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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #827C97 it is the complementary color #7D8368. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #827C97. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #827C97 shade: #877C92, #988EA5, #A9A0B8, #BAB2CB and #CBC4DE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #827C97. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #827C97 shade: #827C97, #716A84, #605871, #4F465E and #3E344B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #827C97 shade: #827C96, #897C96, #907C96, #967C95 and #967C8E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #827C97 shade: #827C96 and #7C7C96

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #827C97 shade matches the following richer shades: #827C96, #7769A9, #6D56BC, #6243CF and #5830E2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #827C97 shade: #827C96, #8D8F83, #97A270, #A2B55D and #ACC84A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #827C97 shade: #7C8496, #7C7E96, #827C96, #897C96 and #907C96

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #827C97 shade: #5A556B, #6D6881, #827C96, #9893A8 and #AEAABB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #827C97 shade: #827C97, #967C8B and #81967C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #827C97 shade: #827C97, #96827C and #7C9682

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #827C97 shade: #827C97, #967C8B, #91967C and #7C9687

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #827C97 shade: #827C97, #967C84, #91967C and #7C968F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 18 / 0 / 41

HEX #827C97

RGB 130 124 151

HSL 253.33, 0.11%, 0.54%

LAB 53.38, 7.94, -13.7

 

Complementary color

CMYK 5 / 0 / 21 / 49

HEX #7D8368

RGB 125 131 104

HSL 73.33, 0.11%, 0.46%

LAB 53.59, -7.24, 13.88

 

CMYK 8 / 15 / 0 / 43

HEX #877C92

RGB 135 124 146

HSL 270, 0.09%, 0.53%

LAB 53.64, 8.6, -10.34

 

CMYK 8 / 14 / 0 / 35

HEX #988EA5

RGB 152 142 165

HSL 266.09, 0.11%, 0.6%

LAB 60.55, 8.24, -10.77

 

CMYK 8 / 13 / 0 / 28

HEX #A9A0B8

RGB 169 160 184

HSL 262.5, 0.14%, 0.67%

LAB 67.31, 7.92, -11.2

 

CMYK 8 / 12 / 0 / 20

HEX #BAB2CB

RGB 186 178 203

HSL 259.2, 0.19%, 0.75%

LAB 73.93, 7.63, -11.63

 

CMYK 9 / 12 / 0 / 13

HEX #CBC4DE

RGB 203 196 222

HSL 256.15, 0.28%, 0.82%

LAB 80.43, 7.35, -12.05

 

CMYK 14 / 18 / 0 / 41

HEX #827C97

RGB 130 124 151

HSL 253.33, 0.11%, 0.54%

LAB 53.38, 7.94, -13.7

 

CMYK 14 / 20 / 0 / 48

HEX #716A84

RGB 113 106 132

HSL 256.15, 0.11%, 0.47%

LAB 46.29, 8.32, -13.36

 

CMYK 15 / 22 / 0 / 56

HEX #605871

RGB 96 88 113

HSL 259.2, 0.12%, 0.39%

LAB 39, 8.75, -13.05

 

CMYK 16 / 26 / 0 / 63

HEX #4F465E

RGB 79 70 94

HSL 262.5, 0.15%, 0.32%

LAB 31.46, 9.25, -12.76

 

CMYK 17 / 31 / 0 / 71

HEX #3E344B

RGB 62 52 75

HSL 266.09, 0.18%, 0.25%

LAB 23.63, 9.85, -12.51

 

CMYK 13 / 17 / 0 / 41

HEX #827C96

RGB 130 124 150

HSL 253.85, 0.11%, 0.54%

LAB 53.34, 7.72, -13.17

 

CMYK 9 / 17 / 0 / 41

HEX #897C96

RGB 137 124 150

HSL 270, 0.11%, 0.54%

LAB 53.96, 10.16, -12.18

 

CMYK 4 / 17 / 0 / 41

HEX #907C96

RGB 144 124 150

HSL 286.15, 0.11%, 0.54%

LAB 54.6, 12.65, -11.15

 

CMYK 0 / 17 / 1 / 41

HEX #967C95

RGB 150 124 149

HSL 302.31, 0.11%, 0.54%

LAB 55.14, 14.6, -9.7

 

CMYK 0 / 17 / 5 / 41

HEX #967C8E

RGB 150 124 142

HSL 318.46, 0.11%, 0.54%

LAB 54.92, 13.24, -5.96

 

CMYK 13 / 17 / 0 / 41

HEX #827C96

RGB 130 124 150

HSL 253.85, 0.11%, 0.54%

LAB 53.34, 7.72, -13.17

 

CMYK 17 / 17 / 0 / 41

HEX #7C7C96

RGB 124 124 150

HSL 240, 0.11%, 0.54%

LAB 52.84, 5.66, -13.97

 

CMYK 13 / 17 / 0 / 41

HEX #827C96

RGB 130 124 150

HSL 253.85, 0.11%, 0.54%

LAB 53.34, 7.72, -13.17

 

CMYK 30 / 38 / 0 / 34

HEX #7769A9

RGB 119 105 169

HSL 253.13, 0.27%, 0.54%

LAB 48.12, 20.12, -32.39

 

CMYK 42 / 54 / 0 / 26

HEX #6D56BC

RGB 109 86 188

HSL 253.53, 0.43%, 0.54%

LAB 43.56, 34.13, -50.78

 

CMYK 53 / 68 / 0 / 19

HEX #6243CF

RGB 98 67 207

HSL 253.29, 0.59%, 0.54%

LAB 39.78, 48.34, -68

 

CMYK 61 / 79 / 0 / 11

HEX #5830E2

RGB 88 48 226

HSL 253.48, 0.75%, 0.54%

LAB 37.26, 61.8, -83.08

 

