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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #82F870 it is the complementary color #7D078F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #82F870. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #82F870 shade: #87F86B, #98FF7E, #A9FF91, #BAFFA4 and #CBFFB7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #82F870. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #82F870 shade: #82F870, #71E65D, #60D44A, #4FC237 and #3EB024

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #82F870 shade: #83F871, #A7F871, #CCF871, #F0F871 and #F8DB71

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #82F870 shade: #83F871, #71F884, #71F8A8, #71F8CC and #71F8F1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #82F870 shade matches the following richer shades: #83F871

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #82F870 shade: #83F871, #8CEC7D, #95E089, #9DD495 and #A6C8A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #82F870 shade: #CBF871, #A7F871, #83F871, #71F883 and #71F8A7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #82F870 shade: #3EF422, #61F64A, #83F871, #A5FA99 and #C8FCC0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #82F870 shade: #82F870, #71EFF8 and #F871B9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #82F870 shade: #82F870, #7183F8 and #F87183

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #82F870 shade: #82F870, #71EFF8, #E671F8 and #F87A71

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #82F870 shade: #82F870, #71C6F8, #E671F8 and #F8A371

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 55 / 3

HEX #82F870

RGB 130 248 112

HSL 112.06, 0.91%, 0.71%

LAB 88.47, -58.61, 54.44

 

Complementary color

CMYK 13 / 95 / 0 / 44

HEX #7D078F

RGB 125 7 143

HSL 292.06, 0.91%, 0.29%

LAB 30.63, 59.84, -44.52

 

CMYK 46 / 0 / 57 / 3

HEX #87F86B

RGB 135 248 107

HSL 108.09, 0.91%, 0.7%

LAB 88.61, -57.75, 56.88

 

CMYK 40 / 0 / 51 / 0

HEX #98FF7E

RGB 152 255 126

HSL 107.91, 1%, 0.75%

LAB 91.55, -53.4, 51.97

 

CMYK 34 / 0 / 43 / 0

HEX #A9FF91

RGB 169 255 145

HSL 106.91, 1%, 0.78%

LAB 92.57, -45.77, 44.44

 

CMYK 27 / 0 / 36 / 0

HEX #BAFFA4

RGB 186 255 164

HSL 105.49, 1%, 0.82%

LAB 93.73, -37.68, 36.81

 

CMYK 20 / 0 / 28 / 0

HEX #CBFFB7

RGB 203 255 183

HSL 103.33, 1%, 0.86%

LAB 95.01, -29.25, 29.19

 

CMYK 48 / 0 / 55 / 3

HEX #82F870

RGB 130 248 112

HSL 112.06, 0.91%, 0.71%

LAB 88.47, -58.61, 54.44

 

CMYK 51 / 0 / 60 / 10

HEX #71E65D

RGB 113 230 93

HSL 111.24, 0.73%, 0.63%

LAB 82.32, -58.45, 55.54

 

CMYK 55 / 0 / 65 / 17

HEX #60D44A

RGB 96 212 74

HSL 110.43, 0.62%, 0.56%

LAB 76.11, -58.1, 56.49

 

CMYK 59 / 0 / 72 / 24

HEX #4FC237

RGB 79 194 55

HSL 109.64, 0.56%, 0.49%

LAB 69.84, -57.49, 57.13

 

CMYK 65 / 0 / 80 / 31

HEX #3EB024

RGB 62 176 36

HSL 108.86, 0.66%, 0.42%

LAB 63.51, -56.49, 57.18

 

CMYK 47 / 0 / 54 / 3

HEX #83F871

RGB 131 248 113

HSL 112, 0.91%, 0.71%

LAB 88.52, -58.22, 54.06

 

CMYK 33 / 0 / 54 / 3

HEX #A7F871

RGB 167 248 113

HSL 96, 0.91%, 0.71%

LAB 90.11, -47.17, 56.33

 

CMYK 18 / 0 / 54 / 3

HEX #CCF871

RGB 204 248 113

HSL 79.56, 0.91%, 0.71%

LAB 92.2, -34.05, 59.3

 

CMYK 3 / 0 / 54 / 3

HEX #F0F871

RGB 240 248 113

HSL 63.56, 0.91%, 0.71%

LAB 94.68, -20.24, 62.78

 

CMYK 0 / 12 / 54 / 3

HEX #F8DB71

RGB 248 219 113

HSL 47.11, 0.91%, 0.71%

LAB 87.88, -2.71, 55.1

 

CMYK 47 / 0 / 54 / 3

HEX #83F871

RGB 131 248 113

HSL 112, 0.91%, 0.71%

LAB 88.52, -58.22, 54.06

 

CMYK 54 / 0 / 47 / 3

HEX #71F884

RGB 113 248 132

HSL 128.44, 0.91%, 0.71%

LAB 88.12, -60.41, 44.58

 

CMYK 54 / 0 / 32 / 3

HEX #71F8A8

RGB 113 248 168

HSL 144.44, 0.91%, 0.71%

LAB 88.67, -54.54, 27.49

 

CMYK 54 / 0 / 18 / 3

HEX #71F8CC

RGB 113 248 204

HSL 160.44, 0.91%, 0.71%

LAB 89.4, -47.26, 10.01

 

CMYK 54 / 0 / 3 / 3

HEX #71F8F1

RGB 113 248 241

HSL 176.89, 0.91%, 0.71%

LAB 90.32, -38.47, -7.88

 

CMYK 47 / 0 / 54 / 3

HEX #83F871

RGB 131 248 113

HSL 112, 0.91%, 0.71%

LAB 88.52, -58.22, 54.06

 

