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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #818F19 it is the complementary color #7E70E6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #818F19. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #818F19 shade: #868F14, #97A127, #A8B33A, #B9C54D and #CAD760

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #818F19. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #818F19 shade: #818F19, #707D06, #5F6B00, #4E5900 and #3D4700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #818F19 shade: #818F19, #8F7D19, #8F5D19, #8F3D19 and #8F1D19

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #818F19 shade: #818F19, #618F19, #418F19, #218F19 and #198F30

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #818F19 shade matches the following richer shades: #818F19 and #8B9C0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #818F19 shade: #818F19, #768126, #6C7334, #616642 and #57584F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #818F19 shade: #8F5D19, #8F7D19, #818F19, #618F19 and #428F19

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #818F19 shade: #41480C, #616B13, #818F19, #A0B21F and #C0D525

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #818F19 shade: #818F19, #198F3E and #6D198F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #818F19 shade: #818F19, #19818F and #8F1981

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #818F19 shade: #818F19, #198F3E, #26198F and #8F1969

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #818F19 shade: #818F19, #198F61, #26198F and #8F1946

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 83 / 44

HEX #818F19

RGB 129 143 25

HSL 67.12, 0.7%, 0.33%

LAB 56.47, -19.75, 55.18

 

Complementary color

CMYK 45 / 51 / 0 / 10

HEX #7E70E6

RGB 126 112 230

HSL 247.12, 0.7%, 0.67%

LAB 53.75, 34.74, -58.35

 

CMYK 6 / 0 / 86 / 44

HEX #868F14

RGB 134 143 20

HSL 64.39, 0.75%, 0.32%

LAB 56.84, -17.68, 56.97

 

CMYK 6 / 0 / 76 / 37

HEX #97A127

RGB 151 161 39

HSL 64.92, 0.61%, 0.39%

LAB 63.52, -18.71, 57.86

 

CMYK 6 / 0 / 68 / 30

HEX #A8B33A

RGB 168 179 58

HSL 65.45, 0.51%, 0.46%

LAB 70.09, -19.52, 57.74

 

CMYK 6 / 0 / 61 / 23

HEX #B9C54D

RGB 185 197 77

HSL 66, 0.51%, 0.54%

LAB 76.55, -20.16, 57.09

 

CMYK 6 / 0 / 55 / 16

HEX #CAD760

RGB 202 215 96

HSL 66.55, 0.6%, 0.61%

LAB 82.91, -20.67, 56.18

 

CMYK 10 / 0 / 83 / 44

HEX #818F19

RGB 129 143 25

HSL 67.12, 0.7%, 0.33%

LAB 56.47, -19.75, 55.18

 

CMYK 10 / 0 / 95 / 51

HEX #707D06

RGB 112 125 6

HSL 66.55, 0.91%, 0.26%

LAB 49.65, -18.6, 53.25

 

CMYK 11 / 0 / 100 / 58

HEX #5F6B00

RGB 95 107 0

HSL 66.73, 1%, 0.21%

LAB 42.69, -17.09, 48.65

 

CMYK 12 / 0 / 100 / 65

HEX #4E5900

RGB 78 89 0

HSL 67.42, 1%, 0.17%

LAB 35.53, -15.41, 42.69

 

CMYK 14 / 0 / 100 / 72

HEX #3D4700

RGB 61 71 0

HSL 68.45, 1%, 0.14%

LAB 28.11, -13.68, 36.44

 

CMYK 10 / 0 / 83 / 44

HEX #818F19

RGB 129 143 25

HSL 67.12, 0.7%, 0.33%

LAB 56.47, -19.75, 55.18

 

CMYK 0 / 13 / 83 / 44

HEX #8F7D19

RGB 143 125 25

HSL 50.85, 0.7%, 0.33%

LAB 52.48, -3.67, 52.16

 

CMYK 0 / 35 / 83 / 44

HEX #8F5D19

RGB 143 93 25

HSL 34.58, 0.7%, 0.33%

LAB 43.86, 14.69, 44.46

 

CMYK 0 / 57 / 83 / 44

HEX #8F3D19

RGB 143 61 25

HSL 18.31, 0.7%, 0.33%

LAB 36.46, 32.64, 37.58

 

CMYK 0 / 80 / 83 / 44

HEX #8F1D19

RGB 143 29 25

HSL 2.03, 0.7%, 0.33%

LAB 31.32, 46.46, 32.59

 

CMYK 10 / 0 / 83 / 44

HEX #818F19

RGB 129 143 25

HSL 67.12, 0.7%, 0.33%

LAB 56.47, -19.75, 55.18

 

CMYK 32 / 0 / 83 / 44

HEX #618F19

RGB 97 143 25

HSL 83.39, 0.7%, 0.33%

LAB 54.3, -33.24, 52.42

 

CMYK 55 / 0 / 83 / 44

HEX #418F19

RGB 65 143 25

HSL 99.66, 0.7%, 0.33%

LAB 52.77, -44.37, 50.46

 

CMYK 77 / 0 / 83 / 44

HEX #218F19

RGB 33 143 25

HSL 115.93, 0.7%, 0.33%

LAB 51.88, -51.73, 49.31

 

CMYK 83 / 0 / 66 / 44

HEX #198F30

RGB 25 143 48

HSL 131.69, 0.7%, 0.33%

LAB 51.91, -50.86, 40.55

 

CMYK 10 / 0 / 83 / 44

HEX #818F19

RGB 129 143 25

HSL 67.12, 0.7%, 0.33%

LAB 56.47, -19.75, 55.18

 

CMYK 11 / 0 / 93 / 39

HEX #8B9C0B

RGB 139 156 11

HSL 67.03, 0.87%, 0.33%

LAB 61.04, -22.31, 62.27

 

