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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8146B2 it is the complementary color #7EB94D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8146B2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8146B2 shade: #8646AD, #9758C0, #A86AD3, #B97CE6 and #CA8EF9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8146B2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8146B2 shade: #8146B2, #70349F, #5F228C, #4E1079 and #3D0066

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8146B2 shade: #8245B3, #9F45B3, #B345AA, #B3458C and #B3456F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8146B2 shade: #8245B3, #6445B3, #4645B3 and #4545B3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8146B2 shade matches the following richer shades: #8245B3, #8331C8, #851DDC and #8709F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8146B2 shade: #8245B3, #805A9F, #7E6E8B, #7C8277 and #7A9663

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8146B2 shade: #4545B3, #6345B3, #8045B3, #9D45B3 and #B345AC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8146B2 shade: #572E78, #6C3A96, #8245B3, #9661C1 and #A97FCD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8146B2 shade: #8146B2, #B34563 and #45B354

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8146B2 shade: #8146B2, #B38045 and #45B380

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8146B2 shade: #8146B2, #B34563, #79B345 and #45B396

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8146B2 shade: #8146B2, #B34945, #79B345 and #45B0B3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 61 / 0 / 30

HEX #8146B2

RGB 129 70 178

HSL 272.78, 0.44%, 0.49%

LAB 41.63, 45.38, -47.91

 

Complementary color

CMYK 32 / 0 / 58 / 27

HEX #7EB94D

RGB 126 185 77

HSL 92.78, 0.44%, 0.51%

LAB 69.23, -37.52, 47.87

 

CMYK 23 / 60 / 0 / 32

HEX #8646AD

RGB 134 70 173

HSL 277.28, 0.42%, 0.48%

LAB 41.95, 45.45, -44.41

 

CMYK 21 / 54 / 0 / 25

HEX #9758C0

RGB 151 88 192

HSL 276.35, 0.45%, 0.55%

LAB 48.72, 44.65, -44.61

 

CMYK 20 / 50 / 0 / 17

HEX #A86AD3

RGB 168 106 211

HSL 275.43, 0.54%, 0.62%

LAB 55.42, 43.8, -44.74

 

CMYK 20 / 46 / 0 / 10

HEX #B97CE6

RGB 185 124 230

HSL 274.53, 0.68%, 0.69%

LAB 62.03, 42.96, -44.83

 

CMYK 19 / 43 / 0 / 2

HEX #CA8EF9

RGB 202 142 249

HSL 273.64, 0.9%, 0.77%

LAB 68.56, 42.14, -44.91

 

CMYK 28 / 61 / 0 / 30

HEX #8146B2

RGB 129 70 178

HSL 272.78, 0.44%, 0.49%

LAB 41.63, 45.38, -47.91

 

CMYK 30 / 67 / 0 / 38

HEX #70349F

RGB 112 52 159

HSL 273.64, 0.51%, 0.41%

LAB 34.81, 46.1, -47.65

 

CMYK 32 / 76 / 0 / 45

HEX #5F228C

RGB 95 34 140

HSL 274.53, 0.61%, 0.34%

LAB 28.03, 46.43, -47.1

 

CMYK 36 / 87 / 0 / 53

HEX #4E1079

RGB 78 16 121

HSL 275.43, 0.77%, 0.27%

LAB 21.47, 45.83, -45.93

 

CMYK 40 / 100 / 0 / 60

HEX #3D0066

RGB 61 0 102

HSL 275.88, 1%, 0.2%

LAB 15.23, 43.86, -43.92

 

CMYK 27 / 61 / 0 / 30

HEX #8245B3

RGB 130 69 179

HSL 273.27, 0.44%, 0.49%

LAB 41.62, 46.38, -48.5

 

CMYK 11 / 61 / 0 / 30

HEX #9F45B3

RGB 159 69 179

HSL 289.09, 0.44%, 0.49%

LAB 45.47, 53.52, -42.13

 

