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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #821BD0 it is the complementary color #7DE42F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #821BD0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #821BD0 shade: #871BCB, #982DDE, #A93FF1, #BA51FF and #CB63FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #821BD0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #821BD0 shade: #821BD0, #7109BD, #6000AA, #4F0097 and #3E0084

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #821BD0 shade: #811ACF, #B21ACF, #CF1ABC, #CF1A8B and #CF1A5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #821BD0 shade: #811ACF, #511ACF, #201ACF and #1A1ACF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #821BD0 shade matches the following richer shades: #811ACF and #8407E2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #821BD0 shade: #811ACF, #7F2DBC, #7C40A9, #795396 and #776683

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #821BD0 shade: #211ACF, #511ACF, #811ACF, #B11ACF and #CF1ABD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #821BD0 shade: #541186, #6A16AB, #811ACF, #962FE4 and #A854E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #821BD0 shade: #821BD0, #CF1A45 and #1ACF39

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #821BD0 shade: #821BD0, #CF811A and #1ACF81

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #821BD0 shade: #821BD0, #CF1A45, #69CF1A and #1ACFA5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #821BD0 shade: #821BD0, #CF271A, #69CF1A and #1AC3CF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 87 / 0 / 18

HEX #821BD0

RGB 130 27 208

HSL 274.14, 0.77%, 0.46%

LAB 37.99, 69.46, -71.35

 

Complementary color

CMYK 45 / 0 / 79 / 11

HEX #7DE42F

RGB 125 228 47

HSL 94.14, 0.77%, 0.54%

LAB 81.87, -57.7, 71.93

 

CMYK 33 / 87 / 0 / 20

HEX #871BCB

RGB 135 27 203

HSL 276.82, 0.77%, 0.45%

LAB 38.28, 69.08, -67.94

 

CMYK 32 / 80 / 0 / 13

HEX #982DDE

RGB 152 45 222

HSL 276.27, 0.73%, 0.52%

LAB 43.98, 70.43, -69.48

 

CMYK 30 / 74 / 0 / 5

HEX #A93FF1

RGB 169 63 241

HSL 275.73, 0.86%, 0.6%

LAB 49.91, 70.91, -70.5

 

CMYK 27 / 68 / 0 / 0

HEX #BA51FF

RGB 186 81 255

HSL 276.21, 1%, 0.66%

LAB 55.63, 69.79, -68.93

 

CMYK 20 / 61 / 0 / 0

HEX #CB63FF

RGB 203 99 255

HSL 280, 1%, 0.69%

LAB 60.64, 65.43, -60.76

 

CMYK 38 / 87 / 0 / 18

HEX #821BD0

RGB 130 27 208

HSL 274.14, 0.77%, 0.46%

LAB 37.99, 69.46, -71.35

 

CMYK 40 / 95 / 0 / 26

HEX #7109BD

RGB 113 9 189

HSL 274.67, 0.91%, 0.39%

LAB 32.66, 66.88, -69.08

 

CMYK 44 / 100 / 0 / 33

HEX #6000AA

RGB 96 0 170

HSL 273.88, 1%, 0.33%

LAB 27.82, 62.53, -65.8

 

CMYK 48 / 100 / 0 / 41

HEX #4F0097

RGB 79 0 151

HSL 271.39, 1%, 0.3%

LAB 23.33, 56.77, -61.71

 

CMYK 53 / 100 / 0 / 48

HEX #3E0084

RGB 62 0 132

HSL 268.18, 1%, 0.26%

LAB 18.76, 50.93, -57.48

 

CMYK 38 / 87 / 0 / 19

HEX #811ACF

RGB 129 26 207

HSL 274.14, 0.78%, 0.46%

LAB 37.68, 69.36, -71.28

 

CMYK 14 / 87 / 0 / 19

HEX #B21ACF

RGB 178 26 207

HSL 290.39, 0.78%, 0.46%

LAB 45.23, 76.47, -58.66

 

CMYK 0 / 87 / 9 / 19

HEX #CF1ABC

RGB 207 26 188

HSL 306.3, 0.78%, 0.46%

LAB 49.05, 78.6, -41.24

 

CMYK 0 / 87 / 33 / 19

HEX #CF1A8B

RGB 207 26 139

HSL 322.54, 0.78%, 0.46%

LAB 46.8, 72.59, -15.59

 

CMYK 0 / 87 / 57 / 19

HEX #CF1A5A

RGB 207 26 90

HSL 338.78, 0.78%, 0.46%

LAB 45.28, 68.35, 12.38

 

CMYK 38 / 87 / 0 / 19

HEX #811ACF

RGB 129 26 207

HSL 274.14, 0.78%, 0.46%

LAB 37.68, 69.36, -71.28

 

CMYK 61 / 87 / 0 / 19

HEX #511ACF

RGB 81 26 207

HSL 258.23, 0.78%, 0.46%

LAB 31.79, 64.36, -81.19

 

CMYK 85 / 87 / 0 / 19

HEX #201ACF

RGB 32 26 207

HSL 241.99, 0.78%, 0.46%

LAB 28.25, 61.68, -87.18

 

CMYK 87 / 87 / 0 / 19

HEX #1A1ACF

RGB 26 26 207

HSL 240, 0.78%, 0.46%

LAB 28.02, 61.51, -87.58

 

CMYK 38 / 87 / 0 / 19

HEX #811ACF

RGB 129 26 207

HSL 274.14, 0.78%, 0.46%

LAB 37.68, 69.36, -71.28

 

CMYK 42 / 97 / 0 / 11

HEX #8407E2

RGB 132 7 226

HSL 274.25, 0.94%, 0.46%

LAB 38.81, 76.77, -80.35

 

