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Color name
HEX #825D11

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #825D11 it is the complementary color #7DA2EE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #825D11. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #825D11 shade: #875D0C, #986F1F, #A98132, #BA9345 and #CBA558

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #825D11. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #825D11 shade: #825D11, #714B00, #603900, #4F2700 and #3E1500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #825D11 shade: #825D11, #823E11, #822011 and #821111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #825D11 shade: #825D11, #827C11, #6A8211, #4C8211 and #2D8211

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #825D11 shade matches the following richer shades: #825D11 and #8E6105

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #825D11 shade: #825D11, #76591C, #6A5528, #5E5134 and #534D40

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #825D11 shade: #822011, #823E11, #825C11, #827B11 and #6C8211

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #825D11 shade: #392907, #5E430C, #825D11, #A77715 and #CB911A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #825D11 shade: #825D11, #208211 and #2F1182

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #825D11 shade: #825D11, #11825C and #5C1182

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #825D11 shade: #825D11, #208211, #113682 and #731182

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #825D11 shade: #825D11, #118223, #113682 and #82116F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 87 / 49

HEX #825D11

RGB 130 93 17

HSL 40.35, 0.77%, 0.29%

LAB 42.18, 8.31, 45.27

 

Complementary color

CMYK 47 / 32 / 0 / 7

HEX #7DA2EE

RGB 125 162 238

HSL 220.35, 0.77%, 0.71%

LAB 66.8, 7.54, -42.09

 

CMYK 0 / 31 / 91 / 47

HEX #875D0C

RGB 135 93 12

HSL 39.51, 0.84%, 0.29%

LAB 42.77, 10.55, 47.51

 

CMYK 0 / 27 / 80 / 40

HEX #986F1F

RGB 152 111 31

HSL 39.67, 0.66%, 0.36%

LAB 49.67, 8.68, 47.85

 

CMYK 0 / 24 / 70 / 34

HEX #A98132

RGB 169 129 50

HSL 39.83, 0.54%, 0.43%

LAB 56.45, 7.16, 47.1

 

CMYK 0 / 21 / 63 / 27

HEX #BA9345

RGB 186 147 69

HSL 40, 0.46%, 0.5%

LAB 63.12, 5.9, 45.94

 

CMYK 0 / 19 / 57 / 20

HEX #CBA558

RGB 203 165 88

HSL 40.17, 0.53%, 0.57%

LAB 69.69, 4.85, 44.65

 

CMYK 0 / 28 / 87 / 49

HEX #825D11

RGB 130 93 17

HSL 40.35, 0.77%, 0.29%

LAB 42.18, 8.31, 45.27

 

CMYK 0 / 34 / 100 / 56

HEX #714B00

RGB 113 75 0

HSL 39.82, 1%, 0.22%

LAB 35.09, 10.41, 44.11

 

CMYK 0 / 41 / 100 / 62

HEX #603900

RGB 96 57 0

HSL 35.63, 1%, 0.19%

LAB 27.88, 13.07, 37.86

 

CMYK 0 / 51 / 100 / 69

HEX #4F2700

RGB 79 39 0

HSL 29.62, 1%, 0.15%

LAB 20.49, 15.9, 29.71

 

CMYK 0 / 66 / 100 / 76

HEX #3E1500

RGB 62 21 0

HSL 20.32, 1%, 0.12%

LAB 12.99, 18.72, 19.78

 

CMYK 0 / 28 / 87 / 49

HEX #825D11

RGB 130 93 17

HSL 40.35, 0.77%, 0.29%

LAB 42.18, 8.31, 45.27

 

CMYK 0 / 52 / 87 / 49

HEX #823E11

RGB 130 62 17

HSL 23.89, 0.77%, 0.29%

LAB 34.46, 26.38, 38.66

 

CMYK 0 / 75 / 87 / 49

HEX #822011

RGB 130 32 17

HSL 7.96, 0.77%, 0.29%

LAB 28.95, 40.89, 33.8

 

CMYK 0 / 87 / 87 / 49

HEX #821111

RGB 130 17 17

HSL 0, 0.77%, 0.29%

LAB 27.26, 45.63, 32.28

 

CMYK 0 / 28 / 87 / 49

HEX #825D11

RGB 130 93 17

HSL 40.35, 0.77%, 0.29%

LAB 42.18, 8.31, 45.27

 

CMYK 0 / 5 / 87 / 49

HEX #827C11

RGB 130 124 17

HSL 56.81, 0.77%, 0.29%

LAB 50.92, -9.45, 52.61

 

CMYK 18 / 0 / 87 / 49

HEX #6A8211

RGB 106 130 17

HSL 72.74, 0.77%, 0.29%

LAB 50.77, -23.56, 51.7

 

CMYK 42 / 0 / 87 / 49

HEX #4C8211

RGB 76 130 17

HSL 88.67, 0.77%, 0.29%

LAB 48.94, -35.76, 49.39

 

CMYK 65 / 0 / 87 / 49

HEX #2D8211

RGB 45 130 17

HSL 105.13, 0.77%, 0.29%

LAB 47.71, -45.3, 47.83

 

CMYK 0 / 28 / 87 / 49

HEX #825D11

RGB 130 93 17

HSL 40.35, 0.77%, 0.29%

LAB 42.18, 8.31, 45.27

 

CMYK 0 / 32 / 96 / 44

HEX #8E6105

RGB 142 97 5

HSL 40.29, 0.93%, 0.29%

LAB 44.68, 11.39, 51.05

 

CMYK 0 / 28 / 87 / 49

HEX #825D11

RGB 130 93 17

HSL 40.35, 0.77%, 0.29%

LAB 42.18, 8.31, 45.27

 

