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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #818592 it is the complementary color #7E7A6D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #818592. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #818592 shade: #86858D, #9797A0, #A8A9B3, #B9BBC6 and #CACDD9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #818592. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #818592 shade: #818592, #70737F, #5F616C, #4E4F59 and #3D3D46

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #818592 shade: #818591, #828191, #868191, #8A8191 and #8F8191

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #818592 shade: #818591 and #818191

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #818592 shade matches the following richer shades: #818591, #6E7BA4, #5B71B7, #4867CA and #355DDD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #818592 shade: #818591, #948F7E, #A7996B, #BAA358 and #CDAD45

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #818592 shade: #818E91, #818991, #818591, #818191 and #868191

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #818592 shade: #595C67, #6C707D, #818591, #979AA5 and #ADB0B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #818592 shade: #818592, #918191 and #8C9181

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #818592 shade: #818592, #918185 and #859181

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #818592 shade: #818592, #918191, #918D81 and #829181

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #818592 shade: #818592, #91818D, #918D81 and #819185

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 9 / 0 / 43

HEX #818592

RGB 129 133 146

HSL 225.88, 0.07%, 0.54%

LAB 55.6, 1.27, -7.47

 

Complementary color

CMYK 0 / 3 / 13 / 51

HEX #7E7A6D

RGB 126 122 109

HSL 45.88, 0.07%, 0.46%

LAB 51.22, -0.9, 7.66

 

CMYK 5 / 6 / 0 / 45

HEX #86858D

RGB 134 133 141

HSL 247.5, 0.03%, 0.54%

LAB 55.85, 1.99, -4.16

 

CMYK 6 / 6 / 0 / 37

HEX #9797A0

RGB 151 151 160

HSL 240, 0.05%, 0.61%

LAB 62.72, 1.79, -4.72

 

CMYK 6 / 6 / 0 / 30

HEX #A8A9B3

RGB 168 169 179

HSL 234.55, 0.07%, 0.68%

LAB 69.44, 1.6, -5.26

 

CMYK 7 / 6 / 0 / 22

HEX #B9BBC6

RGB 185 187 198

HSL 230.77, 0.1%, 0.75%

LAB 76.03, 1.42, -5.79

 

CMYK 7 / 6 / 0 / 15

HEX #CACDD9

RGB 202 205 217

HSL 228, 0.16%, 0.82%

LAB 82.5, 1.25, -6.3

 

CMYK 12 / 9 / 0 / 43

HEX #818592

RGB 129 133 146

HSL 225.88, 0.07%, 0.54%

LAB 55.6, 1.27, -7.47

 

CMYK 12 / 9 / 0 / 50

HEX #70737F

RGB 112 115 127

HSL 228, 0.06%, 0.47%

LAB 48.56, 1.46, -6.98

 

CMYK 12 / 10 / 0 / 58

HEX #5F616C

RGB 95 97 108

HSL 230.77, 0.06%, 0.4%

LAB 41.32, 1.66, -6.49

 

CMYK 12 / 11 / 0 / 65

HEX #4E4F59

RGB 78 79 89

HSL 234.55, 0.07%, 0.33%

LAB 33.84, 1.89, -6

 

CMYK 13 / 13 / 0 / 73

HEX #3D3D46

RGB 61 61 70

HSL 240, 0.07%, 0.26%

LAB 26.07, 2.15, -5.49

 

CMYK 11 / 8 / 0 / 43

HEX #818591

RGB 129 133 145

HSL 225, 0.07%, 0.54%

LAB 55.57, 1.05, -6.94

 

CMYK 10 / 11 / 0 / 43

HEX #828191

RGB 130 129 145

HSL 243.75, 0.07%, 0.54%

LAB 54.54, 3.7, -8.46

 

CMYK 8 / 11 / 0 / 43

HEX #868191

RGB 134 129 145

HSL 258.75, 0.07%, 0.54%

LAB 54.88, 5.12, -7.92

 

CMYK 5 / 11 / 0 / 43

HEX #8A8191

RGB 138 129 145

HSL 273.75, 0.07%, 0.54%

LAB 55.22, 6.56, -7.37

 

CMYK 1 / 11 / 0 / 43

HEX #8F8191

RGB 143 129 145

HSL 292.5, 0.07%, 0.54%

LAB 55.67, 8.37, -6.66

 

CMYK 11 / 8 / 0 / 43

HEX #818591

RGB 129 133 145

HSL 225, 0.07%, 0.54%

LAB 55.57, 1.05, -6.94

 

CMYK 11 / 11 / 0 / 43

HEX #818191

RGB 129 129 145

HSL 240, 0.07%, 0.54%

LAB 54.46, 3.35, -8.59

 

CMYK 11 / 8 / 0 / 43

HEX #818591

RGB 129 133 145

HSL 225, 0.07%, 0.54%

LAB 55.57, 1.05, -6.94

 

CMYK 33 / 25 / 0 / 36

HEX #6E7BA4

RGB 110 123 164

HSL 225.56, 0.23%, 0.54%

LAB 52.02, 5.27, -23.47

 

CMYK 50 / 38 / 0 / 28

HEX #5B71B7

RGB 91 113 183

HSL 225.65, 0.39%, 0.54%

LAB 48.83, 11.73, -39.57

 

CMYK 64 / 49 / 0 / 21

HEX #4867CA

RGB 72 103 202

HSL 225.69, 0.55%, 0.54%

LAB 46.1, 20.43, -54.95

 

CMYK 76 / 58 / 0 / 13

HEX #355DDD

RGB 53 93 221

HSL 225.71, 0.71%, 0.54%

LAB 43.95, 31, -69.33

 

