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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #82D6D8 it is the complementary color #7D2927. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #82D6D8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #82D6D8 shade: #87D6D3, #98E8E6, #A9FAF9, #BAFFFF and #CBFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #82D6D8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #82D6D8 shade: #82D6D8, #71C4C5, #60B2B2, #4FA09F and #3E8E8C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #82D6D8 shade: #82D5D7, #82BED7, #82A8D7, #8291D7 and #8B82D7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #82D6D8 shade: #82D5D7, #82BED7, #82A8D7, #8291D7 and #8282D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #82D6D8 shade matches the following richer shades: #82D5D7, #75E2E5 and #68EFF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #82D6D8 shade: #82D5D7, #90C9CA, #9DBCBD, #AAB0B0 and #B7A3A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #82D6D8 shade: #82D7AB, #82D7C2, #82D6D7, #82BFD7 and #82A9D7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #82D6D8 shade: #44C1C4, #63CBCD, #82D5D7, #A2E0E1 and #C1EAEB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #82D6D8 shade: #82D6D8, #9582D7 and #D7B782

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #82D6D8 shade: #82D6D8, #D782D6 and #D6D782

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #82D6D8 shade: #82D6D8, #9582D7, #D78482 and #C5D782

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #82D6D8 shade: #82D6D8, #AE82D7, #D78482 and #ABD782

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 1 / 0 / 15

HEX #82D6D8

RGB 130 214 216

HSL 181.4, 0.52%, 0.68%

LAB 80.63, -24.93, -9.02

 

Complementary color

CMYK 0 / 67 / 69 / 51

HEX #7D2927

RGB 125 41 39

HSL 1.4, 0.52%, 0.32%

LAB 29.64, 36.24, 21.19

 

CMYK 37 / 0 / 1 / 16

HEX #87D6D3

RGB 135 214 211

HSL 177.72, 0.49%, 0.68%

LAB 80.71, -24.87, -6.2

 

CMYK 34 / 0 / 1 / 9

HEX #98E8E6

RGB 152 232 230

HSL 178.5, 0.63%, 0.75%

LAB 87.05, -24.78, -6.8

 

CMYK 32 / 0 / 0 / 2

HEX #A9FAF9

RGB 169 250 249

HSL 179.26, 0.89%, 0.82%

LAB 93.3, -24.69, -7.38

 

CMYK 27 / 0 / 0 / 0

HEX #BAFFFF

RGB 186 255 255

HSL 180, 1%, 0.86%

LAB 95.66, -21.17, -6.9

 

CMYK 20 / 0 / 0 / 0

HEX #CBFFFF

RGB 203 255 255

HSL 180, 1%, 0.9%

LAB 96.59, -16.31, -5.41

 

CMYK 40 / 1 / 0 / 15

HEX #82D6D8

RGB 130 214 216

HSL 181.4, 0.52%, 0.68%

LAB 80.63, -24.93, -9.02

 

CMYK 43 / 1 / 0 / 23

HEX #71C4C5

RGB 113 196 197

HSL 180.71, 0.42%, 0.61%

LAB 74.2, -24.95, -8.42

 

CMYK 46 / 0 / 0 / 30

HEX #60B2B2

RGB 96 178 178

HSL 180, 0.35%, 0.54%

LAB 67.68, -24.94, -7.78

 

CMYK 51 / 0 / 1 / 37

HEX #4FA09F

RGB 79 160 159

HSL 179.26, 0.34%, 0.47%

LAB 61.05, -24.88, -7.09

 

CMYK 56 / 0 / 1 / 44

HEX #3E8E8C

RGB 62 142 140

HSL 178.5, 0.39%, 0.4%

LAB 54.31, -24.72, -6.34

 

CMYK 40 / 1 / 0 / 16

HEX #82D5D7

RGB 130 213 215

HSL 181.41, 0.52%, 0.68%

LAB 80.31, -24.69, -8.95

 

CMYK 40 / 12 / 0 / 16

HEX #82BED7

RGB 130 190 215

HSL 197.65, 0.52%, 0.68%

LAB 73.86, -12.97, -18.64

 

