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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #82CC1E it is the complementary color #7D33E1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #82CC1E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #82CC1E shade: #87CC19, #98DE2C, #A9F03F, #BAFF52 and #CBFF65

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #82CC1E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #82CC1E shade: #82CC1E, #71BA0B, #60A800, #4F9600 and #3E8400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #82CC1E shade: #82CC1E, #B1CC1E, #CCB81E, #CC891E and #CC5A1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #82CC1E shade: #82CC1E, #53CC1E, #24CC1E, #1ECC47 and #1ECC75

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #82CC1E shade matches the following richer shades: #82CC1E and #85DF0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #82CC1E shade: #82CC1E, #7FB931, #7CA644, #799357 and #76806A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #82CC1E shade: #CCB71E, #B2CC1E, #83CC1E, #55CC1E and #27CC1E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #82CC1E shade: #548413, #6BA819, #82CC1E, #96E033 and #A9E557

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #82CC1E shade: #82CC1E, #1ECC89 and #CC1EC9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #82CC1E shade: #82CC1E, #1E83CC and #CC1E83

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #82CC1E shade: #82CC1E, #1ECC89, #661ECC and #CC1E61

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #82CC1E shade: #82CC1E, #1ECCBD, #661ECC and #CC1E2C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 85 / 20

HEX #82CC1E

RGB 130 204 30

HSL 85.52, 0.74%, 0.46%

LAB 74.84, -47.26, 69.95

 

Complementary color

CMYK 44 / 77 / 0 / 12

HEX #7D33E1

RGB 125 51 225

HSL 265.52, 0.74%, 0.54%

LAB 41.48, 64.88, -75.43

 

CMYK 34 / 0 / 88 / 20

HEX #87CC19

RGB 135 204 25

HSL 83.13, 0.78%, 0.45%

LAB 75.08, -45.63, 71.26

 

CMYK 32 / 0 / 80 / 13

HEX #98DE2C

RGB 152 222 44

HSL 83.6, 0.73%, 0.52%

LAB 81.35, -46.39, 72.74

 

CMYK 30 / 0 / 74 / 6

HEX #A9F03F

RGB 169 240 63

HSL 84.07, 0.86%, 0.59%

LAB 87.54, -46.97, 73.25

 

CMYK 27 / 0 / 68 / 0

HEX #BAFF52

RGB 186 255 82

HSL 83.93, 1%, 0.66%

LAB 92.83, -46.12, 72.28

 

CMYK 20 / 0 / 60 / 0

HEX #CBFF65

RGB 203 255 101

HSL 80.26, 1%, 0.7%

LAB 93.95, -38.58, 66.38

 

CMYK 36 / 0 / 85 / 20

HEX #82CC1E

RGB 130 204 30

HSL 85.52, 0.74%, 0.46%

LAB 74.84, -47.26, 69.95

 

CMYK 39 / 0 / 94 / 27

HEX #71BA0B

RGB 113 186 11

HSL 85.03, 0.89%, 0.39%

LAB 68.5, -46.32, 67.56

 

CMYK 43 / 0 / 100 / 34

HEX #60A800

RGB 96 168 0

HSL 85.71, 1%, 0.33%

LAB 62.08, -45.08, 63.51

 

CMYK 47 / 0 / 100 / 41

HEX #4F9600

RGB 79 150 0

HSL 88.4, 1%, 0.29%

LAB 55.56, -43.56, 58.1

 

CMYK 53 / 0 / 100 / 48

HEX #3E8400

RGB 62 132 0

HSL 91.82, 1%, 0.26%

LAB 48.92, -41.91, 52.59

 

CMYK 36 / 0 / 85 / 20

HEX #82CC1E

RGB 130 204 30

HSL 85.52, 0.74%, 0.46%

LAB 74.84, -47.26, 69.95

 

CMYK 13 / 0 / 85 / 20

HEX #B1CC1E

RGB 177 204 30

HSL 69.31, 0.74%, 0.46%

LAB 77.65, -29.12, 73.46

 

