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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #827BCB it is the complementary color #7D8434. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #827BCB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #827BCB shade: #877BC6, #988DD9, #A99FEC, #BAB1FF and #CBC3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #827BCB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #827BCB shade: #827BCB, #7169B8, #6057A5, #4F4592 and #3E337F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #827BCB shade: #827BCA, #977BCA, #AD7BCA, #C27BCA and #CA7BBD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #827BCB shade: #827BCA and #7B7BCA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #827BCB shade matches the following richer shades: #827BCA, #766CD9, #6A5EE8 and #5D4FF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #827BCB shade: #827BCA, #8E8ABB, #9B99AC, #A7A89E and #B3B78F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #827BCB shade: #7B9FCA, #7B8ACA, #827BCA, #977BCA and #AC7BCA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #827BCB shade: #4E45AE, #665EBE, #827BCA, #9E99D6 and #BAB6E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #827BCB shade: #827BCB, #CA7BB4 and #94CA7B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #827BCB shade: #827BCB, #CA827B and #7BCA82

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #827BCB shade: #827BCB, #CA7BB4, #C4CA7B and #7BCA92

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #827BCB shade: #827BCB, #CA7B9C, #C4CA7B and #7BCAA9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 39 / 0 / 20

HEX #827BCB

RGB 130 123 203

HSL 245.25, 0.43%, 0.64%

LAB 55.3, 21.63, -40.63

 

Complementary color

CMYK 5 / 0 / 61 / 48

HEX #7D8434

RGB 125 132 52

HSL 65.25, 0.43%, 0.36%

LAB 53.07, -14.2, 41.28

 

CMYK 32 / 38 / 0 / 22

HEX #877BC6

RGB 135 123 198

HSL 249.6, 0.4%, 0.63%

LAB 55.48, 21.68, -37.49

 

CMYK 30 / 35 / 0 / 15

HEX #988DD9

RGB 152 141 217

HSL 248.68, 0.5%, 0.7%

LAB 62.28, 20.95, -37.42

 

CMYK 28 / 33 / 0 / 7

HEX #A99FEC

RGB 169 159 236

HSL 247.79, 0.67%, 0.77%

LAB 68.96, 20.3, -37.4

 

CMYK 27 / 31 / 0 / 0

HEX #BAB1FF

RGB 186 177 255

HSL 246.92, 1%, 0.85%

LAB 75.52, 19.71, -37.42

 

CMYK 20 / 24 / 0 / 0

HEX #CBC3FF

RGB 203 195 255

HSL 248, 1%, 0.88%

LAB 81.26, 14.85, -28.45

 

CMYK 36 / 39 / 0 / 20

HEX #827BCB

RGB 130 123 203

HSL 245.25, 0.43%, 0.64%

LAB 55.3, 21.63, -40.63

 

CMYK 39 / 43 / 0 / 28

HEX #7169B8

RGB 113 105 184

HSL 246.08, 0.36%, 0.57%

LAB 48.35, 22.53, -40.8

 

CMYK 42 / 47 / 0 / 35

HEX #6057A5

RGB 96 87 165

HSL 246.92, 0.31%, 0.49%

LAB 41.25, 23.59, -41.02

 

CMYK 46 / 53 / 0 / 43

HEX #4F4592

RGB 79 69 146

HSL 247.79, 0.36%, 0.42%

LAB 33.97, 24.84, -41.3

 

CMYK 51 / 60 / 0 / 50

HEX #3E337F

RGB 62 51 127

HSL 248.68, 0.43%, 0.35%

LAB 26.52, 26.33, -41.62

 

CMYK 36 / 39 / 0 / 21

HEX #827BCA

RGB 130 123 202

HSL 245.32, 0.43%, 0.64%

LAB 55.25, 21.35, -40.14

 

CMYK 25 / 39 / 0 / 21

HEX #977BCA

RGB 151 123 202

HSL 261.27, 0.43%, 0.64%

LAB 57.08, 27.32, -37.13

 

