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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #81AE09 it is the complementary color #7E51F6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #81AE09. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #81AE09 shade: #86AE04, #97C017, #A8D22A, #B9E43D and #CAF650

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #81AE09. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #81AE09 shade: #81AE09, #709C00, #5F8A00, #4E7800 and #3D6600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #81AE09 shade: #81AE09, #ADAE09, #AE8209, #AE5509 and #AE2909

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #81AE09 shade: #81AE09, #54AE09, #28AE09, #09AE16 and #09AE43

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #81AE09 shade matches the following richer shades: #81AE09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #81AE09 shade: #81AE09, #7A9F18, #739026, #6D8135 and #667344

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #81AE09 shade: #AE8209, #AEAE09, #82AE09, #56AE09 and #2AAE09

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #81AE09 shade: #476005, #648707, #81AE09, #9ED50B and #B6F217

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #81AE09 shade: #81AE09, #09AE56 and #9809AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #81AE09 shade: #81AE09, #0982AE and #AE0982

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #81AE09 shade: #81AE09, #09AE56, #3509AE and #AE0961

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #81AE09 shade: #81AE09, #09AE87, #3509AE and #AE092F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 95 / 32

HEX #81AE09

RGB 129 174 9

HSL 76.36, 0.9%, 0.36%

LAB 65.72, -35.15, 65.95

 

Complementary color

CMYK 49 / 67 / 0 / 4

HEX #7E51F6

RGB 126 81 246

HSL 256.36, 0.9%, 0.64%

LAB 48.23, 56.57, -76.25

 

CMYK 23 / 0 / 98 / 32

HEX #86AE04

RGB 134 174 4

HSL 74.12, 0.96%, 0.35%

LAB 66.02, -33.22, 66.94

 

CMYK 21 / 0 / 88 / 25

HEX #97C017

RGB 151 192 23

HSL 74.56, 0.79%, 0.42%

LAB 72.46, -34.29, 69.82

 

CMYK 20 / 0 / 80 / 18

HEX #A8D22A

RGB 168 210 42

HSL 75, 0.67%, 0.49%

LAB 78.8, -35.15, 71.33

 

CMYK 19 / 0 / 73 / 11

HEX #B9E43D

RGB 185 228 61

HSL 75.45, 0.76%, 0.57%

LAB 85.07, -35.83, 71.84

 

CMYK 18 / 0 / 67 / 4

HEX #CAF650

RGB 202 246 80

HSL 75.9, 0.9%, 0.64%

LAB 91.26, -36.36, 71.71

 

CMYK 26 / 0 / 95 / 32

HEX #81AE09

RGB 129 174 9

HSL 76.36, 0.9%, 0.36%

LAB 65.72, -35.15, 65.95

 

CMYK 28 / 0 / 100 / 39

HEX #709C00

RGB 112 156 0

HSL 76.92, 1%, 0.31%

LAB 59.18, -33.91, 61.64

 

CMYK 31 / 0 / 100 / 46

HEX #5F8A00

RGB 95 138 0

HSL 78.7, 1%, 0.27%

LAB 52.52, -32.5, 56.1

 

CMYK 35 / 0 / 100 / 53

HEX #4E7800

RGB 78 120 0

HSL 81, 1%, 0.24%

LAB 45.71, -31.05, 50.42

 

CMYK 40 / 0 / 100 / 60

HEX #3D6600

RGB 61 102 0

HSL 84.12, 1%, 0.2%

LAB 38.72, -29.55, 44.61

 

CMYK 26 / 0 / 95 / 32

HEX #81AE09

RGB 129 174 9

HSL 76.36, 0.9%, 0.36%

LAB 65.72, -35.15, 65.95

 

CMYK 1 / 0 / 95 / 32

HEX #ADAE09

RGB 173 174 9

HSL 60.36, 0.9%, 0.36%

LAB 68.88, -16.51, 69.77

 

CMYK 0 / 25 / 95 / 32

HEX #AE8209

RGB 174 130 9

HSL 44, 0.9%, 0.36%

LAB 57.06, 7.52, 60.97

 

CMYK 0 / 51 / 95 / 32

HEX #AE5509

RGB 174 85 9

HSL 27.64, 0.9%, 0.36%

LAB 46.33, 32.41, 53.33

 

CMYK 0 / 76 / 95 / 32

HEX #AE2909

RGB 174 41 9

HSL 11.64, 0.9%, 0.36%

LAB 38.91, 52.04, 48.48

 

CMYK 26 / 0 / 95 / 32

HEX #81AE09

RGB 129 174 9

HSL 76.36, 0.9%, 0.36%

LAB 65.72, -35.15, 65.95

 

CMYK 52 / 0 / 95 / 32

HEX #54AE09

RGB 84 174 9

HSL 92.73, 0.9%, 0.36%

LAB 63.49, -51.08, 63.22

 

CMYK 77 / 0 / 95 / 32

HEX #28AE09

RGB 40 174 9

HSL 108.73, 0.9%, 0.36%

LAB 62.29, -61.03, 61.75

 

CMYK 95 / 0 / 87 / 32

HEX #09AE16

RGB 9 174 22

HSL 124.73, 0.9%, 0.36%

LAB 61.99, -63.61, 59.15

 

CMYK 95 / 0 / 61 / 32

HEX #09AE43

RGB 9 174 67

HSL 141.09, 0.9%, 0.36%

LAB 62.28, -59.85, 43.59

 

CMYK 26 / 0 / 95 / 32

HEX #81AE09

RGB 129 174 9

HSL 76.36, 0.9%, 0.36%

LAB 65.72, -35.15, 65.95

 

