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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8251B5 it is the complementary color #7DAE4A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8251B5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8251B5 shade: #8751B0, #9863C3, #A975D6, #BA87E9 and #CB99FC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8251B5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8251B5 shade: #8251B5, #713FA2, #602D8F, #4F1B7C and #3E0969

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8251B5 shade: #8150B4, #9C50B4, #B450B1, #B45096 and #B4507B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8251B5 shade: #8150B4, #6650B4 and #5050B4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8251B5 shade matches the following richer shades: #8150B4, #803BC8, #8027DC and #7F13F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8251B5 shade: #8150B4, #81649F, #81788B, #828C77 and #82A063

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8251B5 shade: #5055B4, #6550B4, #8050B4, #9B50B4 and #B450B2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8251B5 shade: #58357C, #6C4199, #8150B4, #956CC0 and #AA89CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8251B5 shade: #8251B5, #B4506F and #50B458

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8251B5 shade: #8251B5, #B48050 and #50B480

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8251B5 shade: #8251B5, #B4506F, #83B450 and #50B494

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8251B5 shade: #8251B5, #B45051, #83B450 and #50B4B2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 55 / 0 / 29

HEX #8251B5

RGB 130 81 181

HSL 269.4, 0.4%, 0.51%

LAB 44.19, 40.38, -45.57

 

Complementary color

CMYK 28 / 0 / 57 / 32

HEX #7DAE4A

RGB 125 174 74

HSL 89.4, 0.4%, 0.49%

LAB 65.85, -33.16, 45.36

 

CMYK 23 / 54 / 0 / 31

HEX #8751B0

RGB 135 81 176

HSL 274.11, 0.38%, 0.5%

LAB 44.48, 40.49, -42.14

 

CMYK 22 / 49 / 0 / 24

HEX #9863C3

RGB 152 99 195

HSL 273.13, 0.44%, 0.58%

LAB 51.31, 39.6, -42.22

 

CMYK 21 / 45 / 0 / 16

HEX #A975D6

RGB 169 117 214

HSL 272.16, 0.54%, 0.65%

LAB 58.05, 38.73, -42.27

 

CMYK 20 / 42 / 0 / 9

HEX #BA87E9

RGB 186 135 233

HSL 271.22, 0.69%, 0.72%

LAB 64.68, 37.9, -42.32

 

CMYK 19 / 39 / 0 / 1

HEX #CB99FC

RGB 203 153 252

HSL 270.3, 0.94%, 0.79%

LAB 71.22, 37.12, -42.38

 

CMYK 28 / 55 / 0 / 29

HEX #8251B5

RGB 130 81 181

HSL 269.4, 0.4%, 0.51%

LAB 44.19, 40.38, -45.57

 

CMYK 30 / 61 / 0 / 36

HEX #713FA2

RGB 113 63 162

HSL 270.3, 0.44%, 0.44%

LAB 37.25, 41.32, -45.52

 

CMYK 33 / 69 / 0 / 44

HEX #602D8F

RGB 96 45 143

HSL 271.22, 0.52%, 0.37%

LAB 30.27, 42.13, -45.32

 

CMYK 36 / 78 / 0 / 51

HEX #4F1B7C

RGB 79 27 124

HSL 272.16, 0.64%, 0.3%

LAB 23.34, 42.51, -44.79

 

CMYK 41 / 91 / 0 / 59

HEX #3E0969

RGB 62 9 105

HSL 273.13, 0.84%, 0.22%

LAB 16.7, 41.73, -43.48

 

CMYK 28 / 56 / 0 / 29

HEX #8150B4

RGB 129 80 180

HSL 269.4, 0.4%, 0.51%

LAB 43.8, 40.43, -45.61

 

CMYK 13 / 56 / 0 / 29

HEX #9C50B4

RGB 156 80 180

HSL 285.6, 0.4%, 0.51%

LAB 47.11, 47.57, -40.15

 

