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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #817278 it is the complementary color #7E8D87. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #817278. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #817278 shade: #867273, #978486, #A89699, #B9A8AC and #CABABF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #817278. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #817278 shade: #817278, #706065, #5F4E52, #4E3C3F and #3D2A2C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #817278 shade: #817378, #817374 and #817373

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #817278 shade: #817378, #81737C, #817380, #7E7381 and #7A7381

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #817278 shade matches the following richer shades: #817378, #955F74, #A94B71, #BD376D and #D02369

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #817278 shade: #817378, #6D867C, #5A9A80, #46AE84 and #32C288

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #817278 shade: #817380, #81737C, #817378, #817375 and #817573

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #817278 shade: #564C50, #6B5F64, #817378, #95888D and #A99EA2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #817278 shade: #817278, #817E73 and #737E81

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #817278 shade: #817278, #788173 and #737881

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #817278 shade: #817278, #817E73, #73817B and #737581

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #817278 shade: #817278, #808173, #73817B and #747381

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 7 / 49

HEX #817278

RGB 129 114 120

HSL 336, 0.06%, 0.48%

LAB 49.57, 6.95, -1.18

 

Complementary color

CMYK 11 / 0 / 4 / 45

HEX #7E8D87

RGB 126 141 135

HSL 156, 0.06%, 0.52%

LAB 57.3, -6.65, 1.35

 

CMYK 0 / 15 / 14 / 47

HEX #867273

RGB 134 114 115

HSL 357, 0.08%, 0.49%

LAB 49.91, 7.98, 2.34

 

CMYK 0 / 13 / 11 / 41

HEX #978486

RGB 151 132 134

HSL 353.68, 0.08%, 0.55%

LAB 56.88, 7.56, 1.57

 

CMYK 0 / 11 / 9 / 34

HEX #A89699

RGB 168 150 153

HSL 350, 0.09%, 0.62%

LAB 63.7, 7.18, 0.85

 

CMYK 0 / 9 / 7 / 27

HEX #B9A8AC

RGB 185 168 172

HSL 345.88, 0.11%, 0.69%

LAB 70.38, 6.84, 0.17

 

CMYK 0 / 8 / 5 / 21

HEX #CABABF

RGB 202 186 191

HSL 341.25, 0.13%, 0.76%

LAB 76.94, 6.53, -0.48

 

CMYK 0 / 12 / 7 / 49

HEX #817278

RGB 129 114 120

HSL 336, 0.06%, 0.48%

LAB 49.57, 6.95, -1.18

 

CMYK 0 / 14 / 10 / 56

HEX #706065

RGB 112 96 101

HSL 341.25, 0.08%, 0.41%

LAB 42.38, 7.36, -0.47

 

CMYK 0 / 18 / 14 / 63

HEX #5F4E52

RGB 95 78 82

HSL 345.88, 0.1%, 0.34%

LAB 34.98, 7.85, 0.31

 

CMYK 0 / 23 / 19 / 69

HEX #4E3C3F

RGB 78 60 63

HSL 350, 0.13%, 0.27%

LAB 27.33, 8.45, 1.17

 

CMYK 0 / 31 / 28 / 76

HEX #3D2A2C

RGB 61 42 44

HSL 353.68, 0.18%, 0.2%

LAB 19.35, 9.2, 2.2

 

CMYK 0 / 11 / 7 / 49

HEX #817378

RGB 129 115 120

HSL 338.57, 0.06%, 0.48%

LAB 49.84, 6.36, -0.78

 

CMYK 0 / 11 / 10 / 49

HEX #817374

RGB 129 115 116

HSL 355.71, 0.06%, 0.48%

LAB 49.73, 5.61, 1.43

 

CMYK 0 / 11 / 11 / 49

HEX #817373

RGB 129 115 115

HSL 0, 0.06%, 0.48%

LAB 49.7, 5.43, 1.98

 

CMYK 0 / 11 / 7 / 49

HEX #817378

RGB 129 115 120

HSL 338.57, 0.06%, 0.48%

LAB 49.84, 6.36, -0.78

 

CMYK 0 / 11 / 4 / 49

HEX #81737C

RGB 129 115 124

HSL 321.43, 0.06%, 0.48%

LAB 49.96, 7.13, -2.97

 

CMYK 0 / 11 / 1 / 49

HEX #817380

RGB 129 115 128

HSL 304.29, 0.06%, 0.48%

LAB 50.08, 7.93, -5.15

 

CMYK 2 / 11 / 0 / 49

HEX #7E7381

RGB 126 115 129

HSL 287.14, 0.06%, 0.48%

LAB 49.84, 7.02, -6.14

 

CMYK 5 / 11 / 0 / 49

HEX #7A7381

RGB 122 115 129

HSL 270, 0.06%, 0.48%

LAB 49.48, 5.54, -6.71

 

CMYK 0 / 11 / 7 / 49

HEX #817378

RGB 129 115 120

HSL 338.57, 0.06%, 0.48%

LAB 49.84, 6.36, -0.78

 

CMYK 0 / 36 / 22 / 42

HEX #955F74

RGB 149 95 116

HSL 336.67, 0.22%, 0.48%

LAB 46.76, 25.09, -2.66

 

CMYK 0 / 56 / 33 / 34

HEX #A94B71

RGB 169 75 113

HSL 335.74, 0.39%, 0.48%

LAB 45.16, 42.7, -2.87

 

CMYK 0 / 71 / 42 / 26

HEX #BD376D

RGB 189 55 109

HSL 335.82, 0.55%, 0.48%

LAB 45.16, 57.23, -0.04

 

CMYK 0 / 83 / 50 / 18

HEX #D02369

RGB 208 35 105

HSL 335.72, 0.71%, 0.48%

LAB 46.49, 67.89, 4.8

 

