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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #815D2D it is the complementary color #7EA2D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #815D2D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #815D2D shade: #865D28, #976F3B, #A8814E, #B99361 and #CAA574

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #815D2D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #815D2D shade: #815D2D, #704B1A, #5F3907, #4E2700 and #3D1500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #815D2D shade: #805C2D, #80462D, #802F2D and #802D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #815D2D shade: #805C2D, #80732D, #77802D, #60802D and #4A802D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #815D2D shade matches the following richer shades: #805C2D, #8E5E1F, #9C6011 and #AA6202

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #815D2D shade: #805C2D, #725A3B, #645849, #565657 and #485465

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #815D2D shade: #802F2D, #80462D, #805C2D, #80722D and #77802D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #815D2D shade: #433017, #614622, #805C2D, #9E7237 and #BC8842

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #815D2D shade: #815D2D, #40802D and #3A2D80

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #815D2D shade: #815D2D, #2D805C and #5C2D80

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #815D2D shade: #815D2D, #40802D, #2D5180 and #6C2D80

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #815D2D shade: #815D2D, #2D8032, #2D5180 and #802D7A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 65 / 49

HEX #815D2D

RGB 129 93 45

HSL 34.29, 0.48%, 0.34%

LAB 42.29, 9.27, 32.79

 

Complementary color

CMYK 40 / 23 / 0 / 18

HEX #7EA2D2

RGB 126 162 210

HSL 214.29, 0.48%, 0.66%

LAB 65.69, -0.15, -28.38

 

CMYK 0 / 31 / 70 / 47

HEX #865D28

RGB 134 93 40

HSL 33.83, 0.54%, 0.34%

LAB 42.84, 11.25, 36.19

 

CMYK 0 / 26 / 61 / 41

HEX #976F3B

RGB 151 111 59

HSL 33.91, 0.44%, 0.41%

LAB 49.81, 9.88, 34.72

 

CMYK 0 / 23 / 54 / 34

HEX #A8814E

RGB 168 129 78

HSL 34, 0.37%, 0.48%

LAB 56.66, 8.76, 33.23

 

CMYK 0 / 21 / 48 / 27

HEX #B99361

RGB 185 147 97

HSL 34.09, 0.39%, 0.55%

LAB 63.38, 7.84, 31.82

 

CMYK 0 / 18 / 43 / 21

HEX #CAA574

RGB 202 165 116

HSL 34.19, 0.45%, 0.62%

LAB 69.98, 7.06, 30.49

 

CMYK 0 / 28 / 65 / 49

HEX #815D2D

RGB 129 93 45

HSL 34.29, 0.48%, 0.34%

LAB 42.29, 9.27, 32.79

 

CMYK 0 / 33 / 77 / 56

HEX #704B1A

RGB 112 75 26

HSL 34.19, 0.62%, 0.27%

LAB 35.11, 10.81, 34.2

 

CMYK 0 / 40 / 93 / 63

HEX #5F3907

RGB 95 57 7

HSL 34.09, 0.86%, 0.2%

LAB 27.78, 12.81, 34.87

 

CMYK 0 / 50 / 100 / 69

HEX #4E2700

RGB 78 39 0

HSL 30, 1%, 0.15%

LAB 20.33, 15.4, 29.48

 

CMYK 0 / 66 / 100 / 76

HEX #3D1500

RGB 61 21 0

HSL 20.66, 1%, 0.12%

LAB 12.79, 18.25, 19.48

 

CMYK 0 / 28 / 65 / 50

HEX #805C2D

RGB 128 92 45

HSL 33.98, 0.48%, 0.34%

LAB 41.9, 9.4, 32.32

 

CMYK 0 / 45 / 65 / 50

HEX #80462D

RGB 128 70 45

HSL 18.07, 0.48%, 0.34%

LAB 36.29, 22.39, 25.72

 