CMYK 0 / 10 / 85 / 20

HEX #CCB81E

RGB 204 184 30

HSL 53.1, 0.74%, 0.46%

LAB 74.33, -7.66, 71.57

 

CMYK 0 / 33 / 85 / 20

HEX #CC891E

RGB 204 137 30

HSL 36.9, 0.74%, 0.46%

LAB 62.36, 17.47, 61.7

 

CMYK 0 / 56 / 85 / 20

HEX #CC5A1E

RGB 204 90 30

HSL 20.69, 0.74%, 0.46%

LAB 52.11, 42.22, 53.13

 

CMYK 36 / 0 / 85 / 20

HEX #82CC1E

RGB 130 204 30

HSL 85.52, 0.74%, 0.46%

LAB 74.84, -47.26, 69.95

 

CMYK 59 / 0 / 85 / 20

HEX #53CC1E

RGB 83 204 30

HSL 101.72, 0.74%, 0.46%

LAB 72.97, -61.46, 67.59

 

CMYK 82 / 0 / 85 / 20

HEX #24CC1E

RGB 36 204 30

HSL 117.93, 0.74%, 0.46%

LAB 72, -69.74, 66.36

 

CMYK 85 / 0 / 65 / 20

HEX #1ECC47

RGB 30 204 71

HSL 134.14, 0.74%, 0.46%

LAB 72.17, -67.28, 53.01

 

CMYK 85 / 0 / 43 / 20

HEX #1ECC75

RGB 30 204 117

HSL 150, 0.74%, 0.46%

LAB 72.72, -60.63, 31.94

 

CMYK 36 / 0 / 85 / 20

HEX #82CC1E

RGB 130 204 30

HSL 85.52, 0.74%, 0.46%

LAB 74.84, -47.26, 69.95

 

CMYK 40 / 0 / 95 / 13

HEX #85DF0B

RGB 133 223 11

HSL 85.47, 0.91%, 0.46%

LAB 80.62, -54.3, 77.67

 

CMYK 36 / 0 / 85 / 20

HEX #82CC1E

RGB 130 204 30

HSL 85.52, 0.74%, 0.46%

LAB 74.84, -47.26, 69.95

 

CMYK 31 / 0 / 74 / 27

HEX #7FB931

RGB 127 185 49

HSL 85.59, 0.58%, 0.46%

LAB 69.06, -39.37, 59.18

 

CMYK 25 / 0 / 59 / 35

HEX #7CA644

RGB 124 166 68

HSL 85.71, 0.42%, 0.46%

LAB 63.32, -30.36, 45.26

 

CMYK 18 / 0 / 41 / 42

HEX #799357

RGB 121 147 87

HSL 86, 0.26%, 0.46%

LAB 57.68, -19.98, 28.78

 

CMYK 8 / 0 / 17 / 50

HEX #76806A

RGB 118 128 106

HSL 87.27, 0.09%, 0.46%

LAB 52.21, -7.98, 10.71

 

CMYK 0 / 10 / 85 / 20

HEX #CCB71E

RGB 204 183 30

HSL 52.76, 0.74%, 0.46%

LAB 74.06, -7.14, 71.36

 

CMYK 13 / 0 / 85 / 20

HEX #B2CC1E

RGB 178 204 30

HSL 68.97, 0.74%, 0.46%

LAB 77.72, -28.7, 73.54

 

CMYK 36 / 0 / 85 / 20

HEX #83CC1E

RGB 131 204 30

HSL 85.17, 0.74%, 0.46%

LAB 74.89, -46.91, 70.01

 

CMYK 58 / 0 / 85 / 20

HEX #55CC1E

RGB 85 204 30

HSL 101.03, 0.74%, 0.46%

LAB 73.03, -60.96, 67.67

 

CMYK 81 / 0 / 85 / 20

HEX #27CC1E

RGB 39 204 30

HSL 116.9, 0.74%, 0.46%

LAB 72.03, -69.41, 66.4

 

