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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #826666 it is the complementary color #7D9999. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #826666. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #826666 shade: #876661, #987874, #A98A87, #BA9C9A and #CBAEAD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #826666. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #826666 shade: #826666, #715453, #604240, #4F302D and #3E1E1A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #826666 shade: #806464

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #826666 shade: #806464, #806C64, #807364, #807B64 and #7E8064

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #826666 shade matches the following richer shades: #806464, #935252, #A53F3F, #B82D2D and #CA1A1A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #826666 shade: #806464, #6D7777, #5B8A8A, #489C9C and #36AFAF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #826666 shade: #806473, #80646C, #806464, #806C64 and #807364

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #826666 shade: #524040, #695252, #806464, #957979 and #A79090

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #826666 shade: #826666, #7B8064 and #646F80

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #826666 shade: #826666, #648064 and #646480

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #826666 shade: #826666, #7B8064, #648080 and #6A6480

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #826666 shade: #826666, #728064, #648080 and #726480

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 22 / 49

HEX #826666

RGB 130 102 102

HSL 0, 0.12%, 0.45%

LAB 45.92, 11.22, 4.29

 

Complementary color

CMYK 18 / 0 / 0 / 40

HEX #7D9999

RGB 125 153 153

HSL 180, 0.12%, 0.55%

LAB 61.17, -9.73, -3.26

 

CMYK 0 / 24 / 28 / 47

HEX #876661

RGB 135 102 97

HSL 7.89, 0.16%, 0.45%

LAB 46.33, 12.48, 7.96

 

CMYK 0 / 21 / 24 / 40

HEX #987874

RGB 152 120 116

HSL 6.67, 0.15%, 0.53%

LAB 53.35, 11.82, 6.94

 

CMYK 0 / 18 / 20 / 34

HEX #A98A87

RGB 169 138 135

HSL 5.29, 0.17%, 0.6%

LAB 60.21, 11.26, 6.03

 

CMYK 0 / 16 / 17 / 27

HEX #BA9C9A

RGB 186 156 154

HSL 3.75, 0.19%, 0.67%

LAB 66.94, 10.76, 5.18

 

CMYK 0 / 14 / 15 / 20

HEX #CBAEAD

RGB 203 174 173

HSL 2, 0.22%, 0.74%

LAB 73.54, 10.32, 4.39

 

CMYK 0 / 22 / 22 / 49

HEX #826666

RGB 130 102 102

HSL 0, 0.12%, 0.45%

LAB 45.92, 11.22, 4.29

 

CMYK 0 / 26 / 27 / 56

HEX #715453

RGB 113 84 83

HSL 2, 0.15%, 0.38%

LAB 38.68, 11.89, 5.27

 

CMYK 0 / 31 / 33 / 62

HEX #604240

RGB 96 66 64

HSL 3.75, 0.2%, 0.31%

LAB 31.24, 12.71, 6.42

 

CMYK 0 / 39 / 43 / 69

HEX #4F302D

RGB 79 48 45

HSL 5.29, 0.27%, 0.24%

LAB 23.56, 13.73, 7.81

 

CMYK 0 / 52 / 58 / 76

HEX #3E1E1A

RGB 62 30 26

HSL 6.67, 0.41%, 0.17%

LAB 15.63, 15.04, 9.66

 

CMYK 0 / 22 / 22 / 50

HEX #806464

RGB 128 100 100

HSL 0, 0.12%, 0.45%

LAB 45.11, 11.26, 4.31

 

CMYK 0 / 22 / 22 / 50

HEX #806464

RGB 128 100 100

HSL 0, 0.12%, 0.45%

LAB 45.11, 11.26, 4.31

 

CMYK 0 / 16 / 22 / 50

HEX #806C64

RGB 128 108 100

HSL 17.14, 0.12%, 0.45%

LAB 47.28, 6.53, 7.4

 

CMYK 0 / 10 / 22 / 50

HEX #807364

RGB 128 115 100

HSL 32.14, 0.12%, 0.45%

LAB 49.22, 2.43, 10.14

 

CMYK 0 / 4 / 22 / 50

HEX #807B64

RGB 128 123 100

HSL 49.29, 0.12%, 0.45%

LAB 51.47, -2.17, 13.28

 

CMYK 2 / 0 / 22 / 50

HEX #7E8064

RGB 126 128 100

HSL 64.29, 0.12%, 0.45%

LAB 52.72, -5.81, 14.99

 

CMYK 0 / 22 / 22 / 50

HEX #806464

RGB 128 100 100

HSL 0, 0.12%, 0.45%

LAB 45.11, 11.26, 4.31

 

CMYK 0 / 44 / 44 / 42

HEX #935252

RGB 147 82 82

HSL 0, 0.28%, 0.45%

LAB 42.53, 27.04, 11.94

 

CMYK 0 / 62 / 62 / 35

HEX #A53F3F

RGB 165 63 63

HSL 0, 0.45%, 0.45%

LAB 41.08, 42.12, 22.12

 

CMYK 0 / 76 / 76 / 28

HEX #B82D2D

RGB 184 45 45

HSL 0, 0.61%, 0.45%

LAB 41.62, 54.76, 34.38

 

CMYK 0 / 87 / 87 / 21

HEX #CA1A1A

RGB 202 26 26

HSL 0, 0.77%, 0.45%

LAB 43.32, 64.32, 47.43

 

CMYK 0 / 22 / 22 / 50

HEX #806464

RGB 128 100 100

HSL 0, 0.12%, 0.45%

LAB 45.11, 11.26, 4.31

 

