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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #819C1B it is the complementary color #7E63E4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #819C1B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #819C1B shade: #869C16, #97AE29, #A8C03C, #B9D24F and #CAE462

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #819C1B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #819C1B shade: #819C1B, #708A08, #5F7800, #4E6600 and #3D5400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #819C1B shade: #819C1B, #9C941B, #9C711B, #9C4E1B and #9C2C1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #819C1B shade: #819C1B, #5E9C1B, #3B9C1B, #1B9C1D and #1B9C40

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #819C1B shade matches the following richer shades: #819C1B and #89AA0C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #819C1B shade: #819C1B, #788D2A, #6F7E39, #676F48 and #5E6056

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #819C1B shade: #9C711B, #9C931B, #829C1B, #609C1B and #3D9C1B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #819C1B shade: #47550F, #647815, #819C1B, #9EBF21 and #B6DA2F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #819C1B shade: #819C1B, #1B9C4E and #821B9C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #819C1B shade: #819C1B, #1B829C and #9C1B82

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #819C1B shade: #819C1B, #1B9C4E, #351B9C and #9C1B68

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #819C1B shade: #819C1B, #1B9C75, #351B9C and #9C1B42

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 83 / 39

HEX #819C1B

RGB 129 156 27

HSL 72.56, 0.7%, 0.36%

LAB 60.36, -26.19, 58.04

 

Complementary color

CMYK 45 / 57 / 0 / 11

HEX #7E63E4

RGB 126 99 228

HSL 252.56, 0.7%, 0.64%

LAB 50.64, 41.72, -62.23

 

CMYK 14 / 0 / 86 / 39

HEX #869C16

RGB 134 156 22

HSL 69.85, 0.75%, 0.35%

LAB 60.7, -24.22, 59.74

 

CMYK 13 / 0 / 76 / 32

HEX #97AE29

RGB 151 174 41

HSL 70.38, 0.62%, 0.42%

LAB 67.29, -25.12, 60.71

 

CMYK 13 / 0 / 69 / 25

HEX #A8C03C

RGB 168 192 60

HSL 70.91, 0.52%, 0.49%

LAB 73.77, -25.81, 60.7

 

CMYK 12 / 0 / 62 / 18

HEX #B9D24F

RGB 185 210 79

HSL 71.45, 0.59%, 0.57%

LAB 80.16, -26.35, 60.15

 

CMYK 11 / 0 / 57 / 11

HEX #CAE462

RGB 202 228 98

HSL 72, 0.71%, 0.64%

LAB 86.47, -26.77, 59.31

 

CMYK 17 / 0 / 83 / 39

HEX #819C1B

RGB 129 156 27

HSL 72.56, 0.7%, 0.36%

LAB 60.36, -26.19, 58.04

 

CMYK 19 / 0 / 94 / 46

HEX #708A08

RGB 112 138 8

HSL 72, 0.89%, 0.29%

LAB 53.64, -25.18, 56.04

 

CMYK 21 / 0 / 100 / 53

HEX #5F7800

RGB 95 120 0

HSL 72.5, 1%, 0.24%

LAB 46.8, -23.84, 51.73

 

CMYK 24 / 0 / 100 / 60

HEX #4E6600

RGB 78 102 0

HSL 74.12, 1%, 0.2%

LAB 39.79, -22.31, 45.9

 

CMYK 27 / 0 / 100 / 67

HEX #3D5400

RGB 61 84 0

HSL 76.43, 1%, 0.16%

LAB 32.55, -20.76, 39.87

 

CMYK 17 / 0 / 83 / 39

HEX #819C1B

RGB 129 156 27

HSL 72.56, 0.7%, 0.36%

LAB 60.36, -26.19, 58.04

 

CMYK 0 / 5 / 83 / 39

HEX #9C941B

RGB 156 148 27

HSL 56.28, 0.7%, 0.36%

LAB 60.18, -10.17, 58.73

 

