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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #821B61 it is the complementary color #7DE49E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #821B61. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #821B61 shade: #871B5C, #982D6F, #A93F82, #BA5195 and #CB63A8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #821B61. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #821B61 shade: #821B61, #71094E, #60003B, #4F0028 and #3E0015

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #821B61 shade: #831A61, #831A45, #831A29 and #831A1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #821B61 shade: #831A61, #831A7D, #6C1A83, #501A83 and #341A83

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #821B61 shade matches the following richer shades: #831A61, #900E66 and #9C016A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #821B61 shade: #831A61, #76275D, #693458, #5C4154 and #504E4F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #821B61 shade: #6C1A83, #831A7E, #831A62, #831A46 and #831A2A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #821B61 shade: #3E0C2E, #601348, #831A61, #A5217B and #C72894

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #821B61 shade: #821B61, #83501A and #1A837A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #821B61 shade: #821B61, #62831A and #1A6283

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #821B61 shade: #821B61, #83501A, #1A833B and #1A4D83

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #821B61 shade: #821B61, #83701A, #1A833B and #1A2E83

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 25 / 49

HEX #821B61

RGB 130 27 97

HSL 319.22, 0.66%, 0.31%

LAB 30.38, 49.19, -15.72

 

Complementary color

CMYK 45 / 0 / 31 / 11

HEX #7DE49E

RGB 125 228 158

HSL 139.22, 0.66%, 0.69%

LAB 83.08, -45.11, 25.08

 

CMYK 0 / 80 / 32 / 47

HEX #871B5C

RGB 135 27 92

HSL 323.89, 0.67%, 0.32%

LAB 31.13, 49.86, -11.24

 

CMYK 0 / 70 / 27 / 40

HEX #982D6F

RGB 152 45 111

HSL 322.99, 0.54%, 0.39%

LAB 37.3, 50.63, -13.71

 

CMYK 0 / 63 / 23 / 34

HEX #A93F82

RGB 169 63 130

HSL 322.08, 0.46%, 0.45%

LAB 43.66, 50.64, -15.52

 

CMYK 0 / 56 / 20 / 27

HEX #BA5195

RGB 186 81 149

HSL 321.14, 0.43%, 0.52%

LAB 50.09, 50.25, -16.91

 

CMYK 0 / 51 / 17 / 20

HEX #CB63A8

RGB 203 99 168

HSL 320.19, 0.5%, 0.59%

LAB 56.53, 49.65, -18.01

 

CMYK 0 / 79 / 25 / 49

HEX #821B61

RGB 130 27 97

HSL 319.22, 0.66%, 0.31%

LAB 30.38, 49.19, -15.72

 

CMYK 0 / 92 / 31 / 56

HEX #71094E

RGB 113 9 78

HSL 320.19, 0.85%, 0.24%

LAB 24.5, 47.1, -12.49

 

CMYK 0 / 100 / 39 / 62

HEX #60003B

RGB 96 0 59

HSL 323.13, 1%, 0.19%

LAB 19.24, 42.84, -7.79

 

CMYK 0 / 100 / 49 / 69

HEX #4F0028

RGB 79 0 40

HSL 329.62, 1%, 0.15%

LAB 14.49, 36.62, -1.64

 

CMYK 0 / 100 / 66 / 76

HEX #3E0015

RGB 62 0 21

HSL 339.68, 1%, 0.12%

LAB 9.63, 30.33, 5.07

 

CMYK 0 / 80 / 26 / 49

HEX #831A61

RGB 131 26 97

HSL 319.43, 0.67%, 0.31%

LAB 30.47, 49.76, -15.57

 

CMYK 0 / 80 / 47 / 49

HEX #831A45

RGB 131 26 69

HSL 335.43, 0.67%, 0.31%

LAB 29.4, 46.53, 1.25

 

CMYK 0 / 80 / 69 / 49

HEX #831A29

RGB 131 26 41

HSL 351.43, 0.67%, 0.31%

LAB 28.71, 44.36, 18.98

 

CMYK 0 / 80 / 80 / 49

HEX #831A1A

RGB 131 26 26

HSL 0, 0.67%, 0.31%

LAB 28.48, 43.65, 28.29

 

CMYK 0 / 80 / 26 / 49

HEX #831A61

RGB 131 26 97

HSL 319.43, 0.67%, 0.31%

LAB 30.47, 49.76, -15.57

 

CMYK 0 / 80 / 5 / 49

HEX #831A7D

RGB 131 26 125

HSL 303.43, 0.67%, 0.31%

LAB 31.91, 53.93, -31.19

 

CMYK 18 / 80 / 0 / 49

HEX #6C1A83

RGB 108 26 131

HSL 286.86, 0.67%, 0.31%

LAB 28.29, 50.15, -40.97

 

CMYK 39 / 80 / 0 / 49

HEX #501A83

RGB 80 26 131

HSL 270.86, 0.67%, 0.31%

LAB 23.94, 44.87, -48.23

 

CMYK 60 / 80 / 0 / 49

HEX #341A83

RGB 52 26 131

HSL 254.86, 0.67%, 0.31%

LAB 20.47, 40.58, -54.06

 

CMYK 0 / 80 / 26 / 49

HEX #831A61

RGB 131 26 97

HSL 319.43, 0.67%, 0.31%

LAB 30.47, 49.76, -15.57

 

CMYK 0 / 90 / 29 / 44

HEX #900E66

RGB 144 14 102

HSL 319.38, 0.82%, 0.31%

LAB 32.26, 56.38, -15.82

 

CMYK 0 / 99 / 32 / 39

HEX #9C016A

RGB 156 1 106

HSL 319.35, 0.99%, 0.31%

LAB 34.25, 61.31, -15.12

 

