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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #82C9E4 it is the complementary color #7D361B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #82C9E4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #82C9E4 shade: #87C9DF, #98DBF2, #A9EDFF, #BAFFFF and #CBFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #82C9E4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #82C9E4 shade: #82C9E4, #71B7D1, #60A5BE, #4F93AB and #3E8198

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #82C9E4 shade: #81C8E3, #81AEE3, #8193E3, #8981E3 and #A481E3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #82C9E4 shade: #81C8E3, #81AEE3, #8193E3 and #8181E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #82C9E4 shade matches the following richer shades: #81C8E3, #75CEEF and #68D3FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #82C9E4 shade: #81C8E3, #8DC2D7, #9ABDCA, #A6B7BE and #B3B2B1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #82C9E4 shade: #81E3C9, #81E3E3, #81C9E3, #81AFE3 and #8195E3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #82C9E4 shade: #3DABD4, #5FB9DC, #81C8E3, #A3D7EA and #C5E5F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #82C9E4 shade: #82C9E4, #AF81E3 and #E3D681

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #82C9E4 shade: #82C9E4, #E381C9 and #C9E381

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #82C9E4 shade: #82C9E4, #AF81E3, #E39B81 and #B5E381

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #82C9E4 shade: #82C9E4, #CC81E3, #E39B81 and #98E381

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 12 / 0 / 11

HEX #82C9E4

RGB 130 201 228

HSL 196.53, 0.64%, 0.7%

LAB 77.35, -15.31, -20.37

 

Complementary color

CMYK 0 / 57 / 78 / 51

HEX #7D361B

RGB 125 54 27

HSL 16.53, 0.64%, 0.3%

LAB 31.98, 29.02, 31.06

 

CMYK 39 / 10 / 0 / 13

HEX #87C9DF

RGB 135 201 223

HSL 195, 0.58%, 0.7%

LAB 77.43, -15.35, -17.53

 

CMYK 37 / 10 / 0 / 5

HEX #98DBF2

RGB 152 219 242

HSL 195.33, 0.78%, 0.77%

LAB 83.84, -15.42, -17.93

 

CMYK 34 / 7 / 0 / 0

HEX #A9EDFF

RGB 169 237 255

HSL 192.56, 1%, 0.83%

LAB 89.96, -16.91, -15.47

 

CMYK 27 / 0 / 0 / 0

HEX #BAFFFF

RGB 186 255 255

HSL 180, 1%, 0.86%

LAB 95.66, -21.17, -6.9

 

CMYK 20 / 0 / 0 / 0

HEX #CBFFFF

RGB 203 255 255

HSL 180, 1%, 0.9%

LAB 96.59, -16.31, -5.41

 

CMYK 43 / 12 / 0 / 11

HEX #82C9E4

RGB 130 201 228

HSL 196.53, 0.64%, 0.7%

LAB 77.35, -15.31, -20.37

 

CMYK 46 / 12 / 0 / 18

HEX #71B7D1

RGB 113 183 209

HSL 196.25, 0.51%, 0.63%

LAB 70.86, -15.15, -19.99

 

CMYK 49 / 13 / 0 / 25

HEX #60A5BE

RGB 96 165 190

HSL 195.96, 0.42%, 0.56%

LAB 64.25, -14.93, -19.6

 

CMYK 54 / 14 / 0 / 33

HEX #4F93AB

RGB 79 147 171

HSL 195.65, 0.37%, 0.49%

LAB 57.53, -14.63, -19.2

 

CMYK 59 / 15 / 0 / 40

HEX #3E8198

RGB 62 129 152

HSL 195.33, 0.42%, 0.42%

LAB 50.68, -14.21, -18.77

 

CMYK 43 / 12 / 0 / 11

HEX #81C8E3

RGB 129 200 227

HSL 196.53, 0.64%, 0.7%

LAB 76.99, -15.3, -20.38

 

CMYK 43 / 23 / 0 / 11

HEX #81AEE3

RGB 129 174 227

HSL 212.45, 0.64%, 0.7%

LAB 69.81, -1.37, -31.37

 

