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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #82E67E it is the complementary color #7D1981. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #82E67E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #82E67E shade: #87E679, #98F88C, #A9FF9F, #BAFFB2 and #CBFFC5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #82E67E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #82E67E shade: #82E67E, #71D46B, #60C258, #4FB045 and #3E9E32

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #82E67E shade: #82E67E, #9EE67E, #BAE67E, #D6E67E and #E6DA7E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #82E67E shade: #82E67E, #7EE696, #7EE6B2, #7EE6CE and #7EE2E6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #82E67E shade matches the following richer shades: #82E67E and #77F272

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #82E67E shade: #82E67E, #8DDA8A, #99CD97, #A4C1A3 and #B0B5AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #82E67E shade: #BBE67E, #9FE67E, #83E67E, #7EE695 and #7EE6B0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #82E67E shade: #3FD939, #60DF5B, #82E67E, #A4EDA1 and #C5F3C3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #82E67E shade: #82E67E, #7ED6E6 and #E67EAD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #82E67E shade: #82E67E, #7E83E6 and #E67E83

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #82E67E shade: #82E67E, #7ED6E6, #E17EE6 and #E68E7E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #82E67E shade: #82E67E, #7EB7E6, #E17EE6 and #E6AD7E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 45 / 10

HEX #82E67E

RGB 130 230 126

HSL 117.69, 0.68%, 0.7%

LAB 83.36, -49.67, 41.61

 

Complementary color

CMYK 3 / 81 / 0 / 49

HEX #7D1981

RGB 125 25 129

HSL 297.69, 0.68%, 0.3%

LAB 30.97, 53.6, -35.25

 

CMYK 41 / 0 / 47 / 10

HEX #87E679

RGB 135 230 121

HSL 112.29, 0.69%, 0.69%

LAB 83.51, -48.86, 44.27

 

CMYK 39 / 0 / 44 / 3

HEX #98F88C

RGB 152 248 140

HSL 113.33, 0.89%, 0.76%

LAB 89.72, -48.73, 43.06

 

CMYK 34 / 0 / 38 / 0

HEX #A9FF9F

RGB 169 255 159

HSL 113.75, 1%, 0.81%

LAB 92.78, -43.84, 37.87

 

CMYK 27 / 0 / 30 / 0

HEX #BAFFB2

RGB 186 255 178

HSL 113.77, 1%, 0.85%

LAB 93.96, -35.61, 30.12

 

CMYK 20 / 0 / 23 / 0

HEX #CBFFC5

RGB 203 255 197

HSL 113.79, 1%, 0.89%

LAB 95.27, -27.06, 22.45

 

CMYK 43 / 0 / 45 / 10

HEX #82E67E

RGB 130 230 126

HSL 117.69, 0.68%, 0.7%

LAB 83.36, -49.67, 41.61

 

CMYK 47 / 0 / 50 / 17

HEX #71D46B

RGB 113 212 107

HSL 116.57, 0.55%, 0.63%

LAB 77.08, -49.74, 42.87

 

CMYK 51 / 0 / 55 / 24

HEX #60C258

RGB 96 194 88

HSL 115.47, 0.46%, 0.55%

LAB 70.72, -49.71, 44.12

 

CMYK 55 / 0 / 61 / 31

HEX #4FB045

RGB 79 176 69

HSL 114.39, 0.44%, 0.48%

LAB 64.28, -49.5, 45.31

 

CMYK 61 / 0 / 68 / 38

HEX #3E9E32

RGB 62 158 50

HSL 113.33, 0.52%, 0.41%

LAB 57.76, -49, 46.29

 

CMYK 43 / 0 / 45 / 10

HEX #82E67E

RGB 130 230 126

HSL 117.69, 0.68%, 0.7%

LAB 83.36, -49.67, 41.61

 

CMYK 31 / 0 / 45 / 10

HEX #9EE67E

RGB 158 230 126

HSL 101.54, 0.68%, 0.7%

LAB 84.67, -40.91, 43.54

 

