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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #826DFC it is the complementary color #7D9203. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #826DFC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #826DFC shade: #876DF7, #987FFF, #A991FF, #BAA3FF and #CBB5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #826DFC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #826DFC shade: #826DFC, #715BE9, #6049D6, #4F37C3 and #3E25B0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #826DFC shade: #826EFC, #A96EFC, #CF6EFC, #F56EFC and #FC6EDC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #826DFC shade: #826EFC and #6E6EFC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #826DFC shade matches the following richer shades: #826EFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #826DFC shade: #826EFC, #8B7AF0, #9385E4, #9C91D8 and #A49DCC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #826DFC shade: #6EA6FC, #6E80FC, #806EFC, #A66EFC and #CC6EFC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #826DFC shade: #3D1DFA, #6045FB, #826EFC, #A596FC and #C8BEFD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #826DFC shade: #826DFC, #FC6ECC and #93FC6E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #826DFC shade: #826DFC, #FC806E and #6EFC80

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #826DFC shade: #826DFC, #FC6ECC, #E9FC6E and #6EFC9D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #826DFC shade: #826DFC, #FC6EA2, #E9FC6E and #6EFCC7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 57 / 0 / 1

HEX #826DFC

RGB 130 109 252

HSL 248.81, 0.96%, 0.71%

LAB 54.77, 43.66, -68.94

 

Complementary color

CMYK 14 / 0 / 98 / 43

HEX #7D9203

RGB 125 146 3

HSL 68.81, 0.96%, 0.29%

LAB 57, -23.58, 59.89

 

CMYK 45 / 56 / 0 / 3

HEX #876DF7

RGB 135 109 247

HSL 251.3, 0.9%, 0.7%

LAB 54.87, 43.26, -65.99

 

CMYK 40 / 50 / 0 / 0

HEX #987FFF

RGB 152 127 255

HSL 251.72, 1%, 0.75%

LAB 60.85, 39, -60.73

 

CMYK 34 / 43 / 0 / 0

HEX #A991FF

RGB 169 145 255

HSL 253.09, 1%, 0.78%

LAB 66.45, 32.98, -51.73

 

CMYK 27 / 36 / 0 / 0

HEX #BAA3FF

RGB 186 163 255

HSL 255, 1%, 0.82%

LAB 72.13, 27.48, -42.69

 

CMYK 20 / 29 / 0 / 0

HEX #CBB5FF

RGB 203 181 255

HSL 257.84, 1%, 0.85%

LAB 77.85, 22.47, -33.69

 

CMYK 48 / 57 / 0 / 1

HEX #826DFC

RGB 130 109 252

HSL 248.81, 0.96%, 0.71%

LAB 54.77, 43.66, -68.94

 

CMYK 52 / 61 / 0 / 9

HEX #715BE9

RGB 113 91 233

HSL 249.3, 0.76%, 0.64%

LAB 48.1, 45.15, -69.21

 

CMYK 55 / 66 / 0 / 16

HEX #6049D6

RGB 96 73 214

HSL 249.79, 0.63%, 0.56%

LAB 41.39, 46.76, -69.41

 

CMYK 59 / 72 / 0 / 24

HEX #4F37C3

RGB 79 55 195

HSL 250.29, 0.56%, 0.49%

LAB 34.67, 48.39, -69.44

 

CMYK 65 / 79 / 0 / 31

HEX #3E25B0

RGB 62 37 176

HSL 250.79, 0.65%, 0.42%

LAB 28.07, 49.86, -69.13

 

CMYK 48 / 56 / 0 / 1

HEX #826EFC

RGB 130 110 252

HSL 248.45, 0.96%, 0.71%

LAB 55, 43.09, -68.58

 

CMYK 33 / 56 / 0 / 1

HEX #A96EFC

RGB 169 110 252

HSL 264.93, 0.96%, 0.71%

LAB 58.62, 51.53, -62.56

 

CMYK 18 / 56 / 0 / 1

HEX #CF6EFC

RGB 207 110 252

HSL 280.99, 0.96%, 0.71%

LAB 62.88, 60.58, -55.5

 

CMYK 3 / 56 / 0 / 1

HEX #F56EFC

RGB 245 110 252

HSL 297.04, 0.96%, 0.71%

LAB 67.72, 69.96, -47.53

 

CMYK 0 / 56 / 13 / 1

HEX #FC6EDC

RGB 252 110 220

HSL 313.52, 0.96%, 0.71%

LAB 67.29, 66.65, -30.45

 

CMYK 48 / 56 / 0 / 1

HEX #826EFC

RGB 130 110 252

HSL 248.45, 0.96%, 0.71%

LAB 55, 43.09, -68.58

 

CMYK 56 / 56 / 0 / 1

HEX #6E6EFC

RGB 110 110 252

HSL 240, 0.96%, 0.71%

LAB 53.49, 39.31, -71.09

 

CMYK 48 / 56 / 0 / 1

HEX #826EFC

RGB 130 110 252

HSL 248.45, 0.96%, 0.71%

LAB 55, 43.09, -68.58

 

CMYK 48 / 56 / 0 / 1

HEX #826EFC

RGB 130 110 252

HSL 248.45, 0.96%, 0.71%

LAB 55, 43.09, -68.58

 

CMYK 42 / 49 / 0 / 6

HEX #8B7AF0

RGB 139 122 240

HSL 248.64, 0.8%, 0.71%

LAB 57.75, 34.72, -57.46

 

