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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #826020 it is the complementary color #7D9FDF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #826020. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #826020 shade: #87601B, #98722E, #A98441, #BA9654 and #CBA867

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #826020. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #826020 shade: #826020, #714E0D, #603C00, #4F2A00 and #3E1800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #826020 shade: #826020, #824620, #822B20 and #822020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #826020 shade: #826020, #827A20, #6F8220, #558220 and #3A8220

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #826020 shade matches the following richer shades: #826020, #8F6413 and #9C6806

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #826020 shade: #826020, #755C2D, #68583B, #5A5448 and #4D5055

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #826020 shade: #822C20, #824620, #826020, #827A20 and #708220

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #826020 shade: #402F10, #614818, #826020, #A37828 and #C49131

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #826020 shade: #826020, #2F8220 and #392082

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #826020 shade: #826020, #208260 and #602082

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #826020 shade: #826020, #2F8220, #204282 and #732082

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #826020 shade: #826020, #20822F, #204282 and #822073

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 75 / 49

HEX #826020

RGB 130 96 32

HSL 39.18, 0.6%, 0.32%

LAB 43.09, 7.15, 40.17

 

Complementary color

CMYK 44 / 29 / 0 / 13

HEX #7D9FDF

RGB 125 159 223

HSL 219.18, 0.6%, 0.68%

LAB 65.34, 4.92, -36.12

 

CMYK 0 / 29 / 80 / 47

HEX #87601B

RGB 135 96 27

HSL 38.33, 0.67%, 0.32%

LAB 43.65, 9.28, 43.09

 

CMYK 0 / 25 / 70 / 40

HEX #98722E

RGB 152 114 46

HSL 38.49, 0.54%, 0.39%

LAB 50.58, 7.71, 42.19

 

CMYK 0 / 22 / 62 / 34

HEX #A98441

RGB 169 132 65

HSL 38.65, 0.44%, 0.46%

LAB 57.39, 6.45, 40.91

 

CMYK 0 / 19 / 55 / 27

HEX #BA9654

RGB 186 150 84

HSL 38.82, 0.43%, 0.53%

LAB 64.07, 5.41, 39.55

 

CMYK 0 / 17 / 49 / 20

HEX #CBA867

RGB 203 168 103

HSL 39, 0.49%, 0.6%

LAB 70.65, 4.54, 38.2

 

CMYK 0 / 26 / 75 / 49

HEX #826020

RGB 130 96 32

HSL 39.18, 0.6%, 0.32%

LAB 43.09, 7.15, 40.17

 

CMYK 0 / 31 / 88 / 56

HEX #714E0D

RGB 113 78 13

HSL 39, 0.79%, 0.25%

LAB 35.96, 8.93, 40.51

 

CMYK 0 / 38 / 100 / 62

HEX #603C00

RGB 96 60 0

HSL 37.5, 1%, 0.19%

LAB 28.69, 11.2, 38.53

 

CMYK 0 / 47 / 100 / 69

HEX #4F2A00

RGB 79 42 0

HSL 31.9, 1%, 0.15%

LAB 21.28, 14, 30.58

 

CMYK 0 / 61 / 100 / 76

HEX #3E1800

RGB 62 24 0

HSL 23.23, 1%, 0.12%

LAB 13.69, 16.91, 20.72

 

CMYK 0 / 26 / 75 / 49

HEX #826020

RGB 130 96 32

HSL 39.18, 0.6%, 0.32%

LAB 43.09, 7.15, 40.17

 

CMYK 0 / 46 / 75 / 49

HEX #824620

RGB 130 70 32

HSL 23.27, 0.6%, 0.32%

LAB 36.42, 22.45, 33.29

 

CMYK 0 / 67 / 75 / 49

HEX #822B20

RGB 130 43 32

HSL 6.73, 0.6%, 0.32%

LAB 30.83, 36.78, 27.17

 

CMYK 0 / 75 / 75 / 49

HEX #822020

RGB 130 32 32

HSL 0, 0.6%, 0.32%

LAB 29.12, 41.45, 25.23

 

CMYK 0 / 26 / 75 / 49

HEX #826020

RGB 130 96 32

HSL 39.18, 0.6%, 0.32%

LAB 43.09, 7.15, 40.17

 

CMYK 0 / 6 / 75 / 49

HEX #827A20

RGB 130 122 32

HSL 55.1, 0.6%, 0.32%

LAB 50.42, -7.77, 47.35

 

CMYK 15 / 0 / 75 / 49

HEX #6F8220

RGB 111 130 32

HSL 71.63, 0.6%, 0.32%

LAB 51.21, -20.7, 47.56

 

CMYK 35 / 0 / 75 / 49

HEX #558220

RGB 85 130 32

HSL 87.55, 0.6%, 0.32%

LAB 49.5, -31.55, 45.3

 

CMYK 55 / 0 / 75 / 49

HEX #3A8220

RGB 58 130 32

HSL 104.08, 0.6%, 0.32%

LAB 48.22, -40.86, 43.61

 

CMYK 0 / 26 / 75 / 49

HEX #826020

RGB 130 96 32

HSL 39.18, 0.6%, 0.32%

LAB 43.09, 7.15, 40.17

 

CMYK 0 / 30 / 87 / 44

HEX #8F6413

RGB 143 100 19

HSL 39.19, 0.77%, 0.32%

LAB 45.64, 10.42, 48.18

 

CMYK 0 / 33 / 96 / 39

HEX #9C6806

RGB 156 104 6

HSL 39.2, 0.93%, 0.32%

LAB 48.24, 13.89, 54.18

 

