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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #82F894 it is the complementary color #7D076B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #82F894. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #82F894 shade: #87F88F, #98FFA2, #A9FFB5, #BAFFC8 and #CBFFDB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #82F894. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #82F894 shade: #82F894, #71E681, #60D46E, #4FC25B and #3EB048

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #82F894 shade: #81F793, #8FF781, #AFF781, #CFF781 and #EEF781

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #82F894 shade: #81F793, #81F7B3, #81F7D3, #81F7F3 and #81DCF7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #82F894 shade matches the following richer shades: #81F793

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #82F894 shade: #81F793, #8CEC9B, #97E2A2, #A1D7AA and #ACCCB1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #82F894 shade: #AEF781, #8FF781, #81F793, #81F7B2 and #81F7D2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #82F894 shade: #33F350, #5AF572, #81F793, #A8F9B5 and #CFFCD6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #82F894 shade: #82F894, #81CEF7 and #F7819F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #82F894 shade: #82F894, #9381F7 and #F79381

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #82F894 shade: #82F894, #81CEF7, #F781E6 and #F7AA81

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #82F894 shade: #82F894, #81AAF7, #F781E6 and #F7CE81

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 40 / 3

HEX #82F894

RGB 130 248 148

HSL 129.15, 0.89%, 0.74%

LAB 88.93, -53.79, 37.95

 

Complementary color

CMYK 0 / 94 / 14 / 51

HEX #7D076B

RGB 125 7 107

HSL 309.15, 0.89%, 0.26%

LAB 28.31, 54.05, -25.49

 

CMYK 46 / 0 / 42 / 3

HEX #87F88F

RGB 135 248 143

HSL 124.25, 0.89%, 0.75%

LAB 89.05, -53.2, 40.6

 

CMYK 40 / 0 / 36 / 0

HEX #98FFA2

RGB 152 255 162

HSL 125.83, 1%, 0.8%

LAB 92.04, -48.47, 35.27

 

CMYK 34 / 0 / 29 / 0

HEX #A9FFB5

RGB 169 255 181

HSL 128.37, 1%, 0.83%

LAB 93.14, -40.42, 27.36

 

CMYK 27 / 0 / 22 / 0

HEX #BAFFC8

RGB 186 255 200

HSL 132.17, 1%, 0.86%

LAB 94.37, -31.99, 19.53

 

CMYK 20 / 0 / 14 / 0

HEX #CBFFDB

RGB 203 255 219

HSL 138.46, 1%, 0.9%

LAB 95.72, -23.29, 11.84

 

CMYK 48 / 0 / 40 / 3

HEX #82F894

RGB 130 248 148

HSL 129.15, 0.89%, 0.74%

LAB 88.93, -53.79, 37.95

 

CMYK 51 / 0 / 44 / 10

HEX #71E681

RGB 113 230 129

HSL 128.21, 0.7%, 0.67%

LAB 82.75, -53.87, 39.23

 

CMYK 55 / 0 / 48 / 17

HEX #60D46E

RGB 96 212 110

HSL 127.24, 0.57%, 0.6%

LAB 76.5, -53.85, 40.55

 

CMYK 59 / 0 / 53 / 24

HEX #4FC25B

RGB 79 194 91

HSL 126.26, 0.49%, 0.54%

LAB 70.18, -53.66, 41.9

 

CMYK 65 / 0 / 59 / 31

HEX #3EB048

RGB 62 176 72

HSL 125.26, 0.48%, 0.47%

LAB 63.79, -53.21, 43.23

 

CMYK 48 / 0 / 40 / 3

HEX #81F793

RGB 129 247 147

HSL 129.15, 0.88%, 0.74%

LAB 88.59, -53.8, 37.99

 

CMYK 42 / 0 / 48 / 3

HEX #8FF781

RGB 143 247 129

HSL 112.88, 0.88%, 0.74%

LAB 88.9, -52.45, 47.22

 

CMYK 29 / 0 / 48 / 3

HEX #AFF781

RGB 175 247 129

HSL 96.61, 0.88%, 0.74%

LAB 90.42, -42.31, 49.44

 

CMYK 16 / 0 / 48 / 3

HEX #CFF781

RGB 207 247 129

HSL 80.34, 0.88%, 0.74%

LAB 92.3, -30.95, 52.16

 

CMYK 4 / 0 / 48 / 3

HEX #EEF781

RGB 238 247 129

HSL 64.58, 0.88%, 0.74%

LAB 94.43, -19.2, 55.25

 

CMYK 48 / 0 / 40 / 3

HEX #81F793

RGB 129 247 147

HSL 129.15, 0.88%, 0.74%

LAB 88.59, -53.8, 37.99

 

CMYK 48 / 0 / 28 / 3

HEX #81F7B3

RGB 129 247 179

HSL 145.42, 0.88%, 0.74%

LAB 89.13, -48.32, 22.6

 

CMYK 48 / 0 / 15 / 3

HEX #81F7D3

RGB 129 247 211

HSL 161.69, 0.88%, 0.74%

LAB 89.81, -41.77, 7.04

 

CMYK 48 / 0 / 2 / 3

HEX #81F7F3

RGB 129 247 243

HSL 177.97, 0.88%, 0.74%

LAB 90.62, -34.29, -8.41

 

CMYK 48 / 11 / 0 / 3

HEX #81DCF7

RGB 129 220 247

HSL 193.73, 0.88%, 0.74%

LAB 83.22, -20.2, -21.62

 

CMYK 48 / 0 / 40 / 3

HEX #81F793

RGB 129 247 147

HSL 129.15, 0.88%, 0.74%

LAB 88.59, -53.8, 37.99

 

