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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8151D0 it is the complementary color #7EAE2F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8151D0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8151D0 shade: #8651CB, #9763DE, #A875F1, #B987FF and #CA99FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8151D0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8151D0 shade: #8151D0, #703FBD, #5F2DAA, #4E1B97 and #3D0984

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8151D0 shade: #8252CF, #A352CF, #C552CF, #CF52B8 and #CF5296

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8151D0 shade: #8252CF, #6052CF and #5252CF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8151D0 shade matches the following richer shades: #8252CF, #7D41E1 and #792FF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8151D0 shade: #8252CF, #8664BE, #8A76AC, #8F889A and #939988

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8151D0 shade: #5267CF, #5F52CF, #8052CF, #A252CF and #C352CF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8151D0 shade: #592CA3, #6B35C3, #8252CF, #9973D8 and #B193E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8151D0 shade: #8151D0, #CF5289 and #57CF52

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8151D0 shade: #8151D0, #CF8052 and #52CF80

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8151D0 shade: #8151D0, #CF5289, #A2CF52 and #52CF99

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8151D0 shade: #8151D0, #CF5263, #A2CF52 and #52CFBF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 61 / 0 / 18

HEX #8151D0

RGB 129 81 208

HSL 262.68, 0.57%, 0.57%

LAB 45.78, 47, -58.68

 

Complementary color

CMYK 28 / 0 / 73 / 32

HEX #7EAE2F

RGB 126 174 47

HSL 82.68, 0.57%, 0.43%

LAB 65.68, -34.94, 56.54

 

CMYK 34 / 60 / 0 / 20

HEX #8651CB

RGB 134 81 203

HSL 266.07, 0.54%, 0.56%

LAB 46, 46.84, -55.43

 

CMYK 32 / 55 / 0 / 13

HEX #9763DE

RGB 151 99 222

HSL 265.37, 0.65%, 0.63%

LAB 52.7, 45.83, -55.39

 

CMYK 30 / 51 / 0 / 5

HEX #A875F1

RGB 168 117 241

HSL 264.68, 0.82%, 0.7%

LAB 59.34, 44.84, -55.32

 

CMYK 27 / 47 / 0 / 0

HEX #B987FF

RGB 185 135 255

HSL 265, 1%, 0.76%

LAB 65.64, 42.7, -52.91

 

CMYK 21 / 40 / 0 / 0

HEX #CA99FF

RGB 202 153 255

HSL 268.82, 1%, 0.8%

LAB 71.25, 37.5, -43.96

 

CMYK 38 / 61 / 0 / 18

HEX #8151D0

RGB 129 81 208

HSL 262.68, 0.57%, 0.57%

LAB 45.78, 47, -58.68

 

CMYK 41 / 67 / 0 / 26

HEX #703FBD

RGB 112 63 189

HSL 263.33, 0.5%, 0.49%

LAB 39.03, 48.05, -58.68

 

CMYK 44 / 74 / 0 / 33

HEX #5F2DAA

RGB 95 45 170

HSL 264, 0.58%, 0.42%

LAB 32.28, 48.92, -58.47

 

CMYK 48 / 82 / 0 / 41

HEX #4E1B97

RGB 78 27 151

HSL 264.68, 0.7%, 0.35%

LAB 25.68, 49.26, -57.84

 

CMYK 54 / 93 / 0 / 48

HEX #3D0984

RGB 61 9 132

HSL 265.37, 0.87%, 0.28%

LAB 19.45, 48.34, -56.34

 

CMYK 37 / 60 / 0 / 19

HEX #8252CF

RGB 130 82 207

HSL 263.04, 0.57%, 0.57%

LAB 46.02, 46.42, -57.71

 

CMYK 21 / 60 / 0 / 19

HEX #A352CF

RGB 163 82 207

HSL 278.88, 0.57%, 0.57%

LAB 49.89, 54.08, -51.29

 

CMYK 5 / 60 / 0 / 19

HEX #C552CF

RGB 197 82 207

HSL 295.2, 0.57%, 0.57%

LAB 54.46, 62.38, -43.74

 

CMYK 0 / 60 / 11 / 19

HEX #CF52B8

RGB 207 82 184

HSL 311.04, 0.57%, 0.57%

LAB 54.82, 61.12, -29.86

 

CMYK 0 / 60 / 28 / 19

HEX #CF5296

RGB 207 82 150

HSL 327.36, 0.57%, 0.57%

LAB 53.49, 56.27, -12.03

 

CMYK 37 / 60 / 0 / 19

HEX #8252CF

RGB 130 82 207

HSL 263.04, 0.57%, 0.57%

LAB 46.02, 46.42, -57.71

 

CMYK 54 / 60 / 0 / 19

HEX #6052CF

RGB 96 82 207

HSL 246.72, 0.57%, 0.57%

LAB 42.8, 39.42, -63.07

 

CMYK 60 / 60 / 0 / 19

HEX #5252CF

RGB 82 82 207

HSL 240, 0.57%, 0.57%

LAB 41.74, 36.96, -64.85

 

CMYK 37 / 60 / 0 / 19

HEX #8252CF

RGB 130 82 207

HSL 263.04, 0.57%, 0.57%

LAB 46.02, 46.42, -57.71

 

CMYK 44 / 71 / 0 / 12

HEX #7D41E1

RGB 125 65 225

HSL 262.5, 0.73%, 0.57%

LAB 43.62, 58.78, -71.93

 

CMYK 50 / 81 / 0 / 5

HEX #792FF3

RGB 121 47 243

HSL 262.65, 0.89%, 0.57%

LAB 42.11, 70.24, -84.62

 

