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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #81D7A2 it is the complementary color #7E285D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #81D7A2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #81D7A2 shade: #86D79D, #97E9B0, #A8FBC3, #B9FFD6 and #CAFFE9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #81D7A2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #81D7A2 shade: #81D7A2, #70C58F, #5FB37C, #4EA169 and #3D8F56

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #81D7A2 shade: #7FD6A0, #7FD689, #8CD67F, #A4D67F and #BBD67F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #81D7A2 shade: #7FD6A0, #7FD6B8, #7FD6CF, #7FC5D6 and #7FAED6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #81D7A2 shade matches the following richer shades: #7FD6A0, #71E49D and #63F19A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #81D7A2 shade: #7FD6A0, #8CC8A3, #9ABBA7, #A7ADAA and #B5A0AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #81D7A2 shade: #8CD67F, #7FD689, #7FD6A0, #7FD6B7 and #7FD6CF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #81D7A2 shade: #40C272, #5FCC89, #7FD6A0, #9EE0B7 and #BDEACE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #81D7A2 shade: #81D7A2, #7FA3D6 and #D67F80

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #81D7A2 shade: #81D7A2, #A07FD6 and #D6A07F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #81D7A2 shade: #81D7A2, #7FA3D6, #D67FB5 and #D6B27F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #81D7A2 shade: #81D7A2, #7F89D6, #D67FB5 and #D6CC7F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 25 / 16

HEX #81D7A2

RGB 129 215 162

HSL 143.02, 0.52%, 0.67%

LAB 79.54, -37.52, 18.15

 

Complementary color

CMYK 0 / 68 / 26 / 51

HEX #7E285D

RGB 126 40 93

HSL 323.02, 0.52%, 0.33%

LAB 31.22, 42.62, -11.91

 

CMYK 38 / 0 / 27 / 16

HEX #86D79D

RGB 134 215 157

HSL 137.04, 0.5%, 0.68%

LAB 79.67, -37.01, 20.99

 

CMYK 35 / 0 / 24 / 9

HEX #97E9B0

RGB 151 233 176

HSL 138.29, 0.65%, 0.75%

LAB 86, -36.74, 19.96

 

CMYK 33 / 0 / 22 / 2

HEX #A8FBC3

RGB 168 251 195

HSL 139.52, 0.91%, 0.82%

LAB 92.25, -36.49, 18.99

 

CMYK 27 / 0 / 16 / 0

HEX #B9FFD6

RGB 185 255 214

HSL 144.86, 1%, 0.86%

LAB 94.61, -29.77, 12.69

 

CMYK 21 / 0 / 9 / 0

HEX #CAFFE9

RGB 202 255 233

HSL 155.09, 1%, 0.9%

LAB 95.98, -20.99, 5.02

 

CMYK 40 / 0 / 25 / 16

HEX #81D7A2

RGB 129 215 162

HSL 143.02, 0.52%, 0.67%

LAB 79.54, -37.52, 18.15

 

CMYK 43 / 0 / 27 / 23

HEX #70C58F

RGB 112 197 143

HSL 141.88, 0.42%, 0.61%

LAB 73.13, -37.77, 19.22

 

CMYK 47 / 0 / 31 / 30

HEX #5FB37C

RGB 95 179 124

HSL 140.71, 0.36%, 0.54%

LAB 66.62, -38, 20.38

 

CMYK 52 / 0 / 35 / 37

HEX #4EA169

RGB 78 161 105

HSL 139.52, 0.35%, 0.47%

LAB 60.01, -38.17, 21.64

 

CMYK 57 / 0 / 40 / 44

HEX #3D8F56

RGB 61 143 86

HSL 138.29, 0.4%, 0.4%

LAB 53.29, -38.24, 23.01

 

CMYK 41 / 0 / 25 / 16

HEX #7FD6A0

RGB 127 214 160

HSL 142.76, 0.51%, 0.67%

LAB 79.12, -38.01, 18.61

 

CMYK 41 / 0 / 36 / 16

HEX #7FD689

RGB 127 214 137

HSL 126.9, 0.51%, 0.67%

LAB 78.7, -42.08, 30.03

 

