFBA, #A9FFCD, #BAFFE0 and #CBFFF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #82F2AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #82F2AC shade: #82F2AC, #71E099, #60CE86, #4FBC73 and #3EAA60

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #82F2AC shade: #82F1AC, #82F18E, #94F182, #B2F182 and #D0F182

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #82F2AC shade: #82F1AC, #82F1CA, #82F1E8, #82DDF1 and #82BFF1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #82F2AC shade matches the following richer shades: #82F1AC and #77FDA9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #82F2AC shade: #82F1AC, #8DE6AE, #98DBB1, #A3D0B4 and #AEC5B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #82F2AC shade: #94F182, #82F18D, #82F1AB, #82F1C9 and #82F1E6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #82F2AC shade: #37EA7A, #5DED93, #82F1AC, #A7F5C5 and #CDF9DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #82F2AC shade: #82F2AC, #82B2F1 and #F18286

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #82F2AC shade: #82F2AC, #AB82F1 and #F1AB82

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #82F2AC shade: #82F2AC, #82B2F1, #F182C9 and #F1C182

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #82F2AC shade: #82F2AC, #8291F1, #F182C9 and #F1E382

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 29 / 5

HEX #82F2AC

RGB 130 242 172

HSL 142.5, 0.81%, 0.73%

LAB 87.6, -47.25, 24.08

 

Complementary color

CMYK 0 / 90 / 34 / 51

HEX #7D0D53

RGB 125 13 83

HSL 322.5, 0.81%, 0.27%

LAB 27.5, 49.83, -11.03

 

CMYK 44 / 0 / 31 / 5

HEX #87F2A7

RGB 135 242 167

HSL 137.94, 0.8%, 0.74%

LAB 87.7, -46.84, 26.81

 

CMYK 40 / 0 / 27 / 0

HEX #98FFBA

RGB 152 255 186

HSL 139.81, 1%, 0.8%

LAB 92.46, -44.45, 23.77

 

CMYK 34 / 0 / 20 / 0

HEX #A9FFCD

RGB 169 255 205

HSL 145.12, 1%, 0.83%

LAB 93.61, -36.17, 15.78

 

CMYK 27 / 0 / 12 / 0

HEX #BAFFE0

RGB 186 255 224

HSL 153.04, 1%, 0.86%

LAB 94.88, -27.56, 7.95

 

CMYK 20 / 0 / 5 / 0

HEX #CBFFF3

RGB 203 255 243

HSL 166.15, 1%, 0.9%

LAB 96.28, -18.74, 0.31

 

CMYK 46 / 0 / 29 / 5

HEX #82F2AC

RGB 130 242 172

HSL 142.5, 0.81%, 0.73%

LAB 87.6, -47.25, 24.08

 

CMYK 50 / 0 / 32 / 12

HEX #71E099

RGB 113 224 153

HSL 141.62, 0.64%, 0.66%

LAB 81.36, -47.42, 25.24

 

CMYK 53 / 0 / 35 / 19

HEX #60CE86

RGB 96 206 134

HSL 140.73, 0.53%, 0.59%

LAB 75.05, -47.53, 26.48

 

CMYK 58 / 0 / 39 / 26

HEX #4FBC73

RGB 79 188 115

HSL 139.82, 0.45%, 0.52%

LAB 68.65, -47.54, 27.82

 

CMYK 64 / 0 / 44 / 33

HEX #3EAA60

RGB 62 170 96

HSL 138.89, 0.47%, 0.45%

LAB 62.18, -47.38, 29.25

 

CMYK 46 / 0 / 29 / 5

HEX #82F1AC

RGB 130 241 172

HSL 142.7, 0.8%, 0.73%

LAB 87.31, -46.82, 23.68

 

CMYK 46 / 0 / 41 / 5

HEX #82F18E

RGB 130 241 142

HSL 126.49, 0.8%, 0.73%

LAB 86.8, -51.86, 38.16

 