CMYK 0 / 56 / 2 / 29

HEX #B450B1

RGB 180 80 177

HSL 301.8, 0.4%, 0.51%

LAB 50.23, 53.53, -33.25

 

CMYK 0 / 56 / 17 / 29

HEX #B45096

RGB 180 80 150

HSL 318, 0.4%, 0.51%

LAB 49.06, 49.05, -19.15

 

CMYK 0 / 56 / 32 / 29

HEX #B4507B

RGB 180 80 123

HSL 334.2, 0.4%, 0.51%

LAB 48.1, 45.21, -4.42

 

CMYK 28 / 56 / 0 / 29

HEX #8150B4

RGB 129 80 180

HSL 269.4, 0.4%, 0.51%

LAB 43.8, 40.43, -45.61

 

CMYK 43 / 56 / 0 / 29

HEX #6650B4

RGB 102 80 180

HSL 253.2, 0.4%, 0.51%

LAB 40.99, 33.77, -50.27

 

CMYK 56 / 56 / 0 / 29

HEX #5050B4

RGB 80 80 180

HSL 240, 0.4%, 0.51%

LAB 39.14, 28.99, -53.35

 

CMYK 28 / 56 / 0 / 29

HEX #8150B4

RGB 129 80 180

HSL 269.4, 0.4%, 0.51%

LAB 43.8, 40.43, -45.61

 

CMYK 36 / 71 / 0 / 22

HEX #803BC8

RGB 128 59 200

HSL 269.36, 0.56%, 0.51%

LAB 41.04, 55.9, -61.75

 

CMYK 42 / 82 / 0 / 14

HEX #8027DC

RGB 128 39 220

HSL 269.5, 0.72%, 0.51%

LAB 39.93, 68.45, -75.1

 

CMYK 47 / 92 / 0 / 6

HEX #7F13F0

RGB 127 19 240

HSL 269.32, 0.88%, 0.51%

LAB 40.03, 77.62, -86.32

 

CMYK 28 / 56 / 0 / 29

HEX #8150B4

RGB 129 80 180

HSL 269.4, 0.4%, 0.51%

LAB 43.8, 40.43, -45.61

 

CMYK 19 / 37 / 0 / 38

HEX #81649F

RGB 129 100 159

HSL 269.49, 0.24%, 0.51%

LAB 47.35, 23.7, -27.65

 

CMYK 7 / 14 / 0 / 45

HEX #81788B

RGB 129 120 139

HSL 268.42, 0.08%, 0.51%

LAB 51.8, 7.28, -9.07

 

CMYK 7 / 0 / 15 / 45

HEX #828C77

RGB 130 140 119

HSL 88.57, 0.08%, 0.51%

LAB 56.91, -7.69, 9.99

 

CMYK 19 / 0 / 38 / 37

HEX #82A063

RGB 130 160 99

HSL 89.51, 0.24%, 0.51%

LAB 62.33, -21.47, 28.46

 

CMYK 56 / 53 / 0 / 29

HEX #5055B4

RGB 80 85 180

HSL 237, 0.4%, 0.51%

LAB 40.41, 25.83, -51.3

 

CMYK 44 / 56 / 0 / 29

HEX #6550B4

RGB 101 80 180

HSL 252.6, 0.4%, 0.51%

LAB 40.9, 33.54, -50.43

 

CMYK 29 / 56 / 0 / 29

HEX #8050B4

RGB 128 80 180

HSL 268.8, 0.4%, 0.51%

LAB 43.69, 40.17, -45.8

 

CMYK 14 / 56 / 0 / 29

HEX #9B50B4

RGB 155 80 180

HSL 285, 0.4%, 0.51%

LAB 46.98, 47.3, -40.36

 

CMYK 0 / 56 / 1 / 29

HEX #B450B2

RGB 180 80 178

HSL 301.2, 0.4%, 0.51%

LAB 50.28, 53.7, -33.76

 

