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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8252BA it is the complementary color #7DAD45. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8252BA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8252BA shade: #8752B5, #9864C8, #A976DB, #BA88EE and #CB9AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8252BA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8252BA shade: #8252BA, #7140A7, #602E94, #4F1C81 and #3E0A6E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8252BA shade: #8353BA, #9E53BA, #BA53BA, #BA539E and #BA5383

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8252BA shade: #8353BA, #6753BA and #5353BA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8252BA shade matches the following richer shades: #8353BA, #8140CE, #802CE1 and #7E19F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8252BA shade: #8353BA, #8467A7, #867A93, #878D80 and #89A16D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8252BA shade: #535CBA, #6653BA, #8153BA, #9D53BA and #B853BA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8252BA shade: #5A3586, #6E41A3, #8353BA, #9871C6 and #AD8ED2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8252BA shade: #8252BA, #BA5377 and #53BA58

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8252BA shade: #8252BA, #BA8153 and #53BA81

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8252BA shade: #8252BA, #BA5377, #8CBA53 and #53BA96

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8252BA shade: #8252BA, #BA5358, #8CBA53 and #53BAB5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 56 / 0 / 27

HEX #8252BA

RGB 130 82 186

HSL 267.69, 0.43%, 0.53%

LAB 44.7, 41.06, -47.68

 

Complementary color

CMYK 28 / 0 / 60 / 32

HEX #7DAD45

RGB 125 173 69

HSL 87.69, 0.43%, 0.47%

LAB 65.5, -33.18, 47.27

 

CMYK 25 / 55 / 0 / 29

HEX #8752B5

RGB 135 82 181

HSL 272.12, 0.4%, 0.52%

LAB 44.97, 41.13, -44.28

 

CMYK 24 / 50 / 0 / 22

HEX #9864C8

RGB 152 100 200

HSL 271.2, 0.48%, 0.59%

LAB 51.79, 40.21, -44.33

 

CMYK 23 / 46 / 0 / 14

HEX #A976DB

RGB 169 118 219

HSL 270.3, 0.58%, 0.66%

LAB 58.51, 39.33, -44.35

 

CMYK 22 / 43 / 0 / 7

HEX #BA88EE

RGB 186 136 238

HSL 269.41, 0.75%, 0.73%

LAB 65.14, 38.48, -44.37

 

CMYK 20 / 40 / 0 / 0

HEX #CB9AFF

RGB 203 154 255

HSL 269.11, 1%, 0.8%

LAB 71.57, 37.24, -43.45

 

CMYK 30 / 56 / 0 / 27

HEX #8252BA

RGB 130 82 186

HSL 267.69, 0.43%, 0.53%

LAB 44.7, 41.06, -47.68

 

CMYK 32 / 62 / 0 / 35

HEX #7140A7

RGB 113 64 167

HSL 268.54, 0.45%, 0.45%

LAB 37.78, 42.04, -47.66

 

CMYK 35 / 69 / 0 / 42

HEX #602E94

RGB 96 46 148

HSL 269.41, 0.53%, 0.38%

LAB 30.83, 42.89, -47.49

 

CMYK 39 / 78 / 0 / 49

HEX #4F1C81

RGB 79 28 129

HSL 270.3, 0.64%, 0.31%

LAB 23.93, 43.33, -47

 

CMYK 44 / 91 / 0 / 57

HEX #3E0A6E

RGB 62 10 110

HSL 271.2, 0.83%, 0.24%

LAB 17.31, 42.65, -45.75

 

CMYK 30 / 55 / 0 / 27

HEX #8353BA

RGB 131 83 186

HSL 267.96, 0.43%, 0.53%

LAB 45.02, 40.76, -47.15

 

CMYK 15 / 55 / 0 / 27

HEX #9E53BA

RGB 158 83 186

HSL 283.69, 0.43%, 0.53%

LAB 48.26, 47.82, -41.8

 

