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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #82699B it is the complementary color #7D9664. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #82699B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #82699B shade: #876996, #987BA9, #A98DBC, #BA9FCF and #CBB1E2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #82699B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #82699B shade: #82699B, #715788, #604575, #4F3362 and #3E214F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #82699B shade: #82699B, #8F699B, #9B6999, #9B698B and #9B697E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #82699B shade: #82699B, #74699B and #69699B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #82699B shade matches the following richer shades: #82699B, #8254AF, #8240C3, #822CD7 and #8218EB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #82699B shade: #82699B, #827D86, #829172, #82A55E and #82B94A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #82699B shade: #696A9B, #74699B, #82699B, #8F699B and #9B6999

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #82699B shade: #58476A, #6D5783, #82699B, #9681AB and #AB9ABC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #82699B shade: #82699B, #9B6978 and #699B6E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #82699B shade: #82699B, #9B8269 and #699B82

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #82699B shade: #82699B, #9B6978, #829B69 and #699B8C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #82699B shade: #82699B, #9B6969, #829B69 and #699B9B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 32 / 0 / 39

HEX #82699B

RGB 130 105 155

HSL 270, 0.2%, 0.51%

LAB 48.53, 20.11, -23.45

 

Complementary color

CMYK 17 / 0 / 33 / 41

HEX #7D9664

RGB 125 150 100

HSL 90, 0.2%, 0.49%

LAB 59.06, -18.11, 23.56

 

CMYK 10 / 30 / 0 / 41

HEX #876996

RGB 135 105 150

HSL 280, 0.18%, 0.5%

LAB 48.83, 20.65, -20

 

CMYK 10 / 27 / 0 / 34

HEX #987BA9

RGB 152 123 169

HSL 277.83, 0.21%, 0.57%

LAB 55.79, 20.02, -20.27

 

CMYK 10 / 25 / 0 / 26

HEX #A98DBC

RGB 169 141 188

HSL 275.74, 0.26%, 0.65%

LAB 62.61, 19.44, -20.54

 

CMYK 10 / 23 / 0 / 19

HEX #BA9FCF

RGB 186 159 207

HSL 273.75, 0.33%, 0.72%

LAB 69.28, 18.92, -20.83

 

CMYK 10 / 22 / 0 / 11

HEX #CBB1E2

RGB 203 177 226

HSL 271.84, 0.46%, 0.79%

LAB 75.84, 18.44, -21.12

 

CMYK 16 / 32 / 0 / 39

HEX #82699B

RGB 130 105 155

HSL 270, 0.2%, 0.51%

LAB 48.53, 20.11, -23.45

 

CMYK 17 / 36 / 0 / 47

HEX #715788

RGB 113 87 136

HSL 271.84, 0.22%, 0.44%

LAB 41.38, 20.82, -23.3

 

CMYK 18 / 41 / 0 / 54

HEX #604575

RGB 96 69 117

HSL 273.75, 0.26%, 0.36%

LAB 34.04, 21.63, -23.17

 

CMYK 19 / 48 / 0 / 62

HEX #4F3362

RGB 79 51 98

HSL 275.74, 0.32%, 0.29%

LAB 26.48, 22.53, -23.06

 

CMYK 22 / 58 / 0 / 69

HEX #3E214F

RGB 62 33 79

HSL 277.83, 0.41%, 0.22%

LAB 18.7, 23.51, -22.9

 

CMYK 16 / 32 / 0 / 39

HEX #82699B

RGB 130 105 155

HSL 270, 0.2%, 0.51%

LAB 48.53, 20.11, -23.45

 

CMYK 8 / 32 / 0 / 39

HEX #8F699B

RGB 143 105 155

HSL 285.6, 0.2%, 0.51%

LAB 49.87, 24.45, -21.27

 

CMYK 0 / 32 / 1 / 39

HEX #9B6999

RGB 155 105 153

HSL 302.4, 0.2%, 0.51%

LAB 51.12, 28.12, -18.07

 