CMYK 19 / 0 / 45 / 10

HEX #BAE67E

RGB 186 230 126

HSL 85.38, 0.68%, 0.7%

LAB 86.28, -31.09, 45.89

 

CMYK 7 / 0 / 45 / 10

HEX #D6E67E

RGB 214 230 126

HSL 69.23, 0.68%, 0.7%

LAB 88.16, -20.53, 48.64

 

CMYK 0 / 5 / 45 / 10

HEX #E6DA7E

RGB 230 218 126

HSL 53.08, 0.68%, 0.7%

LAB 86.24, -8.3, 46.55

 

CMYK 43 / 0 / 45 / 10

HEX #82E67E

RGB 130 230 126

HSL 117.69, 0.68%, 0.7%

LAB 83.36, -49.67, 41.61

 

CMYK 45 / 0 / 35 / 10

HEX #7EE696

RGB 126 230 150

HSL 133.85, 0.68%, 0.7%

LAB 83.56, -47.09, 29.84

 

CMYK 45 / 0 / 23 / 10

HEX #7EE6B2

RGB 126 230 178

HSL 150, 0.68%, 0.7%

LAB 84.09, -41.92, 16.09

 

CMYK 45 / 0 / 10 / 10

HEX #7EE6CE

RGB 126 230 206

HSL 166.15, 0.68%, 0.7%

LAB 84.73, -35.91, 2.31

 

CMYK 45 / 2 / 0 / 10

HEX #7EE2E6

RGB 126 226 230

HSL 182.31, 0.68%, 0.7%

LAB 84.25, -28.25, -11.08

 

CMYK 43 / 0 / 45 / 10

HEX #82E67E

RGB 130 230 126

HSL 117.69, 0.68%, 0.7%

LAB 83.36, -49.67, 41.61

 

CMYK 51 / 0 / 53 / 5

HEX #77F272

RGB 119 242 114

HSL 117.66, 0.83%, 0.7%

LAB 86.33, -59.03, 50.88

 

CMYK 43 / 0 / 45 / 10

HEX #82E67E

RGB 130 230 126

HSL 117.69, 0.68%, 0.7%

LAB 83.36, -49.67, 41.61

 

CMYK 35 / 0 / 37 / 15

HEX #8DDA8A

RGB 141 218 138

HSL 117.75, 0.52%, 0.7%

LAB 80.54, -39.42, 32.06

 

CMYK 25 / 0 / 26 / 20

HEX #99CD97

RGB 153 205 151

HSL 117.78, 0.35%, 0.7%

LAB 77.68, -27.37, 21.57

 

CMYK 15 / 0 / 16 / 24

HEX #A4C1A3

RGB 164 193 163

HSL 118, 0.19%, 0.7%

LAB 75.25, -15.56, 11.87

 

CMYK 3 / 0 / 3 / 29

HEX #B0B5AF

RGB 176 181 175

HSL 110, 0.04%, 0.7%

LAB 73.14, -2.87, 2.43

 

CMYK 19 / 0 / 45 / 10

HEX #BBE67E

RGB 187 230 126

HSL 84.81, 0.68%, 0.7%

LAB 86.34, -30.72, 45.98

 

CMYK 31 / 0 / 45 / 10

HEX #9FE67E

RGB 159 230 126

HSL 100.96, 0.68%, 0.7%

LAB 84.73, -40.58, 43.62

 

CMYK 43 / 0 / 45 / 10

HEX #83E67E

RGB 131 230 126

HSL 117.12, 0.68%, 0.7%

LAB 83.4, -49.38, 41.68

 

CMYK 45 / 0 / 35 / 10

HEX #7EE695

RGB 126 230 149

HSL 133.27, 0.68%, 0.7%

LAB 83.55, -47.26, 30.33

 

CMYK 45 / 0 / 23 / 10

HEX #7EE6B0

RGB 126 230 176

HSL 148.85, 0.68%, 0.7%

LAB 84.05, -42.32, 17.08

 