CMYK 0 / 63 / 65 / 50

HEX #802F2D

RGB 128 47 45

HSL 1.45, 0.48%, 0.34%

LAB 31.37, 34.89, 19.64

HEX #802F2D

CMYK 0 / 65 / 65 / 50

HEX #802D2D

RGB 128 45 45

HSL 0, 0.48%, 0.34%

LAB 31.01, 35.86, 19.18

HEX #802D2D

CMYK 0 / 28 / 65 / 50

HEX #805C2D

RGB 128 92 45

HSL 33.98, 0.48%, 0.34%

LAB 41.9, 9.4, 32.32

 

CMYK 0 / 10 / 65 / 50

HEX #80732D

RGB 128 115 45

HSL 50.6, 0.48%, 0.34%

LAB 48.31, -3.99, 39.48

 

CMYK 7 / 0 / 65 / 50

HEX #77802D

RGB 119 128 45

HSL 66.51, 0.48%, 0.34%

LAB 51.32, -15.27, 42.49

 

CMYK 25 / 0 / 65 / 50

HEX #60802D

RGB 96 128 45

HSL 83.13, 0.48%, 0.34%

LAB 49.63, -25.18, 40.17

 

CMYK 42 / 0 / 65 / 50

HEX #4A802D

RGB 74 128 45

HSL 99.04, 0.48%, 0.34%

LAB 48.37, -33.65, 38.41

 

CMYK 0 / 28 / 65 / 50

HEX #805C2D

RGB 128 92 45

HSL 33.98, 0.48%, 0.34%

LAB 41.9, 9.4, 32.32

 

CMYK 0 / 34 / 78 / 44

HEX #8E5E1F

RGB 142 94 31

HSL 34.05, 0.64%, 0.34%

LAB 44.02, 13.89, 42.04

 

CMYK 0 / 38 / 89 / 39

HEX #9C6011

RGB 156 96 17

HSL 34.1, 0.8%, 0.34%

LAB 46.28, 18.67, 50.01

 

CMYK 0 / 42 / 99 / 33

HEX #AA6202

RGB 170 98 2

HSL 34.29, 0.98%, 0.34%

LAB 48.62, 23.53, 56.21

 

CMYK 0 / 28 / 65 / 50

HEX #805C2D

RGB 128 92 45

HSL 33.98, 0.48%, 0.34%

LAB 41.9, 9.4, 32.32

 

CMYK 0 / 21 / 48 / 55

HEX #725A3B

RGB 114 90 59

HSL 33.82, 0.32%, 0.34%

LAB 39.92, 5.42, 21.6

 

CMYK 0 / 12 / 27 / 61

HEX #645849

RGB 100 88 73

HSL 33.33, 0.16%, 0.34%

LAB 38.15, 2.25, 10.5

 

CMYK 1 / 1 / 0 / 66

HEX #565657

RGB 86 86 87

HSL 240, 0.01%, 0.34%

LAB 36.6, 0.22, -0.58

 

CMYK 29 / 17 / 0 / 60

HEX #485465

RGB 72 84 101

HSL 215.17, 0.17%, 0.34%

LAB 35.32, -0.34, -11.38

 

CMYK 0 / 63 / 65 / 50

HEX #802F2D

RGB 128 47 45

HSL 1.45, 0.48%, 0.34%

LAB 31.37, 34.89, 19.64

HEX #802F2D

CMYK 0 / 45 / 65 / 50

HEX #80462D

RGB 128 70 45

HSL 18.07, 0.48%, 0.34%

LAB 36.29, 22.39, 25.72

HEX #80462D

CMYK 0 / 28 / 65 / 50

HEX #805C2D

RGB 128 92 45

HSL 33.98, 0.48%, 0.34%

LAB 41.9, 9.4, 32.32

HEX #805C2D

CMYK 0 / 11 / 65 / 50

HEX #80722D

RGB 128 114 45

HSL 49.88, 0.48%, 0.34%

LAB 48.02, -3.42, 39.17

HEX #80722D

CMYK 7 / 0 / 65 / 50

HEX #77802D

RGB 119 128 45

HSL 66.51, 0.48%, 0.34%

LAB 51.32, -15.27, 42.49

HEX #77802D

CMYK 0 / 28 / 66 / 74

HEX #433017

RGB 67 48 23

HSL 34.09, 0.49%, 0.18%

LAB 21.47, 5.27, 19.18

 