CMYK 36 / 0 / 86 / 48

HEX #548413

RGB 84 132 19

HSL 85.49, 0.75%, 0.3%

LAB 50.02, -33.56, 49.99

 

CMYK 36 / 0 / 85 / 34

HEX #6BA819

RGB 107 168 25

HSL 85.59, 0.74%, 0.38%

LAB 62.68, -40.54, 60.07

 

CMYK 36 / 0 / 85 / 20

HEX #82CC1E

RGB 130 204 30

HSL 85.52, 0.74%, 0.46%

LAB 74.84, -47.26, 69.95

 

CMYK 33 / 0 / 77 / 12

HEX #96E033

RGB 150 224 51

HSL 85.66, 0.74%, 0.54%

LAB 81.86, -47.63, 71.2

 

CMYK 26 / 0 / 62 / 10

HEX #A9E557

RGB 169 229 87

HSL 85.35, 0.73%, 0.62%

LAB 84.57, -40.63, 61.31

 

CMYK 36 / 0 / 85 / 20

HEX #82CC1E

RGB 130 204 30

HSL 85.52, 0.74%, 0.46%

LAB 74.84, -47.26, 69.95

 

CMYK 85 / 0 / 33 / 20

HEX #1ECC89

RGB 30 204 137

HSL 156.9, 0.74%, 0.46%

LAB 73.07, -56.68, 21.99

 

CMYK 0 / 85 / 1 / 20

HEX #CC1EC9

RGB 204 30 201

HSL 301.03, 0.74%, 0.46%

LAB 49.48, 79.24, -48.15

 

CMYK 36 / 0 / 85 / 20

HEX #82CC1E

RGB 130 204 30

HSL 85.52, 0.74%, 0.46%

LAB 74.84, -47.26, 69.95

 

CMYK 85 / 36 / 0 / 20

HEX #1E83CC

RGB 30 131 204

HSL 205.17, 0.74%, 0.46%

LAB 52.81, -1.42, -45.45

 

CMYK 0 / 85 / 36 / 20

HEX #CC1E83

RGB 204 30 131

HSL 325.17, 0.74%, 0.46%

LAB 46.18, 70.36, -11.71

 

CMYK 36 / 0 / 85 / 20

HEX #82CC1E

RGB 130 204 30

HSL 85.52, 0.74%, 0.46%

LAB 74.84, -47.26, 69.95

 

CMYK 85 / 0 / 33 / 20

HEX #1ECC89

RGB 30 204 137

HSL 156.9, 0.74%, 0.46%

LAB 73.07, -56.68, 21.99

 

CMYK 50 / 85 / 0 / 20

HEX #661ECC

RGB 102 30 204

HSL 264.83, 0.74%, 0.46%

LAB 34.22, 64.39, -75.36

 

CMYK 0 / 85 / 52 / 20

HEX #CC1E61

RGB 204 30 97

HSL 336.9, 0.74%, 0.46%

LAB 45.12, 67.34, 7.71

 

CMYK 36 / 0 / 85 / 20

HEX #82CC1E

RGB 130 204 30

HSL 85.52, 0.74%, 0.46%

LAB 74.84, -47.26, 69.95

 

CMYK 85 / 0 / 7 / 20

HEX #1ECCBD

RGB 30 204 189

HSL 174.83, 0.74%, 0.46%

LAB 74.28, -43.79, -4.2

 

CMYK 50 / 85 / 0 / 20

HEX #661ECC

RGB 102 30 204

HSL 264.83, 0.74%, 0.46%

LAB 34.22, 64.39, -75.36

 

CMYK 0 / 85 / 78 / 20

HEX #CC1E2C

RGB 204 30 44

HSL 355.17, 0.74%, 0.46%

LAB 44.16, 64.53, 38.86

 

Description

Color code: HEX #82CC1E | qconv.com Color code: HEX #82CC1E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 204 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 204 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 85 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 85% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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