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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #82F5AE it is the complementary color #7D0A51. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #82F5AE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #82F5AE shade: #87F5A9, #98FFBC, #A9FFCF, #BAFFE2 and #CBFFF5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #82F5AE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #82F5AE shade: #82F5AE, #71E39B, #60D188, #4FBF75 and #3EAD62

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #82F5AE shade: #84F5AF, #84F591, #96F584, #B4F584 and #D2F584

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #82F5AE shade: #84F5AF, #84F5CD, #84F5EC, #84DFF5 and #84C1F5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #82F5AE shade matches the following richer shades: #84F5AF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #82F5AE shade: #84F5AF, #8FEAB1, #99DFB4, #A4D4B7 and #AFCAB9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #82F5AE shade: #97F584, #84F58F, #84F5AD, #84F5CB and #84F5E9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #82F5AE shade: #38EE7D, #5EF196, #84F5AF, #AAF8C8 and #D0FBE0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #82F5AE shade: #82F5AE, #84B5F5 and #F58488

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #82F5AE shade: #82F5AE, #AD84F5 and #F5AD84

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #82F5AE shade: #82F5AE, #84B5F5, #F584CB and #F5C484

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #82F5AE shade: #82F5AE, #8493F5, #F584CB and #F5E684

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 29 / 4

HEX #82F5AE

RGB 130 245 174

HSL 142.96, 0.85%, 0.74%

LAB 88.5, -48.15, 24.29

 

Complementary color

CMYK 0 / 92 / 35 / 51

HEX #7D0A51

RGB 125 10 81

HSL 322.96, 0.85%, 0.26%

LAB 27.22, 50.17, -10.13

 

CMYK 45 / 0 / 31 / 4

HEX #87F5A9

RGB 135 245 169

HSL 138.55, 0.85%, 0.75%

LAB 88.6, -47.76, 27.01

 

CMYK 40 / 0 / 26 / 0

HEX #98FFBC

RGB 152 255 188

HSL 140.97, 1%, 0.8%

LAB 92.5, -44.09, 22.8

 

CMYK 34 / 0 / 19 / 0

HEX #A9FFCF

RGB 169 255 207

HSL 146.51, 1%, 0.83%

LAB 93.65, -35.79, 14.81

 

CMYK 27 / 0 / 11 / 0

HEX #BAFFE2

RGB 186 255 226

HSL 154.78, 1%, 0.86%

LAB 94.93, -27.17, 6.99

 

CMYK 20 / 0 / 4 / 0

HEX #CBFFF5

RGB 203 255 245

HSL 168.46, 1%, 0.9%

LAB 96.33, -18.34, -0.64

 

CMYK 47 / 0 / 29 / 4

HEX #82F5AE

RGB 130 245 174

HSL 142.96, 0.85%, 0.74%

LAB 88.5, -48.15, 24.29

 

CMYK 50 / 0 / 32 / 11

HEX #71E39B

RGB 113 227 155

HSL 142.11, 0.67%, 0.67%

LAB 82.28, -48.31, 25.46

 

CMYK 54 / 0 / 35 / 18

HEX #60D188

RGB 96 209 136

HSL 141.24, 0.55%, 0.6%

LAB 75.99, -48.41, 26.7

 

CMYK 59 / 0 / 39 / 25

HEX #4FBF75

RGB 79 191 117

HSL 140.36, 0.47%, 0.53%

LAB 69.62, -48.4, 28.04

 

CMYK 64 / 0 / 43 / 32

HEX #3EAD62

RGB 62 173 98

HSL 139.46, 0.47%, 0.46%

LAB 63.17, -48.21, 29.48

 

CMYK 46 / 0 / 29 / 4

HEX #84F5AF

RGB 132 245 175

HSL 142.83, 0.85%, 0.74%

LAB 88.59, -47.46, 23.93

 

