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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #82D054 it is the complementary color #7D2FAB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #82D054. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #82D054 shade: #87D04F, #98E262, #A9F475, #BAFF88 and #CBFF9B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #82D054. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #82D054 shade: #82D054, #71BE41, #60AC2E, #4F9A1B and #3E8808

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #82D054 shade: #81CF52, #A2CF52, #C4CF52, #CFB952 and #CF9752

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #82D054 shade: #81CF52, #5FCF52, #52CF67, #52CF89 and #52CFAB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #82D054 shade matches the following richer shades: #81CF52, #7CE141 and #78F32F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #82D054 shade: #81CF52, #85BE64, #8AAC76, #8E9A88 and #938899

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #82D054 shade: #C5CF52, #A4CF52, #82CF52, #61CF52 and #52CF65

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #82D054 shade: #58A32C, #6AC335, #81CF52, #98D873 and #B0E193

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #82D054 shade: #82D054, #52CFB8 and #CF52B4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #82D054 shade: #82D054, #5282CF and #CF5282

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #82D054 shade: #82D054, #52CFB8, #9F52CF and #CF5269

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #82D054 shade: #82D054, #52C1CF, #9F52CF and #CF6152

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 60 / 18

HEX #82D054

RGB 130 208 84

HSL 97.74, 0.57%, 0.57%

LAB 76.37, -45.46, 52.9

 

Complementary color

CMYK 27 / 73 / 0 / 33

HEX #7D2FAB

RGB 125 47 171

HSL 277.74, 0.57%, 0.43%

LAB 36.62, 53.94, -51.85

 

CMYK 35 / 0 / 62 / 18

HEX #87D04F

RGB 135 208 79

HSL 93.95, 0.58%, 0.56%

LAB 76.57, -44.23, 55.37

 

CMYK 33 / 0 / 57 / 11

HEX #98E262

RGB 152 226 98

HSL 94.69, 0.69%, 0.64%

LAB 82.89, -44.34, 54.43

 

CMYK 31 / 0 / 52 / 4

HEX #A9F475

RGB 169 244 117

HSL 95.43, 0.85%, 0.71%

LAB 89.12, -44.37, 53.37

 

CMYK 27 / 0 / 47 / 0

HEX #BAFF88

RGB 186 255 136

HSL 94.79, 1%, 0.77%

LAB 93.34, -41.28, 49.87

 

CMYK 20 / 0 / 39 / 0

HEX #CBFF9B

RGB 203 255 155

HSL 91.2, 1%, 0.8%

LAB 94.56, -33.11, 42.5

 

CMYK 38 / 0 / 60 / 18

HEX #82D054

RGB 130 208 84

HSL 97.74, 0.57%, 0.57%

LAB 76.37, -45.46, 52.9

 

CMYK 41 / 0 / 66 / 25

HEX #71BE41

RGB 113 190 65

HSL 96.96, 0.49%, 0.5%

LAB 69.98, -45.29, 53.75

 

CMYK 44 / 0 / 73 / 33

HEX #60AC2E

RGB 96 172 46

HSL 96.19, 0.58%, 0.43%

LAB 63.5, -44.93, 54.22

 

CMYK 49 / 0 / 82 / 40

HEX #4F9A1B

RGB 79 154 27

HSL 95.43, 0.7%, 0.35%

LAB 56.93, -44.29, 53.91

 

CMYK 54 / 0 / 94 / 47

HEX #3E8808

RGB 62 136 8

HSL 94.69, 0.89%, 0.28%

LAB 50.28, -43.23, 52.17

 

CMYK 38 / 0 / 60 / 19

HEX #81CF52

RGB 129 207 82

HSL 97.44, 0.57%, 0.57%

LAB 76.01, -45.56, 53.36

 

CMYK 22 / 0 / 60 / 19

HEX #A2CF52

RGB 162 207 82

HSL 81.6, 0.57%, 0.57%

LAB 77.83, -33.71, 55.89

 

