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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #81DB61 it is the complementary color #7E249E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #81DB61. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #81DB61 shade: #86DB5C, #97ED6F, #A8FF82, #B9FF95 and #CAFFA8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #81DB61. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #81DB61 shade: #81DB61, #70C94E, #5FB73B, #4EA528 and #3D9315

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #81DB61 shade: #81DB61, #A2DB61, #C2DB61, #DBD261 and #DBB161

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #81DB61 shade: #81DB61, #61DB61, #61DB82, #61DBA3 and #61DBC4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #81DB61 shade matches the following richer shades: #81DB61, #79EA51 and #72FA41

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #81DB61 shade: #81DB61, #88CB70, #8FBB80, #97AC90 and #9E9C9F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #81DB61 shade: #C2DB61, #A2DB61, #81DB61, #61DB61 and #61DB81

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #81DB61 shade: #51BE2B, #66D33F, #81DB61, #9BE282 and #B6EAA4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #81DB61 shade: #81DB61, #61DBD3 and #DB61B2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #81DB61 shade: #81DB61, #6181DB and #DB6181

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #81DB61 shade: #81DB61, #61DBD3, #BA61DB and #DB6169

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #81DB61 shade: #81DB61, #61BEDB, #BA61DB and #DB7D61

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 0 / 56 / 14

HEX #81DB61

RGB 129 219 97

HSL 104.26, 0.63%, 0.62%

LAB 79.72, -49.03, 50.92

 

Complementary color

CMYK 20 / 77 / 0 / 38

HEX #7E249E

RGB 126 36 158

HSL 284.26, 0.63%, 0.38%

LAB 34.33, 55.7, -47.73

 

CMYK 39 / 0 / 58 / 14

HEX #86DB5C

RGB 134 219 92

HSL 100.16, 0.64%, 0.61%

LAB 79.9, -47.97, 53.43

 

CMYK 36 / 0 / 53 / 7

HEX #97ED6F

RGB 151 237 111

HSL 100.95, 0.78%, 0.68%

LAB 86.15, -47.99, 52.36

 

CMYK 34 / 0 / 49 / 0

HEX #A8FF82

RGB 168 255 130

HSL 101.76, 1%, 0.75%

LAB 92.33, -47.95, 51.24

 

CMYK 27 / 0 / 42 / 0

HEX #B9FF95

RGB 185 255 149

HSL 99.62, 1%, 0.79%

LAB 93.45, -40.04, 43.79

 

CMYK 21 / 0 / 34 / 0

HEX #CAFFA8

RGB 202 255 168

HSL 96.55, 1%, 0.83%

LAB 94.7, -31.75, 36.27

 

CMYK 41 / 0 / 56 / 14

HEX #81DB61

RGB 129 219 97

HSL 104.26, 0.63%, 0.62%

LAB 79.72, -49.03, 50.92

 

CMYK 44 / 0 / 61 / 21

HEX #70C94E

RGB 112 201 78

HSL 103.41, 0.53%, 0.55%

LAB 73.39, -48.93, 51.96

 

CMYK 48 / 0 / 68 / 28

HEX #5FB73B

RGB 95 183 59

HSL 102.58, 0.51%, 0.47%

LAB 66.99, -48.67, 52.78

 

CMYK 53 / 0 / 76 / 35

HEX #4EA528

RGB 78 165 40

HSL 101.76, 0.61%, 0.4%

LAB 60.5, -48.14, 53.14

 

CMYK 59 / 0 / 86 / 42

HEX #3D9315

RGB 61 147 21

HSL 100.95, 0.75%, 0.33%

LAB 53.94, -47.22, 52.57

 

CMYK 41 / 0 / 56 / 14

HEX #81DB61

RGB 129 219 97

HSL 104.26, 0.63%, 0.62%

LAB 79.72, -49.03, 50.92

 

CMYK 26 / 0 / 56 / 14

HEX #A2DB61

RGB 162 219 97

HSL 88.03, 0.63%, 0.62%

LAB 81.41, -37.84, 53.31

 