CMYK 37 / 60 / 0 / 19

HEX #8252CF

RGB 130 82 207

HSL 263.04, 0.57%, 0.57%

LAB 46.02, 46.42, -57.71

 

CMYK 29 / 47 / 0 / 25

HEX #8664BE

RGB 134 100 190

HSL 262.67, 0.41%, 0.57%

LAB 49.38, 32.84, -42.53

 

CMYK 20 / 31 / 0 / 33

HEX #8A76AC

RGB 138 118 172

HSL 262.22, 0.25%, 0.57%

LAB 53.32, 19.02, -25.91

 

CMYK 7 / 12 / 0 / 40

HEX #8F889A

RGB 143 136 154

HSL 263.33, 0.08%, 0.57%

LAB 57.83, 6.2, -8.63

 

CMYK 4 / 0 / 11 / 40

HEX #939988

RGB 147 153 136

HSL 81.18, 0.08%, 0.57%

LAB 62.31, -5.36, 8.19

 

CMYK 60 / 50 / 0 / 19

HEX #5267CF

RGB 82 103 207

HSL 229.92, 0.57%, 0.57%

LAB 46.97, 23.92, -56.38

 

CMYK 54 / 60 / 0 / 19

HEX #5F52CF

RGB 95 82 207

HSL 246.24, 0.57%, 0.57%

LAB 42.72, 39.24, -63.21

 

CMYK 38 / 60 / 0 / 19

HEX #8052CF

RGB 128 82 207

HSL 262.08, 0.57%, 0.57%

LAB 45.81, 45.97, -58.06

 

CMYK 22 / 60 / 0 / 19

HEX #A252CF

RGB 162 82 207

HSL 278.4, 0.57%, 0.57%

LAB 49.76, 53.84, -51.5

 

CMYK 6 / 60 / 0 / 19

HEX #C352CF

RGB 195 82 207

HSL 294.24, 0.57%, 0.57%

LAB 54.18, 61.89, -44.21

 

CMYK 45 / 73 / 0 / 36

HEX #592CA3

RGB 89 44 163

HSL 262.69, 0.57%, 0.41%

LAB 30.81, 46.49, -56.7

 

CMYK 45 / 73 / 0 / 24

HEX #6B35C3

RGB 107 53 195

HSL 262.82, 0.57%, 0.49%

LAB 37.14, 53.7, -65.29

 

CMYK 37 / 60 / 0 / 19

HEX #8252CF

RGB 130 82 207

HSL 263.04, 0.57%, 0.57%

LAB 46.02, 46.42, -57.71

 

CMYK 29 / 47 / 0 / 15

HEX #9973D8

RGB 153 115 216

HSL 262.57, 0.56%, 0.65%

LAB 56.08, 35.92, -46.62

 

CMYK 21 / 35 / 0 / 12

HEX #B193E1

RGB 177 147 225

HSL 263.08, 0.57%, 0.73%

LAB 66.25, 26.77, -35.51

 

CMYK 38 / 61 / 0 / 18

HEX #8151D0

RGB 129 81 208

HSL 262.68, 0.57%, 0.57%

LAB 45.78, 47, -58.68

 

CMYK 0 / 60 / 34 / 19

HEX #CF5289

RGB 207 82 137

HSL 333.6, 0.57%, 0.57%

LAB 53.07, 54.66, -4.98

 

CMYK 58 / 0 / 60 / 19

HEX #57CF52

RGB 87 207 82

HSL 117.6, 0.57%, 0.57%

LAB 74.36, -57.7, 51.04

 

CMYK 38 / 61 / 0 / 18

HEX #8151D0

RGB 129 81 208

HSL 262.68, 0.57%, 0.57%

LAB 45.78, 47, -58.68

 

CMYK 0 / 38 / 60 / 19

HEX #CF8052

RGB 207 128 82

HSL 22.08, 0.57%, 0.57%

LAB 61.06, 26.15, 37.51

 

CMYK 60 / 0 / 38 / 19

HEX #52CF80

RGB 82 207 128

HSL 142.08, 0.57%, 0.57%

LAB 74.81, -52.18, 29.21

 

CMYK 38 / 61 / 0 / 18

HEX #8151D0

RGB 129 81 208

HSL 262.68, 0.57%, 0.57%

LAB 45.78, 47, -58.68

 

CMYK 0 / 60 / 34 / 19

HEX #CF5289

RGB 207 82 137

HSL 333.6, 0.57%, 0.57%

LAB 53.07, 54.66, -4.98

 

CMYK 22 / 0 / 60 / 19

HEX #A2CF52

RGB 162 207 82

HSL 81.6, 0.57%, 0.57%

LAB 77.83, -33.71, 55.89

 

CMYK 60 / 0 / 26 / 19

HEX #52CF99

RGB 82 207 153

HSL 154.08, 0.57%, 0.57%

LAB 75.28, -47.26, 16.71

 

CMYK 38 / 61 / 0 / 18

HEX #8151D0

RGB 129 81 208

HSL 262.68, 0.57%, 0.57%

LAB 45.78, 47, -58.68

 

CMYK 0 / 60 / 52 / 19

HEX #CF5263

RGB 207 82 99

HSL 351.84, 0.57%, 0.57%

LAB 52.06, 50.8, 16.24

 

CMYK 22 / 0 / 60 / 19

HEX #A2CF52

RGB 162 207 82

HSL 81.6, 0.57%, 0.57%

LAB 77.83, -33.71, 55.89

 

CMYK 60 / 0 / 8 / 19

HEX #52CFBF

RGB 82 207 191

HSL 172.32, 0.57%, 0.57%

LAB 76.18, -38.28, -2.37

 

Description

Color code: HEX #8151D0 | qconv.com Color code: HEX #8151D0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 81 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 81 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 61 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 61% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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