CMYK 0 / 28 / 83 / 39

HEX #9C711B

RGB 156 113 27

HSL 40, 0.7%, 0.36%

LAB 50.64, 9.24, 50.39

 

CMYK 0 / 50 / 83 / 39

HEX #9C4E1B

RGB 156 78 27

HSL 23.72, 0.7%, 0.36%

LAB 42.15, 29.03, 42.72

 

CMYK 0 / 72 / 83 / 39

HEX #9C2C1B

RGB 156 44 27

HSL 7.91, 0.7%, 0.36%

LAB 35.88, 45.41, 36.83

 

CMYK 17 / 0 / 83 / 39

HEX #819C1B

RGB 129 156 27

HSL 72.56, 0.7%, 0.36%

LAB 60.36, -26.19, 58.04

 

CMYK 40 / 0 / 83 / 39

HEX #5E9C1B

RGB 94 156 27

HSL 88.84, 0.7%, 0.36%

LAB 58.26, -40.03, 55.38

 

CMYK 62 / 0 / 83 / 39

HEX #3B9C1B

RGB 59 156 27

HSL 105.12, 0.7%, 0.36%

LAB 56.87, -50.71, 53.59

 

CMYK 83 / 0 / 81 / 39

HEX #1B9C1D

RGB 27 156 29

HSL 120.93, 0.7%, 0.36%

LAB 56.19, -56.46, 52.12

 

CMYK 83 / 0 / 59 / 39

HEX #1B9C40

RGB 27 156 64

HSL 137.21, 0.7%, 0.36%

LAB 56.47, -53, 38.28

 

CMYK 17 / 0 / 83 / 39

HEX #819C1B

RGB 129 156 27

HSL 72.56, 0.7%, 0.36%

LAB 60.36, -26.19, 58.04

 

CMYK 19 / 0 / 93 / 33

HEX #89AA0C

RGB 137 170 12

HSL 72.53, 0.87%, 0.36%

LAB 65.04, -29.98, 65.24

 

CMYK 17 / 0 / 83 / 39

HEX #819C1B

RGB 129 156 27

HSL 72.56, 0.7%, 0.36%

LAB 60.36, -26.19, 58.04

 

CMYK 15 / 0 / 70 / 45

HEX #788D2A

RGB 120 141 42

HSL 72.73, 0.54%, 0.36%

LAB 55.29, -21.81, 47.93

 

CMYK 12 / 0 / 55 / 51

HEX #6F7E39

RGB 111 126 57

HSL 73.04, 0.38%, 0.36%

LAB 50.21, -16.67, 35.27

 

CMYK 7 / 0 / 35 / 56

HEX #676F48

RGB 103 111 72

HSL 72.31, 0.21%, 0.36%

LAB 45.25, -10.09, 20.75

 

CMYK 2 / 0 / 10 / 62

HEX #5E6056

RGB 94 96 86

HSL 72, 0.05%, 0.36%

LAB 40.27, -2.81, 5.44

 

CMYK 0 / 28 / 83 / 39

HEX #9C711B

RGB 156 113 27

HSL 40, 0.7%, 0.36%

LAB 50.64, 9.24, 50.39

 

CMYK 0 / 6 / 83 / 39

HEX #9C931B

RGB 156 147 27

HSL 55.81, 0.7%, 0.36%

LAB 59.9, -9.64, 58.48

 

CMYK 17 / 0 / 83 / 39

HEX #829C1B

RGB 130 156 27

HSL 72.09, 0.7%, 0.36%

LAB 60.43, -25.77, 58.13

 

CMYK 38 / 0 / 83 / 39

HEX #609C1B

RGB 96 156 27

HSL 87.91, 0.7%, 0.36%

LAB 58.36, -39.31, 55.51

 

CMYK 61 / 0 / 83 / 39

HEX #3D9C1B

RGB 61 156 27

HSL 104.19, 0.7%, 0.36%

LAB 56.93, -50.22, 53.67

 

