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Color name
HEX #825C10

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #825C10 it is the complementary color #7DA3EF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #825C10. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #825C10 shade: #875C0B, #986E1E, #A98031, #BA9244 and #CBA457

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #825C10. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #825C10 shade: #825C10, #714A00, #603800, #4F2600 and #3E1400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #825C10 shade: #835D10, #833E10, #831E10 and #831010

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #825C10 shade: #835D10, #837C10, #6B8310, #4C8310 and #2D8310

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #825C10 shade matches the following richer shades: #835D10 and #8F6104

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #825C10 shade: #835D10, #77591C, #6B5528, #5F5134 and #534D40

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #825C10 shade: #831F10, #833E10, #835D10, #837B10 and #6C8310

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #825C10 shade: #3A2907, #5E430B, #835D10, #A87714 and #CD9119

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #825C10 shade: #825C10, #1F8310 and #2F1083

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #825C10 shade: #825C10, #10835D and #5D1083

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #825C10 shade: #825C10, #1F8310, #103683 and #741083

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #825C10 shade: #825C10, #108323, #103683 and #831070

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 88 / 49

HEX #825C10

RGB 130 92 16

HSL 40, 0.78%, 0.29%

LAB 41.9, 8.87, 45.37

 

Complementary color

CMYK 48 / 32 / 0 / 6

HEX #7DA3EF

RGB 125 163 239

HSL 220, 0.78%, 0.71%

LAB 67.12, 7.26, -42.14

 

CMYK 0 / 32 / 92 / 47

HEX #875C0B

RGB 135 92 11

HSL 39.19, 0.85%, 0.29%

LAB 42.5, 11.12, 47.57

 

CMYK 0 / 28 / 80 / 40

HEX #986E1E

RGB 152 110 30

HSL 39.34, 0.67%, 0.36%

LAB 49.4, 9.22, 47.99

 

CMYK 0 / 24 / 71 / 34

HEX #A98031

RGB 169 128 49

HSL 39.5, 0.55%, 0.43%

LAB 56.18, 7.66, 47.27

 

CMYK 0 / 22 / 63 / 27

HEX #BA9244

RGB 186 146 68

HSL 39.66, 0.46%, 0.5%

LAB 62.86, 6.38, 46.12

 

CMYK 0 / 19 / 57 / 20

HEX #CBA457

RGB 203 164 87

HSL 39.83, 0.53%, 0.57%

LAB 69.42, 5.31, 44.83

 

CMYK 0 / 29 / 88 / 49

HEX #825C10

RGB 130 92 16

HSL 40, 0.78%, 0.29%

LAB 41.9, 8.87, 45.37

 

CMYK 0 / 35 / 100 / 56

HEX #714A00

RGB 113 74 0

HSL 39.29, 1%, 0.22%

LAB 34.82, 11.01, 43.93

 

CMYK 0 / 42 / 100 / 62

HEX #603800

RGB 96 56 0

HSL 35, 1%, 0.19%

LAB 27.61, 13.69, 37.64

 

CMYK 0 / 52 / 100 / 69

HEX #4F2600

RGB 79 38 0

HSL 28.86, 1%, 0.15%

LAB 20.24, 16.52, 29.43

 

CMYK 0 / 68 / 100 / 76

HEX #3E1400

RGB 62 20 0

HSL 19.35, 1%, 0.12%

LAB 12.76, 19.31, 19.48

 

CMYK 0 / 29 / 88 / 49

HEX #835D10

RGB 131 93 16

HSL 40.17, 0.78%, 0.29%

LAB 42.29, 8.75, 45.74

 

CMYK 0 / 53 / 88 / 49

HEX #833E10

RGB 131 62 16

HSL 24, 0.78%, 0.29%

LAB 34.62, 26.78, 39.27

 

CMYK 0 / 77 / 88 / 49

HEX #831E10

RGB 131 30 16

HSL 7.3, 0.78%, 0.29%

LAB 28.88, 41.95, 34.34

 

CMYK 0 / 88 / 88 / 49

HEX #831010

RGB 131 16 16

HSL 0, 0.78%, 0.29%

LAB 27.39, 46.14, 33.03

 

CMYK 0 / 29 / 88 / 49

HEX #835D10

RGB 131 93 16

HSL 40.17, 0.78%, 0.29%

LAB 42.29, 8.75, 45.74

 

CMYK 0 / 5 / 88 / 49

HEX #837C10

RGB 131 124 16

HSL 56.35, 0.78%, 0.29%

LAB 51.01, -9.01, 52.97

 

CMYK 18 / 0 / 88 / 49

HEX #6B8310

RGB 107 131 16

HSL 72.52, 0.78%, 0.29%

LAB 51.15, -23.66, 52.29

 

CMYK 42 / 0 / 88 / 49

HEX #4C8310

RGB 76 131 16

HSL 88.7, 0.78%, 0.29%

LAB 49.26, -36.24, 49.93

 

CMYK 66 / 0 / 88 / 49

HEX #2D8310

RGB 45 131 16

HSL 104.87, 0.78%, 0.29%

LAB 48.04, -45.71, 48.39

 

CMYK 0 / 29 / 88 / 49

HEX #835D10

RGB 131 93 16

HSL 40.17, 0.78%, 0.29%

LAB 42.29, 8.75, 45.74

 

CMYK 0 / 32 / 97 / 44

HEX #8F6104

RGB 143 97 4

HSL 40.14, 0.95%, 0.29%

LAB 44.8, 11.84, 51.44

 

CMYK 0 / 29 / 88 / 49

HEX #835D10

RGB 131 93 16

HSL 40.17, 0.78%, 0.29%

LAB 42.29, 8.75, 45.74

 