CMYK 0 / 61 / 5 / 30

HEX #B345AA

RGB 179 69 170

HSL 304.91, 0.44%, 0.49%

LAB 47.93, 57.01, -32.76

 

CMYK 0 / 61 / 22 / 30

HEX #B3458C

RGB 179 69 140

HSL 321.27, 0.44%, 0.49%

LAB 46.62, 52.35, -16.91

 

CMYK 0 / 61 / 38 / 30

HEX #B3456F

RGB 179 69 111

HSL 337.09, 0.44%, 0.49%

LAB 45.62, 48.62, -0.8

 

CMYK 27 / 61 / 0 / 30

HEX #8245B3

RGB 130 69 179

HSL 273.27, 0.44%, 0.49%

LAB 41.62, 46.38, -48.5

 

CMYK 44 / 61 / 0 / 30

HEX #6445B3

RGB 100 69 179

HSL 256.91, 0.44%, 0.49%

LAB 38.23, 39.52, -54.13

 

CMYK 61 / 61 / 0 / 30

HEX #4645B3

RGB 70 69 179

HSL 240.55, 0.44%, 0.49%

LAB 35.62, 33.72, -58.5

 

CMYK 61 / 61 / 0 / 30

HEX #4545B3

RGB 69 69 179

HSL 240, 0.44%, 0.49%

LAB 35.55, 33.55, -58.62

 

CMYK 27 / 61 / 0 / 30

HEX #8245B3

RGB 130 69 179

HSL 273.27, 0.44%, 0.49%

LAB 41.62, 46.38, -48.5

 

CMYK 35 / 76 / 0 / 22

HEX #8331C8

RGB 131 49 200

HSL 272.58, 0.61%, 0.49%

LAB 39.9, 60.76, -63.57

 

CMYK 40 / 87 / 0 / 14

HEX #851DDC

RGB 133 29 220

HSL 272.67, 0.77%, 0.49%

LAB 39.64, 71.91, -75.55

 

CMYK 44 / 96 / 0 / 6

HEX #8709F0

RGB 135 9 240

HSL 272.73, 0.93%, 0.49%

LAB 40.63, 79.7, -85.29

 

CMYK 27 / 61 / 0 / 30

HEX #8245B3

RGB 130 69 179

HSL 273.27, 0.44%, 0.49%

LAB 41.62, 46.38, -48.5

 

CMYK 19 / 43 / 0 / 38

HEX #805A9F

RGB 128 90 159

HSL 273.04, 0.28%, 0.49%

LAB 44.81, 29.31, -31.63

 

CMYK 9 / 21 / 0 / 45

HEX #7E6E8B

RGB 126 110 139

HSL 273.1, 0.12%, 0.49%

LAB 48.82, 12.12, -13.58

 

CMYK 5 / 0 / 8 / 49

HEX #7C8277

RGB 124 130 119

HSL 92.73, 0.04%, 0.49%

LAB 53.58, -4.4, 5.18

 

CMYK 19 / 0 / 34 / 41

HEX #7A9663

RGB 122 150 99

HSL 92.94, 0.2%, 0.49%

LAB 58.84, -19.42, 23.77

 

CMYK 61 / 61 / 0 / 30

HEX #4545B3

RGB 69 69 179

HSL 240, 0.44%, 0.49%

LAB 35.55, 33.55, -58.62

 

CMYK 45 / 61 / 0 / 30

HEX #6345B3

RGB 99 69 179

HSL 256.36, 0.44%, 0.49%

LAB 38.13, 39.31, -54.3

 

CMYK 28 / 61 / 0 / 30

HEX #8045B3

RGB 128 69 179

HSL 272.18, 0.44%, 0.49%

LAB 41.37, 45.9, -48.91

 

CMYK 12 / 61 / 0 / 30

HEX #9D45B3

RGB 157 69 179

HSL 288, 0.44%, 0.49%

LAB 45.19, 53.02, -42.59

 