CMYK 13 / 17 / 0 / 41

HEX #827C96

RGB 130 124 150

HSL 253.85, 0.11%, 0.54%

LAB 53.34, 7.72, -13.17

 

CMYK 1 / 0 / 8 / 44

HEX #8D8F83

RGB 141 143 131

HSL 70, 0.05%, 0.54%

LAB 58.92, -3, 6.12

 

CMYK 7 / 0 / 31 / 36

HEX #97A270

RGB 151 162 112

HSL 73.2, 0.21%, 0.54%

LAB 64.64, -12.49, 24.76

 

CMYK 10 / 0 / 49 / 29

HEX #A2B55D

RGB 162 181 93

HSL 72.95, 0.37%, 0.54%

LAB 70.54, -20.17, 42.34

 

CMYK 14 / 0 / 63 / 22

HEX #ACC84A

RGB 172 200 74

HSL 73.33, 0.53%, 0.54%

LAB 76.42, -27.12, 57.95

 

CMYK 17 / 12 / 0 / 41

HEX #7C8496

RGB 124 132 150

HSL 221.54, 0.11%, 0.54%

LAB 55.06, 1.01, -10.63

 

CMYK 17 / 16 / 0 / 41

HEX #7C7E96

RGB 124 126 150

HSL 235.38, 0.11%, 0.54%

LAB 53.39, 4.49, -13.14

 

CMYK 13 / 17 / 0 / 41

HEX #827C96

RGB 130 124 150

HSL 253.85, 0.11%, 0.54%

LAB 53.34, 7.72, -13.17

 

CMYK 9 / 17 / 0 / 41

HEX #897C96

RGB 137 124 150

HSL 270, 0.11%, 0.54%

LAB 53.96, 10.16, -12.18

 

CMYK 4 / 17 / 0 / 41

HEX #907C96

RGB 144 124 150

HSL 286.15, 0.11%, 0.54%

LAB 54.6, 12.65, -11.15

 

CMYK 16 / 21 / 0 / 58

HEX #5A556B

RGB 90 85 107

HSL 253.64, 0.11%, 0.38%

LAB 37.36, 6.98, -11.88

 

CMYK 16 / 19 / 0 / 49

HEX #6D6881

RGB 109 104 129

HSL 252, 0.11%, 0.46%

LAB 45.27, 7.41, -13.14

 

CMYK 13 / 17 / 0 / 41

HEX #827C96

RGB 130 124 150

HSL 253.85, 0.11%, 0.54%

LAB 53.34, 7.72, -13.17

 

CMYK 10 / 13 / 0 / 34

HEX #9893A8

RGB 152 147 168

HSL 254.29, 0.11%, 0.62%

LAB 61.97, 6.04, -10.34

 

CMYK 7 / 9 / 0 / 27

HEX #AEAABB

RGB 174 170 187

HSL 254.12, 0.11%, 0.7%

LAB 70.41, 4.72, -8.19

 

CMYK 14 / 18 / 0 / 41

HEX #827C97

RGB 130 124 151

HSL 253.33, 0.11%, 0.54%

LAB 53.38, 7.94, -13.7

 

CMYK 0 / 17 / 7 / 41

HEX #967C8B

RGB 150 124 139

HSL 325.38, 0.11%, 0.54%

LAB 54.83, 12.68, -4.35

 

CMYK 14 / 0 / 17 / 41

HEX #81967C

RGB 129 150 124

HSL 108.46, 0.11%, 0.54%

LAB 59.83, -12.6, 11.26

 

CMYK 14 / 18 / 0 / 41

HEX #827C97

RGB 130 124 151

HSL 253.33, 0.11%, 0.54%

LAB 53.38, 7.94, -13.7

 

CMYK 0 / 13 / 17 / 41

HEX #96827C

RGB 150 130 124

HSL 13.85, 0.11%, 0.54%

LAB 55.99, 6.59, 6.04

 

CMYK 17 / 0 / 13 / 41

HEX #7C9682

RGB 124 150 130

HSL 133.85, 0.11%, 0.54%

LAB 59.63, -13.28, 7.53

 

CMYK 14 / 18 / 0 / 41

HEX #827C97

RGB 130 124 151

HSL 253.33, 0.11%, 0.54%

LAB 53.38, 7.94, -13.7

 

CMYK 0 / 17 / 7 / 41

HEX #967C8B

RGB 150 124 139

HSL 325.38, 0.11%, 0.54%

LAB 54.83, 12.68, -4.35

 

CMYK 3 / 0 / 17 / 41

HEX #91967C

RGB 145 150 124

HSL 71.54, 0.11%, 0.54%

LAB 61.03, -6.55, 13.12

 

CMYK 17 / 0 / 10 / 41

HEX #7C9687

RGB 124 150 135

HSL 145.38, 0.11%, 0.54%

LAB 59.75, -12.28, 4.87

 

CMYK 14 / 18 / 0 / 41

HEX #827C97

RGB 130 124 151

HSL 253.33, 0.11%, 0.54%

LAB 53.38, 7.94, -13.7

 

CMYK 0 / 17 / 12 / 41

HEX #967C84

RGB 150 124 132

HSL 341.54, 0.11%, 0.54%

LAB 54.62, 11.41, -0.58

 

CMYK 3 / 0 / 17 / 41

HEX #91967C

RGB 145 150 124

HSL 71.54, 0.11%, 0.54%

LAB 61.03, -6.55, 13.12

 

CMYK 17 / 0 / 5 / 41

HEX #7C968F

RGB 124 150 143

HSL 163.85, 0.11%, 0.54%

LAB 59.96, -10.62, 0.64

 

Description

Color code: HEX #827C97 | qconv.com Color code: HEX #827C97 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 124 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 124 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 18 magenta, none yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 18% 0% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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