CMYK 14 / 39 / 0 / 21

HEX #AD7BCA

RGB 173 123 202

HSL 277.97, 0.43%, 0.64%

LAB 59.26, 33.89, -33.57

 

CMYK 4 / 39 / 0 / 21

HEX #C27BCA

RGB 194 123 202

HSL 293.92, 0.43%, 0.64%

LAB 61.57, 40.33, -29.81

 

CMYK 0 / 39 / 6 / 21

HEX #CA7BBD

RGB 202 123 189

HSL 309.87, 0.43%, 0.64%

LAB 61.99, 40.45, -21.73

 

CMYK 36 / 39 / 0 / 21

HEX #827BCA

RGB 130 123 202

HSL 245.32, 0.43%, 0.64%

LAB 55.25, 21.35, -40.14

 

CMYK 39 / 39 / 0 / 21

HEX #7B7BCA

RGB 123 123 202

HSL 240, 0.43%, 0.64%

LAB 54.7, 19.46, -41.05

 

CMYK 36 / 39 / 0 / 21

HEX #827BCA

RGB 130 123 202

HSL 245.32, 0.43%, 0.64%

LAB 55.25, 21.35, -40.14

 

CMYK 46 / 50 / 0 / 15

HEX #766CD9

RGB 118 108 217

HSL 245.5, 0.59%, 0.64%

LAB 51.37, 31.51, -54.88

 

CMYK 54 / 59 / 0 / 9

HEX #6A5EE8

RGB 106 94 232

HSL 245.22, 0.75%, 0.64%

LAB 48.13, 41.85, -68.63

 

CMYK 62 / 68 / 0 / 3

HEX #5D4FF7

RGB 93 79 247

HSL 245, 0.91%, 0.64%

LAB 45.13, 52.97, -81.99

 

CMYK 36 / 39 / 0 / 21

HEX #827BCA

RGB 130 123 202

HSL 245.32, 0.43%, 0.64%

LAB 55.25, 21.35, -40.14

 

CMYK 24 / 26 / 0 / 27

HEX #8E8ABB

RGB 142 138 187

HSL 244.9, 0.26%, 0.64%

LAB 59.45, 12.22, -25.02

 

CMYK 10 / 11 / 0 / 33

HEX #9B99AC

RGB 155 153 172

HSL 246.32, 0.1%, 0.64%

LAB 63.94, 4.54, -9.63

 

CMYK 1 / 0 / 6 / 34

HEX #A7A89E

RGB 167 168 158

HSL 66, 0.05%, 0.64%

LAB 68.53, -2.2, 5.03

 

CMYK 2 / 0 / 22 / 28

HEX #B3B78F

RGB 179 183 143

HSL 66, 0.22%, 0.64%

LAB 73.18, -8.19, 19.92

 

CMYK 39 / 21 / 0 / 21

HEX #7B9FCA

RGB 123 159 202

HSL 212.66, 0.43%, 0.64%

LAB 64.38, -1.45, -25.98

 

CMYK 39 / 32 / 0 / 21

HEX #7B8ACA

RGB 123 138 202

HSL 228.61, 0.43%, 0.64%

LAB 58.65, 10.59, -34.85

 

CMYK 36 / 39 / 0 / 21

HEX #827BCA

RGB 130 123 202

HSL 245.32, 0.43%, 0.64%

LAB 55.25, 21.35, -40.14

 

CMYK 25 / 39 / 0 / 21

HEX #977BCA

RGB 151 123 202

HSL 261.27, 0.43%, 0.64%

LAB 57.08, 27.32, -37.13

 

CMYK 15 / 39 / 0 / 21

HEX #AC7BCA

RGB 172 123 202

HSL 277.22, 0.43%, 0.64%

LAB 59.16, 33.59, -33.74

 