CMYK 0 / 61 / 4 / 30

HEX #B345AC

RGB 179 69 172

HSL 303.82, 0.44%, 0.49%

LAB 48.03, 57.35, -33.78

 

CMYK 28 / 62 / 0 / 53

HEX #572E78

RGB 87 46 120

HSL 273.24, 0.45%, 0.33%

LAB 27.67, 33.57, -35.2

 

CMYK 28 / 61 / 0 / 41

HEX #6C3A96

RGB 108 58 150

HSL 272.61, 0.44%, 0.41%

LAB 34.84, 39.83, -42.18

 

CMYK 27 / 61 / 0 / 30

HEX #8245B3

RGB 130 69 179

HSL 273.27, 0.44%, 0.49%

LAB 41.62, 46.38, -48.5

 

CMYK 22 / 50 / 0 / 24

HEX #9661C1

RGB 150 97 193

HSL 273.13, 0.44%, 0.57%

LAB 50.55, 39.69, -42.29

 

CMYK 18 / 38 / 0 / 20

HEX #A97FCD

RGB 169 127 205

HSL 272.31, 0.44%, 0.65%

LAB 59.91, 31.09, -34.29

 

CMYK 28 / 61 / 0 / 30

HEX #8146B2

RGB 129 70 178

HSL 272.78, 0.44%, 0.49%

LAB 41.63, 45.38, -47.91

 

CMYK 0 / 61 / 45 / 30

HEX #B34563

RGB 179 69 99

HSL 343.64, 0.44%, 0.49%

LAB 45.28, 47.32, 6.07

 

CMYK 61 / 0 / 53 / 30

HEX #45B354

RGB 69 179 84

HSL 128.18, 0.44%, 0.49%

LAB 65.08, -51.22, 39.05

 

CMYK 28 / 61 / 0 / 30

HEX #8146B2

RGB 129 70 178

HSL 272.78, 0.44%, 0.49%

LAB 41.63, 45.38, -47.91

 

CMYK 0 / 28 / 61 / 30

HEX #B38045

RGB 179 128 69

HSL 32.18, 0.44%, 0.49%

LAB 57.51, 13.37, 39.3

 

CMYK 61 / 0 / 28 / 30

HEX #45B380

RGB 69 179 128

HSL 152.18, 0.44%, 0.49%

LAB 65.8, -43.41, 16.94

 

CMYK 28 / 61 / 0 / 30

HEX #8146B2

RGB 129 70 178

HSL 272.78, 0.44%, 0.49%

LAB 41.63, 45.38, -47.91

 

CMYK 0 / 61 / 45 / 30

HEX #B34563

RGB 179 69 99

HSL 343.64, 0.44%, 0.49%

LAB 45.28, 47.32, 6.07

 

CMYK 32 / 0 / 61 / 30

HEX #79B345

RGB 121 179 69

HSL 91.64, 0.44%, 0.49%

LAB 67.08, -37.39, 48.98

 

CMYK 61 / 0 / 16 / 30

HEX #45B396

RGB 69 179 150

HSL 164.18, 0.44%, 0.49%

LAB 66.3, -38.35, 5.57

 

CMYK 28 / 61 / 0 / 30

HEX #8146B2

RGB 129 70 178

HSL 272.78, 0.44%, 0.49%

LAB 41.63, 45.38, -47.91

 

CMYK 0 / 59 / 61 / 30

HEX #B34945

RGB 179 73 69

HSL 2.18, 0.44%, 0.49%

LAB 45.33, 42.86, 24.41

 

CMYK 32 / 0 / 61 / 30

HEX #79B345

RGB 121 179 69

HSL 91.64, 0.44%, 0.49%

LAB 67.08, -37.39, 48.98

 

CMYK 61 / 2 / 0 / 30

HEX #45B0B3

RGB 69 176 179

HSL 181.64, 0.44%, 0.49%

LAB 66.19, -29.21, -10.65

 

Description

Color code: HEX #8146B2 | qconv.com Color code: HEX #8146B2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 70 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 70 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 61 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 61% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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