CMYK 0 / 32 / 10 / 39

HEX #9B698B

RGB 155 105 139

HSL 319.2, 0.2%, 0.51%

LAB 50.61, 25.49, -10.58

 

CMYK 0 / 32 / 19 / 39

HEX #9B697E

RGB 155 105 126

HSL 334.8, 0.2%, 0.51%

LAB 50.19, 23.24, -3.5

 

CMYK 16 / 32 / 0 / 39

HEX #82699B

RGB 130 105 155

HSL 270, 0.2%, 0.51%

LAB 48.53, 20.11, -23.45

 

CMYK 25 / 32 / 0 / 39

HEX #74699B

RGB 116 105 155

HSL 253.2, 0.2%, 0.51%

LAB 47.21, 15.56, -25.59

 

CMYK 32 / 32 / 0 / 39

HEX #69699B

RGB 105 105 155

HSL 240, 0.2%, 0.51%

LAB 46.28, 12.14, -27.12

 

CMYK 16 / 32 / 0 / 39

HEX #82699B

RGB 130 105 155

HSL 270, 0.2%, 0.51%

LAB 48.53, 20.11, -23.45

 

CMYK 26 / 52 / 0 / 31

HEX #8254AF

RGB 130 84 175

HSL 270.33, 0.36%, 0.51%

LAB 44.49, 37.22, -41.56

 

CMYK 33 / 67 / 0 / 24

HEX #8240C3

RGB 130 64 195

HSL 270.23, 0.52%, 0.51%

LAB 41.77, 52.73, -57.63

 

CMYK 40 / 80 / 0 / 16

HEX #822CD7

RGB 130 44 215

HSL 270.18, 0.68%, 0.51%

LAB 40.33, 65.9, -71.55

 

CMYK 45 / 90 / 0 / 8

HEX #8218EB

RGB 130 24 235

HSL 270.14, 0.84%, 0.51%

LAB 40.24, 75.91, -83.13

 

CMYK 16 / 32 / 0 / 39

HEX #82699B

RGB 130 105 155

HSL 270, 0.2%, 0.51%

LAB 48.53, 20.11, -23.45

 

CMYK 3 / 7 / 0 / 47

HEX #827D86

RGB 130 125 134

HSL 273.33, 0.04%, 0.51%

LAB 53.1, 3.69, -4.2

 

CMYK 10 / 0 / 21 / 43

HEX #829172

RGB 130 145 114

HSL 89.03, 0.12%, 0.51%

LAB 58.24, -11.29, 14.69

 

CMYK 21 / 0 / 43 / 35

HEX #82A55E

RGB 130 165 94

HSL 89.58, 0.28%, 0.51%

LAB 63.72, -24.65, 32.9

 

CMYK 30 / 0 / 60 / 27

HEX #82B94A

RGB 130 185 74

HSL 89.73, 0.44%, 0.51%

LAB 69.43, -36.35, 49.51

 

CMYK 32 / 32 / 0 / 39

HEX #696A9B

RGB 105 106 155

HSL 238.8, 0.2%, 0.51%

LAB 46.55, 11.53, -26.7

 

CMYK 25 / 32 / 0 / 39

HEX #74699B

RGB 116 105 155

HSL 253.2, 0.2%, 0.51%

LAB 47.21, 15.56, -25.59

 

CMYK 16 / 32 / 0 / 39

HEX #82699B

RGB 130 105 155

HSL 270, 0.2%, 0.51%

LAB 48.53, 20.11, -23.45

 

CMYK 8 / 32 / 0 / 39

HEX #8F699B

RGB 143 105 155

HSL 285.6, 0.2%, 0.51%

LAB 49.87, 24.45, -21.27

 