CMYK 10 / 0 / 83 / 44

HEX #818F19

RGB 129 143 25

HSL 67.12, 0.7%, 0.33%

LAB 56.47, -19.75, 55.18

 

CMYK 9 / 0 / 71 / 49

HEX #768126

RGB 118 129 38

HSL 67.25, 0.54%, 0.33%

LAB 51.49, -16.72, 45.66

 

CMYK 6 / 0 / 55 / 55

HEX #6C7334

RGB 108 115 52

HSL 66.67, 0.38%, 0.33%

LAB 46.58, -12.54, 33.52

 

CMYK 5 / 0 / 35 / 60

HEX #616642

RGB 97 102 66

HSL 68.33, 0.21%, 0.33%

LAB 41.9, -8.42, 19.74

 

CMYK 1 / 0 / 10 / 65

HEX #57584F

RGB 87 88 79

HSL 66.67, 0.05%, 0.33%

LAB 37.06, -2.24, 5.08

 

CMYK 0 / 35 / 83 / 44

HEX #8F5D19

RGB 143 93 25

HSL 34.58, 0.7%, 0.33%

LAB 43.86, 14.69, 44.46

 

CMYK 0 / 13 / 83 / 44

HEX #8F7D19

RGB 143 125 25

HSL 50.85, 0.7%, 0.33%

LAB 52.48, -3.67, 52.16

 

CMYK 10 / 0 / 83 / 44

HEX #818F19

RGB 129 143 25

HSL 67.12, 0.7%, 0.33%

LAB 56.47, -19.75, 55.18

 

CMYK 32 / 0 / 83 / 44

HEX #618F19

RGB 97 143 25

HSL 83.39, 0.7%, 0.33%

LAB 54.3, -33.24, 52.42

 

CMYK 54 / 0 / 83 / 44

HEX #428F19

RGB 66 143 25

HSL 99.15, 0.7%, 0.33%

LAB 52.81, -44.07, 50.51

 

CMYK 10 / 0 / 83 / 72

HEX #41480C

RGB 65 72 12

HSL 67, 0.71%, 0.16%

LAB 28.86, -11.65, 32.55

 

CMYK 9 / 0 / 82 / 58

HEX #616B13

RGB 97 107 19

HSL 66.82, 0.7%, 0.25%

LAB 42.92, -15.54, 43.98

 

CMYK 10 / 0 / 83 / 44

HEX #818F19

RGB 129 143 25

HSL 67.12, 0.7%, 0.33%

LAB 56.47, -19.75, 55.18

 

CMYK 10 / 0 / 83 / 30

HEX #A0B21F

RGB 160 178 31

HSL 67.35, 0.7%, 0.41%

LAB 69.05, -23.66, 65.43

 

CMYK 10 / 0 / 83 / 16

HEX #C0D525

RGB 192 213 37

HSL 67.16, 0.7%, 0.49%

LAB 81.25, -27.01, 75.36

 

CMYK 10 / 0 / 83 / 44

HEX #818F19

RGB 129 143 25

HSL 67.12, 0.7%, 0.33%

LAB 56.47, -19.75, 55.18

 

CMYK 83 / 0 / 57 / 44

HEX #198F3E

RGB 25 143 62

HSL 138.81, 0.7%, 0.33%

LAB 52.06, -49.02, 34.03

 

CMYK 24 / 83 / 0 / 44

HEX #6D198F

RGB 109 25 143

HSL 282.71, 0.7%, 0.33%

LAB 29.23, 53.13, -46.91

 

CMYK 10 / 0 / 83 / 44

HEX #818F19

RGB 129 143 25

HSL 67.12, 0.7%, 0.33%

LAB 56.47, -19.75, 55.18

 

CMYK 83 / 10 / 0 / 44

HEX #19818F

RGB 25 129 143

HSL 187.12, 0.7%, 0.33%

LAB 49.36, -22.75, -15.6

 

CMYK 0 / 83 / 10 / 44

HEX #8F1981

RGB 143 25 129

HSL 307.12, 0.7%, 0.33%

LAB 34.23, 57.46, -29.88

 

CMYK 10 / 0 / 83 / 44

HEX #818F19

RGB 129 143 25

HSL 67.12, 0.7%, 0.33%

LAB 56.47, -19.75, 55.18

 

CMYK 83 / 0 / 57 / 44

HEX #198F3E

RGB 25 143 62

HSL 138.81, 0.7%, 0.33%

LAB 52.06, -49.02, 34.03

 

CMYK 73 / 83 / 0 / 44

HEX #26198F

RGB 38 25 143

HSL 246.61, 0.7%, 0.33%

LAB 20.4, 43.33, -61.73

 

CMYK 0 / 83 / 27 / 44

HEX #8F1969

RGB 143 25 105

HSL 319.32, 0.7%, 0.33%

LAB 33.04, 54.1, -16.57

 

CMYK 10 / 0 / 83 / 44

HEX #818F19

RGB 129 143 25

HSL 67.12, 0.7%, 0.33%

LAB 56.47, -19.75, 55.18

 

CMYK 83 / 0 / 32 / 44

HEX #198F61

RGB 25 143 97

HSL 156.61, 0.7%, 0.33%

LAB 52.64, -42.38, 15.84

 

CMYK 73 / 83 / 0 / 44

HEX #26198F

RGB 38 25 143

HSL 246.61, 0.7%, 0.33%

LAB 20.4, 43.33, -61.73

 

CMYK 0 / 83 / 51 / 44

HEX #8F1946

RGB 143 25 70

HSL 337.12, 0.7%, 0.33%

LAB 31.75, 50.32, 4.3

 

Description

Color code: HEX #818F19 | qconv.com Color code: HEX #818F19 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 143 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 143 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 83 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 83% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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