CMYK 43 / 35 / 0 / 11

HEX #8193E3

RGB 129 147 227

HSL 228.98, 0.64%, 0.7%

LAB 62.58, 13.98, -42.64

 

CMYK 40 / 43 / 0 / 11

HEX #8981E3

RGB 137 129 227

HSL 244.9, 0.64%, 0.7%

LAB 58.57, 26.53, -48.93

 

CMYK 28 / 43 / 0 / 11

HEX #A481E3

RGB 164 129 227

HSL 261.43, 0.64%, 0.7%

LAB 60.9, 33.68, -45.09

 

CMYK 43 / 12 / 0 / 11

HEX #81C8E3

RGB 129 200 227

HSL 196.53, 0.64%, 0.7%

LAB 76.99, -15.3, -20.38

 

CMYK 43 / 23 / 0 / 11

HEX #81AEE3

RGB 129 174 227

HSL 212.45, 0.64%, 0.7%

LAB 69.81, -1.37, -31.37

 

CMYK 43 / 35 / 0 / 11

HEX #8193E3

RGB 129 147 227

HSL 228.98, 0.64%, 0.7%

LAB 62.58, 13.98, -42.64

 

CMYK 43 / 43 / 0 / 11

HEX #8181E3

RGB 129 129 227

HSL 240, 0.64%, 0.7%

LAB 57.96, 24.54, -49.94

 

CMYK 43 / 12 / 0 / 11

HEX #81C8E3

RGB 129 200 227

HSL 196.53, 0.64%, 0.7%

LAB 76.99, -15.3, -20.38

 

CMYK 51 / 14 / 0 / 6

HEX #75CEEF

RGB 117 206 239

HSL 196.23, 0.79%, 0.7%

LAB 78.55, -17.89, -24.5

 

CMYK 59 / 16 / 0 / 1

HEX #68D3FC

RGB 104 211 252

HSL 196.62, 0.96%, 0.7%

LAB 79.93, -19.31, -29.37

 

CMYK 43 / 12 / 0 / 11

HEX #81C8E3

RGB 129 200 227

HSL 196.53, 0.64%, 0.7%

LAB 76.99, -15.3, -20.38

 

CMYK 34 / 10 / 0 / 16

HEX #8DC2D7

RGB 141 194 215

HSL 197.03, 0.48%, 0.7%

LAB 75.55, -12.13, -16.03

 

CMYK 24 / 6 / 0 / 21

HEX #9ABDCA

RGB 154 189 202

HSL 196.25, 0.31%, 0.7%

LAB 74.53, -8.81, -10.42

 

CMYK 13 / 4 / 0 / 25

HEX #A6B7BE

RGB 166 183 190

HSL 197.5, 0.16%, 0.7%

LAB 73.35, -4.41, -5.55

 

CMYK 0 / 1 / 1 / 30

HEX #B3B2B1

RGB 179 178 177

HSL 30, 0.01%, 0.7%

LAB 72.63, 0.17, 0.63

 

CMYK 43 / 0 / 11 / 11

HEX #81E3C9

RGB 129 227 201

HSL 164.08, 0.64%, 0.7%

LAB 83.87, -34.92, 3.71

 

CMYK 43 / 0 / 0 / 11

HEX #81E3E3

RGB 129 227 227

HSL 180, 0.64%, 0.7%

LAB 84.56, -28.79, -9.02

 

CMYK 43 / 11 / 0 / 11

HEX #81C9E3

RGB 129 201 227

HSL 195.92, 0.64%, 0.7%

LAB 77.27, -15.82, -19.95

 

CMYK 43 / 23 / 0 / 11

HEX #81AFE3

RGB 129 175 227

HSL 211.84, 0.64%, 0.7%

LAB 70.09, -1.92, -30.95

 

CMYK 43 / 34 / 0 / 11

HEX #8195E3

RGB 129 149 227

HSL 227.76, 0.64%, 0.7%

LAB 63.1, 12.82, -41.82

 