CMYK 38 / 87 / 0 / 19

HEX #811ACF

RGB 129 26 207

HSL 274.14, 0.78%, 0.46%

LAB 37.68, 69.36, -71.28

 

CMYK 32 / 76 / 0 / 26

HEX #7F2DBC

RGB 127 45 188

HSL 274.41, 0.61%, 0.46%

LAB 37.88, 58.93, -59.87

 

CMYK 27 / 62 / 0 / 34

HEX #7C40A9

RGB 124 64 169

HSL 274.29, 0.45%, 0.46%

LAB 39.27, 45.17, -46.39

 

CMYK 19 / 45 / 0 / 41

HEX #795396

RGB 121 83 150

HSL 274.03, 0.29%, 0.46%

LAB 41.93, 29.14, -30.83

 

CMYK 9 / 22 / 0 / 49

HEX #776683

RGB 119 102 131

HSL 275.17, 0.12%, 0.46%

LAB 45.72, 12.64, -13.57

 

CMYK 84 / 87 / 0 / 19

HEX #211ACF

RGB 33 26 207

HSL 242.32, 0.78%, 0.46%

LAB 28.29, 61.71, -87.11

 

CMYK 61 / 87 / 0 / 19

HEX #511ACF

RGB 81 26 207

HSL 258.23, 0.78%, 0.46%

LAB 31.79, 64.36, -81.19

 

CMYK 38 / 87 / 0 / 19

HEX #811ACF

RGB 129 26 207

HSL 274.14, 0.78%, 0.46%

LAB 37.68, 69.36, -71.28

 

CMYK 14 / 87 / 0 / 19

HEX #B11ACF

RGB 177 26 207

HSL 290.06, 0.78%, 0.46%

LAB 45.07, 76.31, -58.93

 

CMYK 0 / 87 / 9 / 19

HEX #CF1ABD

RGB 207 26 189

HSL 305.97, 0.78%, 0.46%

LAB 49.1, 78.74, -41.74

 

CMYK 37 / 87 / 0 / 47

HEX #541186

RGB 84 17 134

HSL 274.36, 0.77%, 0.3%

LAB 23.69, 49.47, -50.5

 

CMYK 38 / 87 / 0 / 33

HEX #6A16AB

RGB 106 22 171

HSL 273.83, 0.77%, 0.38%

LAB 30.83, 59.56, -61.4

 

CMYK 38 / 87 / 0 / 19

HEX #811ACF

RGB 129 26 207

HSL 274.14, 0.78%, 0.46%

LAB 37.68, 69.36, -71.28

 

CMYK 34 / 79 / 0 / 11

HEX #962FE4

RGB 150 47 228

HSL 274.14, 0.77%, 0.54%

LAB 44.4, 70.74, -72.23

 

CMYK 28 / 64 / 0 / 9

HEX #A854E8

RGB 168 84 232

HSL 274.05, 0.76%, 0.62%

LAB 52.39, 59.75, -61.43

 

CMYK 38 / 87 / 0 / 18

HEX #821BD0

RGB 130 27 208

HSL 274.14, 0.77%, 0.46%

LAB 37.99, 69.46, -71.35

 

CMYK 0 / 87 / 67 / 19

HEX #CF1A45

RGB 207 26 69

HSL 345.75, 0.78%, 0.46%

LAB 44.85, 67.12, 24.85

 

CMYK 87 / 0 / 72 / 19

HEX #1ACF39

RGB 26 207 57

HSL 130.28, 0.78%, 0.46%

LAB 72.98, -69.83, 59.31

 

CMYK 38 / 87 / 0 / 18

HEX #821BD0

RGB 130 27 208

HSL 274.14, 0.77%, 0.46%

LAB 37.99, 69.46, -71.35

 

CMYK 0 / 38 / 87 / 19

HEX #CF811A

RGB 207 129 26

HSL 34.14, 0.78%, 0.46%

LAB 60.82, 23.02, 61.78

 

CMYK 87 / 0 / 38 / 19

HEX #1ACF81

RGB 26 207 129

HSL 154.14, 0.78%, 0.46%

LAB 73.82, -59.7, 27.2

 

CMYK 38 / 87 / 0 / 18

HEX #821BD0

RGB 130 27 208

HSL 274.14, 0.77%, 0.46%

LAB 37.99, 69.46, -71.35

 

CMYK 0 / 87 / 67 / 19

HEX #CF1A45

RGB 207 26 69

HSL 345.75, 0.78%, 0.46%

LAB 44.85, 67.12, 24.85

 

CMYK 49 / 0 / 87 / 19

HEX #69CF1A

RGB 105 207 26

HSL 93.81, 0.78%, 0.46%

LAB 74.64, -56.7, 70.16

 

CMYK 87 / 0 / 20 / 19

HEX #1ACFA5

RGB 26 207 165

HSL 166.08, 0.78%, 0.46%

LAB 74.55, -51.65, 9.13

 

CMYK 38 / 87 / 0 / 18

HEX #821BD0

RGB 130 27 208

HSL 274.14, 0.77%, 0.46%

LAB 37.99, 69.46, -71.35

 

CMYK 0 / 81 / 87 / 19

HEX #CF271A

RGB 207 39 26

HSL 4.31, 0.78%, 0.46%

LAB 45.35, 62.81, 49.48

 

CMYK 49 / 0 / 87 / 19

HEX #69CF1A

RGB 105 207 26

HSL 93.81, 0.78%, 0.46%

LAB 74.64, -56.7, 70.16

 

CMYK 87 / 6 / 0 / 19

HEX #1AC3CF

RGB 26 195 207

HSL 183.98, 0.78%, 0.46%

LAB 72.06, -34.66, -17.28

 

Description

Color code: HEX #821BD0 | qconv.com Color code: HEX #821BD0 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 27 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 27 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 87 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 87% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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