CMYK 48 / 0 / 40 / 3

HEX #81F793

RGB 129 247 147

HSL 129.15, 0.88%, 0.74%

LAB 88.59, -53.8, 37.99

 

CMYK 41 / 0 / 34 / 7

HEX #8CEC9B

RGB 140 236 155

HSL 129.38, 0.72%, 0.74%

LAB 85.97, -44.92, 30.62

 

CMYK 33 / 0 / 28 / 11

HEX #97E2A2

RGB 151 226 162

HSL 128.8, 0.56%, 0.74%

LAB 83.75, -36.02, 24.11

 

CMYK 25 / 0 / 21 / 16

HEX #A1D7AA

RGB 161 215 170

HSL 130, 0.4%, 0.74%

LAB 81.34, -26.27, 16.67

 

CMYK 16 / 0 / 13 / 20

HEX #ACCCB1

RGB 172 204 177

HSL 129.38, 0.24%, 0.74%

LAB 79.12, -15.89, 9.92

 

CMYK 30 / 0 / 48 / 3

HEX #AEF781

RGB 174 247 129

HSL 97.12, 0.88%, 0.74%

LAB 90.37, -42.65, 49.37

 

CMYK 42 / 0 / 48 / 3

HEX #8FF781

RGB 143 247 129

HSL 112.88, 0.88%, 0.74%

LAB 88.9, -52.45, 47.22

 

CMYK 48 / 0 / 40 / 3

HEX #81F793

RGB 129 247 147

HSL 129.15, 0.88%, 0.74%

LAB 88.59, -53.8, 37.99

 

CMYK 48 / 0 / 28 / 3

HEX #81F7B2

RGB 129 247 178

HSL 144.92, 0.88%, 0.74%

LAB 89.11, -48.5, 23.09

 

CMYK 48 / 0 / 15 / 3

HEX #81F7D2

RGB 129 247 210

HSL 161.19, 0.88%, 0.74%

LAB 89.79, -41.99, 7.53

 

CMYK 79 / 0 / 67 / 5

HEX #33F350

RGB 51 243 80

HSL 129.06, 0.89%, 0.58%

LAB 84.68, -76.05, 63.07

 

CMYK 63 / 0 / 53 / 4

HEX #5AF572

RGB 90 245 114

HSL 129.29, 0.89%, 0.66%

LAB 86.35, -66.77, 50.7

 

CMYK 48 / 0 / 40 / 3

HEX #81F793

RGB 129 247 147

HSL 129.15, 0.88%, 0.74%

LAB 88.59, -53.8, 37.99

 

CMYK 33 / 0 / 27 / 2

HEX #A8F9B5

RGB 168 249 181

HSL 129.63, 0.87%, 0.82%

LAB 91.42, -38.03, 25

 

CMYK 18 / 0 / 15 / 1

HEX #CFFCD6

RGB 207 252 214

HSL 129.33, 0.88%, 0.9%

LAB 95.05, -21.45, 13.5

 

CMYK 48 / 0 / 40 / 3

HEX #82F894

RGB 130 248 148

HSL 129.15, 0.89%, 0.74%

LAB 88.93, -53.79, 37.95

 

CMYK 48 / 17 / 0 / 3

HEX #81CEF7

RGB 129 206 247

HSL 200.85, 0.88%, 0.74%

LAB 79.34, -13.03, -27.52

 

CMYK 0 / 48 / 36 / 3

HEX #F7819F

RGB 247 129 159

HSL 344.75, 0.88%, 0.74%

LAB 68, 48.07, 4.81

 

CMYK 48 / 0 / 40 / 3

HEX #82F894

RGB 130 248 148

HSL 129.15, 0.89%, 0.74%

LAB 88.93, -53.79, 37.95

 

CMYK 40 / 48 / 0 / 3

HEX #9381F7

RGB 147 129 247

HSL 249.15, 0.88%, 0.74%

LAB 60.44, 34.5, -56.99

 

CMYK 0 / 40 / 48 / 3

HEX #F79381

RGB 247 147 129

HSL 9.15, 0.88%, 0.74%

LAB 71.03, 35.79, 25.75

 

CMYK 48 / 0 / 40 / 3

HEX #82F894

RGB 130 248 148

HSL 129.15, 0.89%, 0.74%

LAB 88.93, -53.79, 37.95

 

CMYK 48 / 17 / 0 / 3

HEX #81CEF7

RGB 129 206 247

HSL 200.85, 0.88%, 0.74%

LAB 79.34, -13.03, -27.52

 

CMYK 0 / 48 / 7 / 3

HEX #F781E6

RGB 247 129 230

HSL 308.64, 0.88%, 0.74%

LAB 70.31, 58.07, -31.38

 

CMYK 0 / 31 / 48 / 3

HEX #F7AA81

RGB 247 170 129

HSL 20.85, 0.88%, 0.74%

LAB 76.14, 23.76, 32.51

 

CMYK 48 / 0 / 40 / 3

HEX #82F894

RGB 130 248 148

HSL 129.15, 0.89%, 0.74%

LAB 88.93, -53.79, 37.95

 

CMYK 48 / 31 / 0 / 3

HEX #81AAF7

RGB 129 170 247

HSL 219.15, 0.88%, 0.74%

LAB 69.56, 6.56, -42.66

 

CMYK 0 / 48 / 7 / 3

HEX #F781E6

RGB 247 129 230

HSL 308.64, 0.88%, 0.74%

LAB 70.31, 58.07, -31.38

 

CMYK 0 / 17 / 48 / 3

HEX #F7CE81

RGB 247 206 129

HSL 39.15, 0.88%, 0.74%

LAB 84.74, 4.91, 43.52

 

Description

Color code: HEX #82F894 | qconv.com Color code: HEX #82F894 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 248 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 248 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 40 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 40% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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