CMYK 5 / 0 / 60 / 19

HEX #C4CF52

RGB 196 207 82

HSL 65.28, 0.57%, 0.57%

LAB 80.16, -20.23, 59.12

 

CMYK 0 / 11 / 60 / 19

HEX #CFB952

RGB 207 185 82

HSL 49.44, 0.57%, 0.57%

LAB 75.18, -4.49, 53.9

 

CMYK 0 / 27 / 60 / 19

HEX #CF9752

RGB 207 151 82

HSL 33.12, 0.57%, 0.57%

LAB 66.53, 13.66, 44.02

 

CMYK 38 / 0 / 60 / 19

HEX #81CF52

RGB 129 207 82

HSL 97.44, 0.57%, 0.57%

LAB 76.01, -45.56, 53.36

 

CMYK 54 / 0 / 60 / 19

HEX #5FCF52

RGB 95 207 82

HSL 113.76, 0.57%, 0.57%

LAB 74.61, -55.7, 51.4

 

CMYK 60 / 0 / 50 / 19

HEX #52CF67

RGB 82 207 103

HSL 130.08, 0.57%, 0.57%

LAB 74.44, -56.2, 41.32

 

CMYK 60 / 0 / 34 / 19

HEX #52CF89

RGB 82 207 137

HSL 146.4, 0.57%, 0.57%

LAB 74.97, -50.51, 24.73

 

CMYK 60 / 0 / 17 / 19

HEX #52CFAB

RGB 82 207 171

HSL 162.72, 0.57%, 0.57%

LAB 75.67, -43.22, 7.65

 

CMYK 38 / 0 / 60 / 19

HEX #81CF52

RGB 129 207 82

HSL 97.44, 0.57%, 0.57%

LAB 76.01, -45.56, 53.36

 

CMYK 45 / 0 / 71 / 12

HEX #7CE141

RGB 124 225 65

HSL 97.88, 0.73%, 0.57%

LAB 81.03, -55.81, 65.41

 

CMYK 51 / 0 / 81 / 5

HEX #78F32F

RGB 120 243 47

HSL 97.65, 0.89%, 0.57%

LAB 86.16, -64.67, 75.8

 

CMYK 38 / 0 / 60 / 19

HEX #81CF52

RGB 129 207 82

HSL 97.44, 0.57%, 0.57%

LAB 76.01, -45.56, 53.36

 

CMYK 30 / 0 / 47 / 25

HEX #85BE64

RGB 133 190 100

HSL 98, 0.41%, 0.57%

LAB 71.37, -34.72, 39.47

 

CMYK 20 / 0 / 31 / 33

HEX #8AAC76

RGB 138 172 118

HSL 97.78, 0.25%, 0.57%

LAB 66.68, -21.72, 24.1

 

CMYK 8 / 0 / 12 / 40

HEX #8E9A88

RGB 142 154 136

HSL 100, 0.08%, 0.57%

LAB 62.2, -7.77, 7.99

 

CMYK 4 / 11 / 0 / 40

HEX #938899

RGB 147 136 153

HSL 278.82, 0.08%, 0.57%

LAB 58.14, 7.42, -7.56

 

CMYK 5 / 0 / 60 / 19

HEX #C5CF52

RGB 197 207 82

HSL 64.8, 0.57%, 0.57%

LAB 80.24, -19.82, 59.23

 

CMYK 21 / 0 / 60 / 19

HEX #A4CF52

RGB 164 207 82

HSL 80.64, 0.57%, 0.57%

LAB 77.95, -32.95, 56.06

 

CMYK 37 / 0 / 60 / 19

HEX #82CF52

RGB 130 207 82

HSL 96.96, 0.57%, 0.57%

LAB 76.06, -45.23, 53.43

 

CMYK 53 / 0 / 60 / 19

HEX #61CF52

RGB 97 207 82

HSL 112.8, 0.57%, 0.57%

LAB 74.68, -55.18, 51.5

 