CMYK 26 / 0 / 95 / 32

HEX #81AE09

RGB 129 174 9

HSL 76.36, 0.9%, 0.36%

LAB 65.72, -35.15, 65.95

 

CMYK 23 / 0 / 85 / 38

HEX #7A9F18

RGB 122 159 24

HSL 76.44, 0.74%, 0.36%

LAB 60.78, -30.67, 59.01

 

CMYK 20 / 0 / 74 / 44

HEX #739026

RGB 115 144 38

HSL 76.42, 0.58%, 0.36%

LAB 55.82, -25.69, 49.9

 

CMYK 16 / 0 / 59 / 49

HEX #6D8135

RGB 109 129 53

HSL 75.79, 0.42%, 0.36%

LAB 50.93, -19.5, 38.06

 

CMYK 11 / 0 / 41 / 55

HEX #667344

RGB 102 115 68

HSL 76.6, 0.26%, 0.36%

LAB 46.32, -13.3, 24.4

 

CMYK 0 / 25 / 95 / 32

HEX #AE8209

RGB 174 130 9

HSL 44, 0.9%, 0.36%

LAB 57.06, 7.52, 60.97

 

CMYK 0 / 0 / 95 / 32

HEX #AEAE09

RGB 174 174 9

HSL 60, 0.9%, 0.36%

LAB 68.96, -16.07, 69.87

 

CMYK 25 / 0 / 95 / 32

HEX #82AE09

RGB 130 174 9

HSL 76, 0.9%, 0.36%

LAB 65.78, -34.75, 66.02

 

CMYK 51 / 0 / 95 / 32

HEX #56AE09

RGB 86 174 9

HSL 92, 0.9%, 0.36%

LAB 63.57, -50.48, 63.32

 

CMYK 76 / 0 / 95 / 32

HEX #2AAE09

RGB 42 174 9

HSL 108, 0.9%, 0.36%

LAB 62.32, -60.73, 61.79

 

CMYK 26 / 0 / 95 / 62

HEX #476005

RGB 71 96 5

HSL 76.48, 0.9%, 0.2%

LAB 37.33, -22.21, 42.35

 

CMYK 26 / 0 / 95 / 47

HEX #648707

RGB 100 135 7

HSL 76.41, 0.9%, 0.28%

LAB 51.9, -28.86, 54.48

 

CMYK 26 / 0 / 95 / 32

HEX #81AE09

RGB 129 174 9

HSL 76.36, 0.9%, 0.36%

LAB 65.72, -35.15, 65.95

 

CMYK 26 / 0 / 95 / 16

HEX #9ED50B

RGB 158 213 11

HSL 76.34, 0.9%, 0.44%

LAB 78.97, -41.17, 76.92

 

CMYK 25 / 0 / 90 / 5

HEX #B6F217

RGB 182 242 23

HSL 76.44, 0.89%, 0.52%

LAB 88.69, -44.43, 83.82

 

CMYK 26 / 0 / 95 / 32

HEX #81AE09

RGB 129 174 9

HSL 76.36, 0.9%, 0.36%

LAB 65.72, -35.15, 65.95

 

CMYK 95 / 0 / 51 / 32

HEX #09AE56

RGB 9 174 86

HSL 148, 0.9%, 0.36%

LAB 62.51, -57.09, 34.67

 

CMYK 13 / 95 / 0 / 32

HEX #9809AE

RGB 152 9 174

HSL 292, 0.9%, 0.36%

LAB 37.71, 69.25, -51.67

 

CMYK 26 / 0 / 95 / 32

HEX #81AE09

RGB 129 174 9

HSL 76.36, 0.9%, 0.36%

LAB 65.72, -35.15, 65.95

 

CMYK 95 / 25 / 0 / 32

HEX #0982AE

RGB 9 130 174

HSL 196, 0.9%, 0.36%

LAB 50.78, -13.3, -31.48

 

CMYK 0 / 95 / 25 / 32

HEX #AE0982

RGB 174 9 130

HSL 316, 0.9%, 0.36%

LAB 39.25, 66.89, -22.22

 

CMYK 26 / 0 / 95 / 32

HEX #81AE09

RGB 129 174 9

HSL 76.36, 0.9%, 0.36%

LAB 65.72, -35.15, 65.95

 

CMYK 95 / 0 / 51 / 32

HEX #09AE56

RGB 9 174 86

HSL 148, 0.9%, 0.36%

LAB 62.51, -57.09, 34.67

 

CMYK 70 / 95 / 0 / 32

HEX #3509AE

RGB 53 9 174

HSL 256, 0.9%, 0.36%

LAB 23.7, 58.51, -75.19

 

CMYK 0 / 95 / 44 / 32

HEX #AE0961

RGB 174 9 97

HSL 328, 0.9%, 0.36%

LAB 37.94, 63.43, -3.44

 

CMYK 26 / 0 / 95 / 32

HEX #81AE09

RGB 129 174 9

HSL 76.36, 0.9%, 0.36%

LAB 65.72, -35.15, 65.95

 

CMYK 95 / 0 / 22 / 32

HEX #09AE87

RGB 9 174 135

HSL 165.82, 0.9%, 0.36%

LAB 63.41, -46.77, 9.61

 

CMYK 70 / 95 / 0 / 32

HEX #3509AE

RGB 53 9 174

HSL 256, 0.9%, 0.36%

LAB 23.7, 58.51, -75.19

 

CMYK 0 / 95 / 73 / 32

HEX #AE092F

RGB 174 9 47

HSL 346.18, 0.9%, 0.36%

LAB 36.74, 60.15, 27.03

 

Description

Color code: HEX #81AE09 | qconv.com Color code: HEX #81AE09 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 174 green and 9 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 174 9 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 95 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 95% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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