CMYK 40 / 22 / 0 / 16

HEX #82A8D7

RGB 130 168 215

HSL 213.18, 0.52%, 0.68%

LAB 67.77, -1.07, -27.93

 

CMYK 40 / 33 / 0 / 16

HEX #8291D7

RGB 130 145 215

HSL 229.41, 0.52%, 0.68%

LAB 61.57, 12.01, -37.54

 

CMYK 35 / 40 / 0 / 16

HEX #8B82D7

RGB 139 130 215

HSL 246.35, 0.52%, 0.68%

LAB 58.38, 23.19, -42.51

 

CMYK 40 / 1 / 0 / 16

HEX #82D5D7

RGB 130 213 215

HSL 181.41, 0.52%, 0.68%

LAB 80.31, -24.69, -8.95

 

CMYK 40 / 12 / 0 / 16

HEX #82BED7

RGB 130 190 215

HSL 197.65, 0.52%, 0.68%

LAB 73.86, -12.97, -18.64

 

CMYK 40 / 22 / 0 / 16

HEX #82A8D7

RGB 130 168 215

HSL 213.18, 0.52%, 0.68%

LAB 67.77, -1.07, -27.93

 

CMYK 40 / 33 / 0 / 16

HEX #8291D7

RGB 130 145 215

HSL 229.41, 0.52%, 0.68%

LAB 61.57, 12.01, -37.54

 

CMYK 40 / 40 / 0 / 16

HEX #8282D7

RGB 130 130 215

HSL 240, 0.52%, 0.68%

LAB 57.67, 20.8, -43.67

 

CMYK 40 / 1 / 0 / 16

HEX #82D5D7

RGB 130 213 215

HSL 181.41, 0.52%, 0.68%

LAB 80.31, -24.69, -8.95

 

CMYK 49 / 1 / 0 / 10

HEX #75E2E5

RGB 117 226 229

HSL 181.61, 0.68%, 0.68%

LAB 83.88, -30.48, -11.14

 

CMYK 57 / 1 / 0 / 5

HEX #68EFF2

RGB 104 239 242

HSL 181.3, 0.84%, 0.68%

LAB 87.53, -35.73, -12.58

 

CMYK 40 / 1 / 0 / 16

HEX #82D5D7

RGB 130 213 215

HSL 181.41, 0.52%, 0.68%

LAB 80.31, -24.69, -8.95

 

CMYK 29 / 0 / 0 / 21

HEX #90C9CA

RGB 144 201 202

HSL 181.03, 0.35%, 0.68%

LAB 77.26, -18, -6.42

 

CMYK 17 / 1 / 0 / 26

HEX #9DBCBD

RGB 157 188 189

HSL 181.88, 0.2%, 0.68%

LAB 74.07, -10.21, -4.01

 

CMYK 3 / 0 / 0 / 31

HEX #AAB0B0

RGB 170 176 176

HSL 180, 0.04%, 0.68%

LAB 71.37, -2.1, -0.74

 

CMYK 0 / 11 / 11 / 28

HEX #B7A3A3

RGB 183 163 163

HSL 0, 0.12%, 0.68%

LAB 68.68, 7.28, 2.66

 

CMYK 40 / 0 / 20 / 16

HEX #82D7AB

RGB 130 215 171

HSL 148.94, 0.52%, 0.68%

LAB 79.78, -35.48, 13.73

 

CMYK 40 / 0 / 10 / 16

HEX #82D7C2

RGB 130 215 194

HSL 165.18, 0.52%, 0.68%

LAB 80.32, -30.59, 2.27

 

CMYK 40 / 0 / 0 / 16

HEX #82D6D7

RGB 130 214 215

HSL 180.71, 0.52%, 0.68%

LAB 80.6, -25.18, -8.53

 

CMYK 40 / 11 / 0 / 16

HEX #82BFD7

RGB 130 191 215

HSL 196.94, 0.52%, 0.68%

LAB 74.13, -13.5, -18.22

 