CMYK 71 / 0 / 74 / 15

HEX #3FD939

RGB 63 217 57

HSL 117.75, 0.68%, 0.54%

LAB 76.67, -68.31, 63.2

 

CMYK 57 / 0 / 59 / 13

HEX #60DF5B

RGB 96 223 91

HSL 117.73, 0.67%, 0.62%

LAB 79.62, -60.4, 53.17

 

CMYK 43 / 0 / 45 / 10

HEX #82E67E

RGB 130 230 126

HSL 117.69, 0.68%, 0.7%

LAB 83.36, -49.67, 41.61

 

CMYK 31 / 0 / 32 / 7

HEX #A4EDA1

RGB 164 237 161

HSL 117.63, 0.68%, 0.78%

LAB 87.5, -37.12, 29.82

 

CMYK 19 / 0 / 20 / 5

HEX #C5F3C3

RGB 197 243 195

HSL 117.5, 0.67%, 0.86%

LAB 91.65, -23.64, 18.38

 

CMYK 43 / 0 / 45 / 10

HEX #82E67E

RGB 130 230 126

HSL 117.69, 0.68%, 0.7%

LAB 83.36, -49.67, 41.61

 

CMYK 45 / 7 / 0 / 10

HEX #7ED6E6

RGB 126 214 230

HSL 189.23, 0.68%, 0.7%

LAB 80.87, -22.35, -16.14

 

CMYK 0 / 45 / 25 / 10

HEX #E67EAD

RGB 230 126 173

HSL 332.88, 0.68%, 0.7%

LAB 65.56, 45.6, -6.94

 

CMYK 43 / 0 / 45 / 10

HEX #82E67E

RGB 130 230 126

HSL 117.69, 0.68%, 0.7%

LAB 83.36, -49.67, 41.61

 

CMYK 45 / 43 / 0 / 10

HEX #7E83E6

RGB 126 131 230

HSL 237.12, 0.68%, 0.7%

LAB 58.4, 23.51, -50.93

 

CMYK 0 / 45 / 43 / 10

HEX #E67E83

RGB 230 126 131

HSL 357.12, 0.68%, 0.7%

LAB 64.47, 40.49, 15.32

 

CMYK 43 / 0 / 45 / 10

HEX #82E67E

RGB 130 230 126

HSL 117.69, 0.68%, 0.7%

LAB 83.36, -49.67, 41.61

 

CMYK 45 / 7 / 0 / 10

HEX #7ED6E6

RGB 126 214 230

HSL 189.23, 0.68%, 0.7%

LAB 80.87, -22.35, -16.14

 

CMYK 2 / 45 / 0 / 10

HEX #E17EE6

RGB 225 126 230

HSL 297.12, 0.68%, 0.7%

LAB 67.01, 53.22, -36.71

 

CMYK 0 / 38 / 45 / 10

HEX #E68E7E

RGB 230 142 126

HSL 9.23, 0.68%, 0.7%

LAB 67.78, 31.64, 22.67

 

CMYK 43 / 0 / 45 / 10

HEX #82E67E

RGB 130 230 126

HSL 117.69, 0.68%, 0.7%

LAB 83.36, -49.67, 41.61

 

CMYK 45 / 20 / 0 / 10

HEX #7EB7E6

RGB 126 183 230

HSL 207.12, 0.68%, 0.7%

LAB 72.24, -6.21, -29.28

 

CMYK 2 / 45 / 0 / 10

HEX #E17EE6

RGB 225 126 230

HSL 297.12, 0.68%, 0.7%

LAB 67.01, 53.22, -36.71

 

CMYK 0 / 25 / 45 / 10

HEX #E6AD7E

RGB 230 173 126

HSL 27.12, 0.68%, 0.7%

LAB 74.96, 15.13, 32.21

 

Description

Color code: HEX #82E67E | qconv.com Color code: HEX #82E67E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 230 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 230 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 45 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 45% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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