CMYK 0 / 28 / 65 / 62

HEX #614622

RGB 97 70 34

HSL 34.29, 0.48%, 0.26%

LAB 31.89, 7.16, 25.87

 

CMYK 0 / 28 / 65 / 50

HEX #805C2D

RGB 128 92 45

HSL 33.98, 0.48%, 0.34%

LAB 41.9, 9.4, 32.32

 

CMYK 0 / 28 / 65 / 38

HEX #9E7237

RGB 158 114 55

HSL 34.37, 0.48%, 0.42%

LAB 51.36, 11.01, 38.79

 

CMYK 0 / 28 / 65 / 26

HEX #BC8842

RGB 188 136 66

HSL 34.43, 0.48%, 0.5%

LAB 60.51, 12.63, 44.52

 

CMYK 0 / 28 / 65 / 49

HEX #815D2D

RGB 129 93 45

HSL 34.29, 0.48%, 0.34%

LAB 42.29, 9.27, 32.79

 

CMYK 50 / 0 / 65 / 50

HEX #40802D

RGB 64 128 45

HSL 106.27, 0.48%, 0.34%

LAB 47.9, -37.01, 37.77

 

CMYK 55 / 65 / 0 / 50

HEX #3A2D80

RGB 58 45 128

HSL 249.4, 0.48%, 0.34%

LAB 24.75, 29.66, -45.14

 

CMYK 0 / 28 / 65 / 49

HEX #815D2D

RGB 129 93 45

HSL 34.29, 0.48%, 0.34%

LAB 42.29, 9.27, 32.79

 

CMYK 65 / 0 / 28 / 50

HEX #2D805C

RGB 45 128 92

HSL 153.98, 0.48%, 0.34%

LAB 47.97, -34.05, 12.32

 

CMYK 28 / 65 / 0 / 50

HEX #5C2D80

RGB 92 45 128

HSL 273.98, 0.48%, 0.34%

LAB 28.67, 37.43, -38.6

 

CMYK 0 / 28 / 65 / 49

HEX #815D2D

RGB 129 93 45

HSL 34.29, 0.48%, 0.34%

LAB 42.29, 9.27, 32.79

 

CMYK 50 / 0 / 65 / 50

HEX #40802D

RGB 64 128 45

HSL 106.27, 0.48%, 0.34%

LAB 47.9, -37.01, 37.77

 

CMYK 65 / 37 / 0 / 50

HEX #2D5180

RGB 45 81 128

HSL 213.98, 0.48%, 0.34%

LAB 33.99, 2.94, -30.37

 

CMYK 16 / 65 / 0 / 50

HEX #6C2D80

RGB 108 45 128

HSL 285.54, 0.48%, 0.34%

LAB 30.93, 41.5, -34.85

 

CMYK 0 / 28 / 65 / 49

HEX #815D2D

RGB 129 93 45

HSL 34.29, 0.48%, 0.34%

LAB 42.29, 9.27, 32.79

 

CMYK 65 / 0 / 61 / 50

HEX #2D8032

RGB 45 128 50

HSL 123.61, 0.48%, 0.34%

LAB 47.27, -41.68, 34.47

 

CMYK 65 / 37 / 0 / 50

HEX #2D5180

RGB 45 81 128

HSL 213.98, 0.48%, 0.34%

LAB 33.99, 2.94, -30.37

 

CMYK 0 / 65 / 5 / 50

HEX #802D7A

RGB 128 45 122

HSL 304.34, 0.48%, 0.34%

LAB 33.71, 45.65, -26.49

 

Description

Color code: HEX #815D2D | qconv.com Color code: HEX #815D2D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 93 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 93 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 65 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 65% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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