CMYK 47 / 0 / 54 / 3

HEX #83F871

RGB 131 248 113

HSL 112, 0.91%, 0.71%

LAB 88.52, -58.22, 54.06

 

CMYK 41 / 0 / 47 / 7

HEX #8CEC7D

RGB 140 236 125

HSL 111.89, 0.74%, 0.71%

LAB 85.53, -49.33, 44.91

 

CMYK 33 / 0 / 39 / 12

HEX #95E089

RGB 149 224 137

HSL 111.72, 0.58%, 0.71%

LAB 82.65, -39.71, 35.42

 

CMYK 26 / 0 / 30 / 17

HEX #9DD495

RGB 157 212 149

HSL 112.38, 0.42%, 0.71%

LAB 79.86, -29.71, 25.62

 

CMYK 17 / 0 / 20 / 22

HEX #A6C8A1

RGB 166 200 161

HSL 112.31, 0.26%, 0.71%

LAB 77.27, -18.76, 15.81

 

CMYK 18 / 0 / 54 / 3

HEX #CBF871

RGB 203 248 113

HSL 80, 0.91%, 0.71%

LAB 92.14, -34.43, 59.21

 

CMYK 33 / 0 / 54 / 3

HEX #A7F871

RGB 167 248 113

HSL 96, 0.91%, 0.71%

LAB 90.11, -47.17, 56.33

 

CMYK 47 / 0 / 54 / 3

HEX #83F871

RGB 131 248 113

HSL 112, 0.91%, 0.71%

LAB 88.52, -58.22, 54.06

 

CMYK 54 / 0 / 47 / 3

HEX #71F883

RGB 113 248 131

HSL 128, 0.91%, 0.71%

LAB 88.11, -60.56, 45.04

 

CMYK 54 / 0 / 33 / 3

HEX #71F8A7

RGB 113 248 167

HSL 144, 0.91%, 0.71%

LAB 88.66, -54.73, 27.97

 

CMYK 75 / 0 / 86 / 4

HEX #3EF422

RGB 62 244 34

HSL 112, 0.91%, 0.55%

LAB 84.92, -77.88, 77.06

 

CMYK 61 / 0 / 70 / 4

HEX #61F64A

RGB 97 246 74

HSL 111.98, 0.91%, 0.63%

LAB 86.48, -69.78, 67.48

 

CMYK 47 / 0 / 54 / 3

HEX #83F871

RGB 131 248 113

HSL 112, 0.91%, 0.71%

LAB 88.52, -58.22, 54.06

 

CMYK 34 / 0 / 39 / 2

HEX #A5FA99

RGB 165 250 153

HSL 112.58, 0.91%, 0.79%

LAB 91.08, -43.78, 38.58

 

CMYK 21 / 0 / 24 / 1

HEX #C8FCC0

RGB 200 252 192

HSL 112, 0.91%, 0.87%

LAB 94.19, -27.43, 23.48

 

CMYK 48 / 0 / 55 / 3

HEX #82F870

RGB 130 248 112

HSL 112.06, 0.91%, 0.71%

LAB 88.47, -58.61, 54.44

 

CMYK 54 / 4 / 0 / 3

HEX #71EFF8

RGB 113 239 248

HSL 184, 0.91%, 0.71%

LAB 87.98, -32.49, -15.02

 

CMYK 0 / 54 / 25 / 3

HEX #F871B9

RGB 248 113 185

HSL 328, 0.91%, 0.71%

LAB 65.96, 59.24, -12.88

 

CMYK 48 / 0 / 55 / 3

HEX #82F870

RGB 130 248 112

HSL 112.06, 0.91%, 0.71%

LAB 88.47, -58.61, 54.44

 

CMYK 54 / 47 / 0 / 3

HEX #7183F8

RGB 113 131 248

HSL 232, 0.91%, 0.71%

LAB 58.53, 26.12, -60.75

 

CMYK 0 / 54 / 47 / 3

HEX #F87183

RGB 248 113 131

HSL 352, 0.91%, 0.71%

LAB 64.49, 53.2, 15.73

 

CMYK 48 / 0 / 55 / 3

HEX #82F870

RGB 130 248 112

HSL 112.06, 0.91%, 0.71%

LAB 88.47, -58.61, 54.44

 

CMYK 54 / 4 / 0 / 3

HEX #71EFF8

RGB 113 239 248

HSL 184, 0.91%, 0.71%

LAB 87.98, -32.49, -15.02

 

CMYK 7 / 54 / 0 / 3

HEX #E671F8

RGB 230 113 248

HSL 292, 0.91%, 0.71%

LAB 66.07, 64.13, -48.07

 

CMYK 0 / 51 / 54 / 3

HEX #F87A71

RGB 248 122 113

HSL 4, 0.91%, 0.71%

LAB 65.8, 47.37, 27.68

 

CMYK 48 / 0 / 55 / 3

HEX #82F870

RGB 130 248 112

HSL 112.06, 0.91%, 0.71%

LAB 88.47, -58.61, 54.44

 

CMYK 54 / 20 / 0 / 3

HEX #71C6F8

RGB 113 198 248

HSL 202.22, 0.91%, 0.71%

LAB 76.48, -12, -32.51

 

CMYK 7 / 54 / 0 / 3

HEX #E671F8

RGB 230 113 248

HSL 292, 0.91%, 0.71%

LAB 66.07, 64.13, -48.07

 

CMYK 0 / 34 / 54 / 3

HEX #F8A371

RGB 248 163 113

HSL 22.22, 0.91%, 0.71%

LAB 74.41, 26.43, 38.74

 

Description

Color code: HEX #82F870 | qconv.com Color code: HEX #82F870 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 248 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 248 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 55 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 55% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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