CMYK 55 / 60 / 0 / 32

HEX #4E45AE

RGB 78 69 174

HSL 245.14, 0.43%, 0.48%

LAB 35.85, 33.52, -55.13

 

CMYK 46 / 51 / 0 / 25

HEX #665EBE

RGB 102 94 190

HSL 245, 0.42%, 0.56%

LAB 45.01, 28.23, -49.66

 

CMYK 36 / 39 / 0 / 21

HEX #827BCA

RGB 130 123 202

HSL 245.32, 0.43%, 0.64%

LAB 55.25, 21.35, -40.14

 

CMYK 26 / 29 / 0 / 16

HEX #9E99D6

RGB 158 153 214

HSL 244.92, 0.43%, 0.72%

LAB 65.68, 15.09, -30.45

 

CMYK 18 / 19 / 0 / 11

HEX #BAB6E2

RGB 186 182 226

HSL 245.45, 0.43%, 0.8%

LAB 75.69, 10.3, -21.48

 

CMYK 36 / 39 / 0 / 20

HEX #827BCB

RGB 130 123 203

HSL 245.25, 0.43%, 0.64%

LAB 55.3, 21.63, -40.63

 

CMYK 0 / 39 / 11 / 21

HEX #CA7BB4

RGB 202 123 180

HSL 316.71, 0.43%, 0.64%

LAB 61.67, 38.9, -17.11

 

CMYK 27 / 0 / 39 / 21

HEX #94CA7B

RGB 148 202 123

HSL 101.01, 0.43%, 0.64%

LAB 76.05, -31.98, 33.93

 

CMYK 36 / 39 / 0 / 20

HEX #827BCB

RGB 130 123 203

HSL 245.25, 0.43%, 0.64%

LAB 55.3, 21.63, -40.63

 

CMYK 0 / 36 / 39 / 21

HEX #CA827B

RGB 202 130 123

HSL 5.32, 0.43%, 0.64%

LAB 61.61, 26.94, 15.35

 

CMYK 39 / 0 / 36 / 21

HEX #7BCA82

RGB 123 202 130

HSL 125.32, 0.43%, 0.64%

LAB 74.87, -39.11, 28.52

 

CMYK 36 / 39 / 0 / 20

HEX #827BCB

RGB 130 123 203

HSL 245.25, 0.43%, 0.64%

LAB 55.3, 21.63, -40.63

 

CMYK 0 / 39 / 11 / 21

HEX #CA7BB4

RGB 202 123 180

HSL 316.71, 0.43%, 0.64%

LAB 61.67, 38.9, -17.11

 

CMYK 3 / 0 / 39 / 21

HEX #C4CA7B

RGB 196 202 123

HSL 64.56, 0.43%, 0.64%

LAB 79.28, -13.99, 38.72

 

CMYK 39 / 0 / 28 / 21

HEX #7BCA92

RGB 123 202 146

HSL 137.47, 0.43%, 0.64%

LAB 75.16, -36.33, 20.5

 

CMYK 36 / 39 / 0 / 20

HEX #827BCB

RGB 130 123 203

HSL 245.25, 0.43%, 0.64%

LAB 55.3, 21.63, -40.63

 

CMYK 0 / 39 / 23 / 21

HEX #CA7B9C

RGB 202 123 156

HSL 334.94, 0.43%, 0.64%

LAB 60.89, 35.11, -4.57

 

CMYK 3 / 0 / 39 / 21

HEX #C4CA7B

RGB 196 202 123

HSL 64.56, 0.43%, 0.64%

LAB 79.28, -13.99, 38.72

 

CMYK 39 / 0 / 16 / 21

HEX #7BCAA9

RGB 123 202 169

HSL 154.94, 0.43%, 0.64%

LAB 75.65, -31.77, 8.89

 

Description

Color code: HEX #827BCB | qconv.com Color code: HEX #827BCB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 123 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 123 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 39 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 39% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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