CMYK 46 / 0 / 41 / 4

HEX #84F591

RGB 132 245 145

HSL 126.9, 0.85%, 0.74%

LAB 88.09, -52.5, 38.36

 

CMYK 39 / 0 / 46 / 4

HEX #96F584

RGB 150 245 132

HSL 110.44, 0.85%, 0.74%

LAB 88.66, -49.15, 45.57

 

CMYK 27 / 0 / 46 / 4

HEX #B4F584

RGB 180 245 132

HSL 94.51, 0.85%, 0.74%

LAB 90.17, -39.37, 47.77

 

CMYK 14 / 0 / 46 / 4

HEX #D2F584

RGB 210 245 132

HSL 78.58, 0.85%, 0.74%

LAB 91.99, -28.59, 50.42

 

CMYK 46 / 0 / 29 / 4

HEX #84F5AF

RGB 132 245 175

HSL 142.83, 0.85%, 0.74%

LAB 88.59, -47.46, 23.93

 

CMYK 46 / 0 / 16 / 4

HEX #84F5CD

RGB 132 245 205

HSL 158.76, 0.85%, 0.74%

LAB 89.21, -41.48, 9.32

 

CMYK 46 / 0 / 4 / 4

HEX #84F5EC

RGB 132 245 236

HSL 175.22, 0.85%, 0.74%

LAB 89.98, -34.42, -5.7

 

CMYK 46 / 9 / 0 / 4

HEX #84DFF5

RGB 132 223 245

HSL 191.68, 0.85%, 0.74%

LAB 84.11, -21.55, -19.2

 

CMYK 46 / 21 / 0 / 4

HEX #84C1F5

RGB 132 193 245

HSL 207.61, 0.85%, 0.74%

LAB 75.85, -6, -31.81

 

CMYK 46 / 0 / 29 / 4

HEX #84F5AF

RGB 132 245 175

HSL 142.83, 0.85%, 0.74%

LAB 88.59, -47.46, 23.93

 

CMYK 46 / 0 / 29 / 4

HEX #84F5AF

RGB 132 245 175

HSL 142.83, 0.85%, 0.74%

LAB 88.59, -47.46, 23.93

 

CMYK 39 / 0 / 24 / 8

HEX #8FEAB1

RGB 143 234 177

HSL 142.42, 0.68%, 0.74%

LAB 85.94, -39.32, 19.29

 

CMYK 31 / 0 / 19 / 13

HEX #99DFB4

RGB 153 223 180

HSL 143.14, 0.52%, 0.74%

LAB 83.36, -30.76, 14.19

 

CMYK 23 / 0 / 14 / 17

HEX #A4D4B7

RGB 164 212 183

HSL 143.75, 0.36%, 0.74%

LAB 80.96, -21.42, 9.28

 

CMYK 13 / 0 / 8 / 21

HEX #AFCAB9

RGB 175 202 185

HSL 142.22, 0.2%, 0.74%

LAB 78.96, -12.36, 5.43

 

CMYK 38 / 0 / 46 / 4

HEX #97F584

RGB 151 245 132

HSL 109.91, 0.85%, 0.74%

LAB 88.71, -48.84, 45.63

 

CMYK 46 / 0 / 42 / 4

HEX #84F58F

RGB 132 245 143

HSL 125.84, 0.85%, 0.74%

LAB 88.06, -52.8, 39.3

 

CMYK 46 / 0 / 29 / 4

HEX #84F5AD

RGB 132 245 173

HSL 141.77, 0.85%, 0.74%

LAB 88.56, -47.82, 24.9

 

CMYK 46 / 0 / 17 / 4

HEX #84F5CB

RGB 132 245 203

HSL 157.7, 0.85%, 0.74%

LAB 89.17, -41.91, 10.29

 

CMYK 46 / 0 / 5 / 4

HEX #84F5E9

RGB 132 245 233

HSL 173.63, 0.85%, 0.74%

LAB 89.9, -35.14, -4.25

 