CMYK 11 / 0 / 56 / 14

HEX #C2DB61

RGB 194 219 97

HSL 72.3, 0.63%, 0.62%

LAB 83.44, -25.7, 56.18

 

CMYK 0 / 4 / 56 / 14

HEX #DBD261

RGB 219 210 97

HSL 55.57, 0.63%, 0.62%

LAB 82.92, -11.21, 56.09

 

CMYK 0 / 19 / 56 / 14

HEX #DBB161

RGB 219 177 97

HSL 39.34, 0.63%, 0.62%

LAB 74.42, 5.89, 46.2

 

CMYK 41 / 0 / 56 / 14

HEX #81DB61

RGB 129 219 97

HSL 104.26, 0.63%, 0.62%

LAB 79.72, -49.03, 50.92

 

CMYK 56 / 0 / 56 / 14

HEX #61DB61

RGB 97 219 97

HSL 120, 0.63%, 0.62%

LAB 78.5, -57.99, 49.17

 

CMYK 56 / 0 / 41 / 14

HEX #61DB82

RGB 97 219 130

HSL 136.23, 0.63%, 0.62%

LAB 78.94, -53.26, 33.7

 

CMYK 56 / 0 / 26 / 14

HEX #61DBA3

RGB 97 219 163

HSL 152.46, 0.63%, 0.62%

LAB 79.53, -47.1, 17.42

 

CMYK 56 / 0 / 11 / 14

HEX #61DBC4

RGB 97 219 196

HSL 168.69, 0.63%, 0.62%

LAB 80.29, -39.63, 1.01

 

CMYK 41 / 0 / 56 / 14

HEX #81DB61

RGB 129 219 97

HSL 104.26, 0.63%, 0.62%

LAB 79.72, -49.03, 50.92

 

CMYK 48 / 0 / 65 / 8

HEX #79EA51

RGB 121 234 81

HSL 104.31, 0.78%, 0.62%

LAB 83.71, -58.88, 62.15

 

CMYK 54 / 0 / 74 / 2

HEX #72FA41

RGB 114 250 65

HSL 104.11, 0.95%, 0.62%

LAB 88.13, -67.75, 72.38

 

CMYK 41 / 0 / 56 / 14

HEX #81DB61

RGB 129 219 97

HSL 104.26, 0.63%, 0.62%

LAB 79.72, -49.03, 50.92

 

CMYK 33 / 0 / 45 / 20

HEX #88CB70

RGB 136 203 112

HSL 104.18, 0.47%, 0.62%

LAB 75.52, -38.06, 38.7

 

CMYK 24 / 0 / 32 / 27

HEX #8FBB80

RGB 143 187 128

HSL 104.75, 0.3%, 0.62%

LAB 71.51, -25.81, 25.28

 

CMYK 12 / 0 / 16 / 33

HEX #97AC90

RGB 151 172 144

HSL 105, 0.14%, 0.62%

LAB 68.09, -12.66, 11.98

 

CMYK 1 / 2 / 0 / 38

HEX #9E9C9F

RGB 158 156 159

HSL 280, 0.02%, 0.62%

LAB 64.6, 1.3, -1.32

 

CMYK 11 / 0 / 56 / 14

HEX #C2DB61

RGB 194 219 97

HSL 72.3, 0.63%, 0.62%

LAB 83.44, -25.7, 56.18

 

CMYK 26 / 0 / 56 / 14

HEX #A2DB61

RGB 162 219 97

HSL 88.03, 0.63%, 0.62%

LAB 81.41, -37.84, 53.31

 

CMYK 41 / 0 / 56 / 14

HEX #81DB61

RGB 129 219 97

HSL 104.26, 0.63%, 0.62%

LAB 79.72, -49.03, 50.92

 

CMYK 56 / 0 / 56 / 14

HEX #61DB61

RGB 97 219 97

HSL 120, 0.63%, 0.62%

LAB 78.5, -57.99, 49.17

 