CMYK 0 / 55 / 0 / 27

HEX #BA53BA

RGB 186 83 186

HSL 300, 0.43%, 0.53%

LAB 52.03, 55.35, -35.61

 

CMYK 0 / 55 / 15 / 27

HEX #BA539E

RGB 186 83 158

HSL 316.31, 0.43%, 0.53%

LAB 50.8, 50.67, -21.15

 

CMYK 0 / 55 / 30 / 27

HEX #BA5383

RGB 186 83 131

HSL 332.04, 0.43%, 0.53%

LAB 49.82, 46.77, -6.58

 

CMYK 30 / 55 / 0 / 27

HEX #8353BA

RGB 131 83 186

HSL 267.96, 0.43%, 0.53%

LAB 45.02, 40.76, -47.15

 

CMYK 45 / 55 / 0 / 27

HEX #6753BA

RGB 103 83 186

HSL 251.65, 0.43%, 0.53%

LAB 42.18, 33.95, -51.87

 

CMYK 55 / 55 / 0 / 27

HEX #5353BA

RGB 83 83 186

HSL 240, 0.43%, 0.53%

LAB 40.53, 29.66, -54.62

 

CMYK 30 / 55 / 0 / 27

HEX #8353BA

RGB 131 83 186

HSL 267.96, 0.43%, 0.53%

LAB 45.02, 40.76, -47.15

 

CMYK 37 / 69 / 0 / 19

HEX #8140CE

RGB 129 64 206

HSL 267.46, 0.59%, 0.53%

LAB 42.45, 55.2, -62.93

 

CMYK 43 / 80 / 0 / 12

HEX #802CE1

RGB 128 44 225

HSL 267.85, 0.75%, 0.53%

LAB 40.94, 67.92, -76.3

 

CMYK 48 / 90 / 0 / 4

HEX #7E19F4

RGB 126 25 244

HSL 267.67, 0.91%, 0.53%

LAB 40.67, 77.27, -87.52

 

CMYK 30 / 55 / 0 / 27

HEX #8353BA

RGB 131 83 186

HSL 267.96, 0.43%, 0.53%

LAB 45.02, 40.76, -47.15

 

CMYK 21 / 38 / 0 / 35

HEX #8467A7

RGB 132 103 167

HSL 267.19, 0.27%, 0.53%

LAB 48.76, 24.78, -30.14

 

CMYK 9 / 17 / 0 / 42

HEX #867A93

RGB 134 122 147

HSL 268.8, 0.1%, 0.53%

LAB 53.05, 9.62, -11.82

 

CMYK 4 / 0 / 9 / 45

HEX #878D80

RGB 135 141 128

HSL 87.69, 0.05%, 0.53%

LAB 57.81, -4.71, 6.17

 

CMYK 15 / 0 / 32 / 37

HEX #89A16D

RGB 137 161 109

HSL 87.69, 0.22%, 0.53%

LAB 63.27, -17.85, 24.39

 

CMYK 55 / 51 / 0 / 27

HEX #535CBA

RGB 83 92 186

HSL 234.76, 0.43%, 0.53%

LAB 42.82, 24.01, -50.92

 

CMYK 45 / 55 / 0 / 27

HEX #6653BA

RGB 102 83 186

HSL 251.07, 0.43%, 0.53%

LAB 42.09, 33.72, -52.02

 

CMYK 31 / 55 / 0 / 27

HEX #8153BA

RGB 129 83 186

HSL 266.8, 0.43%, 0.53%

LAB 44.8, 40.25, -47.52

 

CMYK 16 / 55 / 0 / 27

HEX #9D53BA

RGB 157 83 186

HSL 283.11, 0.43%, 0.53%

LAB 48.13, 47.56, -42.01

 

CMYK 1 / 55 / 0 / 27

HEX #B853BA

RGB 184 83 186

HSL 298.83, 0.43%, 0.53%

LAB 51.75, 54.81, -36.07

 