CMYK 35 / 0 / 41 / 16

HEX #8CD67F

RGB 140 214 127

HSL 111.03, 0.51%, 0.67%

LAB 79.16, -39.59, 35.84

 

CMYK 23 / 0 / 41 / 16

HEX #A4D67F

RGB 164 214 127

HSL 94.48, 0.51%, 0.67%

LAB 80.47, -31.43, 37.79

 

CMYK 13 / 0 / 41 / 16

HEX #BBD67F

RGB 187 214 127

HSL 78.62, 0.51%, 0.67%

LAB 81.94, -22.97, 39.97

 

CMYK 41 / 0 / 25 / 16

HEX #7FD6A0

RGB 127 214 160

HSL 142.76, 0.51%, 0.67%

LAB 79.12, -38.01, 18.61

 

CMYK 41 / 0 / 14 / 16

HEX #7FD6B8

RGB 127 214 184

HSL 159.31, 0.51%, 0.67%

LAB 79.65, -33.12, 6.62

 

CMYK 41 / 0 / 3 / 16

HEX #7FD6CF

RGB 127 214 207

HSL 175.17, 0.51%, 0.67%

LAB 80.24, -27.86, -4.8

 

CMYK 41 / 8 / 0 / 16

HEX #7FC5D6

RGB 127 197 214

HSL 191.72, 0.51%, 0.67%

LAB 75.64, -17.64, -15.42

 

CMYK 41 / 19 / 0 / 16

HEX #7FAED6

RGB 127 174 214

HSL 207.59, 0.51%, 0.67%

LAB 69.21, -5.44, -25.18

 

CMYK 41 / 0 / 25 / 16

HEX #7FD6A0

RGB 127 214 160

HSL 142.76, 0.51%, 0.67%

LAB 79.12, -38.01, 18.61

 

CMYK 50 / 0 / 31 / 11

HEX #71E49D

RGB 113 228 157

HSL 142.96, 0.68%, 0.67%

LAB 82.61, -48.36, 24.88

 

CMYK 59 / 0 / 36 / 5

HEX #63F19A

RGB 99 241 154

HSL 143.24, 0.84%, 0.67%

LAB 85.95, -57.32, 30.84

 

CMYK 41 / 0 / 25 / 16

HEX #7FD6A0

RGB 127 214 160

HSL 142.76, 0.51%, 0.67%

LAB 79.12, -38.01, 18.61

 

CMYK 30 / 0 / 19 / 22

HEX #8CC8A3

RGB 140 200 163

HSL 143, 0.35%, 0.67%

LAB 75.78, -27, 12.42

 

CMYK 18 / 0 / 11 / 27

HEX #9ABBA7

RGB 154 187 167

HSL 143.64, 0.2%, 0.67%

LAB 73.02, -15.15, 6.44

 

CMYK 3 / 0 / 2 / 32

HEX #A7ADAA

RGB 167 173 170

HSL 150, 0.04%, 0.67%

LAB 70.18, -2.68, 0.79

 

CMYK 0 / 12 / 4 / 29

HEX #B5A0AD

RGB 181 160 173

HSL 322.86, 0.12%, 0.67%

LAB 68.01, 9.98, -3.92

 

CMYK 35 / 0 / 41 / 16

HEX #8CD67F

RGB 140 214 127

HSL 111.03, 0.51%, 0.67%

LAB 79.16, -39.59, 35.84

 

CMYK 41 / 0 / 36 / 16

HEX #7FD689

RGB 127 214 137

HSL 126.9, 0.51%, 0.67%

LAB 78.7, -42.08, 30.03

 

CMYK 41 / 0 / 25 / 16

HEX #7FD6A0

RGB 127 214 160

HSL 142.76, 0.51%, 0.67%

LAB 79.12, -38.01, 18.61

 

CMYK 41 / 0 / 14 / 16

HEX #7FD6B7

RGB 127 214 183

HSL 158.62, 0.51%, 0.67%

LAB 79.63, -33.34, 7.12

 