CMYK 0 / 26 / 75 / 49

HEX #826020

RGB 130 96 32

HSL 39.18, 0.6%, 0.32%

LAB 43.09, 7.15, 40.17

 

CMYK 0 / 21 / 62 / 54

HEX #755C2D

RGB 117 92 45

HSL 39.17, 0.44%, 0.32%

LAB 40.61, 4.25, 30.5

 

CMYK 0 / 15 / 43 / 59

HEX #68583B

RGB 104 88 59

HSL 38.67, 0.28%, 0.32%

LAB 38.27, 2.04, 19.24

 

CMYK 0 / 7 / 20 / 65

HEX #5A5448

RGB 90 84 72

HSL 40, 0.11%, 0.32%

LAB 35.95, 0.17, 7.9

HEX #5A5448

CMYK 9 / 6 / 0 / 67

HEX #4D5055

RGB 77 80 85

HSL 217.5, 0.05%, 0.32%

LAB 33.92, -0.07, -3.35

HEX #4D5055

CMYK 0 / 66 / 75 / 49

HEX #822C20

RGB 130 44 32

HSL 7.35, 0.6%, 0.32%

LAB 31, 36.31, 27.37

 

CMYK 0 / 46 / 75 / 49

HEX #824620

RGB 130 70 32

HSL 23.27, 0.6%, 0.32%

LAB 36.42, 22.45, 33.29

 

CMYK 0 / 26 / 75 / 49

HEX #826020

RGB 130 96 32

HSL 39.18, 0.6%, 0.32%

LAB 43.09, 7.15, 40.17

 

CMYK 0 / 6 / 75 / 49

HEX #827A20

RGB 130 122 32

HSL 55.1, 0.6%, 0.32%

LAB 50.42, -7.77, 47.35

 

CMYK 14 / 0 / 75 / 49

HEX #708220

RGB 112 130 32

HSL 71.02, 0.6%, 0.32%

LAB 51.28, -20.26, 47.65

 

CMYK 0 / 27 / 75 / 75

HEX #402F10

RGB 64 47 16

HSL 38.75, 0.6%, 0.16%

LAB 20.68, 3.78, 22.34

 

CMYK 0 / 26 / 75 / 62

HEX #614818

RGB 97 72 24

HSL 39.45, 0.6%, 0.24%

LAB 32.35, 5.2, 31.75

 

CMYK 0 / 26 / 75 / 49

HEX #826020

RGB 130 96 32

HSL 39.18, 0.6%, 0.32%

LAB 43.09, 7.15, 40.17

 

CMYK 0 / 26 / 75 / 36

HEX #A37828

RGB 163 120 40

HSL 39.02, 0.61%, 0.4%

LAB 53.35, 9, 48.14

 

CMYK 0 / 26 / 75 / 23

HEX #C49131

RGB 196 145 49

HSL 39.18, 0.6%, 0.48%

LAB 63.51, 10.26, 55.62

 

CMYK 0 / 26 / 75 / 49

HEX #826020

RGB 130 96 32

HSL 39.18, 0.6%, 0.32%

LAB 43.09, 7.15, 40.17

 

CMYK 64 / 0 / 75 / 49

HEX #2F8220

RGB 47 130 32

HSL 110.82, 0.6%, 0.32%

LAB 47.85, -43.85, 43.11

 

CMYK 56 / 75 / 0 / 49

HEX #392082

RGB 57 32 130

HSL 255.31, 0.6%, 0.32%

LAB 22, 37.85, -50.9

 

CMYK 0 / 26 / 75 / 49

HEX #826020

RGB 130 96 32

HSL 39.18, 0.6%, 0.32%

LAB 43.09, 7.15, 40.17

 

CMYK 75 / 0 / 26 / 49

HEX #208260

RGB 32 130 96

HSL 159.18, 0.6%, 0.32%

LAB 48.41, -36.27, 10.57

 

CMYK 26 / 75 / 0 / 49

HEX #602082

RGB 96 32 130

HSL 279.18, 0.6%, 0.32%

LAB 27.11, 45.17, -42.35

 

CMYK 0 / 26 / 75 / 49

HEX #826020

RGB 130 96 32

HSL 39.18, 0.6%, 0.32%

LAB 43.09, 7.15, 40.17

 

CMYK 64 / 0 / 75 / 49

HEX #2F8220

RGB 47 130 32

HSL 110.82, 0.6%, 0.32%

LAB 47.85, -43.85, 43.11

 

CMYK 75 / 49 / 0 / 49

HEX #204282

RGB 32 66 130

HSL 219.18, 0.6%, 0.32%

LAB 28.94, 11.52, -39.69

 

CMYK 12 / 75 / 0 / 49

HEX #732082

RGB 115 32 130

HSL 290.82, 0.6%, 0.32%

LAB 30.13, 49.29, -37.32

 

CMYK 0 / 26 / 75 / 49

HEX #826020

RGB 130 96 32

HSL 39.18, 0.6%, 0.32%

LAB 43.09, 7.15, 40.17

 

CMYK 75 / 0 / 64 / 49

HEX #20822F

RGB 32 130 47

HSL 129.18, 0.6%, 0.32%

LAB 47.59, -45.45, 36.21

 

CMYK 75 / 49 / 0 / 49

HEX #204282

RGB 32 66 130

HSL 219.18, 0.6%, 0.32%

LAB 28.94, 11.52, -39.69

 

CMYK 0 / 75 / 12 / 49

HEX #822073

RGB 130 32 115

HSL 309.18, 0.6%, 0.32%

LAB 31.84, 50.17, -24.99

 

Description

Color code: HEX #826020 | qconv.com Color code: HEX #826020 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 96 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 96 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 75 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 75% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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