CMYK 0 / 25 / 76 / 53

HEX #77591C

RGB 119 89 28

HSL 40.22, 0.62%, 0.29%

LAB 39.83, 5.85, 38.3

 

CMYK 0 / 21 / 63 / 58

HEX #6B5528

RGB 107 85 40

HSL 40.3, 0.46%, 0.29%

LAB 37.44, 3.28, 29.26

 

CMYK 0 / 15 / 45 / 63

HEX #5F5134

RGB 95 81 52

HSL 40.47, 0.29%, 0.29%

LAB 35.13, 1.26, 19.19

 

CMYK 0 / 7 / 23 / 67

HEX #534D40

RGB 83 77 64

HSL 41.05, 0.13%, 0.29%

LAB 32.96, 0.02, 8.62

 

CMYK 0 / 76 / 88 / 49

HEX #831F10

RGB 131 31 16

HSL 7.83, 0.78%, 0.29%

LAB 29.01, 41.58, 34.45

 

CMYK 0 / 53 / 88 / 49

HEX #833E10

RGB 131 62 16

HSL 24, 0.78%, 0.29%

LAB 34.62, 26.78, 39.27

 

CMYK 0 / 29 / 88 / 49

HEX #835D10

RGB 131 93 16

HSL 40.17, 0.78%, 0.29%

LAB 42.29, 8.75, 45.74

 

CMYK 0 / 6 / 88 / 49

HEX #837B10

RGB 131 123 16

HSL 55.83, 0.78%, 0.29%

LAB 50.72, -8.46, 52.73

 

CMYK 18 / 0 / 88 / 49

HEX #6C8310

RGB 108 131 16

HSL 72, 0.78%, 0.29%

LAB 51.22, -23.22, 52.38

 

CMYK 0 / 29 / 88 / 77

HEX #3A2907

RGB 58 41 7

HSL 40, 0.78%, 0.13%

LAB 17.92, 3.98, 23.06

 

CMYK 0 / 29 / 88 / 63

HEX #5E430B

RGB 94 67 11

HSL 40.48, 0.79%, 0.21%

LAB 30.44, 6.19, 35.53

 

CMYK 0 / 29 / 88 / 49

HEX #835D10

RGB 131 93 16

HSL 40.17, 0.78%, 0.29%

LAB 42.29, 8.75, 45.74

 

CMYK 0 / 29 / 88 / 34

HEX #A87714

RGB 168 119 20

HSL 40.14, 0.79%, 0.37%

LAB 53.57, 11.14, 55.63

 

CMYK 0 / 29 / 88 / 20

HEX #CD9119

RGB 205 145 25

HSL 40, 0.78%, 0.45%

LAB 64.4, 13.44, 64.8

 

CMYK 0 / 29 / 88 / 49

HEX #825C10

RGB 130 92 16

HSL 40, 0.78%, 0.29%

LAB 41.9, 8.87, 45.37

 

CMYK 76 / 0 / 88 / 49

HEX #1F8310

RGB 31 131 16

HSL 112.17, 0.78%, 0.29%

LAB 47.7, -48.6, 47.96

 

CMYK 64 / 88 / 0 / 49

HEX #2F1083

RGB 47 16 131

HSL 256.17, 0.78%, 0.29%

LAB 18.42, 44.47, -57.45

 

CMYK 0 / 29 / 88 / 49

HEX #825C10

RGB 130 92 16

HSL 40, 0.78%, 0.29%

LAB 41.9, 8.87, 45.37

 

CMYK 88 / 0 / 29 / 49

HEX #10835D

RGB 16 131 93

HSL 160.17, 0.78%, 0.29%

LAB 48.43, -39.28, 12.3

 

CMYK 29 / 88 / 0 / 49

HEX #5D1083

RGB 93 16 131

HSL 280.17, 0.78%, 0.29%

LAB 24.75, 50.5, -46.82

 

CMYK 0 / 29 / 88 / 49

HEX #825C10

RGB 130 92 16

HSL 40, 0.78%, 0.29%

LAB 41.9, 8.87, 45.37

 

CMYK 76 / 0 / 88 / 49

HEX #1F8310

RGB 31 131 16

HSL 112.17, 0.78%, 0.29%

LAB 47.7, -48.6, 47.96

 

CMYK 88 / 59 / 0 / 49

HEX #103683

RGB 16 54 131

HSL 220.17, 0.78%, 0.29%

LAB 24.91, 18.56, -46.86

 

CMYK 11 / 88 / 0 / 49

HEX #741083

RGB 116 16 131

HSL 292.17, 0.78%, 0.29%

LAB 28.7, 54.51, -40.24

 

CMYK 0 / 29 / 88 / 49

HEX #825C10

RGB 130 92 16

HSL 40, 0.78%, 0.29%

LAB 41.9, 8.87, 45.37

 

CMYK 88 / 0 / 73 / 49

HEX #108323

RGB 16 131 35

HSL 129.91, 0.78%, 0.29%

LAB 47.58, -49.28, 41.44

 

CMYK 88 / 59 / 0 / 49

HEX #103683

RGB 16 54 131

HSL 220.17, 0.78%, 0.29%

LAB 24.91, 18.56, -46.86

 

CMYK 0 / 88 / 15 / 49

HEX #831070

RGB 131 16 112

HSL 309.91, 0.78%, 0.29%

LAB 30.32, 54.42, -25.46

 

Description

Color code: HEX #825C10 | qconv.com Color code: HEX #825C10 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 92 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 92 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 88 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 88% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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