CMYK 33 / 60 / 0 / 47

HEX #5A3586

RGB 90 53 134

HSL 267.41, 0.43%, 0.37%

LAB 30.5, 33.97, -39.42

 

CMYK 33 / 60 / 0 / 36

HEX #6E41A3

RGB 110 65 163

HSL 267.55, 0.43%, 0.45%

LAB 37.37, 39.74, -45.95

 

CMYK 30 / 55 / 0 / 27

HEX #8353BA

RGB 131 83 186

HSL 267.96, 0.43%, 0.53%

LAB 45.02, 40.76, -47.15

 

CMYK 23 / 43 / 0 / 22

HEX #9871C6

RGB 152 113 198

HSL 267.53, 0.43%, 0.61%

LAB 54.62, 32.4, -38.72

 

CMYK 18 / 32 / 0 / 18

HEX #AD8ED2

RGB 173 142 210

HSL 267.35, 0.43%, 0.69%

LAB 64.07, 24.96, -30.61

 

CMYK 30 / 56 / 0 / 27

HEX #8252BA

RGB 130 82 186

HSL 267.69, 0.43%, 0.53%

LAB 44.7, 41.06, -47.68

 

CMYK 0 / 55 / 36 / 27

HEX #BA5377

RGB 186 83 119

HSL 339.03, 0.43%, 0.53%

LAB 49.44, 45.26, 0.08

 

CMYK 55 / 0 / 53 / 27

HEX #53BA58

RGB 83 186 88

HSL 122.91, 0.43%, 0.53%

LAB 67.77, -50.01, 40.46

 

CMYK 30 / 56 / 0 / 27

HEX #8252BA

RGB 130 82 186

HSL 267.69, 0.43%, 0.53%

LAB 44.7, 41.06, -47.68

 

CMYK 0 / 31 / 55 / 27

HEX #BA8153

RGB 186 129 83

HSL 26.8, 0.43%, 0.53%

LAB 58.76, 16.92, 33.57

 

CMYK 55 / 0 / 31 / 27

HEX #53BA81

RGB 83 186 129

HSL 146.8, 0.43%, 0.53%

LAB 68.42, -43.13, 20.08

 

CMYK 30 / 56 / 0 / 27

HEX #8252BA

RGB 130 82 186

HSL 267.69, 0.43%, 0.53%

LAB 44.7, 41.06, -47.68

 

CMYK 0 / 55 / 36 / 27

HEX #BA5377

RGB 186 83 119

HSL 339.03, 0.43%, 0.53%

LAB 49.44, 45.26, 0.08

 

CMYK 25 / 0 / 55 / 27

HEX #8CBA53

RGB 140 186 83

HSL 86.8, 0.43%, 0.53%

LAB 70.4, -32.22, 46.64

 

CMYK 55 / 0 / 19 / 27

HEX #53BA96

RGB 83 186 150

HSL 159.03, 0.43%, 0.53%

LAB 68.87, -38.62, 9.31

 

CMYK 30 / 56 / 0 / 27

HEX #8252BA

RGB 130 82 186

HSL 267.69, 0.43%, 0.53%

LAB 44.7, 41.06, -47.68

 

CMYK 0 / 55 / 53 / 27

HEX #BA5358

RGB 186 83 88

HSL 357.09, 0.43%, 0.53%

LAB 48.67, 42.04, 17.65

 

CMYK 25 / 0 / 55 / 27

HEX #8CBA53

RGB 140 186 83

HSL 86.8, 0.43%, 0.53%

LAB 70.4, -32.22, 46.64

 

CMYK 55 / 0 / 3 / 27

HEX #53BAB5

RGB 83 186 181

HSL 177.09, 0.43%, 0.53%

LAB 69.68, -30.9, -6.52

 

Description

Color code: HEX #8252BA | qconv.com Color code: HEX #8252BA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 82 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 82 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 56 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 56% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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