CMYK 40 / 21 / 0 / 16

HEX #82A9D7

RGB 130 169 215

HSL 212.47, 0.52%, 0.68%

LAB 68.04, -1.63, -27.51

 

CMYK 65 / 2 / 0 / 23

HEX #44C1C4

RGB 68 193 196

HSL 181.41, 0.52%, 0.52%

LAB 71.79, -32.71, -11.62

 

CMYK 52 / 1 / 0 / 20

HEX #63CBCD

RGB 99 203 205

HSL 181.13, 0.51%, 0.6%

LAB 75.93, -29.46, -10.24

 

CMYK 40 / 1 / 0 / 16

HEX #82D5D7

RGB 130 213 215

HSL 181.41, 0.52%, 0.68%

LAB 80.31, -24.69, -8.95

 

CMYK 28 / 0 / 0 / 12

HEX #A2E0E1

RGB 162 224 225

HSL 180.95, 0.51%, 0.76%

LAB 85.21, -19.24, -6.82

 

CMYK 18 / 0 / 0 / 8

HEX #C1EAEB

RGB 193 234 235

HSL 181.43, 0.51%, 0.84%

LAB 89.94, -12.97, -4.9

 

CMYK 40 / 1 / 0 / 15

HEX #82D6D8

RGB 130 214 216

HSL 181.4, 0.52%, 0.68%

LAB 80.63, -24.93, -9.02

 

CMYK 31 / 40 / 0 / 16

HEX #9582D7

RGB 149 130 215

HSL 253.41, 0.52%, 0.68%

LAB 59.22, 25.95, -41.13

 

CMYK 0 / 15 / 40 / 16

HEX #D7B782

RGB 215 183 130

HSL 37.41, 0.52%, 0.68%

LAB 76.02, 4.23, 31.22

 

CMYK 40 / 1 / 0 / 15

HEX #82D6D8

RGB 130 214 216

HSL 181.4, 0.52%, 0.68%

LAB 80.63, -24.93, -9.02

 

CMYK 0 / 40 / 0 / 16

HEX #D782D6

RGB 215 130 214

HSL 300.71, 0.52%, 0.68%

LAB 65.96, 45.31, -29.56

 

CMYK 0 / 0 / 40 / 16

HEX #D6D782

RGB 214 215 130

HSL 60.71, 0.52%, 0.68%

LAB 84.23, -12.71, 41.78

 

CMYK 40 / 1 / 0 / 15

HEX #82D6D8

RGB 130 214 216

HSL 181.4, 0.52%, 0.68%

LAB 80.63, -24.93, -9.02

 

CMYK 31 / 40 / 0 / 16

HEX #9582D7

RGB 149 130 215

HSL 253.41, 0.52%, 0.68%

LAB 59.22, 25.95, -41.13

 

CMYK 0 / 39 / 40 / 16

HEX #D78482

RGB 215 132 130

HSL 1.41, 0.52%, 0.68%

LAB 63.8, 31.66, 14.67

 

CMYK 8 / 0 / 40 / 16

HEX #C5D782

RGB 197 215 130

HSL 72.71, 0.52%, 0.68%

LAB 82.96, -19.3, 39.9

 

CMYK 40 / 1 / 0 / 15

HEX #82D6D8

RGB 130 214 216

HSL 181.4, 0.52%, 0.68%

LAB 80.63, -24.93, -9.02

 

CMYK 19 / 40 / 0 / 16

HEX #AE82D7

RGB 174 130 215

HSL 271.06, 0.52%, 0.68%

LAB 61.54, 33.15, -37.32

 

CMYK 0 / 39 / 40 / 16

HEX #D78482

RGB 215 132 130

HSL 1.41, 0.52%, 0.68%

LAB 63.8, 31.66, 14.67

 

CMYK 20 / 0 / 40 / 16

HEX #ABD782

RGB 171 215 130

HSL 91.06, 0.52%, 0.68%

LAB 81.22, -29, 37.33

 

Description

Color code: HEX #82D6D8 | qconv.com Color code: HEX #82D6D8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 214 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 214 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 1 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 1% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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