CMYK 16 / 0 / 82 / 67

HEX #47550F

RGB 71 85 15

HSL 72, 0.7%, 0.2%

LAB 33.71, -15.93, 36.13

 

CMYK 17 / 0 / 83 / 53

HEX #647815

RGB 100 120 21

HSL 72.12, 0.7%, 0.28%

LAB 47.23, -20.97, 47.31

 

CMYK 17 / 0 / 83 / 39

HEX #819C1B

RGB 129 156 27

HSL 72.56, 0.7%, 0.36%

LAB 60.36, -26.19, 58.04

 

CMYK 17 / 0 / 83 / 25

HEX #9EBF21

RGB 158 191 33

HSL 72.53, 0.71%, 0.44%

LAB 72.65, -30.69, 68

 

CMYK 17 / 0 / 78 / 15

HEX #B6DA2F

RGB 182 218 47

HSL 72.63, 0.7%, 0.52%

LAB 82, -33.06, 73.17

 

CMYK 17 / 0 / 83 / 39

HEX #819C1B

RGB 129 156 27

HSL 72.56, 0.7%, 0.36%

LAB 60.36, -26.19, 58.04

 

CMYK 83 / 0 / 50 / 39

HEX #1B9C4E

RGB 27 156 78

HSL 143.72, 0.7%, 0.36%

LAB 56.64, -50.86, 31.47

 

CMYK 17 / 83 / 0 / 39

HEX #821B9C

RGB 130 27 156

HSL 287.91, 0.7%, 0.36%

LAB 33.84, 58.94, -47.27

 

CMYK 17 / 0 / 83 / 39

HEX #819C1B

RGB 129 156 27

HSL 72.56, 0.7%, 0.36%

LAB 60.36, -26.19, 58.04

 

CMYK 83 / 17 / 0 / 39

HEX #1B829C

RGB 27 130 156

HSL 192.09, 0.7%, 0.36%

LAB 50.21, -18.64, -21.9

 

CMYK 0 / 83 / 17 / 39

HEX #9C1B82

RGB 156 27 130

HSL 312.09, 0.7%, 0.36%

LAB 36.86, 59.98, -26.2

 

CMYK 17 / 0 / 83 / 39

HEX #819C1B

RGB 129 156 27

HSL 72.56, 0.7%, 0.36%

LAB 60.36, -26.19, 58.04

 

CMYK 83 / 0 / 50 / 39

HEX #1B9C4E

RGB 27 156 78

HSL 143.72, 0.7%, 0.36%

LAB 56.64, -50.86, 31.47

 

CMYK 66 / 83 / 0 / 39

HEX #351B9C

RGB 53 27 156

HSL 252.09, 0.7%, 0.36%

LAB 23.48, 47.69, -64.63

 

CMYK 0 / 83 / 33 / 39

HEX #9C1B68

RGB 156 27 104

HSL 324.19, 0.7%, 0.36%

LAB 35.7, 56.66, -11.65

 

CMYK 17 / 0 / 83 / 39

HEX #819C1B

RGB 129 156 27

HSL 72.56, 0.7%, 0.36%

LAB 60.36, -26.19, 58.04

 

CMYK 83 / 0 / 25 / 39

HEX #1B9C75

RGB 27 156 117

HSL 161.86, 0.7%, 0.36%

LAB 57.36, -42.74, 11.13

 

CMYK 66 / 83 / 0 / 39

HEX #351B9C

RGB 53 27 156

HSL 252.09, 0.7%, 0.36%

LAB 23.48, 47.69, -64.63

 

CMYK 0 / 83 / 58 / 39

HEX #9C1B42

RGB 156 27 66

HSL 341.86, 0.7%, 0.36%

LAB 34.49, 53.09, 11.15

 

Description

Color code: HEX #819C1B | qconv.com Color code: HEX #819C1B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 156 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 156 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 83 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 83% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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