CMYK 0 / 25 / 76 / 54

HEX #76591C

RGB 118 89 28

HSL 40.67, 0.62%, 0.29%

LAB 39.72, 5.37, 38.14

 

CMYK 0 / 20 / 62 / 58

HEX #6A5528

RGB 106 85 40

HSL 40.91, 0.45%, 0.29%

LAB 37.32, 2.8, 29.1

 

CMYK 0 / 14 / 45 / 63

HEX #5E5134

RGB 94 81 52

HSL 41.43, 0.29%, 0.29%

LAB 35.03, 0.79, 19.03

 

CMYK 0 / 7 / 23 / 67

HEX #534D40

RGB 83 77 64

HSL 41.05, 0.13%, 0.29%

LAB 32.96, 0.02, 8.62

 

CMYK 0 / 75 / 87 / 49

HEX #822011

RGB 130 32 17

HSL 7.96, 0.77%, 0.29%

LAB 28.95, 40.89, 33.8

 

CMYK 0 / 52 / 87 / 49

HEX #823E11

RGB 130 62 17

HSL 23.89, 0.77%, 0.29%

LAB 34.46, 26.38, 38.66

 

CMYK 0 / 29 / 87 / 49

HEX #825C11

RGB 130 92 17

HSL 39.82, 0.77%, 0.29%

LAB 41.91, 8.9, 45.05

 

CMYK 0 / 5 / 87 / 49

HEX #827B11

RGB 130 123 17

HSL 56.28, 0.77%, 0.29%

LAB 50.63, -8.9, 52.37

 

CMYK 17 / 0 / 87 / 49

HEX #6C8211

RGB 108 130 17

HSL 71.68, 0.77%, 0.29%

LAB 50.91, -22.69, 51.88

 

CMYK 0 / 28 / 88 / 78

HEX #392907

RGB 57 41 7

HSL 40.8, 0.78%, 0.13%

LAB 17.79, 3.43, 22.87

 

CMYK 0 / 29 / 87 / 63

HEX #5E430C

RGB 94 67 12

HSL 40.24, 0.77%, 0.21%

LAB 30.45, 6.22, 35.15

 

CMYK 0 / 28 / 87 / 49

HEX #825D11

RGB 130 93 17

HSL 40.35, 0.77%, 0.29%

LAB 42.18, 8.31, 45.27

 

CMYK 0 / 29 / 87 / 35

HEX #A77715

RGB 167 119 21

HSL 40.27, 0.78%, 0.37%

LAB 53.45, 10.71, 55.21

 

CMYK 0 / 29 / 87 / 20

HEX #CB911A

RGB 203 145 26

HSL 40.34, 0.77%, 0.45%

LAB 64.18, 12.58, 64.26

 

CMYK 0 / 28 / 87 / 49

HEX #825D11

RGB 130 93 17

HSL 40.35, 0.77%, 0.29%

LAB 42.18, 8.31, 45.27

 

CMYK 75 / 0 / 87 / 49

HEX #208211

RGB 32 130 17

HSL 112.04, 0.77%, 0.29%

LAB 47.38, -48.04, 47.42

 

CMYK 64 / 87 / 0 / 49

HEX #2F1182

RGB 47 17 130

HSL 255.93, 0.77%, 0.29%

LAB 18.44, 43.79, -56.79

 

CMYK 0 / 28 / 87 / 49

HEX #825D11

RGB 130 93 17

HSL 40.35, 0.77%, 0.29%

LAB 42.18, 8.31, 45.27

 

CMYK 87 / 0 / 29 / 49

HEX #11825C

RGB 17 130 92

HSL 159.82, 0.77%, 0.29%

LAB 48.08, -39.02, 12.39

 

CMYK 29 / 87 / 0 / 49

HEX #5C1182

RGB 92 17 130

HSL 279.82, 0.77%, 0.29%

LAB 24.6, 49.84, -46.45

 

CMYK 0 / 28 / 87 / 49

HEX #825D11

RGB 130 93 17

HSL 40.35, 0.77%, 0.29%

LAB 42.18, 8.31, 45.27

 

CMYK 75 / 0 / 87 / 49

HEX #208211

RGB 32 130 17

HSL 112.04, 0.77%, 0.29%

LAB 47.38, -48.04, 47.42

 

CMYK 87 / 58 / 0 / 49

HEX #113682

RGB 17 54 130

HSL 220.35, 0.77%, 0.29%

LAB 24.86, 18.22, -46.32

 

CMYK 12 / 87 / 0 / 49

HEX #731182

RGB 115 17 130

HSL 292.04, 0.77%, 0.29%

LAB 28.53, 53.91, -39.89

 

CMYK 0 / 28 / 87 / 49

HEX #825D11

RGB 130 93 17

HSL 40.35, 0.77%, 0.29%

LAB 42.18, 8.31, 45.27

 

CMYK 87 / 0 / 73 / 49

HEX #118223

RGB 17 130 35

HSL 129.56, 0.77%, 0.29%

LAB 47.24, -48.85, 41.09

 

CMYK 87 / 58 / 0 / 49

HEX #113682

RGB 17 54 130

HSL 220.35, 0.77%, 0.29%

LAB 24.86, 18.22, -46.32

 

CMYK 0 / 87 / 15 / 49

HEX #82116F

RGB 130 17 111

HSL 310.09, 0.77%, 0.29%

LAB 30.14, 53.84, -25.11

 

Description

Color code: HEX #825D11 | qconv.com Color code: HEX #825D11 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 93 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 93 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 87 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 87% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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