CMYK 0 / 32 / 1 / 39

HEX #9B6999

RGB 155 105 153

HSL 302.4, 0.2%, 0.51%

LAB 51.12, 28.12, -18.07

 

CMYK 17 / 33 / 0 / 58

HEX #58476A

RGB 88 71 106

HSL 269.14, 0.2%, 0.35%

LAB 33.18, 14.88, -17.66

 

CMYK 17 / 34 / 0 / 49

HEX #6D5783

RGB 109 87 131

HSL 270, 0.2%, 0.43%

LAB 40.75, 18.28, -21.28

 

CMYK 16 / 32 / 0 / 39

HEX #82699B

RGB 130 105 155

HSL 270, 0.2%, 0.51%

LAB 48.53, 20.11, -23.45

 

CMYK 12 / 25 / 0 / 33

HEX #9681AB

RGB 150 129 171

HSL 270, 0.2%, 0.59%

LAB 57.2, 16.31, -19.29

 

CMYK 9 / 18 / 0 / 26

HEX #AB9ABC

RGB 171 154 188

HSL 270, 0.2%, 0.67%

LAB 66.06, 12.78, -15.29

 

CMYK 16 / 32 / 0 / 39

HEX #82699B

RGB 130 105 155

HSL 270, 0.2%, 0.51%

LAB 48.53, 20.11, -23.45

 

CMYK 0 / 32 / 23 / 39

HEX #9B6978

RGB 155 105 120

HSL 342, 0.2%, 0.51%

LAB 50.01, 22.28, -0.2

 

CMYK 32 / 0 / 29 / 39

HEX #699B6E

RGB 105 155 110

HSL 126, 0.2%, 0.51%

LAB 59.5, -26.25, 18.41

 

CMYK 16 / 32 / 0 / 39

HEX #82699B

RGB 130 105 155

HSL 270, 0.2%, 0.51%

LAB 48.53, 20.11, -23.45

 

CMYK 0 / 16 / 32 / 39

HEX #9B8269

RGB 155 130 105

HSL 30, 0.2%, 0.51%

LAB 56.04, 5.73, 17.11

 

CMYK 32 / 0 / 16 / 39

HEX #699B82

RGB 105 155 130

HSL 150, 0.2%, 0.51%

LAB 59.94, -22.32, 7.82

 

CMYK 16 / 32 / 0 / 39

HEX #82699B

RGB 130 105 155

HSL 270, 0.2%, 0.51%

LAB 48.53, 20.11, -23.45

 

CMYK 0 / 32 / 23 / 39

HEX #9B6978

RGB 155 105 120

HSL 342, 0.2%, 0.51%

LAB 50.01, 22.28, -0.2

 

CMYK 16 / 0 / 32 / 39

HEX #829B69

RGB 130 155 105

HSL 90, 0.2%, 0.51%

LAB 60.97, -18.03, 23.41

 

CMYK 32 / 0 / 10 / 39

HEX #699B8C

RGB 105 155 140

HSL 162, 0.2%, 0.51%

LAB 60.19, -20.13, 2.53

 

CMYK 16 / 32 / 0 / 39

HEX #82699B

RGB 130 105 155

HSL 270, 0.2%, 0.51%

LAB 48.53, 20.11, -23.45

 

CMYK 0 / 32 / 32 / 39

HEX #9B6969

RGB 155 105 105

HSL 0, 0.2%, 0.51%

LAB 49.61, 20.05, 8.14

 

CMYK 16 / 0 / 32 / 39

HEX #829B69

RGB 130 155 105

HSL 90, 0.2%, 0.51%

LAB 60.97, -18.03, 23.41

 

CMYK 32 / 0 / 0 / 39

HEX #699B9B

RGB 105 155 155

HSL 180, 0.2%, 0.51%

LAB 60.62, -16.58, -5.34

 

Description

Color code: HEX #82699B | qconv.com Color code: HEX #82699B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 105 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 105 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 32 magenta, none yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 32% 0% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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