CMYK 29 / 57 / 0 / 51

HEX #58357C

RGB 88 53 124

HSL 269.58, 0.4%, 0.35%

LAB 29.6, 30.78, -34.63

 

CMYK 29 / 58 / 0 / 40

HEX #6C4199

RGB 108 65 153

HSL 269.32, 0.4%, 0.43%

LAB 36.5, 36.67, -41.34

 

CMYK 28 / 56 / 0 / 29

HEX #8150B4

RGB 129 80 180

HSL 269.4, 0.4%, 0.51%

LAB 43.8, 40.43, -45.61

 

CMYK 22 / 44 / 0 / 25

HEX #956CC0

RGB 149 108 192

HSL 269.29, 0.4%, 0.59%

LAB 52.86, 32.96, -38.07

 

CMYK 17 / 33 / 0 / 20

HEX #AA89CC

RGB 170 137 204

HSL 269.55, 0.4%, 0.67%

LAB 62.34, 25.52, -29.95

 

CMYK 28 / 55 / 0 / 29

HEX #8251B5

RGB 130 81 181

HSL 269.4, 0.4%, 0.51%

LAB 44.19, 40.38, -45.57

 

CMYK 0 / 56 / 38 / 29

HEX #B4506F

RGB 180 80 111

HSL 341.4, 0.4%, 0.51%

LAB 47.74, 43.74, 2.31

 

CMYK 56 / 0 / 51 / 29

HEX #50B458

RGB 80 180 88

HSL 124.8, 0.4%, 0.51%

LAB 65.79, -48.41, 38.02

 

CMYK 28 / 55 / 0 / 29

HEX #8251B5

RGB 130 81 181

HSL 269.4, 0.4%, 0.51%

LAB 44.19, 40.38, -45.57

 

CMYK 0 / 29 / 56 / 29

HEX #B48050

RGB 180 128 80

HSL 28.8, 0.4%, 0.51%

LAB 57.77, 14.67, 33.82

 

CMYK 56 / 0 / 29 / 29

HEX #50B480

RGB 80 180 128

HSL 148.8, 0.4%, 0.51%

LAB 66.45, -41.45, 17.89

 

CMYK 28 / 55 / 0 / 29

HEX #8251B5

RGB 130 81 181

HSL 269.4, 0.4%, 0.51%

LAB 44.19, 40.38, -45.57

 

CMYK 0 / 56 / 38 / 29

HEX #B4506F

RGB 180 80 111

HSL 341.4, 0.4%, 0.51%

LAB 47.74, 43.74, 2.31

 

CMYK 27 / 0 / 56 / 29

HEX #83B450

RGB 131 180 80

HSL 89.4, 0.4%, 0.51%

LAB 68.06, -33.1, 45.19

 

CMYK 56 / 0 / 18 / 29

HEX #50B494

RGB 80 180 148

HSL 160.8, 0.4%, 0.51%

LAB 66.89, -37.03, 7.57

 

CMYK 28 / 55 / 0 / 29

HEX #8251B5

RGB 130 81 181

HSL 269.4, 0.4%, 0.51%

LAB 44.19, 40.38, -45.57

 

CMYK 0 / 56 / 55 / 29

HEX #B45051

RGB 180 80 81

HSL 359.4, 0.4%, 0.51%

LAB 47.02, 40.73, 19.46

 

CMYK 27 / 0 / 56 / 29

HEX #83B450

RGB 131 180 80

HSL 89.4, 0.4%, 0.51%

LAB 68.06, -33.1, 45.19

 

CMYK 56 / 0 / 1 / 29

HEX #50B4B2

RGB 80 180 178

HSL 178.8, 0.4%, 0.51%

LAB 67.7, -29.4, -7.82

 

Description

Color code: HEX #8251B5 | qconv.com Color code: HEX #8251B5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 81 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 81 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 55 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 55% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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