CMYK 11 / 8 / 0 / 43

HEX #818591

RGB 129 133 145

HSL 225, 0.07%, 0.54%

LAB 55.57, 1.05, -6.94

 

CMYK 0 / 3 / 15 / 42

HEX #948F7E

RGB 148 143 126

HSL 46.36, 0.09%, 0.54%

LAB 59.39, -1.19, 9.71

 

CMYK 0 / 8 / 36 / 35

HEX #A7996B

RGB 167 153 107

HSL 46, 0.25%, 0.54%

LAB 63.39, -1.84, 26.07

 

CMYK 0 / 12 / 53 / 27

HEX #BAA358

RGB 186 163 88

HSL 45.92, 0.42%, 0.54%

LAB 67.53, -1.29, 41.68

 

CMYK 0 / 16 / 66 / 20

HEX #CDAD45

RGB 205 173 69

HSL 45.88, 0.58%, 0.54%

LAB 71.76, 0.13, 55.91

 

CMYK 11 / 2 / 0 / 43

HEX #818E91

RGB 129 142 145

HSL 191.25, 0.07%, 0.54%

LAB 58.09, -4.05, -3.2

 

CMYK 11 / 6 / 0 / 43

HEX #818991

RGB 129 137 145

HSL 210, 0.07%, 0.54%

LAB 56.69, -1.23, -5.28

 

CMYK 11 / 8 / 0 / 43

HEX #818591

RGB 129 133 145

HSL 225, 0.07%, 0.54%

LAB 55.57, 1.05, -6.94

 

CMYK 11 / 11 / 0 / 43

HEX #818191

RGB 129 129 145

HSL 240, 0.07%, 0.54%

LAB 54.46, 3.35, -8.59

 

CMYK 8 / 11 / 0 / 43

HEX #868191

RGB 134 129 145

HSL 258.75, 0.07%, 0.54%

LAB 54.88, 5.12, -7.92

 

CMYK 14 / 11 / 0 / 60

HEX #595C67

RGB 89 92 103

HSL 227.14, 0.07%, 0.38%

LAB 39.17, 1.31, -6.69

 

CMYK 14 / 10 / 0 / 51

HEX #6C707D

RGB 108 112 125

HSL 225.88, 0.07%, 0.46%

LAB 47.31, 1.34, -7.69

 

CMYK 11 / 8 / 0 / 43

HEX #818591

RGB 129 133 145

HSL 225, 0.07%, 0.54%

LAB 55.57, 1.05, -6.94

 

CMYK 8 / 7 / 0 / 35

HEX #979AA5

RGB 151 154 165

HSL 227.14, 0.07%, 0.62%

LAB 63.68, 1.14, -6.12

 

CMYK 6 / 4 / 0 / 28

HEX #ADB0B8

RGB 173 176 184

HSL 223.64, 0.07%, 0.7%

LAB 71.82, 0.5, -4.45

 

CMYK 12 / 9 / 0 / 43

HEX #818592

RGB 129 133 146

HSL 225.88, 0.07%, 0.54%

LAB 55.6, 1.27, -7.47

 

CMYK 0 / 11 / 0 / 43

HEX #918191

RGB 145 129 145

HSL 300, 0.07%, 0.54%

LAB 55.85, 9.1, -6.37

 

CMYK 3 / 0 / 11 / 43

HEX #8C9181

RGB 140 145 129

HSL 78.75, 0.07%, 0.54%

LAB 59.35, -4.85, 7.86

 

CMYK 12 / 9 / 0 / 43

HEX #818592

RGB 129 133 146

HSL 225.88, 0.07%, 0.54%

LAB 55.6, 1.27, -7.47

 

CMYK 0 / 11 / 8 / 43

HEX #918185

RGB 145 129 133

HSL 345, 0.07%, 0.54%

LAB 55.5, 6.8, 0.06

 

CMYK 8 / 0 / 11 / 43

HEX #859181

RGB 133 145 129

HSL 105, 0.07%, 0.54%

LAB 58.81, -7.48, 7.02

 

CMYK 12 / 9 / 0 / 43

HEX #818592

RGB 129 133 146

HSL 225.88, 0.07%, 0.54%

LAB 55.6, 1.27, -7.47

 

CMYK 0 / 11 / 0 / 43

HEX #918191

RGB 145 129 145

HSL 300, 0.07%, 0.54%

LAB 55.85, 9.1, -6.37

 

CMYK 0 / 3 / 11 / 43

HEX #918D81

RGB 145 141 129

HSL 45, 0.07%, 0.54%

LAB 58.65, -0.72, 6.92

 

CMYK 10 / 0 / 11 / 43

HEX #829181

RGB 130 145 129

HSL 116.25, 0.07%, 0.54%

LAB 58.59, -8.59, 6.66

 

CMYK 12 / 9 / 0 / 43

HEX #818592

RGB 129 133 146

HSL 225.88, 0.07%, 0.54%

LAB 55.6, 1.27, -7.47

 

CMYK 0 / 11 / 3 / 43

HEX #91818D

RGB 145 129 141

HSL 315, 0.07%, 0.54%

LAB 55.73, 8.32, -4.24

 

CMYK 0 / 3 / 11 / 43

HEX #918D81

RGB 145 141 129

HSL 45, 0.07%, 0.54%

LAB 58.65, -0.72, 6.92

 

CMYK 11 / 0 / 8 / 43

HEX #819185

RGB 129 145 133

HSL 135, 0.07%, 0.54%

LAB 58.61, -8.18, 4.42

 

Description

Color code: HEX #818592 | qconv.com Color code: HEX #818592 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 133 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 133 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 9 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 9% 0% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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