CMYK 8 / 0 / 0 / 53

HEX #6D7777

RGB 109 119 119

HSL 180, 0.04%, 0.45%

LAB 49.22, -3.73, -1.29

 

CMYK 34 / 0 / 0 / 46

HEX #5B8A8A

RGB 91 138 138

HSL 180, 0.21%, 0.45%

LAB 54.28, -15.84, -5.08

 

CMYK 54 / 0 / 0 / 39

HEX #489C9C

RGB 72 156 156

HSL 180, 0.37%, 0.45%

LAB 59.48, -25.21, -7.75

 

CMYK 69 / 0 / 0 / 31

HEX #36AFAF

RGB 54 175 175

HSL 180, 0.53%, 0.45%

LAB 65.39, -32.22, -9.67

 

CMYK 0 / 22 / 10 / 50

HEX #806473

RGB 128 100 115

HSL 327.86, 0.12%, 0.45%

LAB 45.55, 13.91, -4.11

 

CMYK 0 / 22 / 16 / 50

HEX #80646C

RGB 128 100 108

HSL 342.86, 0.12%, 0.45%

LAB 45.34, 12.63, -0.2

 

CMYK 0 / 22 / 22 / 50

HEX #806464

RGB 128 100 100

HSL 0, 0.12%, 0.45%

LAB 45.11, 11.26, 4.31

 

CMYK 0 / 16 / 22 / 50

HEX #806C64

RGB 128 108 100

HSL 17.14, 0.12%, 0.45%

LAB 47.28, 6.53, 7.4

 

CMYK 0 / 10 / 22 / 50

HEX #807364

RGB 128 115 100

HSL 32.14, 0.12%, 0.45%

LAB 49.22, 2.43, 10.14

 

CMYK 0 / 22 / 22 / 68

HEX #524040

RGB 82 64 64

HSL 0, 0.12%, 0.29%

LAB 28.98, 7.8, 2.97

 

CMYK 0 / 22 / 22 / 59

HEX #695252

RGB 105 82 82

HSL 0, 0.12%, 0.37%

LAB 37.2, 9.57, 3.65

 

CMYK 0 / 22 / 22 / 50

HEX #806464

RGB 128 100 100

HSL 0, 0.12%, 0.45%

LAB 45.11, 11.26, 4.31

 

CMYK 0 / 19 / 19 / 42

HEX #957979

RGB 149 121 121

HSL 0, 0.12%, 0.53%

LAB 53.43, 10.86, 4.1

 

CMYK 0 / 14 / 14 / 35

HEX #A79090

RGB 167 144 144

HSL 0, 0.12%, 0.61%

LAB 61.81, 8.6, 3.17

 

CMYK 0 / 22 / 22 / 49

HEX #826666

RGB 130 102 102

HSL 0, 0.12%, 0.45%

LAB 45.92, 11.22, 4.29

 

CMYK 4 / 0 / 22 / 50

HEX #7B8064

RGB 123 128 100

HSL 70.71, 0.12%, 0.45%

LAB 52.47, -7.02, 14.61

 

CMYK 22 / 13 / 0 / 50

HEX #646F80

RGB 100 111 128

HSL 216.43, 0.12%, 0.45%

LAB 46.49, -0.16, -10.77

 

CMYK 0 / 22 / 22 / 49

HEX #826666

RGB 130 102 102

HSL 0, 0.12%, 0.45%

LAB 45.92, 11.22, 4.29

 

CMYK 22 / 0 / 22 / 50

HEX #648064

RGB 100 128 100

HSL 120, 0.12%, 0.45%

LAB 50.77, -15.94, 11.98

 

CMYK 22 / 22 / 0 / 50

HEX #646480

RGB 100 100 128

HSL 240, 0.12%, 0.45%

LAB 43.33, 6.47, -15.56

 

CMYK 0 / 22 / 22 / 49

HEX #826666

RGB 130 102 102

HSL 0, 0.12%, 0.45%

LAB 45.92, 11.22, 4.29

 

CMYK 4 / 0 / 22 / 50

HEX #7B8064

RGB 123 128 100

HSL 70.71, 0.12%, 0.45%

LAB 52.47, -7.02, 14.61

 

CMYK 22 / 0 / 0 / 50

HEX #648080

RGB 100 128 128

HSL 180, 0.12%, 0.45%

LAB 51.5, -9.96, -3.3

 

CMYK 17 / 22 / 0 / 50

HEX #6A6480

RGB 106 100 128

HSL 252.86, 0.12%, 0.45%

LAB 43.85, 8.54, -14.72

 

CMYK 0 / 22 / 22 / 49

HEX #826666

RGB 130 102 102

HSL 0, 0.12%, 0.45%

LAB 45.92, 11.22, 4.29

 

CMYK 11 / 0 / 22 / 50

HEX #728064

RGB 114 128 100

HSL 90, 0.12%, 0.45%

LAB 51.76, -10.6, 13.52

 

CMYK 22 / 0 / 0 / 50

HEX #648080

RGB 100 128 128

HSL 180, 0.12%, 0.45%

LAB 51.5, -9.96, -3.3

 

CMYK 11 / 22 / 0 / 50

HEX #726480

RGB 114 100 128

HSL 270, 0.12%, 0.45%

LAB 44.59, 11.38, -13.53

 

Description

Color code: HEX #826666 | qconv.com Color code: HEX #826666 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 102 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 102 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 22 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 22% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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