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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8268B0 it is the complementary color #7D974F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8268B0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8268B0 shade: #8768AB, #987ABE, #A98CD1, #BA9EE4 and #CBB0F7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8268B0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8268B0 shade: #8268B0, #71569D, #60448A, #4F3277 and #3E2064

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8268B0 shade: #8268AF, #9568AF, #A868AF, #AF68A3 and #AF6890

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8268B0 shade: #8268AF, #6F68AF and #6868AF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8268B0 shade matches the following richer shades: #8268AF, #7D56C2, #7843D4, #7230E7 and #6D1EFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8268B0 shade: #8268AF, #877B9D, #8C8D8A, #91A078 and #96B265

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8268B0 shade: #6875AF, #6E68AF, #8168AF, #9468AF and #A768AF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8268B0 shade: #5A4481, #6D529C, #8268AF, #9883BE and #AF9ECC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8268B0 shade: #8268B0, #AF6888 and #6CAF68

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8268B0 shade: #8268B0, #AF8168 and #68AF81

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8268B0 shade: #8268B0, #AF6888, #96AF68 and #68AF8F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8268B0 shade: #8268B0, #AF6873, #96AF68 and #68AFA5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 41 / 0 / 31

HEX #8268B0

RGB 130 104 176

HSL 261.67, 0.31%, 0.55%

LAB 49.23, 25.8, -34.66

 

Complementary color

CMYK 17 / 0 / 48 / 41

HEX #7D974F

RGB 125 151 79

HSL 81.67, 0.31%, 0.45%

LAB 59.03, -21.43, 34.77

 

CMYK 21 / 39 / 0 / 33

HEX #8768AB

RGB 135 104 171

HSL 267.76, 0.29%, 0.54%

LAB 49.49, 26.08, -31.31

 

CMYK 20 / 36 / 0 / 25

HEX #987ABE

RGB 152 122 190

HSL 266.47, 0.34%, 0.61%

LAB 56.4, 25.32, -31.37

 

CMYK 19 / 33 / 0 / 18

HEX #A98CD1

RGB 169 140 209

HSL 265.22, 0.43%, 0.68%

LAB 63.17, 24.64, -31.46

 

CMYK 18 / 31 / 0 / 11

HEX #BA9EE4

RGB 186 158 228

HSL 264, 0.56%, 0.76%

LAB 69.82, 24.01, -31.57

 

CMYK 18 / 29 / 0 / 3

HEX #CBB0F7

RGB 203 176 247

HSL 262.82, 0.82%, 0.83%

LAB 76.35, 23.43, -31.7

 

CMYK 26 / 41 / 0 / 31

HEX #8268B0

RGB 130 104 176

HSL 261.67, 0.31%, 0.55%

LAB 49.23, 25.8, -34.66

 

CMYK 28 / 45 / 0 / 38

HEX #71569D

RGB 113 86 157

HSL 262.82, 0.29%, 0.48%

LAB 42.16, 26.69, -34.72

 

CMYK 30 / 51 / 0 / 46

HEX #60448A

RGB 96 68 138

HSL 264, 0.34%, 0.4%

LAB 34.92, 27.68, -34.8

 

CMYK 34 / 58 / 0 / 53

HEX #4F3277

RGB 79 50 119

HSL 265.22, 0.41%, 0.33%

LAB 27.51, 28.78, -34.89

 

CMYK 38 / 68 / 0 / 61

HEX #3E2064

RGB 62 32 100

HSL 266.47, 0.52%, 0.26%

LAB 19.95, 29.89, -34.9

 

CMYK 26 / 41 / 0 / 31

HEX #8268AF

RGB 130 104 175

HSL 261.97, 0.31%, 0.55%

LAB 49.18, 25.55, -34.16

 

CMYK 15 / 41 / 0 / 31

HEX #9568AF

RGB 149 104 175

HSL 278.03, 0.31%, 0.55%

LAB 51.14, 31.34, -30.96

 