CMYK 36 / 42 / 0 / 11

HEX #9385E4

RGB 147 133 228

HSL 248.84, 0.64%, 0.71%

LAB 60.41, 27.06, -46.52

 

CMYK 28 / 33 / 0 / 15

HEX #9C91D8

RGB 156 145 216

HSL 249.3, 0.48%, 0.71%

LAB 63.57, 19.56, -34.83

 

CMYK 20 / 23 / 0 / 20

HEX #A49DCC

RGB 164 157 204

HSL 248.94, 0.32%, 0.71%

LAB 66.8, 12.31, -23.13

 

CMYK 56 / 34 / 0 / 1

HEX #6EA6FC

RGB 110 166 252

HSL 216.34, 0.96%, 0.71%

LAB 67.74, 6.23, -48.32

 

CMYK 56 / 49 / 0 / 1

HEX #6E80FC

RGB 110 128 252

HSL 232.39, 0.96%, 0.71%

LAB 57.83, 28.59, -64.09

 

CMYK 49 / 56 / 0 / 1

HEX #806EFC

RGB 128 110 252

HSL 247.61, 0.96%, 0.71%

LAB 54.83, 42.69, -68.85

 

CMYK 34 / 56 / 0 / 1

HEX #A66EFC

RGB 166 110 252

HSL 263.66, 0.96%, 0.71%

LAB 58.31, 50.84, -63.07

 

CMYK 19 / 56 / 0 / 1

HEX #CC6EFC

RGB 204 110 252

HSL 279.72, 0.96%, 0.71%

LAB 62.52, 59.85, -56.1

 

CMYK 76 / 88 / 0 / 2

HEX #3D1DFA

RGB 61 29 250

HSL 248.69, 0.96%, 0.55%

LAB 35.54, 73.33, -99.59

 

CMYK 62 / 73 / 0 / 2

HEX #6045FB

RGB 96 69 251

HSL 248.9, 0.96%, 0.63%

LAB 43.81, 59.81, -86.38

 

CMYK 48 / 56 / 0 / 1

HEX #826EFC

RGB 130 110 252

HSL 248.45, 0.96%, 0.71%

LAB 55, 43.09, -68.58

 

CMYK 35 / 40 / 0 / 1

HEX #A596FC

RGB 165 150 252

HSL 248.82, 0.94%, 0.79%

LAB 67.16, 28.34, -48.99

 

CMYK 21 / 25 / 0 / 1

HEX #C8BEFD

RGB 200 190 253

HSL 249.52, 0.94%, 0.87%

LAB 79.73, 16.21, -29.76

 

CMYK 48 / 57 / 0 / 1

HEX #826DFC

RGB 130 109 252

HSL 248.81, 0.96%, 0.71%

LAB 54.77, 43.66, -68.94

 

CMYK 0 / 56 / 19 / 1

HEX #FC6ECC

RGB 252 110 204

HSL 320.28, 0.96%, 0.71%

LAB 66.68, 64.34, -22.44

 

CMYK 42 / 0 / 56 / 1

HEX #93FC6E

RGB 147 252 110

HSL 104.37, 0.96%, 0.71%

LAB 90.3, -55.48, 57.64

 

CMYK 48 / 57 / 0 / 1

HEX #826DFC

RGB 130 109 252

HSL 248.81, 0.96%, 0.71%

LAB 54.77, 43.66, -68.94

 

CMYK 0 / 49 / 56 / 1

HEX #FC806E

RGB 252 128 110

HSL 7.61, 0.96%, 0.71%

LAB 67.47, 45.65, 31.62

 

CMYK 56 / 0 / 49 / 1

HEX #6EFC80

RGB 110 252 128

HSL 127.61, 0.96%, 0.71%

LAB 89.16, -63.16, 47.75

 

CMYK 48 / 57 / 0 / 1

HEX #826DFC

RGB 130 109 252

HSL 248.81, 0.96%, 0.71%

LAB 54.77, 43.66, -68.94

 

CMYK 0 / 56 / 19 / 1

HEX #FC6ECC

RGB 252 110 204

HSL 320.28, 0.96%, 0.71%

LAB 66.68, 64.34, -22.44

 

CMYK 8 / 0 / 56 / 1

HEX #E9FC6E

RGB 233 252 110

HSL 68.03, 0.96%, 0.71%

LAB 95.19, -25.11, 64.53

 

CMYK 56 / 0 / 38 / 1

HEX #6EFC9D

RGB 110 252 157

HSL 139.86, 0.96%, 0.71%

LAB 89.57, -58.72, 34.2

 

CMYK 48 / 57 / 0 / 1

HEX #826DFC

RGB 130 109 252

HSL 248.81, 0.96%, 0.71%

LAB 54.77, 43.66, -68.94

 

CMYK 0 / 56 / 36 / 1

HEX #FC6EA2

RGB 252 110 162

HSL 338.03, 0.96%, 0.71%

LAB 65.32, 59.04, -0.7

 

CMYK 8 / 0 / 56 / 1

HEX #E9FC6E

RGB 233 252 110

HSL 68.03, 0.96%, 0.71%

LAB 95.19, -25.11, 64.53

 

CMYK 56 / 0 / 21 / 1

HEX #6EFCC7

RGB 110 252 199

HSL 157.61, 0.96%, 0.71%

LAB 90.35, -50.65, 13.94

 

Description

Color code: HEX #826DFC | qconv.com Color code: HEX #826DFC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 109 green and 252 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 109 252 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 57 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 57% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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