CMYK 56 / 0 / 41 / 14

HEX #61DB81

RGB 97 219 129

HSL 135.74, 0.63%, 0.62%

LAB 78.92, -53.42, 34.18

 

CMYK 57 / 0 / 77 / 25

HEX #51BE2B

RGB 81 190 43

HSL 104.49, 0.63%, 0.46%

LAB 68.57, -56.41, 60.02

 

CMYK 52 / 0 / 70 / 17

HEX #66D33F

RGB 102 211 63

HSL 104.19, 0.63%, 0.54%

LAB 75.93, -57.06, 60.66

 

CMYK 41 / 0 / 56 / 14

HEX #81DB61

RGB 129 219 97

HSL 104.26, 0.63%, 0.62%

LAB 79.72, -49.03, 50.92

 

CMYK 31 / 0 / 42 / 11

HEX #9BE282

RGB 155 226 130

HSL 104.38, 0.62%, 0.7%

LAB 83.43, -39.61, 39.97

 

CMYK 22 / 0 / 30 / 8

HEX #B6EAA4

RGB 182 234 164

HSL 104.57, 0.63%, 0.78%

LAB 87.71, -29.34, 28.75

 

CMYK 41 / 0 / 56 / 14

HEX #81DB61

RGB 129 219 97

HSL 104.26, 0.63%, 0.62%

LAB 79.72, -49.03, 50.92

 

CMYK 56 / 0 / 4 / 14

HEX #61DBD3

RGB 97 219 211

HSL 176.07, 0.63%, 0.62%

LAB 80.69, -35.86, -6.4

 

CMYK 0 / 56 / 19 / 14

HEX #DB61B2

RGB 219 97 178

HSL 320.16, 0.63%, 0.62%

LAB 58.81, 56.93, -20.11

 

CMYK 41 / 0 / 56 / 14

HEX #81DB61

RGB 129 219 97

HSL 104.26, 0.63%, 0.62%

LAB 79.72, -49.03, 50.92

 

CMYK 56 / 41 / 0 / 14

HEX #6181DB

RGB 97 129 219

HSL 224.26, 0.63%, 0.62%

LAB 55.44, 14.84, -49.59

 

CMYK 0 / 56 / 41 / 14

HEX #DB6181

RGB 219 97 129

HSL 344.26, 0.63%, 0.62%

LAB 57.26, 50.76, 6.08

 

CMYK 41 / 0 / 56 / 14

HEX #81DB61

RGB 129 219 97

HSL 104.26, 0.63%, 0.62%

LAB 79.72, -49.03, 50.92

 

CMYK 56 / 0 / 4 / 14

HEX #61DBD3

RGB 97 219 211

HSL 176.07, 0.63%, 0.62%

LAB 80.69, -35.86, -6.4

 

CMYK 15 / 56 / 0 / 14

HEX #BA61DB

RGB 186 97 219

HSL 283.77, 0.63%, 0.62%

LAB 56.19, 54.93, -47.9

 

CMYK 0 / 56 / 52 / 14

HEX #DB6169

RGB 219 97 105

HSL 356.07, 0.63%, 0.62%

LAB 56.71, 48.47, 19.35

 

CMYK 41 / 0 / 56 / 14

HEX #81DB61

RGB 129 219 97

HSL 104.26, 0.63%, 0.62%

LAB 79.72, -49.03, 50.92

 

CMYK 56 / 13 / 0 / 14

HEX #61BEDB

RGB 97 190 219

HSL 194.26, 0.63%, 0.62%

LAB 72.55, -19.48, -22.93

 

CMYK 15 / 56 / 0 / 14

HEX #BA61DB

RGB 186 97 219

HSL 283.77, 0.63%, 0.62%

LAB 56.19, 54.93, -47.9

 

CMYK 0 / 43 / 56 / 14

HEX #DB7D61

RGB 219 125 97

HSL 13.77, 0.63%, 0.62%

LAB 62.16, 33.71, 31.07

 

Description

Color code: HEX #81DB61 | qconv.com Color code: HEX #81DB61 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 219 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 219 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, none magenta, 56 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 0% 56% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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