CMYK 0 / 80 / 26 / 49

HEX #831A61

RGB 131 26 97

HSL 319.43, 0.67%, 0.31%

LAB 30.47, 49.76, -15.57

 

CMYK 0 / 67 / 21 / 54

HEX #76275D

RGB 118 39 93

HSL 318.99, 0.5%, 0.31%

LAB 29.65, 40.64, -14.44

 

CMYK 0 / 50 / 16 / 59

HEX #693458

RGB 105 52 88

HSL 319.25, 0.34%, 0.31%

LAB 29.82, 28.82, -11.1

 

CMYK 0 / 29 / 9 / 64

HEX #5C4154

RGB 92 65 84

HSL 317.78, 0.17%, 0.31%

LAB 31.1, 15.21, -6.75

 

CMYK 0 / 2 / 1 / 69

HEX #504E4F

RGB 80 78 79

HSL 330, 0.01%, 0.31%

LAB 33.39, 1.03, -0.3

 

CMYK 18 / 80 / 0 / 49

HEX #6C1A83

RGB 108 26 131

HSL 286.86, 0.67%, 0.31%

LAB 28.29, 50.15, -40.97

 

CMYK 0 / 80 / 4 / 49

HEX #831A7E

RGB 131 26 126

HSL 302.86, 0.67%, 0.31%

LAB 31.97, 54.09, -31.73

 

CMYK 0 / 80 / 25 / 49

HEX #831A62

RGB 131 26 98

HSL 318.86, 0.67%, 0.31%

LAB 30.51, 49.9, -16.15

 

CMYK 0 / 80 / 47 / 49

HEX #831A46

RGB 131 26 70

HSL 334.86, 0.67%, 0.31%

LAB 29.43, 46.63, 0.63

 

CMYK 0 / 80 / 68 / 49

HEX #831A2A

RGB 131 26 42

HSL 350.86, 0.67%, 0.31%

LAB 28.72, 44.42, 18.35

 

CMYK 0 / 81 / 26 / 76

HEX #3E0C2E

RGB 62 12 46

HSL 319.2, 0.68%, 0.15%

LAB 12.51, 27.99, -9.41

 

CMYK 0 / 80 / 25 / 62

HEX #601348

RGB 96 19 72

HSL 318.7, 0.67%, 0.23%

LAB 21.65, 39.26, -13.09

 

CMYK 0 / 80 / 26 / 49

HEX #831A61

RGB 131 26 97

HSL 319.43, 0.67%, 0.31%

LAB 30.47, 49.76, -15.57

 

CMYK 0 / 80 / 25 / 35

HEX #A5217B

RGB 165 33 123

HSL 319.09, 0.67%, 0.39%

LAB 38.75, 59.57, -18.78

 

CMYK 0 / 80 / 26 / 22

HEX #C72894

RGB 199 40 148

HSL 319.25, 0.67%, 0.47%

LAB 46.71, 68.84, -21.3

 

CMYK 0 / 79 / 25 / 49

HEX #821B61

RGB 130 27 97

HSL 319.22, 0.66%, 0.31%

LAB 30.38, 49.19, -15.72

 

CMYK 0 / 39 / 80 / 49

HEX #83501A

RGB 131 80 26

HSL 30.86, 0.67%, 0.31%

LAB 38.96, 16.79, 38.87

 

CMYK 80 / 0 / 7 / 49

HEX #1A837A

RGB 26 131 122

HSL 174.86, 0.67%, 0.31%

LAB 49.32, -30.35, -3.34

 

CMYK 0 / 79 / 25 / 49

HEX #821B61

RGB 130 27 97

HSL 319.22, 0.66%, 0.31%

LAB 30.38, 49.19, -15.72

 

CMYK 25 / 0 / 80 / 49

HEX #62831A

RGB 98 131 26

HSL 78.86, 0.67%, 0.31%

LAB 50.57, -27.12, 48.73

 

CMYK 80 / 25 / 0 / 49

HEX #1A6283

RGB 26 98 131

HSL 198.86, 0.67%, 0.31%

LAB 38.89, -9.62, -24.56

 

CMYK 0 / 79 / 25 / 49

HEX #821B61

RGB 130 27 97

HSL 319.22, 0.66%, 0.31%

LAB 30.38, 49.19, -15.72

 

CMYK 0 / 39 / 80 / 49

HEX #83501A

RGB 131 80 26

HSL 30.86, 0.67%, 0.31%

LAB 38.96, 16.79, 38.87

 

CMYK 80 / 0 / 55 / 49

HEX #1A833B

RGB 26 131 59

HSL 138.86, 0.67%, 0.31%

LAB 47.97, -45.05, 30.62

 

CMYK 80 / 41 / 0 / 49

HEX #1A4D83

RGB 26 77 131

HSL 210.86, 0.67%, 0.31%

LAB 32.18, 3.65, -35.13

 

CMYK 0 / 79 / 25 / 49

HEX #821B61

RGB 130 27 97

HSL 319.22, 0.66%, 0.31%

LAB 30.38, 49.19, -15.72

 

CMYK 0 / 15 / 80 / 49

HEX #83701A

RGB 131 112 26

HSL 49.14, 0.67%, 0.31%

LAB 47.61, -1.94, 46.99

 

CMYK 80 / 0 / 55 / 49

HEX #1A833B

RGB 26 131 59

HSL 138.86, 0.67%, 0.31%

LAB 47.97, -45.05, 30.62

 

CMYK 80 / 65 / 0 / 49

HEX #1A2E83

RGB 26 46 131

HSL 228.57, 0.67%, 0.31%

LAB 23.04, 25.11, -49.9

 

Description

Color code: HEX #821B61 | qconv.com Color code: HEX #821B61 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 27 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 27 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 25 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 25% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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