CMYK 71 / 19 / 0 / 17

HEX #3DABD4

RGB 61 171 212

HSL 196.29, 0.64%, 0.54%

LAB 65.65, -17.78, -29.78

 

CMYK 57 / 16 / 0 / 14

HEX #5FB9DC

RGB 95 185 220

HSL 196.8, 0.64%, 0.62%

LAB 71.08, -16.99, -25.73

 

CMYK 43 / 12 / 0 / 11

HEX #81C8E3

RGB 129 200 227

HSL 196.53, 0.64%, 0.7%

LAB 76.99, -15.3, -20.38

 

CMYK 30 / 8 / 0 / 8

HEX #A3D7EA

RGB 163 215 234

HSL 196.06, 0.63%, 0.78%

LAB 83.09, -12.33, -14.76

 

CMYK 19 / 5 / 0 / 5

HEX #C5E5F2

RGB 197 229 242

HSL 197.33, 0.63%, 0.86%

LAB 89.07, -7.75, -9.82

 

CMYK 43 / 12 / 0 / 11

HEX #82C9E4

RGB 130 201 228

HSL 196.53, 0.64%, 0.7%

LAB 77.35, -15.31, -20.37

 

CMYK 23 / 43 / 0 / 11

HEX #AF81E3

RGB 175 129 227

HSL 268.16, 0.64%, 0.7%

LAB 61.96, 36.74, -43.35

 

CMYK 0 / 6 / 43 / 11

HEX #E3D681

RGB 227 214 129

HSL 52.04, 0.64%, 0.7%

LAB 85, -7.18, 43.47

 

CMYK 43 / 12 / 0 / 11

HEX #82C9E4

RGB 130 201 228

HSL 196.53, 0.64%, 0.7%

LAB 77.35, -15.31, -20.37

 

CMYK 0 / 43 / 11 / 11

HEX #E381C9

RGB 227 129 201

HSL 315.92, 0.64%, 0.7%

LAB 66.71, 47.31, -21.02

 

CMYK 11 / 0 / 43 / 11

HEX #C9E381

RGB 201 227 129

HSL 75.92, 0.64%, 0.7%

LAB 86.47, -23.74, 44.9

 

CMYK 43 / 12 / 0 / 11

HEX #82C9E4

RGB 130 201 228

HSL 196.53, 0.64%, 0.7%

LAB 77.35, -15.31, -20.37

 

CMYK 23 / 43 / 0 / 11

HEX #AF81E3

RGB 175 129 227

HSL 268.16, 0.64%, 0.7%

LAB 61.96, 36.74, -43.35

 

CMYK 0 / 32 / 43 / 11

HEX #E39B81

RGB 227 155 129

HSL 15.92, 0.64%, 0.7%

LAB 70.43, 23.87, 24.53

 

CMYK 20 / 0 / 43 / 11

HEX #B5E381

RGB 181 227 129

HSL 88.16, 0.64%, 0.7%

LAB 85.17, -31.16, 42.99

 

CMYK 43 / 12 / 0 / 11

HEX #82C9E4

RGB 130 201 228

HSL 196.53, 0.64%, 0.7%

LAB 77.35, -15.31, -20.37

 

CMYK 10 / 43 / 0 / 11

HEX #CC81E3

RGB 204 129 227

HSL 285.92, 0.64%, 0.7%

LAB 65.03, 45.05, -38.32

 

CMYK 0 / 32 / 43 / 11

HEX #E39B81

RGB 227 155 129

HSL 15.92, 0.64%, 0.7%

LAB 70.43, 23.87, 24.53

 

CMYK 33 / 0 / 43 / 11

HEX #98E381

RGB 152 227 129

HSL 105.92, 0.64%, 0.7%

LAB 83.55, -41.18, 40.59

 

Description

Color code: HEX #82C9E4 | qconv.com Color code: HEX #82C9E4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 201 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 201 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 12 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 12% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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