CMYK 39 / 0 / 46 / 5

HEX #94F182

RGB 148 241 130

HSL 110.27, 0.8%, 0.73%

LAB 87.4, -48.34, 44.92

 

CMYK 26 / 0 / 46 / 5

HEX #B2F182

RGB 178 241 130

HSL 94.05, 0.8%, 0.73%

LAB 88.92, -38.51, 47.14

 

CMYK 14 / 0 / 46 / 5

HEX #D0F182

RGB 208 241 130

HSL 77.84, 0.8%, 0.73%

LAB 90.75, -27.67, 49.82

 

CMYK 46 / 0 / 29 / 5

HEX #82F1AC

RGB 130 241 172

HSL 142.7, 0.8%, 0.73%

LAB 87.31, -46.82, 23.68

 

CMYK 46 / 0 / 16 / 5

HEX #82F1CA

RGB 130 241 202

HSL 158.92, 0.8%, 0.73%

LAB 87.93, -40.82, 9.03

 

CMYK 46 / 0 / 4 / 5

HEX #82F1E8

RGB 130 241 232

HSL 175.14, 0.8%, 0.73%

LAB 88.68, -33.97, -5.55

 

CMYK 46 / 8 / 0 / 5

HEX #82DDF1

RGB 130 221 241

HSL 190.81, 0.8%, 0.73%

LAB 83.34, -22.06, -18.25

 

CMYK 46 / 21 / 0 / 5

HEX #82BFF1

RGB 130 191 241

HSL 207.03, 0.8%, 0.73%

LAB 75.05, -6.51, -30.89

 

CMYK 46 / 0 / 29 / 5

HEX #82F1AC

RGB 130 241 172

HSL 142.7, 0.8%, 0.73%

LAB 87.31, -46.82, 23.68

 

CMYK 53 / 0 / 33 / 1

HEX #77FDA9

RGB 119 253 169

HSL 142.39, 0.97%, 0.73%

LAB 90.34, -55.01, 29.27

 

CMYK 46 / 0 / 29 / 5

HEX #82F1AC

RGB 130 241 172

HSL 142.7, 0.8%, 0.73%

LAB 87.31, -46.82, 23.68

 

CMYK 39 / 0 / 24 / 10

HEX #8DE6AE

RGB 141 230 174

HSL 142.25, 0.64%, 0.73%

LAB 84.64, -38.65, 19.04

 

CMYK 31 / 0 / 19 / 14

HEX #98DBB1

RGB 152 219 177

HSL 142.39, 0.48%, 0.73%

LAB 82.12, -29.74, 14.01

 

CMYK 22 / 0 / 13 / 18

HEX #A3D0B4

RGB 163 208 180

HSL 142.67, 0.32%, 0.73%

LAB 79.72, -20.33, 9.1

 

CMYK 12 / 0 / 7 / 23

HEX #AEC5B7

RGB 174 197 183

HSL 143.48, 0.17%, 0.73%

LAB 77.49, -10.5, 4.38

 

CMYK 39 / 0 / 46 / 5

HEX #94F182

RGB 148 241 130

HSL 110.27, 0.8%, 0.73%

LAB 87.4, -48.34, 44.92

 

CMYK 46 / 0 / 41 / 5

HEX #82F18D

RGB 130 241 141

HSL 125.95, 0.8%, 0.73%

LAB 86.79, -52.01, 38.63

 

CMYK 46 / 0 / 29 / 5

HEX #82F1AB

RGB 130 241 171

HSL 142.16, 0.8%, 0.73%

LAB 87.29, -47, 24.17

 

CMYK 46 / 0 / 17 / 5

HEX #82F1C9

RGB 130 241 201

HSL 158.38, 0.8%, 0.73%

LAB 87.91, -41.04, 9.52

 

CMYK 46 / 0 / 5 / 5

HEX #82F1E6

RGB 130 241 230

HSL 174.05, 0.8%, 0.73%

LAB 88.62, -34.45, -4.58

 