CMYK 60 / 0 / 51 / 19

HEX #52CF65

RGB 82 207 101

HSL 129.12, 0.57%, 0.57%

LAB 74.42, -56.48, 42.26

 

CMYK 46 / 0 / 73 / 36

HEX #58A32C

RGB 88 163 44

HSL 97.82, 0.57%, 0.41%

LAB 60.29, -43.99, 51.62

 

CMYK 46 / 0 / 73 / 24

HEX #6AC335

RGB 106 195 53

HSL 97.61, 0.57%, 0.49%

LAB 71.11, -50.49, 59.46

 

CMYK 38 / 0 / 60 / 19

HEX #81CF52

RGB 129 207 82

HSL 97.44, 0.57%, 0.57%

LAB 76.01, -45.56, 53.36

 

CMYK 30 / 0 / 47 / 15

HEX #98D873

RGB 152 216 115

HSL 98.02, 0.56%, 0.65%

LAB 80.19, -38.07, 43.24

 

CMYK 22 / 0 / 35 / 12

HEX #B0E193

RGB 176 225 147

HSL 97.69, 0.57%, 0.73%

LAB 84.58, -29.65, 33.17

 

CMYK 38 / 0 / 60 / 18

HEX #82D054

RGB 130 208 84

HSL 97.74, 0.57%, 0.57%

LAB 76.37, -45.46, 52.9

 

CMYK 60 / 0 / 11 / 19

HEX #52CFB8

RGB 82 207 184

HSL 168.96, 0.57%, 0.57%

LAB 76, -40.06, 1.13

 

CMYK 0 / 60 / 13 / 19

HEX #CF52B4

RGB 207 82 180

HSL 312.96, 0.57%, 0.57%

LAB 54.65, 60.5, -27.81

 

CMYK 38 / 0 / 60 / 18

HEX #82D054

RGB 130 208 84

HSL 97.74, 0.57%, 0.57%

LAB 76.37, -45.46, 52.9

 

CMYK 60 / 37 / 0 / 19

HEX #5282CF

RGB 82 130 207

HSL 216.96, 0.57%, 0.57%

LAB 54.31, 7.29, -44.67

 

CMYK 0 / 60 / 37 / 19

HEX #CF5282

RGB 207 82 130

HSL 336.96, 0.57%, 0.57%

LAB 52.85, 53.86, -1.13

 

CMYK 38 / 0 / 60 / 18

HEX #82D054

RGB 130 208 84

HSL 97.74, 0.57%, 0.57%

LAB 76.37, -45.46, 52.9

 

CMYK 60 / 0 / 11 / 19

HEX #52CFB8

RGB 82 207 184

HSL 168.96, 0.57%, 0.57%

LAB 76, -40.06, 1.13

 

CMYK 23 / 60 / 0 / 19

HEX #9F52CF

RGB 159 82 207

HSL 276.96, 0.57%, 0.57%

LAB 49.39, 53.12, -52.12

 

CMYK 0 / 60 / 49 / 19

HEX #CF5269

RGB 207 82 105

HSL 348.96, 0.57%, 0.57%

LAB 52.2, 51.33, 12.85

 

CMYK 38 / 0 / 60 / 18

HEX #82D054

RGB 130 208 84

HSL 97.74, 0.57%, 0.57%

LAB 76.37, -45.46, 52.9

 

CMYK 60 / 7 / 0 / 19

HEX #52C1CF

RGB 82 193 207

HSL 186.72, 0.57%, 0.57%

LAB 72.52, -27.27, -16.49

 

CMYK 23 / 60 / 0 / 19

HEX #9F52CF

RGB 159 82 207

HSL 276.96, 0.57%, 0.57%

LAB 49.39, 53.12, -52.12

 

CMYK 0 / 53 / 60 / 19

HEX #CF6152

RGB 207 97 82

HSL 7.2, 0.57%, 0.57%

LAB 54.47, 42.36, 29.36

 

Description

Color code: HEX #82D054 | qconv.com Color code: HEX #82D054 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 208 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 208 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 60 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 60% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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