CMYK 4 / 41 / 0 / 31

HEX #A868AF

RGB 168 104 175

HSL 294.08, 0.31%, 0.55%

LAB 53.3, 37.27, -27.43

 

CMYK 0 / 41 / 7 / 31

HEX #AF68A3

RGB 175 104 163

HSL 310.14, 0.31%, 0.55%

LAB 53.66, 37.26, -19.82

 

CMYK 0 / 41 / 18 / 31

HEX #AF6890

RGB 175 104 144

HSL 326.2, 0.31%, 0.55%

LAB 52.98, 34.03, -9.73

 

CMYK 26 / 41 / 0 / 31

HEX #8268AF

RGB 130 104 175

HSL 261.97, 0.31%, 0.55%

LAB 49.18, 25.55, -34.16

 

CMYK 37 / 41 / 0 / 31

HEX #6F68AF

RGB 111 104 175

HSL 245.92, 0.31%, 0.55%

LAB 47.46, 20.05, -36.98

 

CMYK 41 / 41 / 0 / 31

HEX #6868AF

RGB 104 104 175

HSL 240, 0.31%, 0.55%

LAB 46.89, 18.13, -37.91

 

CMYK 26 / 41 / 0 / 31

HEX #8268AF

RGB 130 104 175

HSL 261.97, 0.31%, 0.55%

LAB 49.18, 25.55, -34.16

 

CMYK 36 / 56 / 0 / 24

HEX #7D56C2

RGB 125 86 194

HSL 261.67, 0.47%, 0.55%

LAB 45.51, 39.62, -51.06

 

CMYK 43 / 68 / 0 / 17

HEX #7843D4

RGB 120 67 212

HSL 261.93, 0.63%, 0.55%

LAB 42.4, 53.57, -66.5

 

CMYK 51 / 79 / 0 / 9

HEX #7230E7

RGB 114 48 231

HSL 261.64, 0.79%, 0.55%

LAB 40.35, 66.07, -80.75

 

CMYK 56 / 88 / 0 / 2

HEX #6D1EFA

RGB 109 30 250

HSL 261.55, 0.96%, 0.55%

LAB 39.72, 75.98, -92.54

 

CMYK 26 / 41 / 0 / 31

HEX #8268AF

RGB 130 104 175

HSL 261.97, 0.31%, 0.55%

LAB 49.18, 25.55, -34.16

 

CMYK 14 / 22 / 0 / 38

HEX #877B9D

RGB 135 123 157

HSL 261.18, 0.15%, 0.55%

LAB 53.76, 11.6, -16.56

 

CMYK 1 / 0 / 2 / 45

HEX #8C8D8A

RGB 140 141 138

HSL 80, 0.01%, 0.55%

LAB 58.47, -0.95, 1.46

 

CMYK 9 / 0 / 25 / 37

HEX #91A078

RGB 145 160 120

HSL 82.5, 0.17%, 0.55%

LAB 63.77, -12.58, 19.13

 

CMYK 16 / 0 / 43 / 30

HEX #96B265

RGB 150 178 101

HSL 81.82, 0.33%, 0.55%

LAB 68.94, -22.52, 36.15

 

CMYK 41 / 33 / 0 / 31

HEX #6875AF

RGB 104 117 175

HSL 229.01, 0.31%, 0.55%

LAB 50.41, 10.21, -32.39

 

CMYK 37 / 41 / 0 / 31

HEX #6E68AF

RGB 110 104 175

HSL 245.07, 0.31%, 0.55%

LAB 47.38, 19.77, -37.12

 

CMYK 26 / 41 / 0 / 31

HEX #8168AF

RGB 129 104 175

HSL 261.13, 0.31%, 0.55%

LAB 49.08, 25.25, -34.32

 

CMYK 15 / 41 / 0 / 31

HEX #9468AF

RGB 148 104 175

HSL 277.18, 0.31%, 0.55%

LAB 51.03, 31.03, -31.14

 