CMYK 76 / 0 / 48 / 8

HEX #37EA7A

RGB 55 234 122

HSL 142.46, 0.81%, 0.57%

LAB 82.41, -67.49, 41.92

 

CMYK 61 / 0 / 38 / 7

HEX #5DED93

RGB 93 237 147

HSL 142.5, 0.8%, 0.65%

LAB 84.48, -58.23, 32.39

 

CMYK 46 / 0 / 29 / 5

HEX #82F1AC

RGB 130 241 172

HSL 142.7, 0.8%, 0.73%

LAB 87.31, -46.82, 23.68

 

CMYK 32 / 0 / 20 / 4

HEX #A7F5C5

RGB 167 245 197

HSL 143.08, 0.8%, 0.81%

LAB 90.57, -33.66, 15.61

 

CMYK 18 / 0 / 11 / 2

HEX #CDF9DD

RGB 205 249 221

HSL 141.82, 0.79%, 0.89%

LAB 94.29, -19.38, 8.79

 

CMYK 46 / 0 / 29 / 5

HEX #82F2AC

RGB 130 242 172

HSL 142.5, 0.81%, 0.73%

LAB 87.6, -47.25, 24.08

 

CMYK 46 / 26 / 0 / 5

HEX #82B2F1

RGB 130 178 241

HSL 214.05, 0.8%, 0.73%

LAB 71.51, 0.59, -36.36

 

CMYK 0 / 46 / 44 / 5

HEX #F18286

RGB 241 130 134

HSL 357.84, 0.8%, 0.73%

LAB 66.81, 42.76, 17.11

 

CMYK 46 / 0 / 29 / 5

HEX #82F2AC

RGB 130 242 172

HSL 142.5, 0.81%, 0.73%

LAB 87.6, -47.25, 24.08

 

CMYK 29 / 46 / 0 / 5

HEX #AB82F1

RGB 171 130 241

HSL 262.16, 0.8%, 0.73%

LAB 62.49, 38.43, -50.31

 

CMYK 0 / 29 / 46 / 5

HEX #F1AB82

RGB 241 171 130

HSL 22.16, 0.8%, 0.73%

LAB 75.72, 20.96, 31.31

 

CMYK 46 / 0 / 29 / 5

HEX #82F2AC

RGB 130 242 172

HSL 142.5, 0.81%, 0.73%

LAB 87.6, -47.25, 24.08

 

CMYK 46 / 26 / 0 / 5

HEX #82B2F1

RGB 130 178 241

HSL 214.05, 0.8%, 0.73%

LAB 71.51, 0.59, -36.36

 

CMYK 0 / 46 / 17 / 5

HEX #F182C9

RGB 241 130 201

HSL 321.62, 0.8%, 0.73%

LAB 68.67, 51.21, -17.88

 

CMYK 0 / 20 / 46 / 5

HEX #F1C182

RGB 241 193 130

HSL 34.05, 0.8%, 0.73%

LAB 80.99, 9.36, 38.14

 

CMYK 46 / 0 / 29 / 5

HEX #82F2AC

RGB 130 242 172

HSL 142.5, 0.81%, 0.73%

LAB 87.6, -47.25, 24.08

 

CMYK 46 / 40 / 0 / 5

HEX #8291F1

RGB 130 145 241

HSL 231.89, 0.8%, 0.73%

LAB 62.8, 19.44, -50.02

 

CMYK 0 / 46 / 17 / 5

HEX #F182C9

RGB 241 130 201

HSL 321.62, 0.8%, 0.73%

LAB 68.67, 51.21, -17.88

 

CMYK 0 / 6 / 46 / 5

HEX #F1E382

RGB 241 227 130

HSL 52.43, 0.8%, 0.73%

LAB 89.51, -8.09, 48.84

 

Description

Color code: HEX #82F2AC | qconv.com Color code: HEX #82F2AC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 242 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 242 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, 29 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 29% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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