CMYK 41 / 0 / 3 / 16

HEX #7FD6CF

RGB 127 214 207

HSL 175.17, 0.51%, 0.67%

LAB 80.24, -27.86, -4.8

 

CMYK 67 / 0 / 41 / 24

HEX #40C272

RGB 64 194 114

HSL 143.08, 0.52%, 0.51%

LAB 70.1, -53.15, 30.16

 

CMYK 53 / 0 / 33 / 20

HEX #5FCC89

RGB 95 204 137

HSL 143.12, 0.52%, 0.59%

LAB 74.46, -46.38, 24.12

 

CMYK 41 / 0 / 25 / 16

HEX #7FD6A0

RGB 127 214 160

HSL 142.76, 0.51%, 0.67%

LAB 79.12, -38.01, 18.61

 

CMYK 29 / 0 / 18 / 12

HEX #9EE0B7

RGB 158 224 183

HSL 142.73, 0.52%, 0.75%

LAB 83.97, -29.14, 13.5

 

CMYK 19 / 0 / 12 / 8

HEX #BDEACE

RGB 189 234 206

HSL 142.67, 0.52%, 0.83%

LAB 88.98, -19.92, 8.83

 

CMYK 40 / 0 / 25 / 16

HEX #81D7A2

RGB 129 215 162

HSL 143.02, 0.52%, 0.67%

LAB 79.54, -37.52, 18.15

 

CMYK 41 / 24 / 0 / 16

HEX #7FA3D6

RGB 127 163 214

HSL 215.17, 0.51%, 0.67%

LAB 66.18, 0.65, -29.84

 

CMYK 0 / 41 / 40 / 16

HEX #D67F80

RGB 214 127 128

HSL 359.31, 0.51%, 0.67%

LAB 62.54, 33.72, 14.02

 

CMYK 40 / 0 / 25 / 16

HEX #81D7A2

RGB 129 215 162

HSL 143.02, 0.52%, 0.67%

LAB 79.54, -37.52, 18.15

 

CMYK 25 / 41 / 0 / 16

HEX #A07FD6

RGB 160 127 214

HSL 262.76, 0.51%, 0.67%

LAB 59.44, 30.54, -40.15

 

CMYK 0 / 25 / 41 / 16

HEX #D6A07F

RGB 214 160 127

HSL 22.76, 0.51%, 0.67%

LAB 70.15, 15.82, 25.01

 

CMYK 40 / 0 / 25 / 16

HEX #81D7A2

RGB 129 215 162

HSL 143.02, 0.52%, 0.67%

LAB 79.54, -37.52, 18.15

 

CMYK 41 / 24 / 0 / 16

HEX #7FA3D6

RGB 127 163 214

HSL 215.17, 0.51%, 0.67%

LAB 66.18, 0.65, -29.84

 

CMYK 0 / 41 / 15 / 16

HEX #D67FB5

RGB 214 127 181

HSL 322.76, 0.51%, 0.67%

LAB 64.01, 40.93, -14

 

CMYK 0 / 17 / 41 / 16

HEX #D6B27F

RGB 214 178 127

HSL 35.17, 0.51%, 0.67%

LAB 74.62, 6.15, 30.93

 

CMYK 40 / 0 / 25 / 16

HEX #81D7A2

RGB 129 215 162

HSL 143.02, 0.52%, 0.67%

LAB 79.54, -37.52, 18.15

 

CMYK 41 / 36 / 0 / 16

HEX #7F89D6

RGB 127 137 214

HSL 233.1, 0.51%, 0.67%

LAB 59.21, 15.62, -40.69

 

CMYK 0 / 41 / 15 / 16

HEX #D67FB5

RGB 214 127 181

HSL 322.76, 0.51%, 0.67%

LAB 64.01, 40.93, -14

 

CMYK 0 / 5 / 41 / 16

HEX #D6CC7F

RGB 214 204 127

HSL 53.1, 0.51%, 0.67%

LAB 81.3, -7.45, 39.57

 

Description

Color code: HEX #81D7A2 | qconv.com Color code: HEX #81D7A2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 215 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 215 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 25 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 25% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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