CMYK 76 / 0 / 47 / 7

HEX #38EE7D

RGB 56 238 125

HSL 142.75, 0.84%, 0.58%

LAB 83.69, -68.24, 42.08

 

CMYK 61 / 0 / 38 / 5

HEX #5EF196

RGB 94 241 150

HSL 142.86, 0.84%, 0.66%

LAB 85.75, -59.03, 32.57

 

CMYK 46 / 0 / 29 / 4

HEX #84F5AF

RGB 132 245 175

HSL 142.83, 0.85%, 0.74%

LAB 88.59, -47.46, 23.93

 

CMYK 31 / 0 / 19 / 3

HEX #AAF8C8

RGB 170 248 200

HSL 143.08, 0.85%, 0.82%

LAB 91.62, -33.6, 15.55

 

CMYK 17 / 0 / 11 / 2

HEX #D0FBE0

RGB 208 251 224

HSL 142.33, 0.84%, 0.9%

LAB 95.07, -18.85, 8.39

 

CMYK 47 / 0 / 29 / 4

HEX #82F5AE

RGB 130 245 174

HSL 142.96, 0.85%, 0.74%

LAB 88.5, -48.15, 24.29

 

CMYK 46 / 26 / 0 / 4

HEX #84B5F5

RGB 132 181 245

HSL 213.98, 0.85%, 0.74%

LAB 72.59, 0.54, -36.84

 

CMYK 0 / 46 / 44 / 4

HEX #F58488

RGB 245 132 136

HSL 357.88, 0.85%, 0.74%

LAB 67.79, 43.39, 17.42

 

CMYK 47 / 0 / 29 / 4

HEX #82F5AE

RGB 130 245 174

HSL 142.96, 0.85%, 0.74%

LAB 88.5, -48.15, 24.29

 

CMYK 29 / 46 / 0 / 4

HEX #AD84F5

RGB 173 132 245

HSL 261.77, 0.85%, 0.74%

LAB 63.33, 38.81, -51.17

 

CMYK 0 / 29 / 46 / 4

HEX #F5AD84

RGB 245 173 132

HSL 21.77, 0.85%, 0.74%

LAB 76.66, 21.68, 31.56

 

CMYK 47 / 0 / 29 / 4

HEX #82F5AE

RGB 130 245 174

HSL 142.96, 0.85%, 0.74%

LAB 88.5, -48.15, 24.29

 

CMYK 46 / 26 / 0 / 4

HEX #84B5F5

RGB 132 181 245

HSL 213.98, 0.85%, 0.74%

LAB 72.59, 0.54, -36.84

 

CMYK 0 / 46 / 17 / 4

HEX #F584CB

RGB 245 132 203

HSL 322.3, 0.85%, 0.74%

LAB 69.63, 51.78, -17.48

 

CMYK 0 / 20 / 46 / 4

HEX #F5C484

RGB 245 196 132

HSL 33.98, 0.85%, 0.74%

LAB 82.14, 9.59, 38.67

 

CMYK 47 / 0 / 29 / 4

HEX #82F5AE

RGB 130 245 174

HSL 142.96, 0.85%, 0.74%

LAB 88.5, -48.15, 24.29

 

CMYK 46 / 40 / 0 / 4

HEX #8493F5

RGB 132 147 245

HSL 232.04, 0.85%, 0.74%

LAB 63.64, 19.91, -50.87

 

CMYK 0 / 46 / 17 / 4

HEX #F584CB

RGB 245 132 203

HSL 322.3, 0.85%, 0.74%

LAB 69.63, 51.78, -17.48

 

CMYK 0 / 6 / 46 / 4

HEX #F5E684

RGB 245 230 132

HSL 52.04, 0.85%, 0.74%

LAB 90.63, -7.83, 49.33

 

Description

Color code: HEX #82F5AE | qconv.com Color code: HEX #82F5AE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 245 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 245 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 29 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 29% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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