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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #817112 it is the complementary color #7E8EED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #817112. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #817112 shade: #86710D, #978320, #A89533, #B9A746 and #CAB959

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #817112. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #817112 shade: #817112, #705F00, #5F4D00, #4E3B00 and #3D2900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #817112 shade: #827111, #825311, #823511, #821711 and #821111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #817112 shade: #827111, #748211, #558211, #378211 and #198211

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #817112 shade matches the following richer shades: #827111 and #8E7A05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #817112 shade: #827111, #76691D, #6A6029, #5E5835 and #524F41

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #817112 shade: #823511, #825311, #827111, #758211 and #578211

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #817112 shade: #393207, #5D520C, #827111, #A69116 and #CAB11B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #817112 shade: #817112, #118217 and #441182

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #817112 shade: #817112, #118271 and #711182

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #817112 shade: #817112, #118217, #112282 and #82117C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #817112 shade: #817112, #118239, #112282 and #82115A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 86 / 49

HEX #817112

RGB 129 113 18

HSL 51.35, 0.76%, 0.29%

LAB 47.65, -3.75, 49.56

 

Complementary color

CMYK 47 / 40 / 0 / 7

HEX #7E8EED

RGB 126 142 237

HSL 231.35, 0.76%, 0.71%

LAB 61.56, 19.08, -49.79

 

CMYK 0 / 16 / 90 / 47

HEX #86710D

RGB 134 113 13

HSL 49.59, 0.82%, 0.29%

LAB 48.14, -1.5, 51.48

 

CMYK 0 / 13 / 79 / 41

HEX #978320

RGB 151 131 32

HSL 49.92, 0.65%, 0.36%

LAB 54.99, -3.03, 52.35

 

CMYK 0 / 11 / 70 / 34

HEX #A89533

RGB 168 149 51

HSL 50.26, 0.53%, 0.43%

LAB 61.7, -4.26, 52.05

 

CMYK 0 / 10 / 62 / 27

HEX #B9A746

RGB 185 167 70

HSL 50.61, 0.45%, 0.5%

LAB 68.31, -5.26, 51.2

 

CMYK 0 / 8 / 56 / 21

HEX #CAB959

RGB 202 185 89

HSL 50.97, 0.52%, 0.57%

LAB 74.81, -6.07, 50.12

 

CMYK 0 / 12 / 86 / 49

HEX #817112

RGB 129 113 18

HSL 51.35, 0.76%, 0.29%

LAB 47.65, -3.75, 49.56

 

CMYK 0 / 15 / 100 / 56

HEX #705F00

RGB 112 95 0

HSL 50.89, 1%, 0.22%

LAB 40.62, -2.07, 47.86

 

CMYK 0 / 19 / 100 / 63

HEX #5F4D00

RGB 95 77 0

HSL 48.63, 1%, 0.19%

LAB 33.44, 0.15, 41.93

 

CMYK 0 / 24 / 100 / 69

HEX #4E3B00

RGB 78 59 0

HSL 45.38, 1%, 0.15%

LAB 26, 2.55, 35.27

 

CMYK 0 / 33 / 100 / 76

HEX #3D2900

RGB 61 41 0

HSL 40.33, 1%, 0.12%

LAB 18.27, 5.18, 26.43

 

CMYK 0 / 13 / 87 / 49

HEX #827111

RGB 130 113 17

HSL 50.97, 0.77%, 0.29%

LAB 47.75, -3.3, 49.96

 

CMYK 0 / 36 / 87 / 49

HEX #825311

RGB 130 83 17

HSL 35.04, 0.77%, 0.29%

LAB 39.53, 14.22, 43.03

 

CMYK 0 / 59 / 87 / 49

HEX #823511

RGB 130 53 17

HSL 19.12, 0.77%, 0.29%

LAB 32.55, 31.25, 36.99

 

CMYK 0 / 82 / 87 / 49

HEX #821711

RGB 130 23 17

HSL 3.19, 0.77%, 0.29%

LAB 27.84, 43.98, 32.81

 

CMYK 0 / 87 / 87 / 49

HEX #821111

RGB 130 17 17

HSL 0, 0.77%, 0.29%

LAB 27.26, 45.63, 32.28

 

CMYK 0 / 13 / 87 / 49

HEX #827111

RGB 130 113 17

HSL 50.97, 0.77%, 0.29%

LAB 47.75, -3.3, 49.96

 

CMYK 11 / 0 / 87 / 49

HEX #748211

RGB 116 130 17

HSL 67.43, 0.77%, 0.29%

LAB 51.52, -19.12, 52.63

 

CMYK 35 / 0 / 87 / 49

HEX #558211

RGB 85 130 17

HSL 83.89, 0.77%, 0.29%

LAB 49.42, -32.34, 50

 

CMYK 58 / 0 / 87 / 49

HEX #378211

RGB 55 130 17

HSL 99.82, 0.77%, 0.29%

LAB 48.03, -42.66, 48.25

 

CMYK 81 / 0 / 87 / 49

HEX #198211

RGB 25 130 17

HSL 115.75, 0.77%, 0.29%

LAB 47.25, -49.18, 47.26

 

CMYK 0 / 13 / 87 / 49

HEX #827111

RGB 130 113 17

HSL 50.97, 0.77%, 0.29%

LAB 47.75, -3.3, 49.96

 

CMYK 0 / 14 / 96 / 44

HEX #8E7A05

RGB 142 122 5

HSL 51.24, 0.93%, 0.29%

LAB 51.47, -2.95, 56.02

 