CMYK 5 / 41 / 0 / 31

HEX #A768AF

RGB 167 104 175

HSL 293.24, 0.31%, 0.55%

LAB 53.18, 36.96, -27.62

 

CMYK 30 / 47 / 0 / 49

HEX #5A4481

RGB 90 68 129

HSL 261.64, 0.31%, 0.39%

LAB 33.76, 23.49, -31.13

 

CMYK 30 / 47 / 0 / 39

HEX #6D529C

RGB 109 82 156

HSL 261.89, 0.31%, 0.47%

LAB 40.71, 27.69, -36.43

 

CMYK 26 / 41 / 0 / 31

HEX #8268AF

RGB 130 104 175

HSL 261.97, 0.31%, 0.55%

LAB 49.18, 25.55, -34.16

 

CMYK 20 / 31 / 0 / 25

HEX #9883BE

RGB 152 131 190

HSL 261.36, 0.31%, 0.63%

LAB 58.63, 20.12, -27.92

 

CMYK 14 / 23 / 0 / 20

HEX #AF9ECC

RGB 175 158 204

HSL 262.17, 0.31%, 0.71%

LAB 67.97, 15.26, -21.26

 

CMYK 26 / 41 / 0 / 31

HEX #8268B0

RGB 130 104 176

HSL 261.67, 0.31%, 0.55%

LAB 49.23, 25.8, -34.66

 

CMYK 0 / 41 / 22 / 31

HEX #AF6888

RGB 175 104 136

HSL 332.96, 0.31%, 0.55%

LAB 52.72, 32.77, -5.4

 

CMYK 38 / 0 / 41 / 31

HEX #6CAF68

RGB 108 175 104

HSL 116.62, 0.31%, 0.55%

LAB 65.63, -35.77, 29.85

 

CMYK 26 / 41 / 0 / 31

HEX #8268B0

RGB 130 104 176

HSL 261.67, 0.31%, 0.55%

LAB 49.23, 25.8, -34.66

 

CMYK 0 / 26 / 41 / 31

HEX #AF8168

RGB 175 129 104

HSL 21.13, 0.31%, 0.55%

LAB 57.86, 14.44, 20.5

 

CMYK 41 / 0 / 26 / 31

HEX #68AF81

RGB 104 175 129

HSL 141.13, 0.31%, 0.55%

LAB 65.89, -32.63, 16.73

 

CMYK 26 / 41 / 0 / 31

HEX #8268B0

RGB 130 104 176

HSL 261.67, 0.31%, 0.55%

LAB 49.23, 25.8, -34.66

 

CMYK 0 / 41 / 22 / 31

HEX #AF6888

RGB 175 104 136

HSL 332.96, 0.31%, 0.55%

LAB 52.72, 32.77, -5.4

 

CMYK 14 / 0 / 41 / 31

HEX #96AF68

RGB 150 175 104

HSL 81.13, 0.31%, 0.55%

LAB 68.13, -20.65, 33.57

 

CMYK 41 / 0 / 18 / 31

HEX #68AF8F

RGB 104 175 143

HSL 152.96, 0.31%, 0.55%

LAB 66.2, -29.76, 9.47

 

CMYK 26 / 41 / 0 / 31

HEX #8268B0

RGB 130 104 176

HSL 261.67, 0.31%, 0.55%

LAB 49.23, 25.8, -34.66

 

CMYK 0 / 41 / 34 / 31

HEX #AF6873

RGB 175 104 115

HSL 350.7, 0.31%, 0.55%

LAB 52.12, 29.8, 6.14

 

CMYK 14 / 0 / 41 / 31

HEX #96AF68

RGB 150 175 104

HSL 81.13, 0.31%, 0.55%

LAB 68.13, -20.65, 33.57

 

CMYK 41 / 0 / 6 / 31

HEX #68AFA5

RGB 104 175 165

HSL 171.55, 0.31%, 0.55%

LAB 66.76, -24.72, -1.89

 

Description

Color code: HEX #8268B0 | qconv.com Color code: HEX #8268B0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 104 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 104 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 41 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 41% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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