CMYK 0 / 11 / 7 / 49

HEX #817378

RGB 129 115 120

HSL 338.57, 0.06%, 0.48%

LAB 49.84, 6.36, -0.78

 

CMYK 19 / 0 / 7 / 47

HEX #6D867C

RGB 109 134 124

HSL 156, 0.1%, 0.48%

LAB 53.77, -11.11, 2.41

 

CMYK 42 / 0 / 17 / 40

HEX #5A9A80

RGB 90 154 128

HSL 155.63, 0.26%, 0.48%

LAB 58.83, -26.8, 7.26

 

CMYK 60 / 0 / 24 / 32

HEX #46AE84

RGB 70 174 132

HSL 155.77, 0.43%, 0.48%

LAB 64.35, -40.17, 12.74

 

CMYK 74 / 0 / 30 / 24

HEX #32C288

RGB 50 194 136

HSL 155.83, 0.59%, 0.48%

LAB 70.2, -50.99, 18.64

 

CMYK 0 / 11 / 1 / 49

HEX #817380

RGB 129 115 128

HSL 304.29, 0.06%, 0.48%

LAB 50.08, 7.93, -5.15

 

CMYK 0 / 11 / 4 / 49

HEX #81737C

RGB 129 115 124

HSL 321.43, 0.06%, 0.48%

LAB 49.96, 7.13, -2.97

 

CMYK 0 / 11 / 7 / 49

HEX #817378

RGB 129 115 120

HSL 338.57, 0.06%, 0.48%

LAB 49.84, 6.36, -0.78

 

CMYK 0 / 11 / 9 / 49

HEX #817375

RGB 129 115 117

HSL 351.43, 0.06%, 0.48%

LAB 49.75, 5.8, 0.87

 

CMYK 0 / 9 / 11 / 49

HEX #817573

RGB 129 117 115

HSL 8.57, 0.06%, 0.48%

LAB 50.25, 4.26, 2.77

 

CMYK 0 / 12 / 7 / 66

HEX #564C50

RGB 86 76 80

HSL 336, 0.06%, 0.32%

LAB 33.41, 4.97, -0.85

 

CMYK 0 / 11 / 7 / 58

HEX #6B5F64

RGB 107 95 100

HSL 335, 0.06%, 0.4%

LAB 41.58, 5.78, -1.09

 

CMYK 0 / 11 / 7 / 49

HEX #817378

RGB 129 115 120

HSL 338.57, 0.06%, 0.48%

LAB 49.84, 6.36, -0.78

 

CMYK 0 / 9 / 5 / 42

HEX #95888D

RGB 149 136 141

HSL 336.92, 0.06%, 0.56%

LAB 57.96, 5.8, -0.91

 

CMYK 0 / 7 / 4 / 34

HEX #A99EA2

RGB 169 158 162

HSL 338.18, 0.06%, 0.64%

LAB 66.13, 4.73, -0.65

 

CMYK 0 / 12 / 7 / 49

HEX #817278

RGB 129 114 120

HSL 336, 0.06%, 0.48%

LAB 49.57, 6.95, -1.18

 

CMYK 0 / 2 / 11 / 49

HEX #817E73

RGB 129 126 115

HSL 47.14, 0.06%, 0.48%

LAB 52.76, -0.93, 6.39

 

CMYK 11 / 2 / 0 / 49

HEX #737E81

RGB 115 126 129

HSL 192.86, 0.06%, 0.48%

LAB 52.01, -3.41, -3.02

 

CMYK 0 / 12 / 7 / 49

HEX #817278

RGB 129 114 120

HSL 336, 0.06%, 0.48%

LAB 49.57, 6.95, -1.18

 

CMYK 7 / 0 / 11 / 49

HEX #788173

RGB 120 129 115

HSL 98.57, 0.06%, 0.48%

LAB 52.87, -6.11, 6.45

 

CMYK 11 / 7 / 0 / 49

HEX #737881

RGB 115 120 129

HSL 218.57, 0.06%, 0.48%

LAB 50.29, 0.06, -5.56

 

CMYK 0 / 12 / 7 / 49

HEX #817278

RGB 129 114 120

HSL 336, 0.06%, 0.48%

LAB 49.57, 6.95, -1.18

 

CMYK 0 / 2 / 11 / 49

HEX #817E73

RGB 129 126 115

HSL 47.14, 0.06%, 0.48%

LAB 52.76, -0.93, 6.39

 

CMYK 11 / 0 / 5 / 49

HEX #73817B

RGB 115 129 123

HSL 154.29, 0.06%, 0.48%

LAB 52.7, -6.39, 1.5

 

CMYK 11 / 9 / 0 / 49

HEX #737581

RGB 115 117 129

HSL 231.43, 0.06%, 0.48%

LAB 49.44, 1.81, -6.83

 

CMYK 0 / 12 / 7 / 49

HEX #817278

RGB 129 114 120

HSL 336, 0.06%, 0.48%

LAB 49.57, 6.95, -1.18

 

CMYK 1 / 0 / 11 / 49

HEX #808173

RGB 128 129 115

HSL 64.29, 0.06%, 0.48%

LAB 53.52, -3.03, 7.46

 

CMYK 11 / 0 / 5 / 49

HEX #73817B

RGB 115 129 123

HSL 154.29, 0.06%, 0.48%

LAB 52.7, -6.39, 1.5

 

CMYK 10 / 11 / 0 / 49

HEX #747381

RGB 116 115 129

HSL 244.29, 0.06%, 0.48%

LAB 48.96, 3.35, -7.54

 

Description

Color code: HEX #817278 | qconv.com Color code: HEX #817278 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 114 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 114 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 7 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 7% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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