CMYK 0 / 13 / 87 / 49

HEX #827111

RGB 130 113 17

HSL 50.97, 0.77%, 0.29%

LAB 47.75, -3.3, 49.96

 

CMYK 0 / 11 / 75 / 54

HEX #76691D

RGB 118 105 29

HSL 51.24, 0.61%, 0.29%

LAB 44.3, -3.98, 42.23

 

CMYK 0 / 9 / 61 / 58

HEX #6A6029

RGB 106 96 41

HSL 50.77, 0.44%, 0.29%

LAB 40.56, -3.66, 32.27

 

CMYK 0 / 6 / 44 / 63

HEX #5E5835

RGB 94 88 53

HSL 51.22, 0.28%, 0.29%

LAB 37.14, -3.32, 21.16

 

CMYK 0 / 4 / 21 / 68

HEX #524F41

RGB 82 79 65

HSL 49.41, 0.12%, 0.29%

LAB 33.49, -1.48, 8.73

 

CMYK 0 / 59 / 87 / 49

HEX #823511

RGB 130 53 17

HSL 19.12, 0.77%, 0.29%

LAB 32.55, 31.25, 36.99

 

CMYK 0 / 36 / 87 / 49

HEX #825311

RGB 130 83 17

HSL 35.04, 0.77%, 0.29%

LAB 39.53, 14.22, 43.03

 

CMYK 0 / 13 / 87 / 49

HEX #827111

RGB 130 113 17

HSL 50.97, 0.77%, 0.29%

LAB 47.75, -3.3, 49.96

 

CMYK 10 / 0 / 87 / 49

HEX #758211

RGB 117 130 17

HSL 66.9, 0.77%, 0.29%

LAB 51.6, -18.66, 52.73

 

CMYK 33 / 0 / 87 / 49

HEX #578211

RGB 87 130 17

HSL 82.83, 0.77%, 0.29%

LAB 49.53, -31.55, 50.15

 

CMYK 0 / 12 / 88 / 78

HEX #393207

RGB 57 50 7

HSL 51.6, 0.78%, 0.13%

LAB 20.7, -2.55, 26.23

 

CMYK 0 / 12 / 87 / 64

HEX #5D520C

RGB 93 82 12

HSL 51.85, 0.77%, 0.21%

LAB 34.78, -3.49, 38.91

 

CMYK 0 / 13 / 87 / 49

HEX #827111

RGB 130 113 17

HSL 50.97, 0.77%, 0.29%

LAB 47.75, -3.3, 49.96

 

CMYK 0 / 13 / 87 / 35

HEX #A69116

RGB 166 145 22

HSL 51.25, 0.77%, 0.37%

LAB 60.26, -4.16, 60.48

 

CMYK 0 / 12 / 87 / 21

HEX #CAB11B

RGB 202 177 27

HSL 51.43, 0.76%, 0.45%

LAB 72.28, -4.97, 70.51

 

CMYK 0 / 12 / 86 / 49

HEX #817112

RGB 129 113 18

HSL 51.35, 0.76%, 0.29%

LAB 47.65, -3.75, 49.56

 

CMYK 87 / 0 / 82 / 49

HEX #118217

RGB 17 130 23

HSL 123.19, 0.77%, 0.29%

LAB 47.17, -49.83, 45.4

 

CMYK 48 / 87 / 0 / 49

HEX #441182

RGB 68 17 130

HSL 267.08, 0.77%, 0.29%

LAB 20.99, 46.23, -52.51

 

CMYK 0 / 12 / 86 / 49

HEX #817112

RGB 129 113 18

HSL 51.35, 0.76%, 0.29%

LAB 47.65, -3.75, 49.56

 

CMYK 87 / 0 / 13 / 49

HEX #118271

RGB 17 130 113

HSL 170.97, 0.77%, 0.29%

LAB 48.61, -33.39, 0.88

 

CMYK 13 / 87 / 0 / 49

HEX #711182

RGB 113 17 130

HSL 290.97, 0.77%, 0.29%

LAB 28.18, 53.54, -40.48

 

CMYK 0 / 12 / 86 / 49

HEX #817112

RGB 129 113 18

HSL 51.35, 0.76%, 0.29%

LAB 47.65, -3.75, 49.56

 

CMYK 87 / 0 / 82 / 49

HEX #118217

RGB 17 130 23

HSL 123.19, 0.77%, 0.29%

LAB 47.17, -49.83, 45.4

 

CMYK 87 / 74 / 0 / 49

HEX #112282

RGB 17 34 130

HSL 230.97, 0.77%, 0.29%

LAB 19.54, 32.06, -55.05

 

CMYK 0 / 87 / 5 / 49

HEX #82117C

RGB 130 17 124

HSL 303.19, 0.77%, 0.29%

LAB 30.88, 55.83, -32.2

 

CMYK 0 / 12 / 86 / 49

HEX #817112

RGB 129 113 18

HSL 51.35, 0.76%, 0.29%

LAB 47.65, -3.75, 49.56

 

CMYK 87 / 0 / 56 / 49

HEX #118239

RGB 17 130 57

HSL 141.24, 0.77%, 0.29%

LAB 47.47, -46.08, 31.02

 

CMYK 87 / 74 / 0 / 49

HEX #112282

RGB 17 34 130

HSL 230.97, 0.77%, 0.29%

LAB 19.54, 32.06, -55.05

 

CMYK 0 / 87 / 31 / 49

HEX #82115A

RGB 130 17 90

HSL 321.24, 0.77%, 0.29%

LAB 29.12, 51.02, -13.09

 

Description

Color code: HEX #817112 | qconv.com Color code: HEX #817112 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 113 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 113 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 86 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 86% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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